On this week’s episode, I fill you in on where It’s All Connected 2021 has taken me after introducing the concept in Episode 29. From Stoker, I went through many films by Guillermo del Toro and Mike Flanagan, two of the best at what they do!
It didn’t take much thought on where to go after watching Swamp Thing for my first film of Halloween Scene 2020: It’s All Connected! Just a few weeks ago, I noticed that the sequel, The Return Of Swamp Thing had landed on Amazon Video and it made a perfect next viewing experience, though some might argue that another Wes Craven film (or several) would be more appropriate than a Jim Wynorski joint. But we all make the choices we make in life.
Last year I did this thing where every horror movie I watched during the scare season (which starts in September for me) would have a connection to the previous film. I fully intended to write about all 60-some films and my path from Return Of The Living Dead 3 to the new Halloween, but life gets in the way of our best intentions. At the moment, I’m feeling a renewed interest in blogging, so here we go with this year’s entries. Let’s see if anything can even come close to the horror show of a year we’re living through (it won’t).
I haven’t done a lot of blogging this year, but, don’t worry, I’ve still been watching a ton of movies! I’ve even been keeping track of everything I’ve watched or read in a pair of Composition Note Books that I’ve (not so) cleverly dubbed Pop Notes. Thanks to them, I’m pretty confident looking back at the year and piecing together thoughts on some of my fave film-watching experiences (minus horror, which will get a list or two of their own). This one’s pretty long, so hit that jump and get into it!Continue reading My Favorite Film Experiences Of 2018
I know it’s in vogue to just automatically dislike any new take on beloved childhood icons, but I don’t have the energy for hating things I haven’t actually experienced. As such, I took the Michael Bay-produced, Jonathan Liebesman-directed Teenage Mutant Ninja Turtles movie from a few years back with a grain of salt. I had to cover a lot of the pre-release outrage for Spinoff back when it all happened and yet still decided to give it a watch on On Demand recently. Continue reading We Want Action: Teenage Mutant Ninja Turtles (2014)
Director and documentarian Jon Schnepp asked the question many of us have been wondering since the 90s: What happened to Tim Burton’s Superman Lives? Back then, word got out that the Batman Returns helmer would put his stamp on the Man of Steel with star Nicolas Cage. Most of us didn’t hear much else aside from the film’s eventual demise, Kevin Smith’s recollection of writing the film’s first draft and later design images that would find their way online. Enter The Death Of Superman Lives: What Happened?
As the film got rolling producer Jon Peters hired a slew of people to work on the project. Smith and two other screenwriters worked on the script, Burton invested himself in the story and a variety of costume designers and artists started working on the ever-changing visual elements.
But, even with so many people working hard on the film, it ultimately fell apart. The doc doesn’t necessarily place the blame on any one individual person involved, though its hard not to put Peters’ name up there with some of the chicanery he pulled. Ultimately, though, the answer to the question posed in the title comes down to some simple facts: Burton’s weird vision made the studio nervous. That same vision also would have cost a bunch of money to bring to life and the studio eventually decided to go another direction that lead to Superman Returns.
Even so, this doc isn’t really about why Superman Lives didn’t get made, it’s about all the work that went into it while the creative people involved thought they were making it. Everyone from Peters and Smith to Burton and costume designer Colleen Atwood. It’s fascinating to see how they all attempted to bring each others’ visions to life and maybe a little tragic that it was all for nothing. Except, it’s not really for nothing because this public record of their work now exists. I think that might be the great thing about this era of “why didn’t it get made” documentaries. They take something that a lot of people put a lot of effort into and bring it to your attention, even if it’s not in the originally intended way. With that in mind, I’m even more excited about eventually seeing Doomed and the one about George Miller’s Justice League movie.
For all the effort he put into the film, I give Schnepp huge buckets of kudos. Cage is the only major player who did get interviewed for this thing, but he still shows up thanks to some filmed segments of him trying on the costumes with Atwood and Burton. Those clips really bring the whole thing together because the represent the in-the-moment as opposed to the looking-back. I’m not personally a fan of the animated sequences in the film and think it’s super awkward for the interviewer to be on camera nodding when the subject is answering questions, but altogether I can’t recommend this movie enough for anyone who’s ever been even remotely interested in Superman Lives or the process that goes into making these big, blockbuster superhero films.
