As you can see from the photo above, I’ve read a lot of random trades lately. Here are a few of them and my thoughts! Continue reading Trade Post Quick Hits: Flex Mentallo, Severed, Justice Society Returns & Grayson
I’ve been slowly making my way through Grant Morrison’s mainstream DC Comics work starting with Animal Man and working up through The Flash and JLA. I’ve reabsorbed the first two JLA Deluxe volumes, but already reviewed those here and here, so it seemed like a good time to jump over and do JLA: One Million and JLA Earth 2.
DC One Million was an event that took place in November of 1998. The idea was that these characters from the far future — the 853rd century to be exact — would be around when the one millionth issue of Action Comics was published in “real time.” The heroes from the future came to the past to tell the originators that they were celebrating Superman Prime coming out of the sun after a long time. So, many of the JLA members went to the future where they were accused of being imposters while a plague ran through the present day. It was all pretty crazy and a tip off of the kind of event Morrison would create when he did Final Crisis a decade or so later.
I was a huge fan of this crossover drawn by Val Semeiks when it happened and have collected even more of the tie-ins in the ensuing years, though there is an omnibus that looks pretty rad. Anyway, I read the late 90s/early 00s trade that’s part of the JLA line and it’s a pretty weird reading experience thanks to the lack of covers between issues, slap dash creative credits and bouncing around between the main series and the tie-ins. The story itself is basically perfect for an event because much of the future stuff takes place in the tie-ins while the main series deals with the future heroes trying to save the present. The downside of that is that it feels like you’re reading about half a story when going through this particular trade.
As far as signature Morrison moments and ideas go, this book is jam-packed with them. You’ve got the idea that the superheroes we know and love essentially turn into gods who can not be forgotten, no matter how hard some try. That legacy idea is huge throughout his DC work. There’s also a quick appearance by General Eiling and his Ultra Marines who appear in JLA Deluxe Volume 3, but more than that Morrison takes equal time to shine the spotlight on the big guns as well as a ragtag group that includes Steel, Huntress, Plastic Man, Barda and Zauriel who are trying to save humanity. But more than anything — and the moment that stuck with me for decades after the fact — is the idea that he gives Superman a happy ending in regards to Lois. As a die-hard and longtime Superman fan, this meant — and continues to mean — a lot to me.
I was less enthusiastic about JLA: Earth 2 by Morrison and Frank Quitely, the team that worked on New X-Men and All-Star Superman together later on down the line. This 2000 graphic novel came out towards the end of Morrison’s run on JLA which ended that same year and reintroduced the idea of the Crime Syndicate — evil versions of the Justice Leaguers — to the post-Crisis continuity.
See, back in the day when there were multiple Earths, the Crime Syndicate came from Earth 3 where good and evil were backwards. Instead of Superman, Batman and Wonder Woman being heroes, Ultraman, Owl Man and Superwoman were big time baddies. In Morrison’s version, instead of coming from Earth 3, this gang was part of the Anti-Matter Universe. They referred to the regular DCU as Earth 2, hence the title.
The story itself follows Anti-Matter Lex Luthor (a hero) as he travels to the regular DCU reality to recruit the JLA into going back home with him to help out. They do so, but in an act of cosmic balance, the Crime Syndicate — which also includes Johnny Quick and Power Ring — gets transported to the regular DCU where they cause havoc. However, both soon realize that good and evil naturally triumph in each reality and return home.
Of all of the Morrison DC comics I’ve read so far, this one feels the most straightforward and “normal.” There aren’t any huge twists or mind-bending elements aside from the fact that certain universes only allow for certain elements to win out. It’s well-told and brisk, but not exactly what you’d expect from the man who had Superman fight an angel to a standstill. It also looks perfectly Quitely. It’s big and bold and mean at times (he draws the best sneers in the game). His is a style I wasn’t big on at first, but once I started seeing the incredible detail included, I completely switched around to uber-fandom.
