As I mentioned when reviewing the first batch of DC Rebirth trades I went through, I’d lost touch with a lot of these characters since the New 52 hit and mostly rewrote the old continuity I loved. That’s not exactly the case with the Batbooks. I’ve read almost all of Scott Snyder’s volumes of the previous Batman series and a few other entries here and there like Batgirl and We Are Robin. Still, I thought it was interesting diving into these new takes on familiar titles and characters. Continue reading Batman Rebirth Trade Post: Batman, Detective Comics & All-Star
Batman: The Man Who Laughs (DC)
Written by Ed Brubaker, drawn by Doug Mahnke & Patrick Zircher
Collects Batman: The Man Who Laughs, Detective Comics #784-786
I’ve gone a little crazy requesting trades from my local library network. It’s been a lot of fun searching for all kinds of books I may have missed over the years or haven’t read in a while. Batman: The Man Who Laughs actually combines both of these because I somehow missed Ed Brubaker’s take on the Joker in the 2005 Man Who Laughs one-shot, but did read the three issue run on Detective Comics from 2003 also included in this collection.
I remember Man Who Laughs being a pretty big deal when I started working at Wizard in 2005. The prestige format book had come out before I got there and Brubaker’s star was definitely on the rise. A few of the guys on staff were huge fans of Gotham Central, which Bru co-wrote with Greg Rucka and so there was a lot of buzz about his then-new Captain America run and his other projects including the excellent Sleeper. Because of this, Man Who Laughs was a tough book to get your hands on in the Wizard library as people were constantly asking about it. Plus, one book like this can be very difficult to find in a huge, fairly unorganized library like that.
Basically, MWL is a story about the first meeting between Batman and the Joker. It acts as a nice sister story to Batman: Year One because, up to this point, the Dark Knight has only really faced off against mobsters, criminals and street thugs, but the appearance of the Joker takes things to a whole new psychotic level. In true Joker fashion, he comes on the scene like a bomb, presents rules for a game that he has no intention of following and eventually finds out exactly what kind of adversary he has in the form of Batman. Like I said when I wrote about the Lex Luthor-centric run of Action Comics recently, this is one of those stories that helps define a hero by the villains he attracts. Plus, as I’ve said in many a Books Of Oa post, Doug Mahnke is just the best and should draw everything ever.His Joker is waaaay creepy.
After that you’ve got a three issue arc from Detective Comics that teamed a pair of Gotham’s protectors up to solve a series of murders with roots back in the post-WWII era. Green Lantern Alan Scott tried to find a serial killer back in the day who carved “Made of Wood” into his victims. When a new killer with the same MO pops up in modern times, he joins forces with Batman to figure out what’s going on. This is a pretty straightforward whodunnit with a retired Jim Gordon working the case from a different angle. This is the kind of crime solving tale Bru became known for in Gotham Central, but with the added flare of seeing a par of superheroes working the case that makes stories like this set in a shared superhero universe fun.
I got pretty nostalgic reading these issues of Detective Comics because they came out when I was in college. I would come home for a break and my mom or dad would have my pull list waiting for me. I’d spend a good deal of time organizing everything and then putting them in a desired reading order before diving in. These comics reading experiences were much further and farther between than I was used to, but they were a lot more intense because it was such an immersive, deep-dive experience. When we get into a house one of the many things I’m looking forward to is getting my comic collection all in one place so I can go back, re-read books like this and see what’s worth keeping.
After reading the first three volumes of Scott Snyder’s Batman, I’m firmly and solidly hooked. I can’t wait to see where that story goes as it makes its way to trade over time and even more slowly finds its way into my collection. But, while waiting, I figured it would make sense to go back and read the writer’s first attempt at playing in Gotham. Snyder wrote the main feature and back-ups of Detective Comics leading up to New 52. This story features Dick Grayson as Batman, but takes place after Bruce came back in The Return Of Bruce Wayne.
There’s a lot going on in this book which finds art chores split between Jock and Francavilla. You’ve got Dick investigating a long-running black market auction for evil objects held in places where terrible things happened as well as the ongoing mystery of exactly who or what Commissioner Gordon’s son James is. All of that is mixed with what’s considered more “comic booky” elements like massive sea animals and a car-filled deathtrap. The two artists have wildly different styles, but they both fit the story so well from Jock’s chaotic lines to Francavilla’s more solid, thick-lined take. Sometimes when artists change in a book like this it can be super distracting, but in each case, they seem perfectly suited for the twists and turns Snyder threw at them and us.
I absolutely loved going on this journey. For me, it’s got a lot of connections to Year One, which I read for the first time in years recently. The thing that struck me about Year One when I gave it a re-read was how much of a Jim Gordon story it is. He’s really the main character and I’d say that’s the case with the majority of these issues as well. I don’t know how he did it or if I’m just pre-disposed to get on Gordon’s side, but I was completely taken and absorbed with the story revolving around his son. I gasped while reading a few times and got uncomfortable at others. It took me several weeks to read this book the first time for various reasons, but I’m hoping the next time I crack it open, I’ll be able to take it in in a much shorter period of time because it really feels like a complete epic that utilizes the history of Batman while also blazing new trials in a similar way that Geoff Johns did with books like JSA, Flash and Green Lantern.
The Joker: The Clown Prince Of Crime (DC)
Written by Denis O’Neil, Elliot S! Maggin & Martin Pasko, drawn by Irv Novick, Dick Giordano, Jose Louis Garcia-Lopez, Ernie Chen, Vince Colletta, Tex Blaisdell & Frank McLaughlin
Collects Joker #1-9
I’d love to say that I chose to read this collection of the Joker’s solo comic from the 70s for deep thematic reasons like the fact that it’s another Bat-book that Bruce Wayne has nothing to do with, but in reality, I just wanted to give it a read. I appreciate that DC’s still reprinting these older tales even though they’re pretty much negated everything about them thanks to the New 52.
These issues debuted between 1975 and 1976 and feature the Clown Prince of Crime going on a variety of adventures that either feature his fellow Rogues Gallery members like Two-Face or Scarecrow or pit him against heroes like Creeper or Green Arrow. There are some attempts to connect these stories like the continued appearance of henchmen Tooth and Southpaw as well as repeated appearances by Benny and Marvin, a pair of former Arkham Guards who repeatedly run into Joker. But, for the most part, this is a monster/her/team-up/crime of the issue type of comic thanks to the mix of writers and artists on board each issue.
Tone-wise, this is an interesting book. When it was coming out you had the more realistic take on the Caped Crusader going on thanks to Denny O’Neil, Neal Adams and company. This book reflects some of that, especially in the art style,as we see Joker murdering a few people here and there, but also carries a comedic tone that presents itself in many ways. Heck, Joker gets out of Arkham with a giant balloon in the first issue and goes on to build a secret base under his cell in the asylum so he can commit crimes more easily. There’s a whole issue where Lex Luthor and Joker accidentally switch personalities and an incredibly complicated way of doing a modern-day Sherlock Holmes story that feels like the kind of longform joke Andy Kaufman would try to pull off, so there’s still plenty of humor.
I do have to say one thing that got under my skin while reading this book was the fact that they referred to Joker’s hideout as the Ha-Hacienda, which is a funny idea, but it should be the Ha-Ha-Hacienda, right? Aside from that, I had a lot of fun reading through this book. I don’t always go in for comics from this era because they’re not super well regarded or original, but this hit a lot of my buttons, including the huge Creeper one hiding in the depths of my comic-loving brain.