I’ve been having a great time watching connected films and a variety of horror books this season, but it’s very possible that re-visiting the Batman run by Doug Moench and Kelley Jones has been one of my favorite experiences so far. As I mentioned in the first part, these post-KnightFall books were bedrock-forming for my knowledge of not just the Dark Knight, but also the imagery of horror as put through Jones’ incredibly capable lens. As good as the Batman developments are in these issues as he regains his life after the Bane and Azrael incidents, it’s equally exciting to see these two creators work their magic on a variety of villains and co-stars.
Every Halloween (or Scare Season, if you will), I find myself taking on some kind of film-based project, but also trying to read through as many horror-themed books and comics as I can. Last year, I focused solely on Vertigo titles, but this year I’m mostly pulling books off my shelf or out of my To Read box. Of course, I’m always looking around to see if there are any books I just NEED to add to my library, though. While scoping out Amazon, I came across two volumes of Batman By Doug Moench and Kelley Jones. I was immediately interested and began comparing prices when I realized, “Hey, I have these issues in the garage!” As you can see from the above pic, that proved to be true and I saved myself some scratch and also had a far more immediate dive into some very important comics from my childhood!
Batman Knightfall Volume 2: KnightQuest (DC)
Written by Chuck Dixon, Alan Grant, Doug Moench & Jo Duffy, drawn by Graham Nolan, Vince Giarrano, Mike Manley, Barry Kitson, Jim Balent, Bret Blevins & Tom Grummett
Collects Detective Comics #667-675, Batman: Shadow Of The Bat #19-20, Batman #501-508, Catwoman #6-7 & Robin #7
Jeepers, I can’t believe I read and reviewed the first Knightfall trade all the way back in 2012. It doesn’t seem like it’s been that long, but then again, my memories of that reading experience aren’t quite as strong as I would like (but that can be said regarding most of my faculties these days). Anyway, after Bane broke Bruce Wayne and Jean-Paul Valley took over in the previous volume, the second is all AzBats, all the time, specifically him meeting Batman’s allies as well as a mix of old and new villains. In the process, it becomes clear to everyone that JPV is out of his mind thanks to all of the programming his dad inputted into his brain in preparation for him to become the Azrael (assassin) of the Order of St. Dumas.
This humongous collection which clocks in at 655 pages includes a healthy dose of issues I hadn’t read before, specifically that crossover with Catwoman where the Cat-Bat dynamic gets flipped around and a Shadow Of The Bat arc that finds AzBats going up against a pair of deranged Clayfaces who happen to have found love in each others’ weird, muddy arms.
Much like the first volume, this was a great walk down memory line for me. I specifically remembered the Joker story that’s packed with movie references including two characters who are clearly Gene Siskel and Roger Ebert. There’s also the Abattoir story which weaved in and out of the books more than I remembered. This is a serial killer who targets his own family members. He and AzBats tangled, but the villain got away only to come back into the spotlight further along into JPV’s descent into madness. The important aspect of this story is that JPV lets Abattoir fall to his death which is bad in and of itself, but also leads to the death of one of his family members who was hooked up to an elaborate death trap. At the end of this book, Robin can finally talk to Bruce — who is back in Gotham — and a plan begins to take shape that will get Bruce back in the cape and cowl.
Batman Knightfall Volume 3: KnightsEnd (DC)
Written by Doug Moench, Alan Grant, Chuck Dixon, Jo Duffy & Denny O’Neil, drawn by Mike Manley, Bret Blevins, Graham Nolan, Ron Wagner, Tom Grummett, Jim Balent, Joe Rubinstein, Barry Kitson, Mike Vosburg, Mike Gustovich, Romeo Tanghal, Lee Weeks, Phil Jimenez, MD Bright & John Cleary
Collects Batman #509-510, 512-514, Batman: Shadow Of The Bat #29-30, Detective Comics #676-677, 679-681, Batman: Legends Of The Dark Knight #62-63, Robin #8-9, 11-13 & Catwoman #12-13
This one’s all about Bruce Wayne taking over the mantle of the Bat. Well, mostly. Before actually going up against AzBats, Bruce trains with Lady Shiva, the deadliest woman on the planet who kills without thought (as long as she’s not fighting a major character in the DCU). Once he succeeds in that endeavor, Bruce almost immediately leaves and hands the costume over to Dick. This leads to some great moments between Dick and Tim as the former and current Robins as well as a nice story that deals with Dick’s past with Two-Face which has haunted him ever since his earliest adventures as a sidekick.
