Finally, here’s the dance video the main crew in Step Up: All In submitted to make the show. It’s fantastic.
Hi there cats and kittens, this week’s episode of The High Five podcast gets hep with a quintet of musicals from the 1980s that have roots going back to the 1950s! We have Happy Days and Grease to thank for these, plus the eventual power that kids who grew up in that older decade had in the latter one! This one was a real wild trip, but I had a gas putting it together!
Oh and if you want to list to the Spotify playlist I put together based on some of these films’ soundtracks, check it out!
Here’s a few cool pieces of Little Shop Of Horrors art too!
As I said in my post about the excellent film The Muppets, I missed out on most of The Muppet Show. The series started off and ended before I was born and wasn’t on in reruns that I remember as a kid. I did, however, love The Muppet Babies, but that series focused on a much smaller group of characters. Between The Muppets and Being Elmo, though my curiosity was piqued, so I moved the first disc of the first season of The Muppet Show to the top of my Netflix DVD queue and watched it with my wife and daughter last week.
The amount of creativity and humor that went into the series is mind blowing. It actually reminds me a lot of the early seasons of Saturday Night Live, which only kicked off a year before the Muppets finally made it to air in 1976. Note that SNL actually featured Jim Henson Muppets as well for the first season or two.
Anyway, I had a lot of fun with the first disc even if I didn’t recognize many of the celebrity guest hosts or the Muppets themselves. There’s just so much pure creative force coming across from Henson, Frank Oz and the rest of the gang. The sketches are funny on their own and would be even with human actors, but when you take into account the fact that these guys were literally creating these characters on the spot, giving them voices and personalities and make a show every week, that’s even more impressive. I’m inspired by that kind of creativity.
Like I said, I’m still new to The Muppet Show, but I’m excited about slowly making my way through it. I’m looking at it like any other sketch comedy show, which is an area of television that I’m looking to explore more fully outside of SNL. Should be a fun journey.
Well, it’s that time of year again where I try to do for 31 days what BC over at the wonderful Horror Movie A Day has been doing for years. I already thought I had failed because I was under the impression that today was the 3rd for a good chunk of the day. Anyway, on October 1st I watched a movie that a lot of people love to kick things off for this year’s October horror reviews: John Landis’ An American Werewolf In London. Three quick bits of trivia about me and this movie: 1) I don’t really like werewolf movies, 2) I saw the much derided sequel An American Werewolf In Paris in high school and bought the soundtrack but remember nothing about it and 3) several years ago I got to interview John Landis in person about Masters Of Horror, I had about 2 minutes notice and was in way over my head, I’ll post it later this week if I can find the file.
Another bit of info? I didn’t like this werewolf movie either. I’m not sure what it is about this subgenre that I find so boring. Maybe it’s that it takes so long for the characters to realize that the lead is a werewolf when we already know it’s the case. Maybe it’s because few movies make the wolves look good enough to be real and scary? When so much of your mythology revolves around transformation, make sure it looks good! I’ve seen a few that I liked like Ginger Snaps (maybe I’ll check that out again for this year’s October fest) and others that just didn’t do it for me like Dog Soldiers. I had many of the same problems with this movie even though it had interesting characters, great special effects and some pretty creepy dream sequences.
I tried to keep my attitude good going in because I wanted to like this movie if for no other reason than it’s a vintage Landis flick that lots of people seem to like, but it didn’t help. Actually, because this movies is so beloved and included on so many best of horror lists, I had seen most of the good parts already. I knew that David would wind up becoming the werewolf and that his friend would die. I also knew that the friend would start appearing to him in various places. I’d also seen most of the transformation scenes which, while amazing, were spoiled out of context.
I want to clarify that this is not a bad movie, it’s just not one that hit many of my buttons. I would absolutely recommend this to any newbie horror fans who haven’t watched too many lists or developed an opinion about werewolf flicks. Give it a whirls and see how it plays with you!
