New Favorite Show: Anthony Bourdain’s No Reservations

Over the past few months, I’ve found a real love for Travel Channel’s No Reservations, a show featuring renowned chef Anthony Bourdain traveling around the world, sampling local food and waxing poetic about his encounters. I don’t want to paint the wrong kind of picture here. Bourdain’s no hippie beatnik, but instead a man who looks past the glossy images we’re presented of most foreign countries and instead experiences them himself through the most communal of endeavors: sharing a meal. The best episodes happen to be the ones where things don’t quite go as expected. There was one where the production crew found themselves in a country ripped apart by civil unrest or revolution (I can’t quite remember which or what country at the moment). Instead of eating his way through the area, Bourdain got to really experience what it was like to be in that kind of situation and he has such a way with words that those emotions are well conveyed to the audience.

Tonight’s season premiere found Bourdain traveling through Haiti, a country that has been devastated by both earthquakes and corrupt government. But even with all the death and hunger and poverty, as Bourdain points out, the people still seem to be in somewhat good spirits, create new art and music and do their best to keep their clothes fresh and clean. He and his fellow travelers like Sean Penn and native hosts point out that the media has a tendency to show only the awful things that have happened without 1) showing the full story and 2) doing any real good. It’s gotten so bad that the people of Haiti don’t want to be photographed, something that I haven’t seen on any of the previous episodes I’ve had the pleasure of watching. It’s a lot to take in, which is why I like the show so much. It teaches you without being too heavy handed and shows off the world in a different light than I’m used to seeing.

So good is that show, in fact, that you almost forget it’s about food, which makes it an apt choice for the Travel Channel over, say, The Food Network. Yes the food is important, but it’s more of a way to get into the lives of people instead of the main focus. But man, sometimes, No Reservations makes me HUNGRY. I mentioned that my favorite episodes tend to be the ones where things don’t go quite as planned, but that’s not entirely true. I also adore the ones where Tony, a generally cantankerous man, finds himself completely absorbed in the pleasure of enjoying food and drink with others. There was one where he was in I believe Brazil, and the episode ended with him just hanging out and enjoying some cocktails and kind of zoning out. It looked pretty fun.

Digging Double Oh Seven: License To Kill (1989)

As I mentioned the other day, I really enjoyed Timothy Dalton’s first outing as James Bond in The Living Daylights. Well, as it turns out, his second and last Bond flick is even better. Much like classic comic book characters who have lasted decades, the great thing about James Bond is that you can take the essence of his character, add some new layers to it and put him in just about any setting or situation and just watch what he does. This time around, the filmmakers seemed to be going for a completely different kind of Bond movie. Instead of the adventure turning personal as they sometimes do, the main thrust of this movie is about Bond getting revenge for his friend Felix Leiter who got fed to sharks for arresting gangster Franz Sanchez. Afterwards, Bond tells M he wants to go after the now-escaped Sanchez (he bribed a Fed) but M tells him that’s not his new assignment. Instead of doing what M says, Bond makes a break for it and starts investigating matters on his own. Heck, even the opening scene is different because you’re not seeing the end of one mission leading into another, you’re seeing Bond helping his friend catch a bad guy that directly leads to the two parachuting into the wedding (the only way Bond should ever go to a wedding, really). I mentioned in my review of TLD that Dalton brought an interesting below the surface intensity to the role that hadn’t been there with such force previously. He really gets to work with that this time around. Watching the movie, you never once forget that he’s pissed off at his friend’s assault and wants revenge.

But don’t think this is a Bond movie completely without it’s little joys. Q shows up at Bond’s hotel room and hooks him up with some gadgets, but also gets to play field agent a bit for only the second time in the series (the first was in Octopussy) which is always a hoot. Desmond  Llewelyn brought such charm to these movies. I still miss him even though John Cleese is a good replacement. The movie also features one of the more able Bond girls in Carey Lowell’s Pam Bouvier. Sure she has a thing for our hero, but she also manages to pull her own weight for possibly the first time in the series. It also helps that she’s a strange mix of adorable and sexy that draws one’s attention to the screen. The film also has it’s fair share of action scenes, two amazing ones bookend the movie and involve everything from drugs and planes to gas tankers and fire, just to give you an idea.

