Let’s! Get! Into It! I decided to kick off this year’s Halloween Scene towards the beginning of September because, why not?! If you want to get an idea of what I’m focusing on when it comes to comics and books, read this real quick. For movies, I’m trying something somewhat complicated. I want to alternate between movies I’ve seen and those I haven’t, while also following some kind of connection between films! To start with, I perused the incredibly dangerous corner of my office with shelves of old Wizards bolted about an organized pile of DVDs and Blu-rays to watch. There I spied the Vestron Blu of Return Of The Living Dead 3 and decided to give it a go! Continue reading Halloween Scene 2019: Return Of The Living Dead 3 (1993)
Last year I found myself in a strange place heading into the Halloween season, which for me usually starts sometime in September. In years past, I’d written posts about various movies and franchises for the dearly departed Topless Robot/Robot’s Voice site. I loved poring over these films, taking notes and then figuring out the best way to present them to an audience.Oh do go on
I watch a lot of horror movies, as you probably know. I stumble upon some of them on Netflix, Hulu or Amazon Prime, while others I’m given by friends or hear about on the fantastic Shock Waves podcast. In 2017, I also had the pleasure of writing for Blumhouse.com which lead to plenty of great viewings for fun and profit.
As it turns out, our Wednesdays and Thursdays are mixed between longtime favorites and brand new shows that are tickling our fancies these days. This batch includes mostly half hour comedies as well as my personal favorite comic book TV show Arrow. My wife also enjoyed this season of Cover Affairs, but I usually read or watching the other TV when it’s on because it just never quite grabbed me. If you’re interested, I covered Mondays and Tuesdays in a post last week.
Arrow (8:00 PM, The CW)
Arrow is one of my favorite shows on TV and probably one of the ones I look forward to the most in any given week. I was cautiously optimistic when it kicked off last season, but got sucked in with the story of spoiled rich kid Oliver Queen trying to make things right in his city while also flashing back to his time on a crazy island. Sure there’s a ton of melodrama involved in the proceedings (it is a CW show after all), but I love the solid mix of action, fun stories and deep cuts when it comes to comic book references. I couldn’t help but compare Agents of S.H.I.E.L.D. to Arrow and in nearly every way, Arrow came off better.
I’m not really sure what to say about Modern Family that hasn’t been said a million times. It’s so intricately written and perfectly acted that it’s impossible not to fall in love. We’ve been watching the reruns on Fox at 7:30 every day after Jeopardy and even though there aren’t a ton of episodes, it’s a welcome addition to the syndication rotation.
I wanted to like Super Fun Night, but the first episode just killed all the excitement I had going in. The basic concept of the show is cool: three 30 somethings put a bunch of ideas for ladies night in a hat, pull one out and that’s what they do that evening. The problem? Star Rebel Wilson puts on a terrible American accent throughout the entire thing. There are pretty much three things everyone knows about Wilson after watching Pitch Perfect: she’s not America, she’s super funny and she can sing incredibly well. The first episode of this series tried to get you to forget two of these things as her character is nervous about karaoke. I was pretty much done at that point and tend to flip around or read during this time slot. I really think I would be back in if they just had her speak in her regular voice.
We’re still big Big Bang Theory fans. I love how they’ve expanded the group to fully include Bernadette and Amy. It does kind of seem like the writers aren’t quite sure what to do with Penny lately. She and Sheldon work so well together, but they seem to be writing her a bit dumber than before. It’s a minor problem and I think they’re probably ramping up for something big at the end of the season, but we’ll see.