I watch a LOT of movies. More so than usual since I’m unemployed/work from home. Netflix really has become my closest friend which is both sad and technologically impressive. Anyway, I like to watch movies or shows while I work on freelance, which means I’m not always giving them 100% of my attention, but enough to do a series of mini-reviews. I’ve been trying to figure out some thematic similarities between the movies I’ve been watching (like the otherwise unrelated Dr. Horrible and Angel of Death from the other day). It wasn’t until I was watching Last Action Hero today which takes place in both New York City and Los Angeles that I realized that a big chunk of the movies I’ve watched recently are set in one or the other. So, what the hell? Even though they’re mostly unrelated, here’s a look at seven movies I’ve watched in the last few weeks set in these places. Hit the jump for the incredibly entertaining reviews.
First up, New York, both because it’s a place I’m semi-familiar with and it contains the movie I watched first.
As long time United Monkees know, I watched F/X 2 a little over a year ago and had a great time with it. It was a fun little action movie that didn’t seem to take itself too seriously and had fun with the concept. The original is a bit more straightforward and intense that I was expecting, with Cocktail’s Bryan Brown taking on an assignment from the government to make it look like a mobster (Jerry Orbach) gets killed so he can testify. Turns out he gets double crossed and things go downhill from there. Brian Dennehy still stars as the one guy trying to help Brown’s character and the two team-up to take out the bad guys and win the day, using plenty of Brown’s special effects tricks. It’s a cool movie, but definitely not as fun as the sequel.
RIGHTEOUS KILL (2008)
Not only do Righteous Kill and F/X share a common setting in the form of NYC, but they also share something in the form of awesome actor Brian Dennehy. In this case he plays lieutenant to Robert De Niro and Al Pacino. This review absolutely contains SPOILERS, so if you don’t want the movie ruined, skip to The Muppets Take Manhattan. Anyway, the whole plot of this movie revolves around De Niro’s seeming confession to being this killer of guys who fall through the cracks of the criminal justice system. We even have video footage of him confessing. But, it turns out that the video is Pacino making him read his (Pacino’s) diary. See, throughout the movie, they’re only referred to by their nicknames, so when De Niro reads a real name, we don’t actually know who it is. I found the twist to be a fairly interesting one that would probably make sense on further viewings (less High Tension and more Usual Suspects). Personally I liked watching these two veterans working together in a fairly tight script that brings in the talents of 50 Cent, Dennehy, John Leguizamo, Donnie Wahlberg and Carla Gugino. Definitely worth the NetBox watch in my opinion.
THE MUPPETS TAKES MANHATTAN (1984)
I must admit, I’m not a huge Muppets fan. That’s not to say I don’t like them, I just don’t have the history with them that a lot of people my age seem to. My only childhood memory of them is from Muppet Babies. After that? The video they did with Weezer. So, it was kind of on a whim that I watched The Muppets Take Manhattan on NetBox and I had a great time with it. The story follows Kermit and the Muppet gang who are fresh out of college (seems like that would make a great movie premise itself) and taking their show to New York to get it on Broadway. After several failed attempts to get the show made, Kermit kind of blows up at his friends who all decide he would be better off if they told him they got other jobs and moved away. This leaves Kermit in NYC, working in a diner and still trying to get the show made. He, of course, succeeds eventually, only to get in an accident that leaves him with amnesia and taking a job as an ad exec, Mad Men-style. I had a ridiculous amount of fun watching this flick and trying to figure out if I’d ever been to the parts of the city Kermit was walking around (I’m guessing so, though the place has changed quite a bit in 25 years). I also really enjoyed the flashback that spawned Muppet Babies. It made a lot of things make sense. Now, I’ve got to check out the rest of the movies.
KRUSH GROOVE (1985)
Holy crap, I loved this movie. I just watched it today (well, yesterday at this point in the early morning) and had so much fun with it. See, it’s a fictionalized history of Def Jam records back in the 80s, but starring a ton of their artists like Run-DMC, the Fat Boys, LL Cool J, Kurtis Blow, Rick Rubin, Sheila E., the Beastie Boys and New Edition among others. I only really started exploring hip hop within the last five or six years, but that exploration has heavily included Run-DMC and the Beasties. I also had a couple Fat Boys tapes back when I was a kid (I’m guessing around the time they got huge, musically speaking, because I vaguely recognized a track or two in the movie from those tapes). That combined with my fairly recent viewing of VH1’s 2009 Hip Hop Honors which focused on Def Jam really made this movie interesting for me. There’s a lot going on in a fairly limited amount of time, but I feel like the director did a good job of balancing the main storyline of Run-DMC thinking of jumping form the Krush Groove label and the B-story of the Fat Boys trying to make it big. If you’re interested in early hip hop at all, this is a must-watch flick. I was also surprised to find out that director Michael Shultz also directed past UM reviewed movie Car Wash and a few movies I didn’t get around to reviewing like the epic Last Dragon (SO awesome) and Cooley High (surprisingly depressing).
