Earlier this week, I wrote about how reading the excellent Paperbacks From Hell lead me to the delightfully gnarly Valancourt reprint of The Nest by Gregory A. McDonald (actually Eli Cantor). During the time it took me to actually read the book, I stumbled across the fact that a film was made of the 1980 book in 1988. I was admittedly skeptical as the novel features large, but not movie-humongous insects systematically attacking, killing and stripping humans for parts. I haven’t seen a lot of killer bug films, but the ones I had usually relied on forced perspective to make the diminutive members of Club Earth gigantic. How would director Terence H. Winkless deal with that in a film adaptation?
I’m not sure about anyone else out there, but I’ve always found myself drawn to certain characters in comics and repelled by others based on nothing more than their designs. I’ve read very few Creeper comics, but can say that he’s absolutely one of my favorite characters based solely on design and aesthetics. As a kid coming up in comics fandom in the 90s, I saw a lot of darker themed characters that I did not want anything to do with. One of those characters was Venom. Back then, the large-tongued symbiote muscle man was the king of of the edgy miniseries and I was admittedly a bit nervous about his whole deal (which, as a die-hard DC fan, I only really knew about from looking at covers and reading Wizard). The great thing about being a human, though, is that we can grow past our early thoughts and evolve into new people who are ready, willing and able to read Venom comics (that’s what evolution’s all about, right?).
I love that feeling when you just click with a director’s work. You see a film or two and then find yourself obsessed with tracking down all of their flicks (preferably on pristine Blu-rays chockablock full of features) and putting them in your eyeballs. I’ve had that with Larry Cohen, but it took a bit longer to reach full-on “gotta watch them all” mode. It turns out that Original Gangstas (his last feature) was the first one I saw back in 2009. A few years later, I checked out The Stuff and really liked it, but it was Q that hooked me! Since then, I’ve been slowly keeping an eye out for his films from the various boutique Blu-ray companies. Recently, I was able to pick up two from Olive Films through a DeepDiscount sale which were both rad in their own ways.
Yesterday I knocked out eight or so quick hits of movies I enjoyed in 2019. I should have mentioned in that first post that I’m talking about movies I watched in that year, not necesarily movies that came out in said year. If that were the case, I probably wouldn’t have much to write about as someone who mainly gets their entertainment from Netflix (digital AND disc, like an O.G.), Amazon Video, the library and Hulu! Let’s get back to it!
Alright gang, I know it’s almost February of 2020, but I still have a Best of 2019 post or two I want to get out before moving on! I’ve already covered old and new horror films, but I saw a lot of other flicks this year that I at least want to say a few words about. So, I’m going to do exactly that and run down a whole slew of movies and just say a few sentences about what I dug! LET’S. GET. INTO IT!
Okay, so I already talked about by favorite older horror movie experiences of last year, so now it’s time for the newbies! I rarely see horror films in the theater, but do try to keep up on the new hotness mainly by listening to Shock Waves and hearing what they’re enjoying on any number of streaming services. Between that, the library and my subscription to Netflix DVD (yup, I’m the one keeping them in business, apparently), I try to stay on top of the genre, but miss a lot. These are the ones I caught!
A few years back, my wife and I decided to get rid of cable. With that, we signed up for Hulu Live or whatever it’s called so we could keep watching Jeopardy and I could enjoy football and basketball. So, we’ve got that streaming service as well as Amazon Video and Netflix. And yet, we still find ourselves watching quite a bit of traditional television. These are the weekly shows we do our best to keep up with!
Another day, another pile of trades! This time around I’ve got a very cool haunted house story starring a longtime DC scare characters, a comic adaptation of a film I haven’t seen and a trip to Mega-City Two drawn by one of my favorite artists working in comics now!
As a kid in the 80s, I loved the Transformers. Like many of my compatriots, I could not get enough of giant robots or things that morphed making it both the perfect cartoon and toy line for me. I wasn’t a diehard fan (I only know the names of a few of the Autobots and Decepticons) but it was a big part of my youth. I even have a Transformers sleeping bag that my son now uses!
So, I was pretty excited to watch the Transformers film in 2007. And you know what? I dug it! This was before coming to understand how problematic and awful certain aspects of that production and its director were, so I found myself enthralled with this tale of giant robots fighting each other with surprisingly durable humans running around. It certainly helped that they used the few Transformers I can name from memory AND some of the sound effects from the cartoon! With the second film in the series, I found myself no longer having fun and stayed away, that is until watching Bumblebee with my wife!
Ever since I picked up my first issue of Runaways, I’ve been a fan of Brian K. Vaughan‘s work. I didn’t know at the time that he’d already worked on some Batman comics that I’d enjoyed, but I appreciated the unique way that he handled teenage characters while also mixing in high stakes adventures and the drama that comes along with mixing those other elements.
He brings all of that to the table with Paper Girls, but enhanced by almost 15 more years of writing experience and the incredible art of Cliff Chiang. The duo came together to craft a 30 issue series that kicked off in 2015 and ended earlier this year resulting in not just my new favorite BKV comic, but one of my favorite comic runs around!