What We’re Watching: Wednesday & Thursday

As it turns out, our Wednesdays and Thursdays are mixed between longtime favorites and brand new shows that are tickling our fancies these days. This batch includes mostly half hour comedies as well as my personal favorite comic book TV show Arrow. My wife also enjoyed this season of Cover Affairs, but I usually read or watching the other TV when it’s on because it just never quite grabbed me. If you’re interested, I covered Mondays and Tuesdays in a post last week.

WEDNESDAY

Arrow (8:00 PM, The CW)

arrow season 2 banner

Arrow is one of my favorite shows on TV and probably one of the ones I look forward to the most in any given week. I was cautiously optimistic when it kicked off last season, but got sucked in with the story of spoiled rich kid Oliver Queen trying to make things right in his city while also flashing back to his time on a crazy island. Sure there’s a ton of melodrama involved in the proceedings (it is a CW show after all), but I love the solid mix of action, fun stories and deep cuts when it comes to comic book references. I couldn’t help but compare Agents of S.H.I.E.L.D. to Arrow and in nearly every way, Arrow came off better.

Modern Family (9:00 PM, ABC)Modern Family - Season 5

I’m not really sure what to say about Modern Family that hasn’t been said a million times. It’s so intricately written and perfectly acted that it’s impossible not to fall in love. We’ve been watching the reruns on Fox at 7:30 every day after Jeopardy and even though there aren’t a ton of episodes, it’s a welcome addition to the syndication rotation.

Super Fun Night (9:30 PM, ABC)super fun night

I wanted to like Super Fun Night, but the first episode just killed all the excitement I had going in. The basic concept of the show is cool: three 30 somethings put a bunch of ideas for ladies night in a hat, pull one out and that’s what they do that evening. The problem? Star Rebel Wilson puts on a terrible American accent throughout the entire thing. There are pretty much three things everyone knows about Wilson after watching Pitch Perfect: she’s not America, she’s super funny and she can sing incredibly well. The first episode of this series tried to get you to forget two of these things as her character is nervous about karaoke. I was pretty much done at that point and tend to flip around or read during this time slot. I really think I would be back in if they just had her speak in her regular voice.

THURSDAY

The Big Bang Theory (8:00 PM, CBS)big bang theory season 7

We’re still big Big Bang Theory fans. I love how they’ve expanded the group to fully include Bernadette and Amy. It does kind of seem like the writers aren’t quite sure what to do with Penny lately. She and Sheldon work so well together, but they seem to be writing her a bit dumber than before. It’s a minor problem and I think they’re probably ramping up for something big at the end of the season, but we’ll see.

The Millers (8:30 PM, CBS)the millers

The Millers was a big surprise for me. We’ve liked previous Greg Garcia shows like My Name Is Earl and Raising Hope, but got burned out on the latter. I also didn’t much like Will Arnett’s two previous shows, Running Wilde and Up All Night. But I think this is enough of a departure for Garcia — it’s not about dumdums in a mysterious western town — and it allows Arnett to play awkward and put-upon in a way we haven’t quite seen before. I think it’s funny that last season saw all kinds of “adult kids moving back in with their parents” shows and this seasons has the reverse. Even though it’s not super original, I’m still enjoying two shows like that this season between Millers and Dads. As a nice bonus, the show features Jayma Mays who deserves a show better than Glee and Nelson Franklin who I’ve enjoyed on Traffic Light and his brief stint on New Girl. I hope the show succeeds just so I can keep seeing them all!

The Crazy Ones (9:00 PM, CBS)?????????????????????????