I loved on the “KnightsEnd” story pretty hard. It’s not the most artfully told tale in the world, but seeing Bruce’s climb back to the top — which includes an encounter where he seemingly kills an opponent — followed by the equally epic battle with AzBats is a lot of fun. I didn’t actually realize that the “Prodigal” story featuring Dick as Batman was in this collection, so that was kind of a nice surprise. The problem with a portion of that story is that Two-Face apparently hacks Gotham’s computer system without any actual knowledge of how computers work aside from the basic idea of binary. I’m pretty far from tech savvy by today’s standards, but I furrowed my brow in confusion at parts of this story.
There is one large problem with this collection, even at 647 pages, it’s not really a full story. Bruce Wayne just comes back with very little explanation. That story was told as “The Quest” in various titles like Shadow Of The Bat, Legends Of The Dark Knight and even two issues of Justice League Task Force that have never been collected, but would make a nice little companion book. We also get no real explanation for why Bruce decides to take yet another break from being Batman or even where he goes during the “Prodigal” story. I understand that you can’t collect everything that pertains to this epic story, but some of the things left out make this feel overly devoid of context and reason. Now that I think of it, it probably would have made more sense to include “The Quest” issues in this book than the “Prodigal” one. Maybe I’ll make my own bound collection of “The Quest” issues and the missing Bane appearances before the “KinghtFall” story proper.
I’m far from the most impartial judge of these issues. I clearly had a few problems and even a few more that I didn’t mention but seem minor in retrospect. Still, having three huge volumes that collect so many of my first Batman comics, plus ones I never got around to thanks to the limitations of allowance, is a delight. Whenever I get more shelf space, these will be proudly displayed, possibly with a few action figures. I think I’ve got the one of Bruce in his Bat-themed ninja training gear somewhere in my collection.
Batman Knightfall Volume 1 (DC)
Collects Batman #491-500, Detective #659-666, Showcase 93 #7-8, Shadow of the Bat #16-18 & Vengeance of Bane
Written by Doug Moench, Chuck Dixon & Alan Grant, drawn by Jim Aparo, Norm Breyfogle, Graham Nolan, Jim Balent, Bret Blevins, Klaus Janson & Mike Manley
You guys, I can’t tell you how excited I was when I saw that DC was re-collecting the Batman Knightfall story. If you’re unfamiliar with early 90s Batman comics, a weakened Batman went up against a new bad guy on the street named Bane who released all the villains in Arkham. After trying to stop and recapture all the bad guys, Batman finally goes up against Bane and — as you can see on the cover to the left here — Bane breaks Batman’s back. After this, a guy who has been hanging around for a little bit named Jean-Paul Valley, also known as Azrael, gets named the new Batman. JPV’s a little nutty to be nice about things and Robin realizes this is a problem, but Bruce is worried about finding Tim’s kidnapped dad and their shared doctor who Bruce wants to tell he’s Bats. There’s a lot going on, but what else can you expect from a 630 page book?
The reason I was so excited about this book — and the two that come after it — is because these were really my first Batman comics. I’d read one or two before and knew the character from the Adam West TV show, but these were the first ones I collected. The death of Superman got me into that book and the breaking of Batman got me into this one, I guess I was a little morbid as a kid. Anyway, while I have most of the issues collected therein, this is the very first time I’ve read them in order. I got many of the issues piecemeal, read them and then promptly placed them in bags and boards.
I was surprised by a lot of things reading through this book. First off, I was shocked that Kelly Jones didn’t do any interiors, only covers. This surprised me because what I remember about these stories is mainly his covers (as well as the gatefold foil Joe Quesada one for #500). I was also surprised at how quickly they got to breaking Bats. I assumed it would be towards the end of the book, but it actually takes place around the half way point.
