DC Space Trade Post: Invasion & Legion Of Super-Heroes: The Great Darkness Saga

Invasion! (DC)
Written by Keith Giffen & Bill Mantlo, drawn by Giffen, Todd McFarlane & Bart Sears
Collects Invasion #1-3

I can’t tell you how long I’ve had the (as far as I know) most recent printing of Invasion sitting in my to-read box. I mean, I probably could. I got it from the comp boxes back when it came out and I was still working at Wizard, so that gives you some idea. Anyway, I tried reading it at one point a few years back, put it down for just a little too long and forgot what I’d read, so it went back in the box. That’s partially because this 256 page trade collects only three issues. Can you imagine DC or Marvel trying to pull that now? Only three months of an event? Ha! Putting out the story in three 88 page installments? You’re out of your mind! Having each book be a specific chapter that’s related to the previous, but mostly goes in a different direction? Get out of here kid, you’re bothering me.

I’ll admit, all those elements that make this 1988 event so different than the ones I’m used to (I wasn’t reading comics when all this went down, but I’ve read many of the tie-ins over the years), did throw me a bit. The first issue is completely from the villains’ perspective. We get a lot of the details about the invading Dominators and their allies. You’re not even on Earth until the very end and only see a few heroes at all. The second issue deals with the invasion and shows the heroes successfully deflecting it. Wait, what happens in the third issue then? Well, one Dominator drops a bomb on Earth that mitigates the metagene that gives many heroes and villains their powers, so an unaffected group (mostly those who got powers from supernatural, extraterrestrial or scientific means) go on a mission to find the cure. It’s a pretty big turn, but it winds up making sense and adding an interesting extra layer to the story.

Right before reading this book I read the four existing trades of the most recent R.E.B.E.L.S. series, which I really enjoyed (the only reason I’m not reviewing them is because the last arc isn’t collected and I want to write about the whole thing). I found it interesting how heavily writer Tony Bedard mined Invasion for source material. Just about every alien in that book was in Invasion, though I’m sure some or most of them go back further than that. It’s interesting how you can stumble upon two series’ separated by decades and find so many touchstones between them. The same goes for The Great Darkness Saga too, but I’ll get to that in a paragraph.

So, the real question is whether I would recommend you my reader picking up Invasion. That’s a tough one. Like I said, it was interesting reading an event done differently. There’s plenty of allusions to the tie-ins, but they don’t seem as necessary. One thing that this book did that something like Blackest Night did not is explaining the tie-ins in a panel or two when needed. There’s also some pretty rad McFarlane and Sears artwork in these pages. It’s fun to see someone like McFarlane so known for a particular group of characters drawing other ones. I also like seeing Sears’ art recolored as a fan of his Justice League work. On the other hand, it’s kind of a tricky story to dig into because so much is going on and so many characters pop in and out. I don’t think someone who isn’t a die hard pre-DC 52 fan would have as good or as easy of a time reading this collection. At the end of the day, I’d suggest checking it out on a site like Sequential Swap where you can make a trade for it instead of dropping down the $25 cover price. I always feel better about recommending a book when I know people can get it on the cheap.

Legion of Super-Heroes: The Great Darkness Saga (DC)
Written by Paul Levitz & Keith Giffen, drawn by Giffen, Pat Broderick, Howard Bender & Carmine Infantino
Collects Legion of Super-Heroes #284-296, Legion Annual #1

The Great Darkness Saga is one of those stories that you hear a lot about how great it is from older comic readers or at least I did at Wizard. I think I tried reading one of the earlier softcover trade versions at some point but really didn’t know what was going on. This deluxe edition collects a whole year’s worth of stories leading up to, including and following the Great Darkness Saga, a story that had a mysterious bad guy sending his shadowy henchmen across the galaxy to grab a few things so he can achieve his nefarious goal.

The funny thing about this story is that it’s one of the most spoiled ones in history. I mean, you spend 12 issues trying to figure out who the bad guy is — in theory — but he’s right there on the cover and has been on every other collected edition cover I’ve seen. It’s not like people even talk about it that much, that Darkseid is the bad guy, just that it’s right there front and center. The problem with that, of course, is that it kind of undercuts the whole point of the story which is who this guy is. I thought that was kind of lame. I mean, I expect as a longtime comic fan not to go into every store completely clean and innocent, but this is a little ridiculous, isn’t it?

