I’m wrapping up my Best of 2021 posts today with one going through my sonic journeys this year both musical and podcast…ical?
Want to give a listen to six and a half hours of my favorite late 90s/early 00s pop punk songs? Now, you can! I called it Four Minutes In Heaven because it made me giggle. I totally forgot that I also made a Weezer playlist called Throw Up The W.
You can still check out my old Angelfire page here. Sadly the Blue Note banner ad isn’t still around.
If you like music and/or comedy, you definitely need to watch this drum battle between Buddy Rich and Animal from The Muppet Show.
And you know you want to see some Prince
While you’re at it, here’s the 60 Minutes piece about Welcome 2 America and the Vault.
I did a search and found this 2012 post I did about discovering How Did This Get Made?!
If you’re curious about some of the previous episodes I mentioned in this one, here are some handy dandy links!
On this week’s episode, Matt Bond and I finish up our talk about our decades-long relationship with Weezer and how we’ve both decided to embrace them, Ride Or Die, though we each got there in different ways. If you missed out on part one, you can listen to it here.
Also, if you’re curious, these are the custom made CDs Bond mentioned:
For this week’s episode, my longtime friend Matt Bond and I talk about our shared love of Weezer. This first part will cover the band’s first five records: The Blue Album, Pinkerton, The Green Album, Maladroit and Make Believe. For what it’s worth, we recorded this interview just about a year ago. Come on back next week to here us talk about most of the rest of their albums!
If you’re curious, here’s a post I wrote over a decade ago that covers some of the same ground as this episode, but also includes the shot I mentioned from Weezer.com. Or you can scroll down and just look at it here.
Finally, we talk about the Matt Damon/Leslie Jones Weezer SNL sketch here and there, so why not give it another watch here.
After really hating Gordon Hessler’s Cry Of The Banshee, I was worried that the other two movies of his I planned on watching would fall flat. Luckily, I’ve had a much better It’s All Connected experience with his 1978 TV movie KISS Meets The Phantom Of The Park. Less of a horror movie and more of a live action Scooby-Doo episode with a costume-loving rock band filling in for the kids and a talking dog, this is still a super enjoyable movie…if you don’t mind the title characters being VERY bad actors.
So far, I’ve spent the most time trying to figure out where to go from TerrorVision during It’s All Connected 2020. I’d love to watch Ted Nicolau’s Subspecies, but couldn’t find a reasonable way to get my hands on it. With that, I began falling down IMDb rabbit holes. I could have gone with another Mary Woronov picture, but then I opened up Gerrit Graham’s page and one film jumped out at me like a cat in the ubiquitous slasher fake-out scene: Phantom Of The Paradise! It just so happened that I picked that film up on Blu-ray from Scream Factory in the past few years, so I had easy access!
I usually start a post like this commenting on where or when I got the book I’m reading, which is, in this case, Phil Ramone’s Making Records: The Scenes Behind The Music with Charles L. Granata. Honestly? I can’t remember in this case. The book came out in 2007 and I’ve had it in my garage for a while, so maybe it came from the discount area of Barnes & Noble or…who knows? What does matter, is that I moved this to the top of the To Read pile because, well, I wanted to.
I love reading books about music like Sonic Boom or Off My Rocker because everyone who was super into music has wildly unique stories about not just the making of records, but the people they worked with. As it happens, Phil Ramone not only helped revolutionize how records were made, but also worked on records by some of the most iconic and beloved musicians in the history of music including Frank Sinatra, Ray Charles, Barbara Streisand, Aretha Franklin, Paul Simon, Paul McCartney, Billy Joel, Elton John and plenty of others.
Picking discs out of a box and giving them an uninformed listen!
After a long pause between Music Box posts (the last one was in February), I’m back with not one, but two random listens to records I actually really enjoyed. This morning, I wasn’t feeling podcasts and wanted something to match the cool, cloudy day we’ve got going on here in New York. So, I plunged my hand into the box of CDs my buddy Jesse has sent me and pulled out Nada Surf’s 2002 album Let Go. Like many people in their 30s, I was familiar with the band from their 90s hit “Popular,” but that’s as far as my experience went, so listening to Let Go was basically like listening to a new band.
As it turned out, it was basically the perfect record for this mellow morning. While never getting morose or melodramatic, lead singer and guitarist Matthew Caws took me through a variety of songs that matched this morning’s mood perfectly. Check out the “Inside Of Love” video to see what I mean. Most songs feature his melodic voice over nicely strummed guitars, but things do get a little more rocking on tracks like “Hi-Speed Soul” and “The Way You Wear Your Head” which I appreciate. Those tracks kind of wake you up a little bit and make you pay attention to the record, which can very easily slip into background noise.
That might not sound like a big compliment, but it’s a huge one from me. Some days you just need a cool record to feel while you’re doing other things. I’ve listened to Let Go twice now while doing my morning writing and taking care of the kids. It never become obtrusive, but was always there keeping things calm. Sometimes when it comes to records like this, they can be easily forgotten because they don’t necessarily smack you in the face, but I think I’ll be utilizing Nada Surf’s Let Go plenty and will probably get even more listens out of it when I move it to my car. Yup, I still rock the CD wallet-visor thingy.
