Casting Internets

Comixology‘s new Submit functionality for digital comics will change the industry, no doubt. Makes me want to find an artist extra bad.

A Super Troopers sequel might film later this year? That is amazing. (via Collider)

Brian Azzarello and Eduardo Risso are working on a 100 Bullets spinoff mini about Lono! (via Comics Alliance)

AstroCity_mtvgeek

On a similar note, I’m really excited to hear by way of MTV Geek that Kurt Busiek’s got an Astro City ongoing in the works at DC. I’m a big fan of that world and can’t wait to see more.

Universal is suing a porn company for making a Fifty Shades Of Grey parody. No big deal there, right? The interesting part of this THR article is that the porn company’s lawyers claim that much of Gray is actually in the public domain because 89% of the work was published on various websites as fanfic. This could turn out to be a really interesting case for digitally distributed content moving forward. How does ownership work on the internet these days, especially if you’re posting your artistic endeavors on a third party site? What will that mean for future deals like the one E.L. James got?

 A lot of mash-ups just become noise, but this one featuring Nine Inch Nails’ “Head Like A Hole” and Carly Rae Jepsen’s “Call Me Maybe” is brilliant.

doc savage skull island

I’m pretty curious about this official Doc Savage King Kong crossover book called Doc Savage: Skull Island. Sounds pretty rad.

I’m a sucker for a good list about creepy abandoned places, so this one from ListVerse is aces in my book.

halfmencover

I don’t follow many indie comic artists, but I’ve become a huge fan of Kevin Huizenga over the years. He posted the cover to his new book The Half Men over on his blog. No idea what it’s about, but I’ll give it a shot.

IFC keeps lining up comedies I want to check out. THR just announced that Will Ferrell and Adam McKay are working on one called The Spoils Of Babylon while Ben Stiller and Mr. Show‘s Bob Odenkirk have The Birthday Boys in the works. I don’t have IFC, but when they hit Netflix Instant, I’m all over them.

dan hipp predator trophies

Oh sweet goodness, Dan Hipp’s posting artwork again over on his blog. You can not go wrong in my brain by mashing up Predator in a smoking jacket and a video game-themed trophy room. This is now my computer’s wallpaper.

Simon West wants to remake the Burt Reynolds movie Heat with Jason Statham and Sofia Vergara. Yes, make this happen, Hollywood. (via THR)

CENTURION_2_1362725307

Feast your eyes on this fantastic Centurions Jake Rockwell custom toy by Hiss Tank contributor nath_1977. I would buy a line of toys like this.

Wildstorm Trade Post: Stormwatch PHD & Gen 13 World’s End

StormWatch PHD: World’s End (Wildstorm/DC)
Written by Ian Edgington, drawn by Leandro Fernandez
Collects Stormwatch PHD #13-19

By now, I assume readers are somewhat familiar with my love of Wildstorm. Not only have I written about many of their trades in many previous Trade Post and Pile reviews, but also did a full post about how much I like the universe. While at Wizard, I became the de facto writer of all things Wildstorm for a while there, but was over at ToyFare by the time World’s End started. If you’re unfamiliar, after a mostly unsuccessful attempt at restarting the universe (flagship titles Wildcats and Authority written by Grant Morrison and drawn by Jim Lee and Gene Ha respectively only produced a total of three issues combined) the powers that be at the ‘Storm decided to take drastic measures: they blew the world up. Not entirely, mind you, that wouldn’t make for very interesting comics. Instead, the kind of threat that the heroes of Marvel and DC always thwart succeeded and an army of deranged, formerly captive and brainwashed heroes went bonkers on the world before literally exploding. The trauma killed millions and even temporarily knocked the earth off its access. Much of this is covered in Wildstorm: Armageddon, Number of the Beast and Wildstorm: After the Fall.

It was bad. But there were survivors, both of the hero variety and normal folks with the former doing their best to look out for the latter. Which brings us to Stormwatch PHD. For two trades, this was a book set very firmly in the Wildstorm U that brought back members of the classic Stormwatch team and put them on more ground-level type missions. With the end of the world, though, the book shifted focus with its heroes up in the orbital Stormwatch satellite trying to keep people safe. Run by Jackson King, he has split up the super powered operatives left at his disposal into two teams and sends them on missions to both save people (they’re keeping as many as they can on the satellite, but are quickly running out of space) and defeated threats to humanity.

