When it comes to straight-ahead likeable action stars, few have done it better than Jackie Chan. He built up an incredible body of work before breaking through in the U.S. which meant that, for many of us, we could start off with something like Rumble In The Bronx and then go on to discover the Armor of God or Police Story movies. He’s even carried his unique brand of humor and still-impressive action into more recent films like the incredible Chinese Zodiac. However, thanks to a review Blu-ray of The Foreigner, I now see him in a very different light.
Happy New Year everyone. I decided to celebrate by compiling a series of lists celebrating my favorite films and shows of 2017. Sounds like pretty standard stuff, right? Yup, totally. However, these lists will include not just new films from last year, but new-to-me ones that I enjoyed. This one celebrates the glory of big screen blockbusters, most of which I saw on the small screen because, you know, kids.
First off, I’d just like to reiterate how much I enjoyed Gareth Edwards’ Godzilla (2014) and San Andreas (2015) from director Gary Peyton. I had a great time watching both of those movies earlier this year and highly recommend checking them out if you’re looking for big budget disaster fare. I also had a silly amount of fun watching Vin Diesel in 2015’s The Last Witch Hunter helmed by Breck Eisner. I think this will make a great weekend movie tune-in type of movie.
Well, here I am about a week away from Christmas and I find myself watching even more holiday themed horror flicks. I posted about Red Christmas and A Christmas Horror Story last week and have been going through plenty of others since then.
I’m a big fan of Silent Night, Bloody Night, but for some reason that movie doesn’t work its way into my brain very well and I can never remember it. I also watched Black Christmas which completely failed to grab my attention. I was distracted, so maybe I’ll come back to that one again next year.
From there I dipped back in to favorites like Gremlins and Rare Exports and now I’m looking at a few other new ones. As an unexpected and early Christmas gift, Netflix double shipped me two films this week: Better Watch Out and Dick Maas’s Sint, two films that held plenty of surprises.
Not a day goes by that I don’t think,”Gee, I should blog about this thing I just read, watched or saw that I really dig.” For me the reason for this blog is two-fold. First, I want to let people know about cool things that they might also enjoy. The second is as a kind of pop culture digital back-up memory. With both goals in mind, I think I’ll take to this format of quick hits every week (maybe, we’ll see).
I realized somewhat recently that I don’t write about big time, blockbuster type movies on here very much. Partially, that’s because I haven’t been writing about much of anything, but also because I sometimes don’t feel like I have a lot to say about films of that ilk. For me, this blog doubles as a kind of digital, poorly edited external hard drive for the things I’ve watched or read, but it’s also a way to tip people off to things that are fun. Considering the latter, it might not seem like Godzilla and San Andreas need a signal boost from a guy without a lot of readers, but I really enjoyed both films, so what the heck?! Continue reading Disaster Double Feature: Godzilla & San Andreas
After realizing that the Fast & Furious movies are the best superhero films around, I’ve developed a new appreciation for Vin Diesel. He’s not the best actor in the world, but he’s pretty damn good at doing his thing (knowing looks, confidence, being huge, driving cars, saying “I am Groot,” etc). With that in mind — as well as a few How Did This Get Made? episodes focusing on his films — I decided to give The Last Witch Hunter a watch. I remember hearing exactly nothing about this one when it came out and you know what? I kinda liked it a lot. Continue reading We Want Action: The Last Witch Hunter (2015)
A few weeks ago, I found myself alone in the house for a full weekend. That’s never happened before, so I grabbed my giant movie binder and dragged it into the living room along with a stack of films I’ve had sitting around for a while.
I’d gotten a copy of Jeremy Saulnier’s Green Room when it was released on Blu, but wound up not having a place to cover it. I also felt strange about it after the passing of Anton Yelchin, an actor whose work I’ve really grown to appreciate over the years. I also knew this was one of the more intense films of the year and wasn’t sure if I had it in me. Well, when I was alone, I felt like challenging myself and finally put it in. Continue reading Jeremy Saulnier Double Feature: Green Room & Blue Ruin