I’ve had a lot of good luck when it comes to entertainment choices lately and wanted to talk about them all in one place! First, let’s talk about comics. In addition to reading a ton of Guardians of the Galaxy and monster comics for Marvel.com I’ve also been going back through the 90s Aquaman series (which will get a post of its own soon) and also the first two volumes of Paper Girls from Brian K. Vaughan, Cliff Chiang and Image Comics. Continue reading My New Favorite Things: Paper Girls, Greydon Clark & Box 13
Back when I worked at Wizard, I found a batch of Black Bull trades that were up for grabs. If you’re unfamiliar, that was the short-lived comic company created by the higher ups at Wizard. I haven’t read anything but the two Just A Pilgrim books, so I can’t speak to the overall quality of the line, but I liked these Garth Ennis and Carlos Ezquerra stories! Continue reading Trade Post: Just A Pilgrim, Criminal & Martian Manhunter
I was on a pretty bad streak when it came to trades from the library. Unfortunately, a lot of them just weren’t my cup of comic tea and then I got the first two Velvet trades by Ed Brubaker and Steve Epting, the team that launched the iconic and fantastic Captain America.
This Image series follows the title character, a spy-turned secretary-turned fugitive named Velvet who gets framed for the murder of a secret agent she had a history with. As the two volumes progress, we find out more and more about Velvet, the people chasing her and what happened in the past to lead to all this chaos. Continue reading Rad Lady Trade Post: Velvet, Gotham Academy & Hellcat
So many trades, so little time so let’s jump right in! A friend of mine suggested I check out Tokyo Ghost, which didn’t take too much pushing because I love Sean Murphy’s artwork in books like The Wake, Punk Rock Jesus and Joe the Barbarian and I’ve always thought that Rick Remender’s stories work better in worlds that he fully creates and that’s exactly what you get with Ghost. Continue reading Trade Pile: Tokyo Ghost, Sonic/Mega Man & Big Thunder Mountain Railroad
Back when I started working for CBR, I covered Image Comics. It was a wild time when new creators were rolling in and producing these great creator-owned books. A lot of them have gone on to work at Marvel where I now interview them for that company’s website. I’ve since switched beats and now cover BOOM! Studios and IDW so I’ve lost touch with some of the books that everyone’s talking about and digging like Wayward and Descender. Continue reading Image Trade Post: Wayward & Descender
Brian K. Vaughan’s one of those comic writers who might not hit a grand slam every time, but he sure seems to swing for the fences. Saga, Runaways and Y: The Last Man are amazing pieces of long-form comic book storytelling. I’m not the biggest fan of how Ex Machina came to a close and Pride of Baghdad isn’t my thing, but the way this guy attacks his ideas and collaborates with his artists just blows me away every time even if the story isn’t fully up my alley.
So, of course I was interested in checking out The Private Eye, a pay-what-you-want, digital-first series he created with Doctor Strange: The Oath artist Marcos Martin for Panel Syndicate, the company they also started. I actually ready the first issue or two a few y ears back when I had the pleasure of interviewing BKV for CBR, but fell off a bit. When the collection, printed by Image, appeared on the library website, it was an easy request. Continue reading Trade Post: The Private Eye
Batman Vol. 5: Zero Year – Dark City (DC)
Written by Scott Snyder, drawn by Greg Capullo
Collects Batman #25-27, 29-33
I continue to fully enjoy Scott Snyder’s run on Batman for DC’s New 52 initiative. A while back I briefly talked about reading the first entry in the Zero Year story. I get that diehard Batfans don’t like how much he and artist Greg Capullo are straying from the origins laid down by Frank Miller in Year One, but I heard an interview with him somewhere where he said that he was equally freaked out by the idea, but was encouraged by editorial to blaze a bold new trail for a new universe. Thus was born Batman’s earliest adventures in a flooded Gotham City run completely by the Riddler.
While the previous volume felt a little more straightforward, I really enjoyed how Snyder played out the mystery of who Dr. Death is (and why he does what he does) while also laying down Riddler’s plans for keeping Gothamites docile. I appreciated that this story felt somewhat familiar — like No Man’s Land or Dark Knight Rises — but also blazed its own trail, kind of like a jazz solo in the middle of a standard (or maybe a familiar tune in the middle of a crazy jazz composition).
I also appreciate how Snyder disseminated the information throughout these issues, though I fully admit that they would have been lost on me had I read this book in monthly issues. All those little bits and pieces about how Dr. Death ties back to Bruce Wayne were super neat and compelling, but I doubt I’d be able to remember them over the span of eight months or so. This is why I love trades.
You also can’t talk about Batman without talking about Greg Capullo. I never read his Spawn stuff, but he just seems so perfect for Batman. I’m glad he and Snyder have been able to keep this run going together because it lends such a specific visual to this new take on Batman. They remind me of one another and pair so well that it feels like a complete thing made by two creators at the top of their game. The colors by FCO Plascencia are also off the wall in the best way possible. So bright and crazy at times and so subdued at others.
Batman Vol. 6: Graveyard Shift (DC)
Written & drawn by a lot of folks including Scott Snyder & Greg Capullo
Collects Batman #0, 18-20, 28, 34, Annual #2
While the previous five volumes of this collection all tell an increasingly c0mplex and cohesive story, Graveyard Shift brings together a variety of tales told in that time and during Batman Eternal, a weekly comic that was set in the present while “Zero Year” took us back to Batman’s earlier days. So, as you might expect, this book doesn’t have the feel of the previous one (especially because Snyder’s joined by a series of other writers and different pencilers plying their craft).
Even so, it’s impressive that this all still feels like part of the larger Gotham City Snyder and Capullo have been working on so far. In that way, it feels a bit like an anthology whereas the others are part of a sequential story. Oh, also, many of these stories take place after the much publicized death of Damian Wayne, which I haven’t read yet, but obviously knew about.
Personal highlights include Bruce Wayne testing his Batarangs in a flashback on the roof before Gordon pops up to ask him some questions, more Harper Row, Clayface drawn by Capullo, the nod to the Batman Beyond armor, Superman’s appearance, Mateo Scalera’s art and Batman’s new accomplice inside Arkham.
My only complaint about this collection comes from my weird need to know where every story actually comes from. They’re all credited as they begin, but they skip over which issues they first appeared in. That’s a pet peeve of mine (as is a trade filled with non-consecutive stories/skipping stories as they were originally published) but I still enjoyed the experience of looking at Gotham from a different angle, something I’m also experiencing in my re-through of Batman Eternal.