I’ll be honest, I wish Parks & Rec was on at 9:00 PM on Thursdays. I love that show and really miss it, but since we’re full-on into BBT, that’s the show we watch. Plus, it sounds like the schedule’s going to be all over the place. Anyway, since NBC doesn’t have much to offer, we’re watching The Crazy Ones, an ad agency comedy starring Robin Williams and Sarah Michelle Gellar as well as the guy who played Bob Benson on Mad Men and the former secretary from The Mindy Project. The dynamics on this show are a ton of fun and really carry it through. This is one of two shows that I could probably just watch the outtakes of and have a great time. New Girl is the other for what it’s worth. Still, as enjoyable as the show has been, I’d drop it in a heartbeat if it meant I could watch Parks & Rec.

The Michael J. Fox Show (9:30 PM, NBC)MichaelJFoxShow1

I think The Michael J. Fox Show is the only show we watch on NBC these days which is crazy because it used to one of the main stops for us, especially on Thursdays. As a dyed in the wool child of the 80s, I have an almost inborn love for all things Fox going back to the days of Family Ties on through Spin City. The fact that the show puts his Parkinsons right on front street and just deals with it as part of the ongoing story is an ingenious move that brings everyone in on what’s going on and deals with it honestly.

Just Finished Once Upon A Time Season One

In case you were unaware, ABC’s Once Upon A Time is available on Netflix Instant. When I saw this I was curious. I hadn’t heard much about the show — which I realized is the result of not talking to people about TV much anymore, one of the bummers of not having in-house co-workers — but the concept sounded interesting: characters from fairy tales are trapped in the real world and one woman is trying to deal with them while we see flashbacks to their previous lives. It sounded like a very Lost set-up, which makes sense when you realize it was created by two writers from that show Adam Horowitz and Edward Kitsis. I proposed checking it out to the missus, she was amenable, so we gave the first episode a whirl. That was a little over a week ago and we just finished the 22 episode season last night.

To get into a little more detail, the series revolves around Emma, the daughter of Snow White (Ginnifer Goodwinn) and Prince Charming who was sent to our world as a baby just before the Evil Queen (Swingtown‘s Lana Parrilla) cursed the fairy tale world by imprisoning them in a world without magic where they don’t remember their past lives. Emma had her own child who she gave up for adoption and wound up adopted by the EQ in our world. Years later, he’s one of the few people who know the truth, so he tracks his mom down, tells her what he knows and gets her to stick around town.

From there we get  episodic reveals of new characters, backstories in both worlds and growing intrigue. It’s a really well set up series that gives you enough information while also seeding new ones to keep you coming back for more. I was particularly taken by the choice to definitively show the audience that the kid is telling the truth, but having most of the town think he’s nuts, including his biological mom. There are also really creative uses of some very familiar fairy tales, I especially liked how they incorporated Belle and the Beauty and the Beast story. It’s fun because they’re basing their stories on existing mythology while creating a whole new one, kind of like a comic book relaunch/reboot/whathaveyou.

We wound up finishing the first season at around 8:50 PM last night which was unfortunate timing because the first episode of the second season premiered at 8:00 PM. I will admit that I’m a little leery about watching this show as it comes out. The beauty of checking out an entire season on DVD or via streaming is that you see all the pieces in a relatively short amount of time meaning you remember a lot more of the connections. Plus, cliffhangers (either around commercials or between episodes) get resolved a lot faster. I like that immediate gratification.

On the other hand, I have been looking for my new Lost. When I say that I don’t just mean a series with weird elements and lots of drama, half of which is told via flashback. I mean the kind of show I get really excited about every single week, the kind of show I’m deeply invested in and love absorbing. Weird as this might sound, the closest thing I have to that right now is How I Met Your Mother — which is more like Lost than just about anything — and the various Challenges.

A good testament to how much we like the show is that we’re actually planning on giving up a show we usually watch in an effort to get on board with the episodes as they air. Usually we watch The Amazing Race, but as we talked about this very serious decision last night (I kid…mostly), I pointed out that it doesn’t really matter if you miss a season of AR because there’s no carry over. If we don’t like watching OUAT in real time, we can easily switch over and not miss much of anything. So, all we need to do now is watch the season premiere online and we’re good to go next Sunday.