I also had a good time celeb-spotting in the movie. Sanchez is played by now-veteran character actor Robert Davi and his henchman Dario is a young but super-intense Benicio del Toro. Twin Peaks‘ Ed Hurley better known as Everett McGill plays the turn-coat federal agent. The gorgeous Priscilla Barnes has a small part I don’t quite want to ruin. And other character actors like Grand L. Bush, Cary-Hiroyuki Tagawa and Frank McCrae, all dudes you would recognize after checking them out on IMDb, I guarantee.

Finally, it was fun watching the shark and fish warehouse scenes because those bits were taken from the book Live And Let Die, which I have actually read. I mentioned it earlier, but I think it would be cool for someone to edit together parts from existing Bond movies that create a more faithful adaptation. Fun stuff. I haven’t read the IMDb Trivia on this movie yet, so I’m curious to find out why Dalton didn’t come back and what lead to the longest gap between Bond movies yet. More on that next time!

Adventures In Freelancing: 5 Things I Miss About Working In An Office

After “How’s that freelance writing thing going?” the most popular question I get from people is “Do you miss working in an office?” My usual answer is “I miss working with the cool people I’ve worked with over the years, but I prefer working from home.” I really do love being a freelancer and the freedom it brings. I can get up whenever I want and go to sleep when I want (though that freedom will disappear for a while once the baby is born, I assume). Plus, on days when I’m feeling a little more shut-in than I prefer, I can always run over to the coffee shop, get some amazing coffee, tea or a chai latte and talk with the always-friendly baristas. But, if I’m being completely honest with myself there are some things I do miss about working in an office. Here are five of them.

1. Being Able To Blame Someone Else For Getting Me Sick
Seeing as how I only have regular contact with one person (the missus), it’s really easy to figure out who got me sick. When you work in an office there’s always someone who may or may not have gotten you sick, but working from home narrows the possibilities down pretty substantially.

2. Work Parties
Around Christmas time, I actually got pretty bummed out because my company party consisted of the cat and I watching Silent Night, Deadly Night with a Coors Light at 3:30 p.m. on a Friday. Hearing the missus come home talking about how she could hardly get her work done because of all the holiday parties she had to attend didn’t help. It brought back fond memories of the occasional holiday party or the company picnic that gave me my last opportunity to play football. Plus, getting a little (and sometimes a lot) buzzed on the company dime was always a lot of fun.

3. Free Donuts
I’m not the biggest fan of sweets in the world, but I do love a simple glazed donut. I miss that thrill of the chase when word got around that free food/candy/donuts were on the water cooler. If you weren’t quick, you weren’t getting a treat (at least in the days when there were more than a dozen people in the office). The other day, I got a real hankering for donuts and realized it was because I hadn’t had one in quite a while. I guess I could start taking advantage of the Dunkin’s right down the street, but food always tastes so much better when someone else buys it.

4. Lunch
I was lucky enough to work with some great people, so our lunch time was actually a lot of fun. We’d either all get together in the office’s lunchroom and talk about comics, TV and life or all head out to a singular location and do the same there. Lunches got a little thin there for a while, but once we moved down to the city I found myself surrounded by a lot of those same people. Sure, not every lunch was amazing, but it was nice to know that I could see some friends and get some interesting food. Now, lunch is just another way to get food in me so I don’t pass out. Without other people involved, I have a tendency to forget to eat until late int he day, which leaves me lightheaded.

5. Free Stuff
Between the free table, people getting rid of their stuff and the constant flow of things into our office, there was always something being offered to you that you’d otherwise have to pay for. In addition to that, we had access to one of the largest comic book and trade paperback libraries around (I’ve never seen a bigger one personally, but I’m sure they’re out there) with nearly every comic printed coming in every week. This might sound strange or greedy, but it’s not easy going from unlimited access to none. I think I’m finally done with the withdrawal that came after that, but I do miss being able to keep up on all the comics I cared about and getting the occasional free action figure. On the flip side, I also miss having a place to get rid of some of my comics. You’d be surprised at how hard of a time I’ve had getting rid of a longbox I’ve had in the backseat of my car for months.

Digging Double Oh Seven: The Living Daylights (1987)

For some reason, I thought Timothy Dalton was in a lot more Bond movies than just two. I think it’s because he was the guy playing James Bond around the time I was starting to gain a foothold in pop culture mountain. If you’re wondering Sean Connery was in six official movies and one extra, George Lazenby has the fewest with one, Roger Moore did seven, Dalton was in two, Pierce Brosnon has four under his belt and, so far, Daniel Craig has done two with another in the works. After thinking that Moore was getting a bit old to be playing an international action hero, I was glad to see that I enjoyed the younger and more mysterious Dalton in the role. He brings something extra to Bond, a kind of brooding intensity that Connery hinted at, but Dalton really nails. Even though he’s obviously a younger actor than Moore, it still feels like, as a character, he’s still gone through all the things that the character did when previous actors played him. This isn’t a simple, good guys versus bad guys story either as allegiances are questioned, orders are ignored and traitors are dealt with.

