I wasn’t very creative when it came to my Halloween movie marathon this year. On the 30th, I was flipping through Netflix to see what was available on Instant when I realized I should ring in one of my favorite holidays with my favorite slasher movie, Halloween. As it turned out, I was too tired to finish the film (I seem to be turning more and more into an old man with each passing day), but I did wind up watching the rest of the original, 2, 4, 5 and Curse on Halloween. I popped the discs in my computer and watched them pretty small, but with a toddler running around, it’s not like I can watch these movies on what she calls “the big TV.”
As I mentioned in my list of movies that scared me, the original Halloween still gets to me. Since I’ve reviewed all of these movies before, though, I’ll probably just drop a few highlights and things I wanted to point out. I can’t believe I didn’t point this out before, but most of the kids in Haddonfield are complete asshats and are throughout the series. I also like how you don’t get much explanation for why Michael is the way  he is or how he can do the things he does. Also, it’s crazy how much you see of Michael in this film.
One question was answered for me on this watching. I’ve always thought it was crazy how Michael could plan out his kills so well and pose them and all that. This time, I noticed that Loomis said he’d been basically planning this night for 20 years. Makes sense to me! Here’s something else to think about: while Michael was planning, do you think he knew that he couldn’t be killed or did he go in thinking he was human?
I also realized another reason why this movie is so effective: it has so many different scary elements going on. There’s Carpenter’s score, the sense of being followed in broad daylight, the primal fear of the night, the kills, all of the performances from the young women, everything about Michael from his size to his faceless appearance, the fact that Laurie’s protecting children (something I never really thought about before). Chances are pretty good, this film hits on at least one of your fears.
Halloween II, which was penned by original writers John Carpenter and Debra Hill with Rick Rosenthal directing, carries on that legacy of combining multiple fears, this time adding in new elements: the fear of hospitals, the fear of being drugged and helpless and that sense of dread that comes from knowing what Michael can do and him still being loose (if that makes sense).
One big story detail that I never really thought about much was how young Michael Myers is. Loomis says he’s 21. That’s super young! Also, while the first one felt a lot more planned out — because it was, as noted above — Michael is a lot more reactionary in this one, trying to get the one that got away. This movie also picks up on something else I thought about while watching the first movie: Michael wasn’t super secretive about being out on Halloween, so people must have seen him, right? That’s mentioned a bit in this film.
I think this is a pretty solid sequel, but it lacks a little focus when it comes to characters. First it seems like the one nurse is the focus, then it switched to the one who gets drowned/burned, then back to the blonde nurse. Laurie’s of course up for the part, but she doesn’t really do much throughout the film until the end. And, as usual, Loomis is all over the place. That plus, the fact that Rosenthal’s no Carpenter, makes this movie not quite as good as the original, but still a solid offering in my opinion.
I skipped Season Of The Witch because I watched it casually a few weeks ago and it also holds no bearing on what I like to call the main series. For what it’s worth, I still love that weird movie. Anyway, the slasher’s story continued with Halloween 4: The Return Of Michael Myers. This one introduces Laurie Strode’s daughter Jamie who shares a strange connection with her uncle Michael who has been kept in an asylum for the ten years between 2 and 4. First and foremost it needs to be said how damn good Danielle Harris is as Jamie in this and the next film. She has a heaviness to her that doesn’t come easy for actors, especially child ones.
Anyway, this film continues a few of the themes I’ve noticed. The kids in this movie are even worse than the ones in the original. They straight-up make fun of Jamie for having a dead mom. Even worse, one of the kids sullies his MASK costume by being a total jerkwad. This film also expands on the parties involved in the Michael Myers threat. In the first one it was Loomis, teenagers and eventually the cops. With the second the teens were swapped out for hospital employees. In this one you get the hick-ish lynch mob as well. Plus, since we’re dealing with a story that takes place 10 years after the original, there’s people who have lived with that initial tragedy. I think there’s an interesting commentary here about how we bury our past to the point where it can come back and stab us with a shotgun.
Another more esoteric thing that came to mind while watching these movies is that they’re as much about regular people trying to comprehend the idea of an unkillable man as they are about the man himself. In the real world you can write certain things off as tricks of the light or your mind playing tricks on you, but in these movies, some of the characters discover that those things might also be Myers. They also have to deal with the insanity that comes from experiencing these things. In Loomis’ case, these recurring meet-ups have clearly played with his sanity.
Halloween 5 picks up where 4 left off, showing how Michael survived the end of the previous film and catching us up on Jamie since she stabbed her step mom. She’s not speaking now, which leads to some super creepy and sad moments, but now shares an even stronger connection with her recently revived uncle.
I actually don’t have too much to add to my initial review of this film. Harris is still awesome as Jamie. Michael’s still scary. Loomis is still increasingly crazy. One element of this film that really stood out to me this time around was how dangerous it felt. In addition to terrorizing a child, Michael kills Rachel, a character you would think was off limits.
While watching this movie I realized that one of the great things about the Halloween series is that the sequels are so easily distinguishable. After a while the Friday The 13th films get really confusing, same with the Nightmare movies, but each Halloween flick is different enough that they’re pretty easy to keep straight.
The first time I went through and watched the sequels, I was surprised with how much I liked 4 and 5, and wound up not liking Curse. Much like my recent re-watching of Jason Goes To Hell, though, I found myself liking this film a lot more the second time around. I think a big part of that is knowing that it’s not super great and having lower expectations. Paul Rudd is stellar in this film, bringing a crawling intensity to his portrayal of an older Tommy Doyle. I will say that this film tries a little too hard to make connections to the previous films though. Jamie (not Harris) is in the beginning, her baby is a major part of the story, then you’ve got the Strodes inexplicably living in the Myers house (was her dad unable to sell it and just had to move in?). I think there’s a real tragic story behind Mr. Strode’s decent into assholery.
Even though this isn’t a great movie and I didn’t see it until much later, I feel like I can relate to aspects of it a lot more because it was filmed in the 90s which were a very formative decade for me. There’s a Power Ranger in the kid’s bedroom. Plus, the music and clothes are of my youth, so even though I know it’s not great and I’ve only seen it twice, there’s a familiarity there that I relate to on some level.
And with that, we conclude what I consider the main Halloween series. When Jamie Lee Curtis returned for Halloween H2O and Resurrection, those films ignored parts 4–6 which I still think is kind of lame. Anyway, Michael Myers is still my favorite slasher and I think this series still holds up pretty well, especially if you think of the original as more of an outlier of quality (in the positive direction) than an indicator of the whole series which is far below that. This season I also watched every single Friday The 13th film for a list I did on Topless Robot called The 20 Most Deserving Victims In The Friday The 13th Films and I can easily say that Halloween is the more solid franchise, though there will always be a soft spot in my horror heart for all the classic 80s slasher franchises.
One last quick thought about the series. Whether conscious or not, I think these films share a lot of connections with Night Of The Living Dead. I know they’re completely different, but the opening scenes of both movies reminded me of one another. Night starts with that long shot of the car slowly driving up the winding road while Halloween has the long POV shot of young Michael taking out his sister. Then, in the second film someone’s actually watching Night. Plus, as I noted above, these films focus on regular people dealing with horrific elements that challenge their traditional thoughts on death.
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