What I like most about this book specifically and the World’s End books in general (those that I’ve read) is that they really went for it. The world is screwed and these heroes are doing their best to keep things afloat. Even with all their teleportation and super powers, there’s only so much that you can do. This book also did something that would become a standard of the rest of the Wildstorm U in that it incorporated elements from the history of the company in ways that made sense. In this case, you’ve got Deathblow working for Stormwatch. This is not something that happened before, but it doesn’t really need explaining (though what happened between Deathblow’s last series and this does get explained at some point in a way that was pretty clever). This would become SOP a few issues down the line when the heroes were split between one group staying on Earth and the other going to space. I’ve gotten really annoyed with how bogged down and sometimes boring mainstream superhero comics can be, so it was nice to see a company stick to something as crazy as this.

I might not be the best judge on something like this, but I would even say that it’s pretty new-reader-friendly. That might sound a little crazy, but it seemed to me like enough was explained that an open-minded and curious reader could easily jump right in and follow along. That continuity stuff I mentioned is fun for people like me, but I don’t think the series as a whole is bogged down with it.

Gen 13: World’s End (Wildstorm/DC)
Written by Scott Beatty, drawn by Mike Huddleston & Dan Hipp
Collects Gen 13 #21-26

I think that same can be said for the first Gen 13 installment in World’s End. This team was what actually got me initially excited about Wildstorm. I was a huge fan because it was the it teen comic of the day. For some folks that was Teen Titans or New X-Men, but this was mine. I have been routinely disappointed by pretty much every incarnation that has come since the awful Chris Claremont relaunch years ago. It also didn’t help that they had one of the muddier post-continuity shift histories. Something about being grown as superpowered sex slaves or whatnot? Even after being so confused the first time around, I gave it the good ol’ college try again recently when reading the trade of the second volume, but it just didn’t do it for me.

But, I didn’t feel that way with this collection. Sure, there are references to the new status quo, but it kind of felt like I had just missed one arc of the old series. Beatty does a great job of capturing that old dynamic between Grunge, Fairchild, Freefall, Burnout (now blinded) and Rainmaker.

Unlike Stormwatch or Authority, which have larger, more global goals, the Gen 13 kids are just trying survive and figure out what happened. They were hopping around in time or somesuch and came back in after the big event, so they missed the whole thing. This is a pretty fun and interesting concept that fits in with the characters pretty perfectly. Same goes for the art by Huddleston and Dan Hipp, who has an awesome sketchblog you guys should all check out.

I’ve got a post in the works covering the two Authority books and the second Wildcats one (thought I had the first, but don’t). The bummer about reading through these is that they’re so fun and yet the rest of the issues leading up to the line-wide cancellation of Wildstorm haven’t been collected. I’m not going to hold my breath for them to be either. I think I’ll keep an eye out for cheap copies of what I don’t have (I made a checklist) and see how it ends. If it’s rad, I’ll probably get them bound!

Casting Internets

Hey gang, this is going to be another long one with some fairly old links, but I think there’s a little something for everyone in here.

First and foremost, I have yet another blog I’m working on. In addition to UnitedMonkee and my dad blog Pop Poppa, I have also started a food blog called Monkeying Around The Kitchen. Check it out and enjoy! If you want to keep up on everything I write, follow me on Twitter @PoppaDietsch because everything gets linked there.

In other me news, I talked to Mark Kidwell about ’68 one-shots, Rick Veitch about The Big Lie, Justin Jordan about The Strange Talent of Luther Strode, Paul Grist about Mudman, Dennis Hopeless about Lovestruck and Bob Schreck about the CBLDF Liberty Annual all for CBR.
I’m amazed that this is the first time I’ve ever even thought about a Warriors/Ramones mash-up. Thanks for enlightening me Nathan Stapley! (via Gallery 1988)

There’s been a lot of back and forth between Anthony Bourdain and Paula Deen, Andrew Zimmern defended his fellow Travel Channel host on his blog. It’s a great read about food awareness and cooking.

Speaking of food blogs, I just discovered CB Cebulski’s Eataku. Everything he eats looks amazing.

Reading the Horror Movie A Day review for Twice Dead made me want to watch that movie again.
Wynn Ryder drew Sean Connery’s James Bond from Dr. No. I of course and reposting and linking to his site.

Why oh why didn’t Sly Stone just record an all new record instead of the same old songs? Hopefully I’m Back will remind Stone of how fun recording can be and he’ll do something more original next time! (via Rolling Stone)

Rolling Stone also tells me that Krist Novoselic will be performing the entirety of Nevermind with various Seattle bands in that town on September 20th. That is a show I would like to hear live complete with everything Novoselic says on stage. While I haven’t fully written about my love of Planet of the Apes or even reviewed any of the flicks on this site, I am a HUGE fan who hopes he can get out to see Rise in theaters. In the meantime, I’ll settle for Dan Hipp‘s art inspired by the movie. And by “settle” I mean “bask in the glory of.”
Have you guys seen Giorgio Comolo‘s Galactus art? It’s amazing. (via Kirby-Vision)