Halloween Scene: Scream 4 (2011)

Let’s see, I’ve blogged about my history with the Scream franchise a bit when revisiting the first and third installments recently, so you can head over there for a little more backstory. Basically, much like the Mission: Impossible franchise, this one was huge when I was growing up and really getting to understand and love movies. You couldn’t be a teenager and avoid them and I was cool with that because they were right in my horror wheelhouse. When I heard that Wes Craven and Kevin Williamson were re-teaming for another sequel, I was curious but not intensely so. I tend not to get as excited about these things as I used to.

That doesn’t mean I don’t enjoy them, though. I actually had a great time watching this movie even if I had to break into three parts and only watch when the kid was sleeping. Craven and Williamson did a great job of using elements from the first film, commenting on them in this one and switching things up. In other words, it’s not a beat for beat remake along the lines of Hangover 2, but instead done in the same spirit and universe as the original.

This time around, the walking catnip for nutjobs Sidney Prescott returns home on a book tour only to find that a new person(s) running around killing people as Ghost Face. In this reality the Stab movies are almost up to double digit sequels and so people are very well versed in horror both real and fictional. Dewey and Gale, now married, are also involved though there’s trouble in their domestic paradise.

Things move along at a good clip with SPOILER a series of false openings starring pairs of stars talking about horror movies, usually before one kills the other. The kills were on par with what I wanted to see in something like this and I thought the cast, including all the younger kids brought in for the new generation, were really fun to watch. I like the kid that was supposed to be the new Randy, Emma Roberts did well and a friend and I both agree that Hayden Panettiere is mesmerizing. I was most surprised by how brutal some of the pre-kill fight scenes were. I didn’t watch a movie for Friday Fisticuffs last week, but I think this movie has plenty of good ones. I’d check and see if one in particular towards the end was on YouTube, but it’s a huge spoiler, so I’ll skip it.

I did have one problem with the film, but it’s not really the movie’s fault. I think I’m losing my taste for fiction that involves people going nuts for stupid reasons. I know it happens, but with the proliferation of procedurals, horror movies and real life news stories, it can be a little difficult to take so many reasons to kill. I had a hard time buying Stu’s motives in the original film and had equally hard time accepting that the killer this time was doing it just to be famous. Again, this stuff happens, people can be broken and damaged and do incredibly awful things to one another for no good reason, but seeing so many of these explanations gets a little tiring. The straw that really broke the camel’s back for me was an episode of Bones I caught recently where the killer did her thing because someone messed with her bushes. Seriously? While these things might make sense in their own little worlds, being a consumer of pop culture and being inundated with them can be a bit taxing.

However, I still liked this film and possibly more than the original. Scream is held up as this huge milestone in horror, the movie that not only made the genre’s films more self aware (whether that’s good or bad remains to be seen and lies in the eye of the beholder) but also gave my generation a horror movie that had a big budget and was also just plain good. On the other hand, I’m not sure how good it is on repeated viewings. I’m the type of person who definitely holds things in esteem because I was familiar with them when I was younger. So, I almost feel a little bad for not liking parts of Scream, but don’t have that connection with the newest one. That sounds like a bad thing, but it’s not. It’s an easier watch, it’s got a cast that’s equal to or better than the original and I think the creators really found a sweet spot in both of their crafts.

Revisiting Scream 3 (2000) & Iron Man 2 (2010)

Sequels are funny things. Like a lot of people who think about movies way too much, I tend to judge them pretty harshly. Do they hold up to the original? Are they better? Does this story make sense? Is it necessary? The real question should simply be, is it any good? Was it entertaining? Did I like it? Upon re-watching a pair of sequels recently, I feel like I’m either becoming a nicer viewer or (hopefully) less judgmental. I think there’s also something to be said for experience with a story making it easier to digest even if there are elements that you find bothersome. You know they’re they, you see them coming and you adjust your viewing as necessary.

That actually wasn’t the case with Scream 3, which I watched towards the end of last week. The first and only other time I saw this movie was in the theaters when it came out in 2000. I’ve never been a huge fan of the Scream series (you can read my review of the first one here), but they were gigantic to the horror community that I was just getting into as they came out. I remember liking the third installment, thinking that the filmmakers were really playing with the genre and having fun with it. I mean, it’s not a flat out comedy by any means, but I remember feeling a sense of winking towards the audience, especially in the scene where the killer throws a knife at Dewey and the handle smacks him in the head. That bit still made me laugh.

