Hi there cats and kittens, this week’s episode of The High Five podcast gets hep with a quintet of musicals from the 1980s that have roots going back to the 1950s! We have Happy Days and Grease to thank for these, plus the eventual power that kids who grew up in that older decade had in the latter one! This one was a real wild trip, but I had a gas putting it together!
Oh and if you want to list to the Spotify playlist I put together based on some of these films’ soundtracks, check it out!
Here’s a few cool pieces of Little Shop Of Horrors art too!
On this week’s High Five Podcast I’m celebrating five fantastic female horror directors making awesome movies right now! The list includes Anna Biller, Ana Lily Amirpour, Natalie Erika James, Jennifer Kent and Karyn Kusama, five of the best the genre — and many others — have to offer right now!
I threw all my plans out the window when I got a very cool package in the mail from a cool PR person! As a result, you’ll have to wait to find out more of my favorite 2020 film experiences and instead dive into my all-time favorite body swap stories from TV, animation, movies and comics!
Several years ago, I watched the 1981 film Ghost Story and discovered a subgenre I now love: Old Guy Horror. I’m not sure if anyone else uses that term, but to me, it’s any horror flick that features three or more horror greats all performing in the same story (ie: anthologies don’t count, sorry Monster Club, you’re still great for other reasons). A few years later, I came upon my favorite example: House Of The Long Shadows from 1983! This picture features…wait for it…John Carradine, Peter Cushing, Christopher Lee and our old buddy Vincent Price! I’m not even going to mess around, you should definitely watch this movie just as I did for It’s All Connected!
As soon as I decided to watch my previous entry, Chopping Mall, I instantly knew that I would follow it up with Night Of The Comet, also starring the fantastic Kelli Maroney. Back when I worked at Wizard, a bunch of us would get together for movie nights. For one of them — dubbed Night Of The Living Nights — we watched Night Of The Comet, Night Of The Creeps and Nightbreed, all of which were firsts for me! I’ve seen all three again since then with mixed results. Creeps just is not for me (Atkins’ cartoon detective character is a real bummer) and I just saw the director’s cut of Nightbreed just last year. Now it’s time to talk Comet!
After liking Jim Wynorski’s The Return Of Swamp Thing, one film jumped out to me in his filmography: Chopping Mall! It is befuddling to me that I have yet to write about this film on here, though Mr. Dastardly and I did cover it on our short-lived double feature podcast. It’s an easy favorite from this era that I discovered well after the fact. I’m not sure how hard it is to get your hands on the Lionsgate Vestron Blu-ray, but I recommend it!
Alright gang, I know it’s almost February of 2020, but I still have a Best of 2019 post or two I want to get out before moving on! I’ve already covered old and new horror films, but I saw a lot of other flicks this year that I at least want to say a few words about. So, I’m going to do exactly that and run down a whole slew of movies and just say a few sentences about what I dug! LET’S. GET. INTO IT!
Over the weekend I found myself in an increasingly rare place: looking for something to watch on a Saturday night. Of course, I flipped through Netflix, Amazon Video and Hulu trying to figure out what to watch, but it was a trip to my trusty DVD rack that finally helped me figure out what to put in my brain: Vincent Price flicks!
In addition to making my way through a lot of films in the Great Chronological Slasher Franchise Project (which I will post an update on shortly), I also dug into a nice mix of purchased Blu-rays, gifted DVDs and streaming offerings in 2018! To my surprise and delight, I actually came across some movies that have become favorites easily making their way into my collection. You gotta hit that jump to find out what they are, though!
I haven’t done a lot of blogging this year, but, don’t worry, I’ve still been watching a ton of movies! I’ve even been keeping track of everything I’ve watched or read in a pair of Composition Note Books that I’ve (not so) cleverly dubbed Pop Notes. Thanks to them, I’m pretty confident looking back at the year and piecing together thoughts on some of my fave film-watching experiences (minus horror, which will get a list or two of their own). This one’s pretty long, so hit that jump and get into it!