I think part of the reason I didn’t really latch onto this story is that I just can’t get into stories where characters are just super, duper, completely and totally evil. And that’s exactly what the CSA members are. They murder and oppress citizens with impunity for no other reason than they can. In other words, they’re as far from a sympathetic villain as you can get. I’m guessing this was done as a way to shine a light on how good and amazing our heroes are, but I just wasn’t feeling it at the time. Still, it’s a fun, quick and oh-so-pretty adventure.
So, as I’m sure I mentioned before in my post about loving Wildstorm, but I recently re-read Warren Ellis’ Stormwatch which naturally leads into The Authority. I’m not going to get too in depth on these reviews.
THE AUTHORITY: RELENTLESS (VOL. 1)
Written by Warren Ellis
Drawn by Bryan Hitch
I really dig what Ellis started here. It’s kind of hard to remember reading these books now, but this was one of the first times we ever saw “heroes” take matters into their own hands and change the world how they saw fit to make it a better place. This trade collects two storylines, one introducing the team and pitting them against Kaizen Gamorra and his crazy superpowered kamikaze clones, and the other pitting the team against aliens from an alternate universe. That’s a lot of action in one trade. It’s also a lot of information, especially when it comes to exactly how the carrier works.
I’m not usually a big fan of Ellis’, but he really was dipping into a very cool well of ideas when he was putting this book together. But he doesn’t get too wrapped up in the small details as the big ideas are balanced pretty well with big action. I’d recommend this book to pretty much anyone who’s not easily offended (I love how, every time Jack Hawksmoore, who may be my new favorite superhero, he knocks their jaw or head clean off, that’s awesome). My only negative is that I don’t really get what the big deal about Hitch’s art is. Yeah, he’s pretty good and there’s some killer splash pages in there, but I don’t understand why people would wait so long for him to finish Ultimates (I have no idea how late, if at all, Authority was when he was drawing it, but I’m still waiting for that last issue of Planetary…). But, again, it’s a really great book, which obviously leads into…
THE AUTHORITY: UNDER NEW MANAGEMENT (VOL. 2)
Written by Warren Ellis & Mark Millar
Drawn by Bryan Hitch & Frank Quitely
Warren Ellis’ last arc, which featured the creator of the Earth coming back to terraform Earth for his own fiendish purposes. Plus SPOILER, the death of Jenny Sparks (she was the spirit of the 20th century after all). Again, I’ve got to say how impressed I am by these characters that Ellis created, whether it’s Midnighter or the limited Superman in the form of Apollo to The Doctor and The Engineer. So, yeah, Jenny goes out with a bang, which leads to Mark Millar and Frank Quitely’s arc, which isn’t quite as good.
This is the famous arc that has the Authority facing off against Avengers proxies. The problem is that the story doesn’t quite measure up to memory as it seems to take a really long time to get to the point (the Authority kicking the crap out of the Avengers). There’s also a pretty big jump between Ellis and Millar’s runs where the Authority become celebrities which brings up a point I want to make. In both Ellis and Millar’s arcs, things happen that are explained but never shown and it’s a little annoying. For instance, why the heck are they so famous now? We’re never really told. Is it just because Jenny saved the world? If so, they did that before and we never heard about how the general populace reacted. We’re also never really treated to much in the way of origins for The Doctor or the Engineer beyond what we’re told. I’m not the kind of reader that needs everything laid out for me, but it would have been nice to see at least a flashback or something at some point.
Anyway, this arc is still pretty cool, as the Authority does eventually kick the crap out of the evil Avengers. Unfortunately, this trade reminds me of why I didn’t like Frank Quitely until All-Star Superman. This trade has some of the ugliest faces I’ve ever seen and not just the ones that are supposed to be ugly, Shen’s particularly bad looking. There’s still plenty of interesting ideas like the New X-Men-like Hive-Mind, HeadMailing and the Avenger-like group’s invisible hideout in the middle of NYC. Volume 2 is definitely worth buying if you liked the first villain and even though Millar’s arc doesn’t quite match up to Ellis’, it’s still a valiant effort that fits well within the post-Authority Wilstorm Universe.