A Few Belated Thoughts On Alcatraz

The new J.J. Abrams show premiered this week. It’s called Alcatraz and the idea this time is that instead of closing its doors like the public was told, every inmate being held there just vanished. Now, the mysterious former prison guard there and current FBI agent Emerson Hauser (Sam Neil) has recruited SFPD homicide detective Rebecca Madsen (Sarah Jones) and Alcatraz historian Dr. Diego “Doc” Soto (Jorge Garcia) to track the prisoners down as they have started to reappear in the modern day without aging a day. It’s a pretty interesting set up that lends itsself well to both the case-a-week procedural type show as well as the kind of overarching mystery and drama that fans of Abrams’ other shows have come to expect and (sometimes) love.

To be clear, though, this is about as much of a J.J. Abrams show as Lost was, meaning not a lot. As fans of that other series know, that ship was driven by Carlton Cuse and Damon Lindelof after being launched by Abrams. Similarly, the good ship Alcatraz was created by Elizabeth Sarnoff who wrote and produced on Lost and Deadwood, Steven Lilien who wrote on Boomtown and Kyle XY and Brian Wynbrandt who also wrote on Kyle XY. But the comparisons to other Abrams shows is pretty strong, considering the mysterious premise and Garcia in a lead role.

Of course, like a lot of people I didn’t know any of that going into the series. I just knew it was a mysterious new show with Abrams attached and I was interested. We missed the first episode that played at 8:00PM on Monday, but was able to catch the second episode which is the series’ actual timeslot (thank goodness because I’m not about to stop watching How I Met Your Mother). Even having missed the first episode, I was still able to get the gist–it helps that a voiceover in the beginning pretty much lays everything out for you. I’d like to go back and see exactly how Hauser brought Rebecca and Doc into the fold, but I’d imagine it’s because she was trying to hunt down a killer who wound up being a time-displaced Alcatraz inmate and he was drafted because of his area of expertise. That part isn’t complex, which is good because, as the series bounced between the 60s and the present day, you don’t need a lot of additional baggage this early on to figure out what’s going on.

And there is a lot going on. Hauser knows a lot more than he’s letting on and Rebecca knows that, but can’t get much more information out of him for the time being. The inmate who the captured in the first episode has some kind of key that has yet to be identified. Heck, one of the people who we see in the modern day shows up in the past looking exactly the same age!

Like I said, I’m glad they put this one on at 9:00PM on Mondays because that was one of our few weekday slots that didn’t already feature shows we look forward to every week and I think Alcatraz can make that list. Even since Lost ended, I’ve been looking for another hour long drama with lots of action and mystery to keep me engaged and I hope this is it. As it is, I’m intrigued and appreciate some of the teases and reveals they’ve shown us already with only two episodes in. I am curious to see how they handle this series. Fox can be iffy at best when it comes to letting series’ like this play long enough to grab viewers. I hope they do and that the writers have a solid plan for getting the information to the viewers efficiently. I mean, I like the concept, but I don’t want to see 299 episodes of inmates getting captured to find out what happens.

Last Week’s Shows, Today! Season Premiere Edition

As I might have mentioned–or you’ve seen over on The Monkee Diaries–we went on vacation last week. It was a great time, but we missed a few shows here and there like the season premiere of How I Met Your Mother, though I was able to check a few things out on On Demand which I really enjoyed. Unfortunately, our building has super old cable wiring, so we can’t have anything digital. It makes me sad, but new TV makes me happy! There’s a lot here, so hit the jump to see it all! Continue reading Last Week’s Shows, Today! Season Premiere Edition

Last Night’s Shows, Today: How I Met Your Mother Season Finale, Off Limits Premiere & Castle Season Finale

