I watch a lot of horror movies, as you probably know. I stumble upon some of them on Netflix, Hulu or Amazon Prime, while others I’m given by friends or hear about on the fantastic Shock Waves podcast. In 2017, I also had the pleasure of writing for Blumhouse.com which lead to plenty of great viewings for fun and profit.
Well, here I am about a week away from Christmas and I find myself watching even more holiday themed horror flicks. I posted about Red Christmas and A Christmas Horror Story last week and have been going through plenty of others since then.
I’m a big fan of Silent Night, Bloody Night, but for some reason that movie doesn’t work its way into my brain very well and I can never remember it. I also watched Black Christmas which completely failed to grab my attention. I was distracted, so maybe I’ll come back to that one again next year.
From there I dipped back in to favorites like Gremlins and Rare Exports and now I’m looking at a few other new ones. As an unexpected and early Christmas gift, Netflix double shipped me two films this week: Better Watch Out and Dick Maas’s Sint, two films that held plenty of surprises.
I’m pretty bummed that Blumhouse.com went through whatever changes they did because that means I can’t parlay my weird predilection for watching new Christmas horror films into cash. However, that hasn’t stopped me from continuing this yearly tradition. This year, I’ve checked out some classics like Silent Night, Deadly Night 2 and Gremlins, but also a few newer entries.
First off, I watched an Australian horror film called Red Christmas by writer-director Craig Anderson. I heard them talk about this one on the last episode of Shock Waves (#76 if you’re curious) with co-host — and my former BH.com editor — Rebekah McKendry saying it was bad and guest Brian Collins of Horror Movie A Day fame saying he kind of liked it.
Anyone even remotely familiar with this blog and my tastes will know that I have a lot of love for stories revolving around kids dealing with enormous dangers they have no business getting involved with. Most of my favorites harken back to my days of watching movies like Goonies on TV and the like, but I’ve been lucky enough to discover a few new ones as the years have rolled on. I want to say Cloak & Dagger was the last, but now we can add Dick Richards’ Death Valley to the list! Continue reading Halloween Scene: Death Valley (1982)
It sure is a great time to be a fan of 80s and 90s pop culture. Not only did we get to enjoy all that great stuff as kids, but we’re also seeing fellow fans create works based around many of the artifacts of our youths. The film Beyond The Gates, written by Jackson Stewart and Steve Scarlata with the former directing, fits very much into that category and I had a great time watching it on Netflix. Continue reading Halloween Scene: Beyond The Gates (2016)
While scoping out the recent Netflix additions the other day, I stumbled upon a film called The Disappointments Room. I’ll admit, I was first drawn by the seemingly bad grammar, but then found myself curious about the film because it stars Kate Beckinsale and features a secret room in a big old house. I’m more a fan of the actress from her appearances on talk shows than her films, but figured I’d give it a shot. Plus, I’m a suck for big, old house movies filled with secrets. Continue reading Halloween Scene: The Disappointments Room (2016)
After enjoying Mario Bava’s Hatchet For The Honeymoon so much, I decided to jump right into Lisa And The Devil (Lisa e il diavolo) because, well, that title is amazing.
I will admit right away that I watched this movie over several days because I kept falling asleep after only getting about 20 minutes in. I almost quit on it actually because it was moving a bit slowly and I honestly wasn’t sure if I’d retain enough of it to give a solid review. Then, I went back a bit and played it during the day while working and, well, it got awesomely crazier! Continue reading Halloween Scene: Lisa And The Devil (1973)