In an effort to keep celebrating women’s month for the rest of the year and beyond, I’m running down a quintet of books by women authors that I really enjoyed recently. The group includes Bari Wood’s The Tribe (the Valancourt version), Girl Sleuth by Melanie Rehak, Paula Hawkins’ A Slow Fire Burning, My Sister The Serial Killer by Oyinkan Braithwaite and Joan Didion’s Slouching Towards Bethlehem.
In the episode, I mentioned an episode I did last year about some excellent women hoirror writers, you can give that a listen here.
I’ll also plug a few things I have no real affiliation with aside from being a fan. If you dig discount digital books, check out Bookbub, if you like the same for audiobooks, I can’t recommend Chirp more!
On this week’s episode, I discuss my recent journey making may way through most of author Grady Hendrix’s fantastic horror novels. I’m mainly covering Horrorstor, Paperbacks From Hell, My Best Friend’s Exorcism, The Southern Book Club’s Guide To Slaying Vampires, We Sold Our Souls and just a bit about The Final Girl Support Group!
For what it’s worth, I think I realized why some might not connect to We Sold Our Souls as much. I think it’s because there’s no friendship at the heart of the story like there is in most of the other ones. This also explains why it feels more akin to HorrorStor to me because Amy’s in a similar boat.
If you’re interested, I wrote a bit about HorrorStorhere and covered Paperbacks From Hellhere.
As always, you can email me at high5tj at gmail.com or follow me on Twitter and Instagram.
On today’s episode, I’m running down five rad horror authors working right now who are not the master Stephen King. Over the course I talk about a dozen different books that have really hit me over the past decade or so. Hopefully you’ll find someone new to read as you listen!
Hi there cats and kittens, this week’s episode of The High Five podcast gets hep with a quintet of musicals from the 1980s that have roots going back to the 1950s! We have Happy Days and Grease to thank for these, plus the eventual power that kids who grew up in that older decade had in the latter one! This one was a real wild trip, but I had a gas putting it together!
Oh and if you want to list to the Spotify playlist I put together based on some of these films’ soundtracks, check it out!
Here’s a few cool pieces of Little Shop Of Horrors art too!
One of the things I miss most during this time of quarantine is just aimlessly wandering around stores. Obviously, there are so many other more important things going on, but it’s one of the little things about the old days I look back on fondly, especially when it comes to book stores. I haven’t been in a Barnes & Noble in months and it really bums me out! I’d love to go to a used or independent book store too, but there aren’t any around where I live, much to my chagrin.
To at least partially fill that void, I’ve signed up for a few ebook mailing lists to bring cool new books and some hot new deals into my life (see what I did there?). If you’re interested, you can sign up for one through Amazon, but there’s also a site called BookBub that I’m a big fan of. You just go in, add the genres you like and they’ll hit you up with daily sales on digital books that run between one and three bucks. That’s how I first came upon Craig Davidson’s The Saturday Night Ghost Club!
Back in the day, I used to do recurring posts here on UM called The Box wherein I would grab some random comics from a huge box my inlaws gave me and give them a read. I thought it would be fun to do something similar, but with a somewhat narrower focus on horror comics from those same boxes (though now they have a special place on my comic shelves). As it turned out, I had a bunch of 70s Marvel horror comics, so I jumped right in with those! Horror had a nice resurgence at this time because the Comics Code loosened some of its restrictions. In these five comics I’ve got Spider-Man, Ghost Rider, Man-Thing, Son of Satan and all sorts of anthology tales!
I’ve been having a great time watching connected films and a variety of horror books this season, but it’s very possible that re-visiting the Batman run by Doug Moench and Kelley Jones has been one of my favorite experiences so far. As I mentioned in the first part, these post-KnightFall books were bedrock-forming for my knowledge of not just the Dark Knight, but also the imagery of horror as put through Jones’ incredibly capable lens. As good as the Batman developments are in these issues as he regains his life after the Bane and Azrael incidents, it’s equally exciting to see these two creators work their magic on a variety of villains and co-stars.