HOW I MET YOUR MOTHER “Challenge Accepted” (8:00PM, CBS)How I Met Your Mother‘s sixth season finale snuck up on me this year. Part of the reason for that is because my lovely daughter was born on a Monday, we missed the previous week’s episode and our TV watching schedule has been interrupted by busts of crying every now and then. Anyway, this season has been an interesting one as it focused mainly on the non-Ted characters. Sure Ted was around with his doomed-from-the-start relationship with Zoey and the will-he-or-won’t-he plot regarding the GNB building project, but this season belonged to Marshall and Lilly dealing with Marshall’s dad’s death and Barney finding a girl who he might be able to settle down with. A lot’s been going on to widen this group’s horizons with the season premiere’s tease of a wedding in the somewhat near future. It seemed pretty clear from the beginning that it would be Barney’s wedding, but the real question was, “To who?”

This episode itself was a little disappointing, but not completely so. As always, the plot was well put together and the episode amazingly acted, but the blunder, as far as I was concerned, was the Lilly/Marshall sickness plot. The second Lilly got sick the missus and I were like “She’s totally pregnant.” The writers did an okay job masking the obviousness of this with all the grossout humor as far as Lilly’s sickness, but it feels ridiculous that no one in the episode thought “Hey, she might be pregnant.” The smokescreen didn’t work for a second on us and even though all of Marshall’s preparation for his interview was funny, it was ultimately pointless because we knew how this gag would ultimately end. It was a rare misstep as far as I’m concerned and they did an okay job of covering their tracks, but it just seemed so obvious.

Like this season as a whole, Ted took a back seat in the episode. While Lilly and Marshall dealt with their sickness, Barney and Robin were trying to stop Ted from getting back together with Zoey. It was some great stuff and those two characters and actors just murder everything when they’re together. Then, we almost end with Barney seeing that girl he had a thing for and after that the obvious reveal we’ve been waiting for: that it’s his wedding we’ve been seeing this year. I think this new girl is just a trick and that he’ll end up with Robin. Oh, also, I totally bought into the “And that was your mother” gag. All in all, it was a great season, with some Ted stuff that seemed like filler, but enough fantastic work by everyone else to really solidify this as a great season of television. Can’t wait to see what happens next!

OFF LIMITS “Las Angeles” (9:00PM, Travel Channel)I fully intended to tune into Anthony Bourdain’s No Reservations last night, but Travel Channel had other plans for me. Instead, their new show Off Limits was on which was an okay replacement, but not really what I wanted to watch. As I’ve mentioned before, I’ve really grown to like No Reservations and was excited about the new season, but after a few new episodes they went right back into reruns. Now they’re messing with me again by changing the time. Not cool Travel Channel, not cool. To make matters worse, my cable guide is all weird and doesn’t have information for the Travel Channel even though we definitely it, so I can’t tell ahead of time when things are on (without looking it up online, but that’s just SO much work). Anyway, this new show Off Limits follows host Don Wildman as he basically goes places that normal people can’t go. The premiere episode focused on Las Angeles and wound up being pretty interesting. He went into the hundred year old aqueducts that no cameras have ever been inside and also included tools that were just left there when the job was done as well as a tour through a Nazi compound in the Hills. While all that stuff was cool, the most interesting bit of info I learned from the series is that LA is on top of one of the biggest oil fields around which has resulted in oil rigs all over the place, many of which are hidden, especially in the fancier parts of town. Shows like these are fun to watch on a weekend when nothing else is on, but are not the kind of thing I will make a point to watch on a weekly basis, unless nothing else is on.