The huge spoiler is but one thing working against this book. The other is how infamously difficult it is to collect Legion comics from the Levitz/Giffen era. Unlike today, the stories weren’t told in six issue arcs, instead each character got the spotlight at different times and things moved along more like a soap opera than today’s comics. I actually prefer this method of comic storytelling, but it definitely poses a problem when collecting said issues. The first issue in this collection doesn’t necessarily have anything to do with Darkseid, but it does have to do with characters who will pop up to fight him and his people later on. One of the reasons I didn’t read the previous version I saw was because I had no idea what was going on or who the characters were. By including so many additional issues, this book gives you a much better idea of who the Legionnaires are and what they’re up to even if you’re not exactly coming in on the ground floor. Since first trying TGDS, I’ve read the Eye For An Eye and The More Things Change collections from this era as well as a few other Legion trades from different eras, so I was much more well-versed in the characters and what was going on.

Still, I think if you’re open and quick on the uptake, this book works really well for readers completely new to the Legion concept. I was going to suggest letting a friend borrow it, but removing the slip cover and telling them not to look at the covers in the back to give them a more pure reading experience, but then I looked at the book’s cover and it has a silver embossed Darkseid on it. Oi.

We Want Action: Superman/Batman Apocaylpse

The DC Universe straight-to-DVD movies from Warner Bros. Animation have been killing it lately. I still haven’t seen Batman: Red Hood even though it’s on Netflix Instant, but I’ve heard good things and had a great time watching Superman/Batman: Apocalypse. It’s kind of interesting that they’ve created this little sub-universe of movies based on Jeph Loeb’s Superman/Batman run which started with Public Enemies, a movie I liked a lot much to my surprise.

I was not surprised at all that I liked Apocalypse. the run of the comic that the movie is based on is one of my favorite guilty pleasures of all time. Superman, Batman, Woonder Woman and the Amazons facing off against an army of Doomsdays? Perfect. Batman racing around on Orion’s Astro-Harness? Awesome. Batman punching Darkseid in the face and using his smarts to get what he wants from the villain? Amazing. It’s probably my favorite comic by Loeb and definitely my favorite Michael Turner-drawn book.

And the movie doesn’t disappoint, even though we don’t see Batman punch Darkseid. The flick does a great job with the action sequences and thankfully takes out that ultra-lame speech Superman gives Darkseid in the last issue about Supergirl not being able to eat apple pie or whatever. I actually got chills when it was time for the Doomsday fight. I got such a kick out of the idea of a legion of the creature that killed Superman fighting some of the toughest women in the DCU plus Batman. Overall, I had a great time with this movie and it made me want to get my hands on the trade again (I swapped it a while back after a somewhat ill-advised shelf purge), which brings the WB good list up to include New Frontier, Green Lantern: First Flight, Wonder Woman, Public Enemies, Crisis On Two Earths and now Apocalypse with the only stumbling blocks in my opinion being the first two attempts: Superman/Doomsday and Batman: Gotham Knight. Even with such a great streak going, I’m nervous about All-Star Superman because the original comic is such a masterpiece. Can’t wait to see Green Lantern: Emerald Knights (longs as it’s better than Gotham Knights) because I’m all for more GL. I’ve yet to see any of the shorts yet, how have those been?

Trade Post: Swamp Thing, Fourth World, Scalped and Wonder Woman

2008-12-11
5:32:55 am

Doesn’t look like things will be letting up any time soon and seeing as I’ve been falling asleep pretty early these days, I haven’t been able to watch many movies. I will get around to the second part of that Thanksgiving weekend round-up though, because I want to get to my Squirm and Return to Sleepaway Camp (love that movie!). But, I’ve got some time now and I’ve been doing some trade reading so here we go.