Listening to and enjoying Let Go reminded me that I actually pulled out a record a week or so ago by a band called The Drams called Jubilee Drive that I also liked. Unlike Nada Surf, though, I’d never heard of these guys in my life. So, as I do, I just popped the disc in my computer and gave it a listen. According to Wikipedia, The Drams actually started out as another band I’d heard of but am not very familiar with called Slobberbone. As of now, Jubilee Drive is their one and only record.
I spent a lot of time trying to figure out who lead singer Brent Best sounded like and decided to give up the quest because he’s got a little Stephen Kellogg in him along with a variety of other elements. At the end of the day, though, he has his own unique thing going on and I like the sound of it. In other words, the record feels like a mix of post-Replacement, non-grunge 90s music with a few hints of 70s southern rock. Some of the more modern southern rock bands I’ve listened to get a little too droney and boring for me, but The Drams keep the tempos going at just the right speed for my taste.
All of which is a clumsy way of saying I probably haven’t heard a record quite like this before and I’m really glad I gave it a shot. While not nearly as mellow as Nada Surf’s record, this one will make for a great tooling around CD to keep in my car which will give me even more opportunities to absorb it. The driving beats and noodling on songs like “Unhinged” will always be the kind of thing I want to listen to over and over again.
When it comes to mid 90s music-infused comedies, the two that were ridiculously influential in my world were Empire Records and Dazed And Confused. Both of those movies showed young me a world that not only involved more complex emotional relationships than I’d personally experienced up to that point, but also reflected my views on how important music could be.
Airheads has some of those themes, but is much more of a madcap comedy. Michael Lehmann (Heathers) directed this movie starring Brendan Fraser, Steve Buscmi and Adam Sandler as members of a band called The Lone Rangers desperate to make it big in the LA music scene. Through a series of misunderstandings and accidents while visiting a local radio station, everyone thinks they’re holding the DJs and other employees hostage. The band decides to roll with it in an effort to get people excited about their music.
Fraser’s Chazz is the true heart of the film. He wants to make great music his way, but it seems like the whole world’s against him. Buscemi’s less emotionally invested, but still into it. Think Mr. Pink with a bass. And then there’s Sandler who’s somewhere between Waterboy and Billy Madison on the Sandler Stupidity Scale. The cast also includes Michael McKean as the shifty station owner, Judd Nelson as the also-shifty record exec, Ernie Hudson and Chris Farley as cops, and DJs Joe Mantegna and David Arquette. Oh and Michael Richards is in here too, mostly crawling around like a worm.
I think the success of this movie for the individual viewer depends on what kind of films you dig. If you’re a fan of the comedies from this time like Dumb & Dumber and Tommy Boy, then I think you’ll be into this one. I wasn’t such a fan so it fell a little flat. They all just seemed a little silly to me, but I get the appeal if that’s your thing. I liked Airheads a bit more than those other movies though because Fraser is just so damn earnest and Mantegna gives it his all. Still, there’s a lot of dumbness going on that took me out of the story immediately following scenes I really enjoyed. Frankly, I winced and rolled me eyes any time Richards appeared because his role, while somewhat important to the story as it gets a real gun in the station, winds up being overly stupid and mostly pointless. In other words his involvement is a long way to go for a pretty basic plot point that could have been done in one scene.
At the end of the day, I felt like there was actually a really solid point behind this film, but the overall goofiness surrounding most of it doesn’t serve that story very well because it’s not much of a leap to feel like Lehmann is just making fun of Fraser’s Chazz, which is too bad because he’s probably the best part of this film.
You might have noticed a lack of Casting Internets posts lately. That’s less because I kept forgetting to do them and more because I haven’t been going through my Pocket app for ,well, most of this year. Anyway, here’s a bunch of stories from the past few months that tickled my fancy.
I’m pretty excited about Johnny Manziel heading to the Browns. They’re not my main team, but I have a special place in my heart for them because my mom’s from there and my grandma was a fan her whole life. (via ESPN)
Rivers Cuomo called Rolling Stone to talk about his love of Nirvana and how the band changed his brain. Fun read for Weezer fans, especially the ones who’ve been hearing for years that he converted Kurt Cobain’s songs into an equation and then wrote his own songs with that formula.
I’m not much of a Buzz Feed fan, but I really dug Kate Aurthur’s interview with Real World San Francisco‘s Rachel about her time on the show.
I don’t know if I’ll ever have time to go through this entire post of on StarWars.com about Ralph McQuarrie’s Star Wars art, but maybe you will!
My buddy Jesse sent me this link to Jason Heller’s AV Club piece on punk in the 90s because he talks about that band Schleprock I reviewed a while back. Even without that, it’s a really solid read on a subgenera of music I still love.
Esquire‘s Jennifer M. Wood talked to director Walter Hill about his classic The Warriors. As you might expect, this is a thing I love.
I’m a big fan of Michael Ruhlman and Anthony Bourdain, so when the former interviewed the latter about modern chefs on his blog, I was interested. Personally, I like how conflicted Bourdain is about things like authenticity. It points to the fact that these issues are trickier than some might otherwise present.
Jimmy Page told Rolling Stone that he’s going to start working on his second-ever solo album. Also, I fully support the idea of a Jimmy Page/Jeff Beck tour. Yardbirds Revisited?
unitedmonkee.com 