My other surprises were more story based, so they deserve their own paragraph(s). I should note that, even if this book was a complete artistic embarrassment, I would love it because it’s so near and dear to me. While I didn’t think it was embarrassing at all, I was surprised at how flimsy Bane’s reasoning is presented in the book. We see his origins in the Bane one-shot, but his reasoning doesn’t make much sense. Why does he care about Gotham or Batman? Because some guy told him how great it was? I assume the intent is for Bane to compare himself to the highest physical specimen and win, but that falls apart when you release an army of madmen to bend him so you can come in and break him. Along similar lines, I have no idea why Bane hangs out with the trio of goofballs he does, Bird, Trogg and Zombie as they don’t do a whole lot for him.
Another problem I had which might have come from seeing how well this source material was handled in The Dark Knight Rises was that I didn’t get the impending sense of worry and doom with this story that I got in the film. Bane not only releases every crazy into Gotham and breaks Batman’s back IN FRONT OF PEOPLE, but also starts taking over all of the crime in the city, but the normal people we see don’t seem super upset or worried about it. The story lacks a sense of larger urgency that the film absolutely nailed. This is not helped by the inclusion of the Shadow of the Bat issues included in this collection which come right after JPV went out as Batman for the first time and give you three issues of Scarecrow trying to become a fear god, JPV being crazy Batman and Anarky trying to kill both of them. These don’t really help the series along and slow things WAY down, but I’m glad they’re in there. Maybe it would have been better to put them later in the book? But then they’d come after JPV made the AzBat armor…hmm
Okay, that was a good deal of complaining and critiquing, but I still really enjoyed reading this book and not just because of the wonderful trip down memory lane. Watching Batman getting so worn down facing also-rans like Firefly was actually pretty amazing. And, man, that scene where he fights Bane and gets broken? Still gives me chills. So intense. I also liked how JPV goes over the edge bit by bit. I mean, he’s clearly a terrible choice for Batman, but Bruce is not in his right mind, his brain’s as broken as his body, so it kind of makes sense. Plus, JPV was apparently hanging around before all this and was being trained by Batman and Robin. I’m pretty excited to break into the next book and see how his books hold up.
Ah, I’ve got one more complaint or more positively, a suggestion. It would be nice if there was a trade collecting some of the stuff that leads into this book. Bane appeared in a few other comics that are referenced several times that I’d like to read, but it’d also be cool to get a little bit more of JPV’s back story. Sure, I’ve got the Sword of Azreal trade on my shelf (and plan to read it again soon), but that’s a pretty old and, I assume, out of print book that I’m sure other people would like to read. Similarly, I noticed from looking at the second Knightfall volume I have and the information out there for the third, there’s a lot of stuff that’s still not collected like the Justice League Task Force stuff and a few other tales of Bruce Wayne running around trying to save Tim’s dad and their doctor. It’s entirely possible that these trades will get made in the future, especially if the planned Knightfall ones do really well, but I’m not going to hold my breath. Maybe I’ll just make my own!
I gotta say, I was surprised by this issue of C.O.P.S. (#7 from 1988, written by Doug Moench, drawn by Pat Broderick). If you’re familiar with the comic, cartoon or toy line, you’ll know that it’s about a group of specialty policemen and women brought together to help defend the crime ridden Empire City. My personal memories of the cartoon were filled with awesome cops like Longarm going on amazing adventures, but when I saw a few episodes on DVD back in my days at Wizard, I discovered it was actually pretty cheesy.
This comic is actually a pretty good amalgam of the cool aspects I remember and the cheesy aspects I more recently experienced. As you can see, the bad guy in this issue is actually a cop who flipped his lid and now eschews the law in favor of his own brand of justice…that he metes out via giant robotic elephant with a vacuum trunk. So, it’s probably not hard to see the dual natures at work in this book, which feels like it could have really been fun and cool if not aimed at kids.
The issue even goes into some detail about the cop’s origins and how they actually tie into those of the team itself (I read the first issue at some point in the last year or so) making it all pretty cohesive. C.O.P.S. is one of those properties that I would love to see make a comeback now that cartoons and animation can be a little more serious and realistic than they used to be. Just imagine a C.O.P.S. series done by the Young Justice team. It would be fantastic.
Every time I pull out a Valiant comic from The Box I hope that it will be as enjoyable as the good Turok or X-O Manowar issues I’ve read and not as incomprehensible as Archer & Armstrong or, well, that other issue of X-O. I’d put Magnus Robot Fighter #25 (1993) by John Ostrander and James Brock closer to the good ones and further from the bad, but it was a bit much to take in. I don’t blame this one on the creative team, actually. It’s a seemingly revelatory issue with lots of reveals for entrenched readers that also gives a ton of information to a new one like me but I was left with one all important question I’ve always had about Magnus: why does he fight robots?