THE AUTHORITY: EARTH INFERNO & OTHER STORIES
Written by Mark Millar, Joe Casey, Paul Jenkins & Warren Ellis
Drawn by Frank Quitely, Chris Weston, Cully Hamner & Georges Jeanty
With Volume 3, Millar definitely steps his game up. This arc focuses on the Doctor’s drug problems along with a rogue Doctor from the 60s who’s wreaking havoc on the Earth (or something, I’ll be honest, I didn’t quite get it). Wheston handles some of the art chores, which don’t even look as good as Quitely’s not-quite-there-yet art. But, the story makes up for it as we get to see the scale the Authority is working on (they evacuate the entire planet to alternate universes). I also really like how the Doctor comes back and defeats the old Doctor (this whole thing is kinda like Dr. Who isn’t it? I’ve never seen the show, but, it seems similar).
Anyway, this is another good book and we get our first look at Midnighter out of costume (at least in Authority). Apparently he’s blond (but only in this issue, as he appears as a brunette in every other out of costume appearance I’ve noticed). There’s also a few shorter stories here from other writer/artist teams. There’s an annual where Midnight and Apollo have to face off against zombie versions of their old Stormwatch teammates, a short story about the Engineer’s non existent sex life and one starring Jack Hawksmoor (love that guy). Good stuff.
THE MONARCHY: BULLETS OVER BABYLON (VOL. 1)
Written by Doselle Young
Drawn by John McCrea
Authority #21 was written by Doselle Young as a way of spinning Stormwatch’s Jackson King and Christine Trelane off into their own world-changing group The Authority. There’s a lot of cool, Authority-like ideas in this book (and the use of Union, one of the few Image characters I have fond memories of as a kid getting comics from a grab bag), but the problem is that this trade only collects the Authority issue and the first four issues of the 12 issue series, so you don’t really get to see how things play out. Hopefully DC and Wildstorm will put the rest of the series out at some point. Oh, I also really like John McCrea from his work on Hitman, one of the best in-universe mature reader titles of all time.
THE AUTHORITY: TRANSFER OF POWER (VOL. 4)
Written by Mark Millar & Tom Peyer
Drawn by Dustin Nguyen, Art Adams, Frank Quitely & Gary Erskine
And now presenting the trade where everything goes off the rails. Apparently there were some scheduling problems or something that pushed the stories in this book (half written by Millar, half by Peyer) back and made things screwy. I’m not sure if a regular schedule would have saved things as the Authority are seemingly killed and replaced by a new version of the team. It could really have been a 2-3 issue story, but ended up as eight freaking issues. The book really just seems to be spinning its wheels the whole time. Even art by one of my all time favorite artists Art Adams can’t save the issues he drew. I ended up just skimming them, waiting for these new jerks to die and for the Authority to kick some butt, which they eventually do (of course), but it and the marriage of Midnight and Apollo doesn’t save this book. Skip this one if you can.
THE AUTHORITY: HARSH REALMS
Written by Robbie Morrison
Drawn by Dwayne Turner & Tan Eng Huat
So, the Authority took some time off, but eventually came back under the stewardship of Robbie Morrison (don’t be fooled by the cover, which only cites “Morrison and Turner” as the creative folks, very tricky Wildstorm). This particular volume sets the Authority against Reality Incorporated, a group of jerks who use other realities for their own gain. It’s not a very memorable story (I read it over the past two days and still had to go back and see what happened in the issues I didn’t read today. It’s not bad stuff by any means, but it does make one think that the Authority is the kind of team that should maybe just hang out in limbo until someone has a really cool idea for them.
So, I know I haven’t read all things Authority yet, but I did have a lot of fun with the book. I love the characters, especially after this second reading where I’ve gotten a better idea as to who they are and what they can and can’t do. I’d like to check out the rest of the trades, especially the one where they actually take over the world, I’m curious to see how that played out aside from the obvious. I also like how they’re being handled now in the post-apocalyptic playground of the current Wildstorm U. They’re no longer the “we can do anything we want” team, they’ve got problems of their own, though I’m not a big fan of Hawksmoor being city-less. Oh well, we’re see where things go and if I’m able to snag the rest of the trades.