A few weekends back we found ourselves in the enviable position of experiencing a light snowfall without much else to do so we decided to scroll through our On Demand options for a family movie. As it turns out we have free Showtime for a bit and The Rocketeer was on there, so we decided to give it a watch.
I don’t remember if I saw this movie in the theaters when it came out, but we did subscribe to Disney Channel back then (long before it was free) so I remember seeing a lot about it and probably caught it on TV.
Set in 1938, it’s about a stunt pilot named Cliff who discovers a rocket pack in his plane, designs a costume and helmet and fights bad guys including local mobsters (lead by Pau Sorvino) and movie star Neville Sinclair (Timothy Dalton) all while trying to keep things going with his girlfriend Jenny (Jennifer Connelley).
Directed by Joe Johnston who went on to eventually helm Captain America: The First Avenger, the movie not only works as an action-packed superhero film, but also a fun period piece that references a number of classic actors, actresses and other historical figures from the era (including Lost star Terry O’Quinn as Howard Hughes!). Add to that that real-life elements like potential Hollywood stars working with the Nazis and mobsters refusing to do the same and you have a great film that holds up really well aside from a few clunky special effects scenes here and there.
As a kid, I had no idea who the Rocketeer was before the film hit, but now I know that it was an indie comic book created by Dave Stevens in the 80s during that boom. However, I never got around to reading the actual comics until last year when I got my hands on the IDW-published reprint of Stevens’ entire run, though I was more interested in the pictures. You really don’t need to read the words because the art is just so crisp, clear and expressive. Plus, the colors in that book are just amazing. I don’t know how they compare to the original, but imagine they’re much better given IDW’s reputation for doing super high quality reprints and today’s far better printing techniques.
While scrolling through the options to get to The Rocketeer, I also saw Dick Tracy as an option. I LOVED this movie as a kid and realized that, given the obvious similarities, it would make for an excellent double feature mate with Rocketeer.
Based on the classic comic strip created by Chester Gould in the 1930s, Dick Tracy was directed by and starred Warren Beatty as the yellow-clad copper. He’s joined by Charlie Kormo’s The Kid, Madonna’s Breathless Mahoney, Al Pacino’s Big Boy and a variety of others as Tracy attempts to bring the mob boss down while keeping his relationship with Tess Trueheart (Glenne Headly) together and figuring out what to do with his new ward.
The beauty of this movie is that Beatty went full boat when it came to recreating the look and feel of the comic strips on the big screen. The suits and cars are all wildly colorful, matte paintings give the world an ethereal feel and the bag guy make-up brings characters like Little Face, Flat Top and Pruneface fully to life. Add in the idea of a kid trying to constantly get in on grown-up cop action, the pseudo love triangle with Breathless and the mystery of No Face and you’ve got a super fun and compelling movie that doesn’t get enough kudos from the comic-loving crowd.
As I mentioned, I was a huge fan of this flick when it came out. I definitely remember seeing it in the theater and as scenes appeared on my TV I remembered them from that viewing experience as well as moments captured by the trading card set. That feeling has lingered to this day when I basically want an Apple Watch just so I can feel like Dick Tracy (anyone else remember the wrist watch walkie talkies they sold?).
My four year old daughter slept through most of the first film and was looking at Disney princess dresses during the second, but I’m not sure if I’d recommend these for kids her age. Given the presence of mobsters, shooting, concrete and Madonna’s crazy dresses, it might not be appropriate.
That reminds me. I’m not a fan of Madonna’s outside of this movie and A League Of Their Own, but man, she just KILLS it in this movie. I’m sure I was dazzled by her sheer dresses as a kid, but this time around I really found myself feeling bad for her when she was ever so desperately trying to convince Dick Tracy to love her. Her character adds an interesting intensity to this film that just adds to the overall unique nature of a project that could have easily become what all the terrible late 90s comic book movies turned into: exaggerated cartoons with no concept of what made the source material work.
So, while these might not be the best movies to show a couple of kids (like we did), they are a ton of fun and act as a kind of vanguard for quality comic-based films that would come a decade or so later.