CASTLE “Knockout” (10:00PM, ABC)I was pretty disappointed with Castle‘s season finale last night. I had my problems with the show in the early parts of this season with it’s over-use of gimmicky plots, but I found tonight’s season finale far more insulting on a creative level. The season had gotten better as far as I was concerned and I was looking forward to this episode because it looked like we’d get a few more pieces to the puzzle of what happened to Beckett’s mom. Those episodes tend to be pretty epic with a fast pace and lots of action, but instead “Knockout” seemed to meander. Worse than that they threw in some hackneyed plot stuff that gets my goat. First off, SPOILER out of nowhere it was revealed that their boss Captain Montgomery was involved with the guys that were connected with Beckett’s mom’s death (the plot has gotten so complicated that I had to have the missus explain it all to me during a commercial break). I tend not to like these twists, not because I feel betrayed, but because they seem to come out of nowhere. I’d have to go back and watch previous episodes to see if there were any hints, but I didn’t catch any. Did Montgomery get shifty when the case came up? Or possibly sweaty? It wouldn’t have to be obviously telegraphed, but something should have been there. I felt very similarly when SPOILER Zach turned out to be a bad guy on Bones. It just felt tacked on and out-of-nowhere. Once they find out that Montgomery was somehow involved with the bad guys, Ryan and Esposito have a by-the-numbers fight where one believes it’s true and the other believes it but JUST CAN’T ADMIT IT TO HIMSELF. Blech.

Even worse was the near-the-end scene between Beckett and Montgomery where he explains what he did and what he’s going to do. Of COURSE he plans on taking on the bad guys solo and of COURSE he’s got Castle there to take Beckett away from the danger, which Castle does literally picking her up and dragging her away. Now, aside from not buying the very basis of this premise and not appreciating the melodramatic nature of the performances, I don’t buy for a damn second that bad ass cop Kate Beckett couldn’t free herself from a bear hug by an out of shape mystery writer. After that, he holds her against a car while she cries and Montgomery shoots the entire group of bad guys EXCEPT the main bad guy who somehow teleports behind him. Ugh. Thinking about it this morning just makes me more upset, because the show is absolutely better than this kind of writing. By the time we got to the final scene where SPOILER SPOILER SPOILER Beckett gets shot by a sniper while speaking at Montgomery’s funeral (he died of course). They make it look like she died, but I don’t really care much anymore. They’re either faking her death to draw this assassin guy out, which might get rid of some of the hokey gimmicks they relied on earlier this season for the upcoming one, or she’s just going to be fine. Her death wouldn’t just kill the romantic chemistry between the two leads (Castle told the “dying” Beckett he loved her, so we’ll see how this works out next season, I’m guessing she won’t remember and he won’t say anything about it) but also make the proceedings just too sad to stick around for. Castle relies on Nathan Fillion’s charm and him mourning for episodes on end would destroy that charm. Boring. Yawn. When does the summer season start?

What We’re Watching: Monday & Tuesday

I find myself with a strange feeling this TV season: a lack of interest. Sure, I’ve got favorite shows I like tuning in to, but it feels like I’ve got a lot less of them to look forward to, possibly because Lost is gone. There wasn’t another show in the history of my television watching career that engrossed me as much as that one and got me so excited about an hour of TV. Maybe it’s because most of the new shows aren’t so good. Here’s the break down for the first section of the week as far as regular viewings go.

For all the years I’ve been in New York, I’ve been looking around for a good syndicated block of reruns between 6 and 8 that would stay consistent and, for the most part, I’ve been unsuccessful. That is until recently. VH1 scored Saturday Night Live reruns from the 90s which have been a lot of fun to watch, even when I’m reminded that that was an era when skits tended to run WAY too long. It’s still fun to see a lot of today’s big stars and musical acts on the show both in the cast and as hosts. It’s even more fun to see long forgotten folks like Finese Mitchel and Sysqo perform. That takes care of the 6 to 7 block and then we bounce over to a local station called My9 which runs How I Met Your Mother. The only problem I foresee is that, with only a few season under its belt, I’ll be rewatching these episodes over and over again.

MONDAY

8:00pm – HOW I MET YOUR MOTHER (CBS)
I’ve already gone on record with the potential problems I see with HIMYM, but I still enjoy this show better than most of the others I watch on a weekly basis. I’ve grown to really enjoy these characters, but I still think there needs to start being some resolution to the overhanging “mysteries” or else this one could start feeling a little tedious. Like I said though, great cast and still one of my favorite, most looked-forward-to shows.

