Last year I found myself in a strange place heading into the Halloween season, which for me usually starts sometime in September. In years past, I’d written posts about various movies and franchises for the dearly departed Topless Robot/Robot’s Voice site. I loved poring over these films, taking notes and then figuring out the best way to present them to an audience.Oh do go on
All in all, I had pretty great luck with newer horror films during 2017, as I wrote about in a post last week. When it comes to older films, especially horror ones, I tend to have lower — or at least different — expectations. If a movie’s off-the-wall bonkers, but made with effort, I’ll probably love it. That accounts for about half of the movies on this list. However, I also discovered a few that I now very much consider new-to-me classics that I hope to watch again and again. To find out which ones, you’ve got to hit that jump!
I’m pretty bummed that Blumhouse.com went through whatever changes they did because that means I can’t parlay my weird predilection for watching new Christmas horror films into cash. However, that hasn’t stopped me from continuing this yearly tradition. This year, I’ve checked out some classics like Silent Night, Deadly Night 2 and Gremlins, but also a few newer entries.
First off, I watched an Australian horror film called Red Christmas by writer-director Craig Anderson. I heard them talk about this one on the last episode of Shock Waves (#76 if you’re curious) with co-host — and my former BH.com editor — Rebekah McKendry saying it was bad and guest Brian Collins of Horror Movie A Day fame saying he kind of liked it.
Well, Halloween is just barely in the rearview, so it’s the perfect time to not only call another meeting of The Midnight Comic Club to order, but also talk about comics based on one of my all-time favorite horror franchises Halloween!
I’ve written a ton about my relationship with these movies here and there on this blog, most recently here. That might help give a little more context to the episode as it goes. Also, if you’re curious, like I said in the intro, these issues are very hard to find for a reasonable price, so happy hunting if you’re interested. Without further ado, here’s the episode.
Here’s the Stefan Hutchinson JoeBlo interview I mentioned.
If you’re wondering why I don’t mention the artist of Halloween III: The Devil’s Eyes, it’s because he’s a gross dude whose name will not be mentioned here. I didn’t realize it when I recorded the episode itself, otherwise, I would have probably approached it differently.
Anyone even remotely familiar with this blog and my tastes will know that I have a lot of love for stories revolving around kids dealing with enormous dangers they have no business getting involved with. Most of my favorites harken back to my days of watching movies like Goonies on TV and the like, but I’ve been lucky enough to discover a few new ones as the years have rolled on. I want to say Cloak & Dagger was the last, but now we can add Dick Richards’ Death Valley to the list! Continue reading Halloween Scene: Death Valley (1982)
A few weeks back, I was trying to think of some Stephen King books to listen while driving out to Ohio to hang out with my friends from home for a weekend. Last year, I was elated with my choices of Joyland and Revival (a book I STILL think of several times a week) and hoped to have an equally great experience this time around.
After kicking around a few ideas, I settled on getting Desperation and Regulators because I read that they play well off of each other. Unfortunately, between then and leaving on the trip, we got two feet of snow and the requests didn’t come in. So, I went to the actual library and grabbed a pair of his short story books in audiobook form: Just After Sunset and The Bazaar Of Bad Dreams. Continue reading Riding With The King: Just After Sunset (2008)
If you’re keeping track, and I’m not sure why you would be at this point, I’m still muddling through Stephen King’s The Stand. And yet, I stray away from time to time to check out other books like Jason Zinoman’s Shock Value, which I stumbled across while looking for various horror films in my library’s database. With a subtitle like How A Few Eccentric Outsiders Gabe Us Nightmares, Conquered Hollywood, And Invented Modern Horror, how could I not bite, especially around Halloween! Continue reading Halloween Scene: Shock Value By Jason Zinoman