But, I wasn’t seeing or noticing the humor as much this time around. Yes, I was working and it was kind of on in the background while I was doing other things, but it just wasn’t as prevalent. I still liked the movie and think it’s pretty good, but there were two aspects that got on my nerves. First off, and I know I liked this at the time, but the Jay and Silent Bob cameos are just super weird and kind of pointless. I’m saying this as someone who loves those characters, those movies and Smith in general, but they really took me out of the movie. But, they weren’t nearly as bad as that ridiculous voice modulator thing that so much of the movie depends on. Does that kind of thing even exist? I feel like if it did, there would be an app. Anyway, I get the idea that it makes everyone you’re not seeing directly in front of you suspect, but it gets to the point where you as a viewer can’t trust anyone and just become more and more disconnected. It also made me far more aware of off-screen dialog which took me out of the store even more. Without that aspect, the movie would actually be pretty damn solid. I don’t even mind the retconning stuff because I think it fits in pretty well and all makes sense. Plus, it’s another not to old horror movies, though this one far more unsettling. With that, I’ve watched the first and third movies in the past few years and just need to rewatch 2 and see 4 for the first time. I’ve heard good things.

After writing up a piece about Iron Man 3 for Spinoff, I remembered that 2 was on Netflix Instant and gave it another watch. I honestly didn’t remember many of my opinions about the movie from the first time I saw it other than a deep desire to punch Justin Hammer in the face. After going back and re-reading my original review of the film, it turns out that that same elements spoke to me both times. I liked it, it’s a big fun action movie. The performances are great. I didn’t like Sam Jackson that time around, but none of that stuff bothered me this time. And, while I still despise Justin Hammer as a character and think he came off kind of cartoony, I don’t think Sam Rockwell’s portrayal of him is all that far from people like him in the real world.

It’s actually kind of funny that I remembered most of the scenes of the movie, but couldn’t remember how I felt about them. There were bits I forgot, like Tony Stark’s dad as a kind of Walt Disney character. I’m actually listening to a book about Pixar right now that got into some of the “I’ve got these ideas, but haven’t developed the technology just yet, maybe they will n the future” ideas that were directly stated in this film. It’s interesting how the things you’re reading/watching/listening to can inadvertently segue into one another.

Anyway, I’ve found that repeated viewings of the first Iron Man tend to leave me a little flat. I still like all the character stuff they did and Robert Downey Jr. makes an awesome Tony Stark, but the ending definitely has diminishing returns. I understand that they wanted to show that Tony Stark could perservere over a larger, more powerful oponent, but that battle is just boring the third or fourth time around. Similarly, the one between Iron Man, War Machine and Mickey Rourke at the end of this one’s a bit lame. You get that awesome sequence with them taking on the drones and then you finish up with Tony and Rhodey aiming blasters at the Ruskie and he explodes? Eh. These things are great the first time around, but don’t always make for the best repeated viewings which is what I want from my movies. Still, it’s a movie packed with fun and shows just one small aspect of how cool an Avengers movie can and hopefully will be.

Halloween Scene: I Know What You Did Last Summer (1997) & I Still Know What You Did Last Summer (1998)

In an attempt to quell my fears with all the craziness yesterday, I put together a dresser and watched a bunch of horror movies starting off with Urban Legend, which I had never seen before. That flick reminded me of other late 90s slasher flicks like Scream and the IKWYDLS movies thanks to the cast of well known actors getting hunted down and slaughtered by someone who had been wronged in the past by one or more of them. I’ve had the two IKWYDLS movies sitting in my to watch pile ever since I was at Wizard and they cleared out the DVD library and gave away a bunch of freebies. Unfortunately, I didn’t find either of them nearly as enjoyable as Urban Legend. Oddly enough, this movie starts off with a similar discussion of the same “boyfriend on the car roof” urban legend I mentioned in yesterday’s review.