8:30pm – RULES OF ENGAGEMENT (CBS)
Rules of Engagement is a show we only started watching because it was on right after HIMYM and nothing else was on, but I’ve actually come to enjoy it. Sure, it’s a jokier type of sitcom with lots of jokes being tossed around that aren’t hilarious, but funny enough to get a laugh. I like seeing Patrick Warburton and David Spade doing their things, plus I find the dumb neighbor/friend guy oddly charming. I’m in it with this series, though if something more interesting came on I think we’d jump ship in favor of that. 

9:00pm – THE EVENT (NBC)
AS regular readers might remember, I wasn’t really all that into The Event when it premiered. I’m even less so now and barely still pay attention while the missus watches. I think she’s getting pretty sick of it too. I spent way too many episodes wanting to slap Jason Ritter for saying “My girlfriend!” so much that I don’t think we can ever be okay again (at least not on this show). I appreciate that they’re trying to move things along at a faster clip, but I just do not care about any of these people or what’s going on. I have the vaguest interest in what’s happening with these supposed aliens (though my money’s on dimensional or time travelers), but I could really just look it up in Wiki at some future date and feel satisfied. Probably moreso because I wouldn’t be wasting my time watching a lackluster Lost wannabe. 

10:00pm – CASTLE (ABC)
I almost feel bad for not liking Castle more. I really like the cast and the dynamics of the characters, but it just feels so hacky lately. From the wacky set-ups for crimes this season (steampunk AND time travel in one episode?!) to the increasingly formulaic plot, I’m getting worn down. How many times can they run across a suspect who lies so well that they completely buy his story and move on only to come back to him or her later in the episode to realize he or she is really the killer? It’s boring and, personally, I expect more from a show with Nathan Fillion on it. Hopefully this one will pick up because the missus still LOVES it, while I just keep thinking about how much better Bones is and wishing Netflix would send the first disc of last season already so we can start the long road to catching up.

TUESDAY

8:00pm – GLEE (Fox)
This one’s completely because the missus likes the show. She’s a big fan of musicals and show tunes and whatnot, so this is right up her alley, which is unfortunate, because I find it to be one of the most wildly inconsistent, sloppy and increasingly gross shows around. Anyone else see the Rocky Horror episode tonight where the teacher actually considered and planned on dressing up in gold shorts and performing a sexually charged number with one of his students? Sure he practiced with the hot red head teacher, but he was actually planning on jumping in and doing that. He’s just one of the many headache-inducing characters on a show filled with them. I’ve heard the argument made that you’re not supposed to expect anything from Glee but high school drama and musical numbers, but I call bullshit on that. The very basis of ongoing fiction of any kind is based in consistent characterization and this show lacks it for the most part. However, I do love Brittany’s throwaway lines. Those are just solid and sound like they’re being written by someone from 30 Rock.

9:00pm – RAISING HOPE (Fox)
I can’t remember the last time I watched this much Fox programming on a single night, but I find myself really liking Raising Hope. It’s clear the show was created by the brains behind My Name Is Earl as both showcase small town folks without much money doing what they can to get by. Hope revolves around a guy discovering his one night stand turned out to not only be a serial killer on death row, but also pregnant with his child. Now he’s raising the kid with his parents who had him at a really young age (his dad looks about the same age as him at times) and his mom’s grandma played by Cloris Leachman. Hope can be a little too weird and a little too jokey at times, but I think it’s starting to hit its stride. Plus, the Halloween episode featured homemade Batman and Robin costumes, so bonus points for that.

