Well, here I am about a week away from Christmas and I find myself watching even more holiday themed horror flicks. I posted about Red Christmas and A Christmas Horror Storylast week and have been going through plenty of others since then.
I’m a big fan of Silent Night, Bloody Night, but for some reason that movie doesn’t work its way into my brain very well and I can never remember it. I also watched Black Christmas which completely failed to grab my attention. I was distracted, so maybe I’ll come back to that one again next year.
From there I dipped back in to favorites like Gremlins and Rare Exports and now I’m looking at a few other new ones. As an unexpected and early Christmas gift, Netflix double shipped me two films this week: Better Watch Out and Dick Maas’s Sint, two films that held plenty of surprises.
I’m pretty bummed that Blumhouse.com went through whatever changes they did because that means I can’t parlay my weird predilection for watching new Christmas horror films into cash. However, that hasn’t stopped me from continuing this yearly tradition. This year, I’ve checked out some classics like Silent Night, Deadly Night 2 and Gremlins, but also a few newer entries.
First off, I watched an Australian horror film called Red Christmas by writer-director Craig Anderson. I heard them talk about this one on the last episode of Shock Waves (#76 if you’re curious) with co-host — and my former BH.com editor — Rebekah McKendry saying it was bad and guest Brian Collins of Horror Movie A Day fame saying he kind of liked it.
Welcome to the tenth meeting of The Midnight Comic Club! After the extensive look at Frankenstein over the past three episodes (and a week off due to illness), we’re back with a new segment called The Sinister Sixpack wherein I grab a half dozen horror comics I’ve never read before and see how that goes.
Not a day goes by that I don’t think,”Gee, I should blog about this thing I just read, watched or saw that I really dig.” For me the reason for this blog is two-fold. First, I want to let people know about cool things that they might also enjoy. The second is as a kind of pop culture digital back-up memory. With both goals in mind, I think I’ll take to this format of quick hits every week (maybe, we’ll see).
Welcome to the ninth meeting of the Midnight Comic Club! In the third and final look at Frankenstein-related comic books we plunge into the waters of Dick Briefer, EC Comics, Warren, Image, Dark Horse and a variety of other companies. In this episode we see writers and artists experiment with all kinds of variations on the theme ranging from setting and sex to superheroics!
As we come together for the eighth meeting of the Midnight Comic Club, we celebrate the November 32, 1931 release of James Whale’s Frankenstein starring Boris Karloff by looking at how Marvel and DC have integrated the character into their universes!
Starting with Marvel, check out Menace #7, X-Men #40 and the fantastic Monster Of Frankenstein trade paperback if you’d like to learn more. Scroll on down for some images of those books as well as plenty of others mentioned in the episode. I also mentioned the Avengers: Legion Of The Unliving trade which you can check out here.
I should probably link to the episode, so here it is!
The seventh meeting of The Midnight Comic Club will begin a multi-part examination of one of horror’s most iconic characters: Frankenstein’s Monster! This particular episode will focus on five faithful adaptations of the story which showcases the mountains of despair that can fall on a human being — or monster — and still not fully consume them.
And with that, you can listen to the episode here:
Here‘s that article I mentioned where Guillermo del Toro talked about Wrightson’s Frankenstein. It’s really good and insightful, give it a read.
If you want to read the Monster Of Frankenstein Spooklight on Marvel.com, you can! You can also read more about Marvel Unlimited here if you’re curious.
If you’re interested in the books I mentioned that I didn’t get a chance to read, this link will take you to the current printing of the Classics Illustrated take, this one will get you to Patrick Olliffe’s version and I’m still not sure what’s up with Junji Ito’s!