The plot revolves around a group of friends–Freddie Prinze Jr., Sarah Michelle Gellar, Ryan Phillippe and Jennifer Love Hewitt–who accidentally hit a dude with their car and instead of calling the cops and doing the logical thing, they decide to dump him in the water and act like it never happened. Well, one year later, someone starts leaving notes that invoke the title. People start getting killed (including Johnny Galecki), mistrust spreads and eventually the killer is revealed and some people survive.

This movie was kind of destined to fail with me from it’s very inception. I hate movies or stories that rely on people making stupid decisions and then feeling like they can’t tell anyone what they’re dealing with for fear of getting caught. Had they called the cops when they should have or even right after someone started threatening them, it would have been okay. Heck, they weren’t even friends anymore after a year of college. If someone threatens to kill me, I don’t care, I’m going to the cops, no matter what Ryan Phillippe says! That’s a motto I live by.

The only really draw here is for vintage SMG and JLH hotness (two of my biggest teenage crushes) and I would assume the same goes for the fellas in the movie as well. I’m going to get into a little SPOILER territory here so get into another reason why I dislike the movie. Here goes. So, the killer winds up being some guy involved in the hit and run, but not the one they thought it was. Keep that in mind because it makes a lot of things make very little sense. For instance, they throw a red herring into the story–Galecki–and then immediately take him out by having fall victim to the killer. How would the killer even know he was there? He had just been hit by a car and was on the other side of a guardrail over a cliff. So, it doesn’t make logical sense, but it also doesn’t make story sense because you’d want to keep that red herring around to draw suspicion away from the four leads. Once he’s dead, you have to assume it’s either one of the kids or the guy who got hit. The twist that it’s some guy they don’t even know lessens the impact of the story and makes it a lot more complicated. In fact, I think I’ve already thought about this movie way too much. Moving on.

I guess I liked I Still Know What You Did Last Summer better than the original, but not by a lot. This time around, JLH is in college where she rooms with Brandy who’s dating Mekhi Phifer. Prinze is still back in the little town all the murders from the first movie took place in, which is why JLH doesn’t want to return for the Fourth of July vacation. JLH also has this dude named Will who’s sweet on her and, when Prinze decides not to go with her on a trip they win via radio contest to the Bahamas, Will winds up taking his spot. Once on the island, a storm picks up which cuts off all communication to the island as well as boats, so it winds up just being the leads and some of the hotel workers (including Jack Black as a white dude wanting to be a Jamaican rasta, Jeffrey Combs and the always lovely Jennifer Esposito) against the rain slicker-wearing killer.

There’s some interesting suspense moments like when JLH gets locked in the tanning bed (those things make me nervous anyway) and SPOILER Will’s reveal that he’s in on the killings was great “Because it’s not my blood.” But overall, it winds up being more complicated that necessary. Ben Willis (the killer from the first movie) used to live on this island and had a son who turned out to be Will who played a long con to get this group to the island. Much like the dudes in Scream, the level of acting chops a psychotic murdered has to have is pretty impressive.

The Scream sequels suffered from the same clunky explanations for their sequels. It’s always an unexpected relative or the original killer coming back (“They never found a body”). I think I prefer my killers to be supernaturally charged so the filmmakers don’t have to waste too much time thinking of why they’re back and killing. Michael Myers got up, Freddy lives in dreams. Done and done. I can not imagine the lengths they went to to explain the 2006 straight to DVD I’ll Always Know What You Did Last Summer. Blech, no thanks.

Halloween Scene: Scream (1996) & House Of Wax (1953)

Even amongst all this Christmas craziness, I still find some time to check out the occasional horror movie (though not as much as I would like). I made a double feature out of the mostly unrelated Scream and House of Wax on the NetBox the other night and had a good time with both.

