This week, I catch you up on It’s All Connected 2021, the scare season scenario where every film I watch has to have a link to the previous one! For the full It’s All Connected 2021 experience go back and listen to episodes 29, 31, 33, 34 and the back half of 35.
Not technically a horror movie, I think The Psycho Legacy still makes a fitting Halloween Scene entry because a) it’s about one of the most important horror movies of all time and b) I haven’t done one of these posts in a while and wanted to get back to them!
I’ve had this double disc documentary about Psycho I-IV sitting around for quite a while. I thought about maybe rewatching the classic original and then going through and watching the rest for the first time before watching the doc, but decided against it. Maybe I should have because the doc is spoiler heavy. I wasn’t mad, though, how else would they talk about the flicks without talking about their twists, turns and endings.
As it is, I’m not the world’s biggest Psycho fan. I’ve seen it a time or two and respect it like crazy, but for some reason it never made its way into my top three (Jaws, Texas Chainsaw Massacre and Halloween), which is funny because all of those movies owe a debt to Psycho and Hitchcock. After watching this documentary, I want to watch it again and hopefully like it even more.
It also made me want to watch the sequels, something I’ve never been particularly interested in. I had never thought about or researched them much, so I didn’t know that Anthony Perkins was involved throughout all of the movies, even directing one. I also wasn’t aware that one time interviewee of mine Mick Garris directed the fourth installment or that Elliot himself Henry Thomas starred as a young Norman Bates in the fourth movie.
It’s interesting watching something like this because it’s got a great mix of cast and crew from all the movies–all of whom seem to have had a wonderful time making all the flicks–as well as directors, writers and bloggers who had nothing to do with the making of the films, but have become fans. I think it’s interesting to get their perspective on the flicks and while they might wind up a bit skewed–no one complains about the sequels, I mean–I like hearing the good about movies that I’ve only really heard being panned.
There’s a ton of extras that came along with the disc, but I haven’t gotten to them yet, but probably will after watching the sequels. All in all though, I found the documentary to be well made, very interesting and made me want to learn even more about Anthony Perkins. He seems like he was a really classy dude who knew how to be in and make movies. Maybe the Psycho flicks will be part of this year’s daily Halloween Scene October celebration? Hopefully I’ll remember…
I’m not sure why I moved Disney’s sci-fi epic up to the top of our Netflix queue, but I did and I really enjoyed it. The flick reminded me that Disney used to make some really high quality genre movies back in the day (I still love watching 20,000 Leagues Under The Sea). I even read online that, because Lucasfilm wouldn’t rent them some of the special effects equipment they used to make Star Wars, Disney developed their own tech that was actually the best in the biz for a while. And, for the most part, the effects still really hold up. Some of the matte paintings could use some re-compositing to make the edges less obvious, but it was still fun watching the movie and guessing how they got away with the special effects. My one complaint is that I wish V.I.N.CENT looked a little cooler. When you look at him with his gigantic cartoon eyes he looks like a Snarf-like character that you’re going to want to punch, but instead, he’s pretty cool.
Also surprisingly cool? The cast. I was shocked to see it included Anthony Perkins Including “the guy from Psycho” in what was probably considered a kids movie is a fairly outside-the-box casting choice. Well, kind of. He’s got a crazy vibe in this movie too, just not “keep your dead mother around” crazy. The other big names on screen are Robert Forster who I don’t think I’ve ever seen in an older movie and Ernest Borgnine playing a role I didn’t expect him to be in. But, the two most fun cast members don’t technically appear on screen. V.I.N.CENT and Bob were voiced by Roddy McDowall and Slim Pickens! I’m not sure why they didn’t get billing, maybe it was a SAG thing. Anyway, it’s fun to hear them, though I’m not quite sure why you’d cast a potentially annoying southern accent as a robot or–in the world of the movie–you’d program a robot with said accent.
The movie itself has a fun plot. Perkins, Forster, Borgnine and company are on a mission in space and come across a black hole that happens to be monitored by Dr. Hans Reinhardt (played by Maxwell Schell) a rogue scientist who claims all of his crew died since monitoring of the hole started. See, in the future that’s one of the last untravelled territories and Reinhardt is obsessed with discovering its mysteries helped by an army of robots including the big red beastie Maxwell who looks like the villain of an 80s Saturday morning cartoon. As you might expect, things are quite as simple as they seem and there’s more to the robots than meets the eye.
I was expecting the twist ending, so it came as a nice surprise. There’s actually a good number of surprises towards the end, with characters making decisions that show their true character, but still offer some surprises. What seemed like it might be a corny cartoony type movie wound up being pretty nuanced with solid characters and a story that offered up its fair share of interest and surprises.
Meanwhile, I knew exactly why I wanted to watch Lifeforce and it comes down to two words and no, they’re not Tobe Hooper, but Space Vampires. That was the title of the book the flick was based on, but Canon changed it to Lifeforce to class things up a little bit. Anyway, the flick’s about a space-faring crew coming across a trio of preserved bodies. They take the bodies onboard their ship and next thing you know the ship’s deserted and heading towards Earth. The aliens get taken to Earth where they start wreaking havoc by sucking the energy out of living beings. From there it’s a strange mix of a vampire, sci-fi, zombie and save-the-world-while-trying-to-find-the-monster that seems to work even given the kitchen sink approach.
The reason horror legend Tobe Hooper wasn’t a big draw for the movie is because, well, I can’t say he’s done a lot of movies I like aside from Texas Chainsaw Massacre. Funhouse wasn’t so good, his involvement in Poltergeist is up for debate and, well, that’s all I’ve seen. Anyway, Lifeforce doesn’t feel like the kind of move that the guy who created TCM would make, but I liked it regardless. There’s not a lot of horror elements, though when the practical effects do come into play, they look pretty great. There’s one scene where one of the vampires recreates herself that almost made my stomach churn. I’m just glad I wasn’t eating a jelly sandwich at the time, otherwise it could have been messy.
Another draw for the movie is the inclusion of Patrick Stewart. I spent the whole time thinking he might be one guy in the cast because I wasn’t sure when the movie was shot. The character didn’t really look like Stewart, but I didn’t know what he looked like in the 80s, so I was trying unsuccessfully to convince myself it was Picard. Of course, that wasn’t him, he shows up later in the movie as a psychologist who gets slapped around.
Anyway, Lifeforce is a really ambitious movie. A LOT goes on and the plot is pretty layered. I like how there’s even a theory that these aliens are what human vampire myths are based on. When you think you’ve got the story figured out it gets a little bit more involved and more interesting. I wasn’t expecting much from the movie, but it turned out to be a delightfully strange movie to have on while I did work. I can’t say I highly recommend it, but if you’re looking for an off kilter sci-fi movie from the 80s, give this one a whirl.