80s Odyssey: Black Moon Rising (1986)

black moon rising It doesn’t take much to draw me towards a movie. If you’ve got a flick, especially one from the 80s, starring a few people I already like and don’t take more than 100 minutes of my time, I’ll probably watch you on Netflix Instant. That was the case with Black Moon Rising, a movie I’d never heard of but featured Tommy Lee Jones, Linda Hamilton, Bubba Smith and Robert Vaughn as well as a futuristic super-car. I’m in, let’s do this.

Tommy Lee Jones plays a thief who steals some financial records and winds up getting followed. To avoid his would-be captors, he hides the information in the aforementioned super car which happens to be parked outside a restaurant. While he’s inside, Linda Hamilton and her crew of car thieves lock the door of the place and drive off with lots of expensive cars. Jones follows and discovers that Hamilton works for Vaughn, a big time, evil corporate guy. Jones then starts working on Hamilton to get on her good side while also trying to find out more about the car from its creators who are skittish of the whole thing at first. Of course, he gets everyone on board and leads a pretty exciting assault on a high rise to get both the car and the information back.

I realized while watching this movie that it was probably the youngest I’ve ever seen TLJ on film. It’s not that he looks so much different than he did in the 90s or even now, just fresher. It was cool seeing him running around, fighting guys and getting to wear the cool looking black leather suits instead of playing the jaded veteran. Meanwhile, Hamilton plays a very similar role to the one she did in the Terminator movies. She’s tough and bruised on the inside but keeps a hard exterior to the world that’s knocked her around. For his part, Vaughn really nails his role as the business bad guy. He really reminded me of 80s and 90s Lex Luthor from the Superman comics. He basically plucked Hamilton off the street and formed her into who she is today for good and ill solely to have someone who would absolutely follow his orders. He also tends to monitor and record nearly everything which is kind of an interesting aspect back then. He basically uses all the technology available no matter how expensive to keep his criminal empire in check.

I’ve already writen about Black Moon Rising for three paragraphs now and haven’t mentioned the most interesting part: John Carpenter wrote the movie. I haven’t been able to dig up exactly why he didn’t want to direct it, though it looks like Big Trouble In Little China which came out the same year and Prince Of Darkness which came out the following might have taken up his time. Instead, Harley Cokeliss jumped into the director’s chair. I’m not very familiar with his other works, but do believe I have Battletruck somewhere in my pile of to-be-watched DVDs and think I might have come across Malone starring Burt Reynolds at some point. It’s interesting comparing this movie to some of Carpenter’s others, especially Christine which also focused on a special car, though a far more supernatural one and also stars a real bad ass as the lead just like Big Trouble, Escape From New York and They Live. On the other hand, this is a much more real-world and technology-based film than you might expect from the creator of those other stories. It would have been really cool to see what he would have done with the movie had he actually directed.

black moon rising german poster

Before closing out I wanted to say one last thing about this film, I think it’s ripe for the remake mill. I think this one has a lot of potential and would piss off almost no one. Of course, you’re also dealing with a movie that doesn’t have nearly the existing audience, fanbase and name recognition that some of Carpenter’s other movies do. On the other hand, you’re dealing with a really solid, yet open framework for a story that can easily be transferred to the current day. I’m not saying this would be a multibillion dollar blockbuster, but a pretty good vehicle (heh, puns!) for an action movie that has room for improvement and modernization. This could be something like the Jason Statham remake of The Mechanic which worked out pretty well if you ask me. As it happens, I’d also like to see Statham in this one. Heck, the dude already has experience with driving fast cars. Let’s make this happen Hollywood!

Time Travel Shenanigans

This Sunday was kind of an unusual night now that I think about it. As a complete coincidence I ended up watching three movies that night dealing with time travel in in form or another: Terminator (1984), Primer (2004) and Next (2007). And oddly enough, I watched them in chronological order. Weird.

I actually didn’t watch Terminator alone as I usually do with rad movies from the 80s. Thanks to the sick looking trailers for the upcoming Terminator Salvation, Em wanted to check out the Terminator flicks. I had recently added the movie to our Netflix Instant Queue, so we finally checked it out.

The first Terminator movie I ever saw was T2 on TV with my parents. I remember them letting me stay up late and watching the end of the movie in their bedroom. Later, when I got my Family Video membership, I checked out the original and wasn’t too impressed. Stupid kid. Even though some of the Arnold masks don’t look that great, first off he’s a robot and second off it was ’84. And damn those exoskeletons and robots look real, even if the stop motion gets a little shaky. Plus, I like to think that Linda Hamilton’s crazy hair is a special effect all its own.

[Potential LOST SPOILER coming up if you haven’t been watching this season.] It’s actually kind of funny that the time travel mechanics are very similar between Terminator and Lost. You’ve got people heading back in time and affecting the future. Reese heads back and fathers John Connor. He always did that, he just didn’t know his role yet. It’s the “Whatever happened, happened” idea (which I have to toot my own horn and say I voiced a few weeks before the saying popped up on the show).

From there I went on to finish Primer, a low budget (supposedly made for $7,000) time travel movie that I heard about on both Horror Movie A Day and The Totally Rad Show. I won’t pretend like I understood the movie (I had to look it up on Wikipedia to get a better idea of the plot and mechanics), but it made me feel like I did when I was 16 working at Barry’s and Drew (whose last name I don’t know and haven’t seen in almost 10 years now) told me about Reservoir Dogs and The Usual Suspects and then later when I saw Lost Highway and Clerks and some other flicks. Aside from feeling incredibly original and new, Primer showed me you can make an amazing movie that doesn’t talk down to its audience. Now, the above-mentioned movies don’t seem to have much in common on the surface, but the all showed me different ways of looking at movies, from a story standpoint and general presentation to how much you need to let your audience know.

Primer’s beautifully confusing (there’s so much jargon and science in there, it’d make my freshman year roommates jump for joy, what’s up Bryan and Hatem, you guys especially should check this one out). One piece of advice I’d give anyone trying to watch Primer (and understand it), is, don’t drink too many beers and try not to fall asleep halfway through. I fell asleep and then tried watching it a week or so later and had an even hard time remembering the whole story. I can’t wait to check it out again.

I will not, however, be watching Nic Cage’s Next again. As I’ve mentioned again and again I have a strange relationship with Nic Cage movies. Sure The Rock and Con Air are awesome, but somewhere along the lines, Cage seemingly went crazy and has been playing a kind of caricature of himself since then. Or has he? Maybe I’m the one that expects him to be crazy (there’s good crazy like in the National Treasure movies which I love and bad crazy like the amazing Whicker Man YouTube video).

Well, the last two Cage movies I’ve watched from the past few years (Next and Bangkok Dangerous) have just been boring. Even Cage’s craziness can’t save a fairly boring movie with some really bad CGI effects that breaks my cardinal sin of storytelling: don’t make everything I’ve just seen pointless, even if it is a tale of what could happen.

You might be wondering how this fits in with the time travel theme and it kind of doesn’t. But it kid of does, because, as Cage explains early in the movie, he can see a few minutes into his own future and just by seeing the future you’re changing it. Sure, it’s a tenuous connection at best, but it’s there.

Now I’ve just got to get Em to watch T2 which I have on DVD. But the last time I tried watching it, I wanted to rip Edward Furlong’s squeaky vocal chords out of his throat and feed them to the T-1000. Ah well, I’m sure I’m a lot more mature now (eh, not really, this was only a few months ago). Also, I might mine these flicks for a Live Blog post or two as I took copious notes.