I saw Scream back when it came out. I don’t think it was in the theaters, more likely at a friend’s house. At some point, I bought it on VHS andkept it secret from my parents. I wasn’t very well versed in horror at the time, but I liked it a lot, especially Matthew Lillard and Jamie Kennedy (what 13-year-old didn’t?) even though I got almost none of the horror references. I watched it again a few years back with Sam and Megan along with Hostel before heading down to Wizard World Philly the next day. We were all pretty freaked out and  I remember thinking that Scream held up pretty well. After watching it again with even more horror movies under my belt, I’m not sure if I like it as much. It was still enjoyable, but I didn’t buy into it as much this time around. I was left with a lot of head scratching “that doesn’t make sense” moments. For instance, how does Rose McGowan not open the door back into the house from the garage one moment and the killer does the next? Also, what kind of garage doesn’t have a side door? Also, upon further viewing, I don’t really buy Skeet Ulrich and Lillard’s explanation at the end of the movie for why they did it. I know it’s a joke throughout the movie that you don’t really need a motive anymore to be a killer, but why the hell does Lillard’s character do it? I can buy Ulrich’s motive, but Lillard literally says he’s doing it because he’s seen to many movies. Really? You’ve decided to plunge knives into your classmates because you’re seen too many movies? I’ve seen a butt load of horror movies and I don’t feel the need to kill anyone (that’s what video games are for).Plus, it’s funny to hear about how expensive cell phones are, with the cop yelling at Ulrich something like “How can a KID afford one of these?!”Hehe.

Those minor problems aside, it’s still a really enjoyable movie and changed the game for horror. Up until that time, horror was in pretty dire straights after a late-80s slump. Scream brought some heft to the table with a fairly solid story, a fun premise,”master” horror director Wes Craven, a script by the Dawson’s Creek guy, a stable of great actors (I think they all kill in this movie, except for Ulrich who’s channeling Johnny Depp a bit too much for my tastes), plenty of nods to horror fans and, of course, presenting us with “the rules.” Sure, older horror fans knew that you never screw, smoke, do drugs or say “I’ll be right back,” but those of us who were more impressionable at the time hadn’t figured it all out. I will say that, while I didn’t remember many of the scenes and movies referenced in Scream, I always remembered those rules. Heck, I actually wanted a few more. Maybe Craven, Williamson and Kennedy can get together and write a book/make a few YouTube videos. They’re making a fourth Scream right? I smell a potential tie-in! For some reason (and I hate when they do this), only the first Scream movie is available for instant watch on the NetBox, which is a bummer because I want to watch 2 and 3 again. It’s been a while since I’ve seen 2 again and I’ve only seen 3 one time (gotta love the Jay and Silent Bob cameos).

Up next was the original House of Wax movie, starring Vincent Price. I had seen the 2005 remake which is most well known for murdering Paris Hilton (for what it’s worth, I think she actually did a good job in the movie), but the two movies are completely different. The original stars Price as a man who runs a wax museum. His business partner burns it to the ground and Price is assumed dead, only to return with a much more macabre-oriented museum with wax figures that look suspiciously like people from the neighborhood. The remake revolves around a bunch of kids whose car breaks down in a town seemingly overrun with wax figures. Anyway, I’m a fan of anything Vincent Price is in, I’m still making my way through the MGM Vincent Price DVD box set I was given when I was still a lowly researcher at Wizard. We’re also fraternity brothers in Alpha Sigma Phi, so there’s that. I even included the man in one of those “What three people would you like to have dinner with?” essays that helped me get into college (Jimi Hendrix and Chicago columnist Mike Royko were the other two, for what it’s worth).

House of Wax continues my huge levels of enjoyment whenever seeing Price on screen. He plays his usual awesome self, you know, the seemingly normal guy who’s going a little bit crazy. This time around SPOILER WARNING, Price uses his thugs-turned-artists (one of which is Charles Bronson) and his own skills to kill people so he can cover them in wax and put them up in his brand new chamber of horrors (he doesn’t have good use of his hands since the fire). He killed the guy who tried to burn the place down and goes after his girlfriend. That’s where things get troublesome, because that woman’s roommate recognizes her dead friend in the museum. Eventually the cops catch on and there’s a manhunt. While watching it, I was continually struck by how similar this movie is to Roger Corman’s A Bucket of Blood (1959), though the characters’ motivations for turning corpses into art are completely different.