New York To LA and Back
LAST ACTION HERO (1993)
The movie that inspired this entire entry starts off with a kid in NYC who loves Arnold Schwarzenegger movies getting sucked into movie-LA and eventually bringing the fictional Jack Slater back into the real world. I don’t want to sound like a broken record, but I really loved this movie. I remember watching it with my grandparents back around the time it came out on video and thinking it was kind of dumb. But, see, now I’ve seen most of the movies it tries to spoof and had a much better time with it (I’m guessing my grandparents also thought it was dumb, but I bet they never said anything). The kid calls out all kinds of late-80s, early-90s action movie cliches, trying to convince Slater that he’s living in a movie. What I like is that all aspects of the story are interesting and I guess the credit for that goes to world renowned scriptwriter William Goldman (whose book of scripts including Butch & Sundance, Misery, Marathon Man & The Princess Bride is sitting mostly unread on my shelf) who came in and did a rewrite after Arnold insisted on it. Credit should also be given to Die Hard and Predator director John McTiernan who did a great job of mixing the comic and action elements. Sure, the kid’s acting can be a bit thin at times and maybe over-the-top, but I think it works, especially (maybe only) if you’re a fan of these kinds of movies. Oh, it also features a cartoon cat voiced by Danny Devito, how can you go wrong?!
Now On To LA
SHOWDOWN IN LITTLE TOKYO (1991)
After watching several movies about cops getting new partners (Dragnet, The Rookie, Lethal Weapon (the latter two soon to be reviewed on their own), it’s funny how similar they end up. This one has dandy Dolph Lundgren and Brandon Lee teaming up to take down crime in LA’s Little Tokyo. Soon enough, something minor leads them to something huge and our heroes have to put a stop to it. I’ll be honest, I wasn’t paying a lot of attention to this one, but I still enjoyed the weird aesthetic of it. See, Lundgren loves Asian culture, while Lee only knows martial arts because his mom made him take lessons and otherwise doesn’t care. When I was a kid I always got this one confused with Big Trouble In Little China. That doesn’t really mean anything, I guess. On another note, Wayne’s World’s Tia Carrere also stars in this movie. On another nother note, the director Mark L. Lester also directed the more-fun Class of 1999 and Commando.
ALIEN NATION (1988)
Hey, guess what? I’ve had a surprising amount of luck watching movies lately. Case in point? Alien Nation. I added a few sci-fi movies including this one a while ago and decided to give this one a shot. I remember seeing the TV series randomly syndicated when I was a kid watching late-night TV but had never seen the movie, which stars James Caan and Chicago Hope’s Mandy Patinkin. Kind of like V, Alien Nation is based around an alien race that is welcomed to earth and begins to be integrated into society, though basic stereotypes still exist. These aliens were bread to be slaves though. Like with Showdown, this movies focuses on cop Caan being saddled with Newcomer (that’s what they call the aliens) Patinkin. As the two learn about each other, they find out about a much bigger plot to addict the Newcomers to drugs and have to put a stop to it. I really liked James Caan in this flick. I guess I haven’t seen him in too many things, but I liked his every man approach. I haven’t seen a ton of his movies, but this made me want to do so. It also made me add the TV series to my Netflix queue, though I was it was on instant watch. I don’t have incredibly high hopes because it got canceled after one season, but it did spawn a number of TV movies. Anyone familiar with them?
So, that ends my cinematic tour of NYC and LA, though I’m sure I’ll see another movie or two set in one of those places before the end of the week. I’ve enjoyed my brief stay and wish I would have taken more pictures, but what are you gonna do?