Once I decided to dive into Brian De Palma’s films as part of It’s All Connected 2020, I had to figure out which ones leaned towards horror and which of those happened to be streaming right now. That got me to 1980’s Dressed To Kill which is currently on Amazon Prime. Now, compared to Phantom Of The Paradise, Carrie and The Fury, this film might just barely qualify as horror (most would probably go with the “thriller” label), but it certainly got me thinking, so here goes!
How do you go through a particular artist’s work when you want to absorb it all? I take a variety of paths, sometimes trying to go through the efforts chronologically, other times by theme or subject. With Stephen King’s books, I’m a bit more willy nilly! I’ve read a good number so far and have purchased even more, so I often find myself staring into my horror To-Read box wondering which King to tackle next. Though I still have his latest, If It Bleeds, to devour, I decided to dip into the box and chose 2001’s Dreamcatcher for two reasons: one, it’s long and two, I heard it wasn’t very good. Luckily, I was wrong about one of those things!
Every Halloween (or Scare Season, if you will), I find myself taking on some kind of film-based project, but also trying to read through as many horror-themed books and comics as I can. Last year, I focused solely on Vertigo titles, but this year I’m mostly pulling books off my shelf or out of my To Read box. Of course, I’m always looking around to see if there are any books I just NEED to add to my library, though. While scoping out Amazon, I came across two volumes of Batman By Doug Moench and Kelley Jones. I was immediately interested and began comparing prices when I realized, “Hey, I have these issues in the garage!” As you can see from the above pic, that proved to be true and I saved myself some scratch and also had a far more immediate dive into some very important comics from my childhood!
I was pretty excited when I realized that my previous It’s All Connected 2020 selection, Phantom Of The Paradise, was directed by Brian De Palma. As I mentioned in that post, I’ve seen a few of his movies, but none of his horror pictures, aside from Carrie. As it happened, I was able to find many of his films from the 70s and 80s streaming, so I went through parts of his filmography in chronological order for a bit, moving into 1978’s The Fury after Paradise.
So far, I’ve spent the most time trying to figure out where to go from TerrorVision during It’s All Connected 2020. I’d love to watch Ted Nicolau’s Subspecies, but couldn’t find a reasonable way to get my hands on it. With that, I began falling down IMDb rabbit holes. I could have gone with another Mary Woronov picture, but then I opened up Gerrit Graham’s page and one film jumped out at me like a cat in the ubiquitous slasher fake-out scene: Phantom Of The Paradise! It just so happened that I picked that film up on Blu-ray from Scream Factory in the past few years, so I had easy access!
In addition to reading horror novels like Stage Fright (and many more to come) and falling down the It’s All Connected 2020 rabbit hole, I’m also doing my best to read through some of the spookier comics I have access to. I feel very lucky to have my entire comic collection all in one place, but also some nice shelves my dad and I built in thee garage so I can actually get to them! With that in mind and in the spirit of not going out because we’re in the middle of a pandemic, I’ve gone through my existing comics, my trade shelf and even my To Read boxes and pulled out a huge pile of comics I want to read! Let’s see how that goes!
Having watched Night Of The Comet, I found myself wondering what to watch next for It’s All Connected 2020. Unlike with everything else going back to Return Of Swamp Thing, I didn’t have an instant path I wanted to follow. And then I started going through the excellent Mary Woronov’s filmography and a somewhat new old favorite jumped out at me: TerrorVision!
Immediately after finding my way to the excellent Valancourt Books while reading Paperbacks From Hell, I became enamored with the publisher and their PFH label. I’d missed the first ten entries (though I’m going back and picking them up as I make my way through the series), but I didn’t want to miss out on future installments, so I jumped at the chance to pre-order the next one they announced: the 1988 horror-sci-fi-action-thriller Stage Fright by Garrett Boattman. I mean, just look at that cover!
As soon as I decided to watch my previous entry, Chopping Mall, I instantly knew that I would follow it up with Night Of The Comet, also starring the fantastic Kelli Maroney. Back when I worked at Wizard, a bunch of us would get together for movie nights. For one of them — dubbed Night Of The Living Nights — we watched Night Of The Comet, Night Of The Creeps and Nightbreed, all of which were firsts for me! I’ve seen all three again since then with mixed results. Creeps just is not for me (Atkins’ cartoon detective character is a real bummer) and I just saw the director’s cut of Nightbreed just last year. Now it’s time to talk Comet!
After liking Jim Wynorski’s The Return Of Swamp Thing, one film jumped out to me in his filmography: Chopping Mall! It is befuddling to me that I have yet to write about this film on here, though Mr. Dastardly and I did cover it on our short-lived double feature podcast. It’s an easy favorite from this era that I discovered well after the fact. I’m not sure how hard it is to get your hands on the Lionsgate Vestron Blu-ray, but I recommend it!