You might have noticed from the poster that the movie was originally filmed in 3D and much like my viewing of the My Bloody Valentine remake, I watched it without the aid of the third dimension. I was worried that I wouldn’t be able to enjoy the movie because it would have too many “whoa, look what’s flying at the camera NOW” moments, but those are few and far between. I actually forgot the movie was even originally in 3D until the opening of the new wax museum where there’s a dude smacking those paddleballs around at the audience. I bet that was pretty cool in 3D, but you’re not really missing much (not like, say Friday The 13th 3D, which is a bummer when not in 3D). Also, just check out how rad that poster is? This one’s definitly worth a look and makes me want to open a movie theater like The Alamo Drafthouse in Austin or The New Beverly in LA so I could show movies like this as they were originally intended. Anyone looking to hook that up in Orange County NY? I’ll be your manager, no probs.

Faculty Advisory

2008-07-10
3:32:44 am

Robert Rodriguez is one of those director’s who’s always impressed me. Sin City, From Dusk Till Dawn, Planet Terror and his Mexico Trilogy were all great in my mind. So, when we got our online Blockbuster account I added just about all of his movies, especially looking forward to The Faculty because 15-year-old TJ wasn’t allowed to see it and later TJs never got around to it. Well, the wait was a pretty long one and then, what do you know, we included it in ToyFare’s Best Alien Invasions (see ToyFare #133 on sale today to find out what place it took and who snagged the #1 spot). So, with that, I borrowed the flick and watched it last night.

The Faculty (1998)

Written by Kevin Williamson, David Wechter and Bruce Kimmel

Directed by Robert Rodriguez

Starring Elijah Wood, Jordana Brewster, Clea DuVall, Usher, Josh Hartnett, Salma Hayek, Famke Janssen, Bebe Neuwirth, Robert Patrick, Jon Stewart and many more

Well, you can add this one to the list of Rodriguez movies that I dug. Part of it was a sense of nostalgia I got while watching it. It kind of reminded me of Can’t Hardly Wait. Not thematically, but when it comes to star power. There are SO MANY familiar faces in this movie. Just check out the list above. Freakin’ Jon Stewart plays a science teacher who gets possessed by an alien parasite and stabbed in the eye with some kind of caffeine drug. Great stuff.

Oh, I guess I should explain the plot. A small town in Ohio gets invaded by alien parasites who burrow their way into bodies, taking over control of the inhabitant. Elija Wood’s character finds one of the parasites on the football field and later finds himself in a closet with the hot girl as they see the football coach (T-1000 himself Robert Patrick) and another teacher drop a parasite in the hot nurse (Salma Hayek). From there a mismatched group of high schoolers (think basically The Breakfast Club. Don’t know what that is? Go away) bands together and figures out that the drugs that Josh Hartnett’s been peddling around the school can kill them and do their best to stop the invasion.

I really like how they don’t muck about when it comes to the story on this flick. You’re into the story pretty early on with Elija Wood finding the parasite. They don’t mess around with “is this really happening” BS too much that comes with these kinds of movies. You get your set group of characters pretty early on and you strap in for the ride with them. I also like that Matt Parkman’s partner from Heroes (Clea DuVall) actually compares what’s going on to Invasion of the Body Snatchers and all that. She tells Elija Wood about this and he wonders if all the movies and whatnot about aliens is actually a way for them to get people complacent so they don’t think an alien invasion is possible. It’s a great bit of business that feels really natural in “our world.”

Speaking of the cast again, it’s a lot of fun to see some pretty huge actors (along with some not-so-huge and completely unknown actors) in these roles. But they’re also really really convincing in their roles. Elija Wood looks like a huge geek and acts like one too. Josh Hartnett’s loser Zeke is pretty much a genius who just doesn’t like school and deals drugs on campus. They all handle the Thing-like suspense of “who’s an alien and who’s not?” so convincingly that I really couldn’t figure out who was and who wasn’t.

I also liked how the special FX (do they still spell it like that? Probably not, oh well) looked. Especially in the scene where the parasite-controlled Jon Stewart attacks the kids in a classroom. Zeke rips the blade off of a paper cutter and chops Stewart’s fingers off. But they don’t just lie there, the snake themselves towards the kids. But that’s not all, whisps of blood snake out from his fingers until he’s stabbed in the eye, foams and the parasites under his skin die. Crazy stuff.

All in all, this is a fun little romp that shows off Rodriguez’s directing chops along with the acting talent of the cast that has gone on to prove itself just as well as the adults who play the teachers. Oh and Bebe Nuerth looks hot as the principal. Yeah, I said it.