As you will see in a post going up on Thursday, I was a huge fan of the whole Dick Tracy experience in 1990. I loved the movie, I picked up some of the toys, I collected the trading cards and I desperately wanted a watch that doubled as a phone.
In this spot, you can see some of those toys and a replica of the famous watch that basically just told time. If memory serves, there was a set of massive wristwatch walkie talkies you could buy as well.
Right off the bat, I’ll admit that I did not actually watch Avengers: Age Of Ultron and Ant-Man as a true double feature. We probably watched the latter a month ago and just peeped the former yesterday. But, since I didn’t write about the Avengers sequel, it seemed liked a proper time.
I went into Joss Whedon’s Ultron with fairly low expectations. It seemed like a lot of the people I follow on Twitter and actually communicate with weren’t super into it. The general feeling I was picking up on seemed to be that, while it’s got all kinds of spectacle, it didn’t live up to the original.
And that was my experience as well, but then again, this is a different kind of blockbuster super hero movie. The original — which I love — seemed custom built to show that all of these series-leading, mega stars could come together, fight the bad guys and look good doing it. Meanwhile, this film seemed built with a different goal in mind: showing how said group (plus new members) can work together even when times are tough.
It’s also clearly a bigger piece of the Marvel Cinematic Universe puzzle leading up to Captain America: Civil War and the Infinity War movies. To me as a viewer, the first felt like it was worked into the bigger tale while this one was more obviously built to lead to something else. This is something I’m not usually a fan of in comics and even less so in comic films and it all just boils down to a feeling I get while watching.
And yet, I still found myself enjoying this darker take on team superheroics. Quicksilver, Scarlet Witch and Vision all make interesting additions to not just the team, but the universe at large. Plus, it’s not all dark. I could watch an entire TV series about the Avengers hanging out like they did at that party. I also just adore James Spader (as I mentioned here) so watching and listening to his take on the killer robot Ultron was a treat as he’s basically Blacklist‘s Raymond Reddington but crazy and a robot.
I think that the problem with this movie as related to the first one comes down to this fact: I don’t want to rewatch it a bunch. I probably could have sat through another showing of Whedon’s first Avengers film right after the first one and even stop flipping or pop in for a few minutes every time I see it on TV. I don’t see that happening here. In other words, it’s not nearly as fun as the first one, which it clearly wasn’t supposed to be, but it’s still a bummer.
Ant-Man is far from a bummer, though, which is great. I admit, my feelings towards these movies have been a bit tainted by elements from beyond the movies themselves. I’m not sure how I feel about every single film moving forward painting towards this gigantic epic that will end Phase Three. I love the inter-connectivity between these films, but that doesn’t necessarily mean I want them all to be about this one big thing leading forward.
And then I watched Ant-Man and it felt like a nice step away from all that intergalactic craziness to just tell the story of a few people trying their best to not make the world a worse place. I love the approach of using this intelligent thief to wear a potentially fatal suit in an attempt to stop tech from ruining the world. It’s perfectly comic book-y, but also fits in so well with this universe and Paul Rudd just kills it. I also really enjoyed watching Michael Douglas who seemed to break the rule that every old dude in a Marvel Studios movie turns out to be bad. Oh, and how fun is Michael Pena? And how bad ass is Lilly? More of both of them please! Basically, everything came together to give me a beautiful mix of heist and hero that gets a major thumbs up from this guy.
However, all respect to director Peyton Reed who did a great job, but I still wish we would have been able to see Edgar Wright’s version of this film which we reported on all the way back in the days of Wizard and ToyFare. Yes I bet it would have been an amazing movie, but it more so bums me out that a relatively slow filmmaker like Wright spent ALL that time on a movie that just didn’t happen. He’s got such an amazing vision for what he makes that I want him to make all the movies he can and this felt like a major entanglement that resulted in a great vision for Ant-Man, but not a full-on Edgar Wright movie.
And, yes, I still remain a bit nervous about Marvel tying up too many of their films to Infinity War, but then I must remind myself that Guardians Of The Galaxy did a great job of incorporating some of that into its movie and this one basically skips over all of that. Back to what I was saying above, it feels like Ant-Man is its own thing that will get incorporated into the larger goings-on of the MCU instead of the other way around. I like that and as long as that’s the way these things go, I’ll keep enjoying them.