The Millers was a big surprise for me. We’ve liked previous Greg Garcia shows like My Name Is Earl and Raising Hope, but got burned out on the latter. I also didn’t much like Will Arnett’s two previous shows, Running Wilde and Up All Night. But I think this is enough of a departure for Garcia — it’s not about dumdums in a mysterious western town — and it allows Arnett to play awkward and put-upon in a way we haven’t quite seen before. I think it’s funny that last season saw all kinds of “adult kids moving back in with their parents” shows and this seasons has the reverse. Even though it’s not super original, I’m still enjoying two shows like that this season between Millers and Dads. As a nice bonus, the show features Jayma Mays who deserves a show better than Glee and Nelson Franklin who I’ve enjoyed on Traffic Light and his brief stint on New Girl. I hope the show succeeds just so I can keep seeing them all!
I’ll be honest, I wish Parks & Rec was on at 9:00 PM on Thursdays. I love that show and really miss it, but since we’re full-on into BBT, that’s the show we watch. Plus, it sounds like the schedule’s going to be all over the place. Anyway, since NBC doesn’t have much to offer, we’re watching The Crazy Ones, an ad agency comedy starring Robin Williams and Sarah Michelle Gellar as well as the guy who played Bob Benson on Mad Men and the former secretary from The Mindy Project. The dynamics on this show are a ton of fun and really carry it through. This is one of two shows that I could probably just watch the outtakes of and have a great time. New Girl is the other for what it’s worth. Still, as enjoyable as the show has been, I’d drop it in a heartbeat if it meant I could watch Parks & Rec.
I think The Michael J. Fox Show is the only show we watch on NBC these days which is crazy because it used to one of the main stops for us, especially on Thursdays. As a dyed in the wool child of the 80s, I have an almost inborn love for all things Fox going back to the days of Family Ties on through Spin City. The fact that the show puts his Parkinsons right on front street and just deals with it as part of the ongoing story is an ingenious move that brings everyone in on what’s going on and deals with it honestly.
It’s been a crazy-long time since I’ve talked about TV here on UM, but that doesn’t mean we’re not watching. It’s an interesting season because there are a good deal of shows I’m really into, but also a lot of slots in the schedule that are left open. For what it’s worth, we’re still in the dark ages when it comes to cable and don’t have DVR, so all of our viewings are done the old fashion way, “live.” Continue reading What We’re Watching: Mondays & Tuesdays
Sometimes you think so highly of a film that you just assume you’ve blogged about it already. That was the case with Night Of The Living Dead, a movie I love, but apparently not enough to spend time writing about on UM.com. As you probably know George A. Romero’s classic film finds a group of survivors holing up in a country house as the dead start roaming the earth. The film itself never uses the Z word, but this style of creature soon became synonymous with a kind of monster that still dominates the genre to this day.
We start off with Barbra and her brother Johnny who have traveled several hours to this remote town in order to place flowers on their father’s grave. While there, they encounter a man who seems normal at first, but winds up attacking both siblings and killing Johnny. Barbra goes on the run and eventually finds the house. Soon enough she’s joined by Ben, a very proactive man looking to turn this place into a fortress. After fortifying the main floor, they come to realize that five people have been hiding out in the basement: a married couple with an injured daughter and a pair of teenaged kids who are dating. Conflicts instantly start brewing between the upstairs and downstairs factions, thanks to Harry, a head strong guy who wants them all to hole up in the basement where his zombie-bitten daughter happens to be slowly turning over to the side of flesh loving baddies.
The beauty of a Romero zombie movie is that he’s not just trying to scare people, he’s also trying to hold an undead mirror up to society to show off its uglier side. Some of these elements are overt while other sneak on by. I think the conveyed message can also change a bit as society changes and the film stays the same. For instance, there’s a lot of race elements being explored thanks to Ben being such a strong character who spends most of the film bossing white people around with most of them listening.
But you can also read into the presented ideas of womanhood. The movie gets some flack because Barbra spends so much of it in a catatonic state, which is understandable. However, I don’t think that’s a commentary on all women, but just the presentation of one particular character. Just look at the other two women presented in the movie. Harry’s wife Helen and even Judy the young lady from the basement are pretty strong and cool-headed.