I find out that there are certain robots he does fight and others he doesn’t and he even seems to be friends with robots, but the simple question doesn’t really get answered. I feel like it’s the kind of thing that today would be covered in one of those small, one-sentence origin boxes lots of comics use these days like, “Rocketed to Earth as a baby, Superman uses his enhanced strength and other powers to fight for truth, justice and the American way.” I mean, you’re halfway to explaining what Magnus is all about just from the extended title of the comic, I just need a little bit more information. In fact, not knowing what the deal was kept popping me out of the story a bit.
One more quick thing I want to talk about is the art in this book by Brock. It’s actually really rad. His characters are strong and bold and he’s got some extra line work in there that reminds me of Andy Clarke and guys like that. It’s also got some of that interesting Valiant coloring, but it’s a bit bolder than some of the other more pastel offerings I’ve seen so far.
This copy of Showcase ’94 #6 was one I actually picked up at a con along the line at some point. I am a gigantic fan of the mid-90s Showcase series’ for being repositories for great short stories oftentimes starring characters who might not warrant their own series or mini. This one has three one a team-up with Huntress and Robin, another with The Atom and a third with New Blood Sparx. The Robin/Huntress story was written by Chuck Dixon and drawn by the rad Phil Jimenez and is actually the third part in a three part story. I think I’ve read the other two or at least one of them. It’s about a killer priest who wears a gold mask and shoots people. This issue has the dramatic reveal but since I don’t really remember the other two issues, it’s not too thrilling. What is thrilling, however, is seeing Jimenez do Robin and Huntress from the era that I was really getting into the Batman books.
The Sparx story by Karl Keel and Scott Lee and, honestly, I remember next to nothing about it. Sparx is part of a family of superheroes and wants to learn about someone in her family and then Captain Boomerang attacks and things go sour so she leaves. That’s about all I got.
Lastly, you’ve got The Atom by Len Kaminski and Fred Reyes in a story where Ray Palmer has to use his abilities to stop a bomb from blowing up a city. I like this one because it’s one of those stories where the writer really gets into the character’s powers and figures out how they could really work. Kaminski does that in a pretty concise and clear way that I dug. So, I dug this issue and will actually be keeping it in my collection.
Welcome to October folks! I’m just barely making it in under the wire here, but my goal is to have a Halloween Scene (or at least one) up every day of October so here we go. Today’s installment is on a trade I picked up called Batman: Haunted Gotham. Originally printed as four 48 page issues, this Doug Moench-written and Kelley Jones-drawn mini-series takes a look at an alternate reality in which Gotham is literally haunted. It’s kind of like Bette Noire from Fallen Angel.
Anyway, in this version of the Batman story, Bruce looses his parents, who happen to be part of a group trying to keep the dark forces at bay, as an adult after they’ve trained him his whole life to take up the mantle of the bat as Gotham’s protector. What I really like about this story–essentially an Elseworlds, but I’m not sure if it was every officially labeled as such–is that not every relationship from regular Batman continuity is the same regardless of the universe. Yes Batman is aided by Alfred and Gordon and there’s a Catwoman-type character, but there’s enough differences and new characters that things don’t feel rote.
Another thing that helps keep these stories interesting is Jones’ awesome art. I’ve talked about liking him before when I wrote about Batman comics last October, and my opinions haven’t changed. No one draws a spooky Batman like Jones and Moench’s story offers him plenty of other horror themes to try his hand at: werewolf assassins, demons, ghosts, talking skeletons, an even more Gothic Gotham, and Jones just runs with it.
I will say that this is one of the few trades I’ve read and realized that it would have probably read better in single issues (or at least in fewer settings). The first two issues show as Bruce becoming Batman and facing off against a Frankenstein-like Joker (another interesting alteration of the mythos), then the second issue goes off on a tangent about a snake god and then with the last issue we’re back to the story elements from the first two issues. It’s a bit strange that a four issues series would have time to take a tangent like that, but I guess it’s better to expand the world than stretch the story for no creative reason.
All in all I dug this book. It’s not scary by any means, but it’s a fun read if you take your time.