SCALPED: DEAD MOTHERS (VOL. 3) (Vertigo/DC)

Written by Jason Aaron, Drawn by John Paul Leon, R.M. Guera & Davide Furno

Scalped is one of those books that I got to late in the game and have yet to actually catch up to the monthly issues, so I’m mostly grabbing the trades from the library as they come out. I dig the story for the most part, especially because it takes me to a world that I’m otherwise unfamiliar with in the form of an Native American reservation. Plus, there’s all kinds of action and intrigue and some great names (I especially like our main character’s Dashiell Bad Horse).

This particular trade focuses mainly on Dashiell working on a dead hooker case because he promised her son that he would while others investigate his own mother’s death. There’s obviously a lot of history between Dash and pretty much everyone else on the reservation and Aaron does a good job of giving just enough details as we read to keep us from getting completely lost but also not overwhelming the reader with needles detail. It’s a harder balance to achieve than you might think. I also like how the villain of the story, Lincoln Red Crow (the guy that Dash, an undercover agent is trying to pin a murder on) is more interested in finding his mother’s killer (they used to be lovers) than Dash himself. But even he’s got problems of his own as various outside forces are trying to push and pull him and the casino he runs.

Really, that’s what I like about the series as a whole: there’s a lot going on, but not too much. Aaron’s got a great sense of pacing and knows when to throw in some kick ass action scenes to balance all the other personal aspects of the book. I’m really curious to see where the series goes (they introduced a new character in the form of honest reservation cop Franklin Falls Down who seems like he’ll have a lot of potential). I’m also looking forward to seeing how Aaron writes a long form story like this one. I’m not sure if there’s an end point in mind that he’s working towards, but I’ve only read a handful of his other books, some I liked, some I didn’t, so I hope he ends this one with a bang.

SWAMP THING: LOVE AND DEATH (DC)

Written by Alan Moore, Drawn by Stephen Bissette, John Totleben & Shawn McManus

This is the second Swamp Thing trade collecting Alan Moore’s run on the book that helped launch his career and shoot comics to whole new levels. To me, it’s one of the last few epic comic runs that I haven’t read yet, so I’m glad to finally get to it (though I don’t have any more of the trades, so we’ll see how that goes), which is too bad because I really dug this book and am curious to see where it goes.

Most of the trade follows the developing relationship between Swamp Thing and Abigale including her short-lived death. There are all kinds of horror elements bouncing around these pages, including Swamp Thing’s visit to the afterlife which boasts guest spots by Etrigan, Phantom Stranger, Deadman and the Spectre. I really like how firmly Swamp Thing takes place in the DCU, proving that you can do Vertigo type stories in the same world that Superman flies around in (Sandman also did this on a few occasions).

I’ve also got to mention the semi sex scene between Swamp Thing and Abigale at the end of the last issue. It’s not as gross as it might sound as Abby eats a fruit that Swamp Thing grows from his chest and then they go on a super-trippy ride that we become voyeurs to.

But I didn’t like everything about this collection. There’s a story called “Pog” which featured some tiny cartoon-like aliens landing on Earth hoping to find a new home to call their own. The story itself is interesting, but the problem is the dialogue. These aliens talk different, making up words that seem and sound an awful lot like English, but took me way too long to read as my brain kept trying to read the words I’m used to. Props to Alan for coming up with this new language, but it drove me a little crazy. Oh well. I’m probably going to ditch these trades in favor of the hardcovers they’re putting out shortly (or is it out yet? I dunno).

DIANA PRINCE WONDER WOMAN VOL. 2 (DC)

Written & drawn by Mike Sekowsky

Man, I love these swinging Wonder Woman issues, each one is like a Roger Corman movie starring my favorite Star Spangled Amazon (missing her stars of course). For those of you who may not know, these Diana Prince tales follow Wonder Woman around after losing her powers and becoming a kung-fu boutique owner hanging out with blind martial arts master I Ching.

This volume not only collects Wonder Woman issues, but also a Superman’s Girlfriend Lois Lane issue in which the constantly swooning Lois gets jealous of Superman spending so much time with Wonder Woman who appears to have regained her powers. There’s even this hilarious scene where Wonder Woman takes Superman to a club and he starts dancing so intensely that he almost sets the floor on fire, after which he thinks to himself: “Did I goof! I can’t forget myself for an instant! That’s the trouble with being super! I can’t relax like ordinary people!” I don’t want to ruin the ending, but it’s your average cheesy silver age stuff (which is pretty different than the rest of the trade, because this particular story was written by Robert Kanigher).