But, hey, it’s not all brooding intensity, there’s also a lot of fun to be had in the movie. The beginning starts with a training session that very creatively reveals our new Bond (three Double Ohs who we can’t see are sent on the mission, as the game continues we see that one looks kind of like George Lazenby, the other like Roger Moore and then finally we see Dalton), then we see Bond getting out of Russia thanks to a pneumatic tube that takes him into a lab where Q’s people are testing a ghetto blaster that actually shoots rockets. He even calls it a ghetto blaster! I know some people think that kind of stuff is cheesy and it is a little, but it’s also a ton of fun and one of the elements I missed when watching Craig in Casino Royale the one and only time I watched that movie. Ideas like that are continued to a mansion where M and some other folks are having a meeting and the gardener outside has a rake that acts as a metal detector. Again, it might seem corny, but real spies have often benefited from hiding important tools in everyday items.

I have a tendency to miss some of the details when watching these movies (and most movies, really) because I’m almost always doing something else, usually on the computer. Great movies completely pull me away from the computer and draw me in, most movies draw me in for the interesting bits, which this flick had a lot of. But, because of my poor attention, I missed some of the broader plot strokes. Here’s the deal though, Bond was supposed to help a Russian general defect, but it’s really all a ruse. There’s also a cellist acting as an assassin, an actual assassin called Necros and John Rhys-Davies as a framed Russian. Oh Joe Don Baker’s up this piece too as an arm’s dealer. The movie hops from Tangier to Afghanistan and there’s a scene with Bond and Necros fighting on a net holding opium dangling from the back of a plane in flight. It’s pretty rad. Okay, I guess I’m not really sure what the overall plot of the movie, but it was pretty fun regardless. My only problem with the movie? I didn’t like the cellist played by Maryam d’Abo nor did I like how much Bond seemed to fall in love with her. It never ends well when Bond’s really into a woman (see the novel version of Casino Royale or On Her Majesty’s Secret Service). But, to make up for that, we get to see Bond at a carnival, so that’s a bonus. Looking forward to the next and last Dalton Bond movie!

Casting Internets

First up, go check out my new toy blog called Toy Chest Central.

I really enjoyed this CBR interview with Judd Winick about Justice League: Generation Lost. I haven’t read the last few issues of that book, but I was digging what I read. I’m excited to catch up in trades. I’m getting really excited to see Sucker Punch. The trailer’s been all over TV and then you’ve got these awesome retro pin-up style posters as seen on /Film. As you might expect, I’m a big fan of Jason Chalker‘s James Bond posters. You can see the one for Dr. No here and follow the link to see his take on Goldfinger.

I’m disappointed to hear that DC’s First Wave line is getting the axe. I liked that they didn’t try to cram characters like The Spirit or Doc Savage into the regular DCU even going the other way and including different versions of DC characters in this new pocket universe. The problem to my mind is that they expanded too quickly and had trouble getting the First Wave series itself out on time. Bummer. (via The Beat)

I haven’t been watching Jimmy Fallon much, so I’m thankful to Rolling Stone for posting a link to this video of Bell Biv DeVoe and The Roots performing “Poison” on his show. This song took on new significance when I got to Wizard and started hearing it at the bar every time we went out. Then, even more a few years later when I saw Skeletor perform it in Philly. Good stuff.

According to Comic Book Legends Revealed, Alan Moore wrote a BJ & The Bear comic (sorta). That. Is. Awesome. This is also awesome. (via Progressive Ruin)

I finally got around to reading this Rolling Stone piece written by Mikal Gilmore about hanging out with The Clash in 1979. Then RS talked to Gilmore about talking to The Clash back then. Both are worthwhile reads.

Maybe we’ll finally get Kill Bill The Whole Bloody Affair now that /Film says it’ll be playing at the New Bev in LA. I’ve been holding off on buying those flicks, which I love, in hopes of getting that version.

This is my all time favorite photo of The Ramones (via Only The Young Die Young)