I also think there’s something being said — or conveyed — about how city life makes people less prepared for these kinds of disastrous events. Barbra and Johnny make a big deal about how they had to drive out to the middle of nowhere which made me assume they lived in the city. I also assumed that Ben was from more of a small town scenario, but he later says he’s not from the small farm town, so my theory might actually be blown to hell.
Whatever the case may be, Romero created a film that not only had something to say, but presents itself in such a way that you can keep finding new aspects in the work that make you think. Speaking of emotions, seeing how the zombified kid takes out her mom — with a gardening shovel instead of her teeth — totally bummed me out as a parent. I used to think, “Once they turn, just blast them away!” But not only are they in a world that’s never seen a zombie like this, but it’s also you’re freaking kid. Also, the ending of this movie is so freaking depressing and I kind of love that.
Watching this movie lead into a re-watch of Dawn Of The Dead, which is still one of my favorite movies regardless of genre. Seeing the films together in such a short period made me notice a few things. First, these movies are like Nirvana songs going from loud to quiet to expertly. Second, while these films obviously both feature undead monsters, they’re more about human beings trying to intellectually deal with the fact that the world they once knew has been completely turned upside down. Can you imagine what it would really be like if people stopped dying in the traditional sense? I don’t think I can. And third, these movies all feature characters who can do things very well. That’s why we’re following Ben and the crew in the mall instead of some other randos, they’re survivors. They’re the ones that can survive in this environment…for a time. Eventually, they all screw up one way or anything and the mindless zombies win out against the smart humans. There’s a poetry there that I don’t think I can parse, but love experiencing. Now I really want to give Day Of The Dead and the 1990 Night remake another watch to see whether they continue those themes.
I haven’t done this in a while, but I think you should check out something I wrote. I did a list for Topless Robot called Ten More Marvel Shows We Want To See Besides Agents of SHIELD!
Two guys dressed up like Mario and Luigi to do parkour. Apparently, I’m a big fan of themed parkour videos because this is awesome. (via Topless Robot)
eBoy art really draws me in. It’s like a Where’s Waldo detail-wise, but you’re just enjoying all the scenery instead of looking for a stripe-loving goofball. I could lose myself in this Coke piece of his for days, if I wasn’t careful.
The Dead Weather is the Jack White project I’m least familiar with, but I’m glad to hear he’s recording more music with them through his own Third Man label. More bluesy, dirty rock can never be a bad thing. (via Rolling Stone)
Just the other day I was thinking to myself, “Boy, I sure would like to watch Cornenberg’s Shivers.” Little did I know that sites like TheWrap would be reporting a remake in the works the next day.
I haven’t seen the un-aired Locke & Key pilot written by Alex Kurtzman and Roberto Orci, but I heard good things. It’s exciting to hear about them moving forward with the project as a series of movies, as Kurtzman told Collider.
Bob Burnquist is awesome. Want proof? Watch this video about the skateboarding tricks he does on his big air ramp that include a HELICOPTER.
Alec Baldwin did a great interview with Chris Columbus on Baldwin’s podcast Here’s The Thing spanning the writer and director’s career. Man, that guy’s helped created some of the greatest films around.
Like a lot of Happy Endings fans, I was sad to see that show go away, but it’s cool that Damon Wayans Jr. will return to New Girl and Adam Pally’s becoming a regular on The Mindy Project. I can’t find my links to these stories, so you’ll just have to trust me.
This New York Times article about the world of 20-somethings in the professional world is impressive because it shows how hard kids are working, but also sad because it seems excessive. Maybe I’m just lazy.
I’ve been trying not to spend much money lately, but I feel drawn to the 20th anniversary release of Nirvana’s In Utero. Speaking of which, Pat Smear talked to Rolling Stone about the last years of the band.
I actually gasped with delighted exasperation when I saw that Mondo is doing a Tales From The Crypt art show. That show shaped me as a kid and the comics are some of the most beautiful looking around. So awesome.