9:3opm – RUNNING WILDE (Fox)
Running Wilde, on the other hand, is not a show I’m enjoying much and I’m starting to get the feeling I’m not the only one as Fox decided to run two episodes of Raising Hope tonight instead of one of each, like usual. I am a huge Arrested Development fan, so I should like this show with its use of Will Arnett, David Cross and that fact that it was co-created by Mitchell Hurwitz, but Wilde suffers from two afflictions. First off, it’s not very easy to jump into. We missed the first episode and had trouble figuring out what the relationship between Arnett and the still-hot Keri Russell was. That’s not a good thing for a new show and something that AD suffered from (I still have trouble describing it to friends who missed out the first time around). The other problem is that it just feels like a rehash of old material. Arnett’s playing GOB from AD, Russell feels like Felicity though I never watched that show, plus the premise is a more exaggerated version of Dharma & Greg without the love. I’ll be curious to see what Fox replaces this show with if it does get the axe.

10:00pm – PARENTHOOD (NBC)
Parenthood continues to be one of the best written, most solid shows on television. I’d honestly put it up there with Mad Men. There’s a lot more in Mad Men considering it’s a period piece, but like that show, the Parenthood creators do an amazing job of juggling a small army of fast talking characters, giving each their moments to shine and great lines. Great writing mixed with a great cast makes for great TV, but for some reason I don’t find myself looking forward to this show on a regular basis. I’m happy when it’s on, but never excited for it. I wonder if that’s because it’s a drama and not an action show. I’ll have to think about that. I’ll be back on Thursday with more shows I’m watching. What are you viewing on Monday and Tuesday?

Quick Movie Review: Foul Play (1978)

I added this flick to my Instant Netflix queue for one reason: it’s a Chevy Chase movie I hadn’t seen. Sure, there’s probably lots of his movies I haven’t seen, but this is vintage Chevy from right after he left Saturday Night Live and a few years before Caddyshack and Fletch. Plus, Goldie Hawn!

As it turns out, though, this isn’t really Chevy’s movie. He’s in the last quarter or so of it, but the plot revolves around Hawn, who finds herself with a series of assassins after her because of a chance encounter with another killer. The stranger hands her a pack of smokes which she just assumes are regular cigarettes, but they actually contain some kind of secret plans. It’s your basic case of mistaken identity kind of a movie, but even though the plot is familiar there was something about Hawn being the one in the role that made things feel a little more tense.

Maybe it’s because you usually see a man in this kind of part and the Cro-Magnon part of my brain wants to KEEP…GIRL…SAFE. There’s also plenty of scenes with her trying to tell people what’s going on and no one believes her either because the evidence is no longer there (the guy who gave her the smokes dies in a movie theater, but while she runs out to tell the manager, someone moves the body) or because the whole thing just sounds so crazy (a dwarf might be after her and a huge albino definitely is). Those kinds of stories always give me the heebee jeebies. Or maybe it was the few drinks I had while watching.

Anyway, I really dug the flick for its weirdness and fantastic cast. In addition to Chase and Hawn, Dudley Moore pops up and turns out to have one of the swankiest and skankiest bachelor pads on film (he’s got a blow-up doll filled with helium), Brian Dennehey plays–here’s a shocker–a cop and Burgess Meredith plays Hawn’s snake-loving, kung-fu-practicing neighbor.

What I love about the movie is how offbeat it is. I went in thinking it would be some kind of romantic comedy. Then some serious stuff starts happening with people trying to hurt or kill Hawn. But then she winds up with Moore and things get amazingly ridiculous. After that it gets serious for moments, but never loses it’s quirky, funny charm. Even Chase doesn’t come off in his usual slick guy mode early on in the film when Hawn basically shoots down his Fletch routine. In the end, the flick comes together in a pretty confusing plot that oddly reminded me of one of the Naked Gun flicks, though I can’t remember which one it was (it’s been a while since I saw those movies).

For once a movie not matching up to my expectations (low or nonexistent as they might have been) was actually a pleasant surprise that resulted in a fun, quirky movie I recommend to my fellow Instant Netflix users looking for a fun, offbeat comedy/mystery/adventure.