There’s also an issue of Brave and the Bold with Wonder Woman and I Ching in another country (though I don’t think they ever say which one) in which a big car race is happening. It just so happens that Bruce Wayne is also there racing along with some bad dude (his name’s not really important). Well, the bad dude tries to kill Bruce because he’s such a good driver so Bruce calls Gotham and gets his buddy Batman to come race for him. There’s actual panels with Batman driving and his cape shooting out behind him flapping in the wind. I had literally just watched a Roger Corman movie with similar themes that I had just watched (Young Racers). Man, that movie was boring (hey, look, a movie review!), but this comic is great.

The rest of the trade involves the return of Dr. Cyber along with an adventure to Hong Kong and the addition of a new young lady who Diana saves from THEM (always written in big red block letters) and then gives a job in her boutique. I really love how the series bounces around from somewhat typical superhero stuff to all kinds of other genres without missing a beat. There’s also something fun about seeing Wonder Woman mingling with Superman and Batman even back in the late 60s/early 70s. These are great books for anyone even remotely interested in Wonder Woman or movies and TV from that time period, these are the books for you.

JACK KIRBY’S FOURTH WORLD OMNIBUS (VOL. 4)

Written & drawn by Jack Kirby

I’ve had a very on again off again relationship with these New Gods Omnibi (Ominbuses?). Sometimes I’ll get really into them but then I’ll put the book down for weeks or even months at a time, which was the case with this, the last in series. The main reason is that, for reasons that are probably explained in the intro by Mark Evanier that I haven’t read yet, Jack’s books weren’t doing so well and were canned, which means this book collects the last issues of The Forever People (which I liked a lot more than I thought I would), New Gods (my personal favorite of the ongoings) and then a bunch of Mr. Miracle issues (it lasted longer than the others), the new stories Jack created for the reprints and finally the Hunger Dogs graphic novel. The problem is that it’s like watching a TV show that you know doesn’t have a real ending, one that got canceled before it’s time; all the pieces are good, but you’re not sure about the pay off.

I read the FP and NG issues completely but ended up skimming the Mr. Miracle stuff as it wasn’t really my favorite of the books. I did enjoy the final two stories though, because it felt like Jack was finally able to tell the story that he intended to tell years before. But, man, just think of how cool it would have been to see Jack get to do his thing for real. It’s too bad because it feels like that’s a huge missed opportunity, a story only preserved in the library of unwritten books. Oh well, I really like Hunger Dogs, especially the big huge collage spread that Jack did in the middle of it. Check it out and see how many Star Wars pictures you can find (I spotted the rear end of a Star Destroyer first).

Anyway, there’s a pretty interested ending to Hunger Dogs that I’m not really sure how it was resolved later on when the New Gods re-entered the DCU. I did have a basic history explained to me by Rickey. He said that, basically, Jack created the New Gods, but after he left they just kind of sat around and no one used them until the Super Powers cartoon came along and was looking for a villain. They dug up Darkseid and he’s been a dominating force of evil in the DCU ever since. For someone who’s been reading comics since the early 90s, it’s pretty crazy to think that there was a time when Darkseid and the rest of the New Gods weren’t a big deal.

And finally, if you’re like I was when I first started reading these books and think that these older stories don’t really offer up much to a modern, more sophisticated reader, give them a try. Sean Collins helped me realize what I liked about these stories even when I wasn’t quite sure if I actually liked them. The true art isn’t in the words (the dialogue boxes are pretty easily skipped for the most part in my opinion), but in the art and the emotions and gut punches that Kirby is able to convey with his trademark pencils. Plus, if you can’t find a certain amount of giddy joy in tracing the lines of a Kirby machine, I feel bad for you.

Okay, that’s it for now. Hopefully I’ll get another post in this week, but I wouldn’t hold my breath if I were you (seriously, that’d be crazy).