Halloween Scene: Deep Blue Sea (1999)

Like a lot of people, Jaws is one of my favorite movies. As such, it is the standard by which I measure all over shark and water-based monster movies. This attitude has kept me away from a lot of movies of this ilk. But, you know what? That’s not really fair, is it? Halloween’s another favorite movie, but that hasn’t kept me away from slasher flicks, so why does liking Jaws make me not want to see shark movies? The obvious reason is that, if you can’t top the best, why bother? It’s a valid argument, but one that’s been keeping me away from a good movie like Deep Blue Sea. Another problem is that I’ve seen so many straight-up lifts of the Jaws plot, that I go into movies like DBS expecting them. Lastly, since Jaws was a widely accepted classic almost immediately, I think a lot of people with good underwater monster stories might have shied away. This is good because they would have been compared, but bad because it means the sub-genre is mostly filled with one great movie, lots of copycats and the occasional gem.

DBS is one of those gems. It’s not near-perfection like Jaws, but it’s a fun movie with a great cast, some alright effects and a plot that combines elements of Jaws, The Poseidon Adventure and your basic mad scientist flick. See, there’s this research facility out in the ocean that’s doing tests on sharks that will somehow help people. While doing the experiments, one of the doctors did a few things she wasn’t supposed to and now the sharks are super smart. They then start attacking the facility, killing a large number of the scientists and people there.

So, you’ve got the threat of not just sharks which are scary enough on their own, but super smart sharks with emotions and what not. Plus, you’ve got a mostly underwater locale which means there are plenty of scenes that made movies like Poseidon Adventure or The Abyss so creepy to me personally (I have a an unnatural fear of things that shouldn’t be under water, being under water). Plus, the cast include Sam Jackson, Michael Rapaport, Saffron Burrows, LL Cool J, Thomas Jane and more. There’s also quite a few winking nods to Jaws that let you know that director Renny Harlin knows the comparisons are being made. The first shark we see has a license plate in his mouth and the comparisons don’t stop there. I didn’t notice it on my own by SPOILER the sharks actually die in the same way that the sharks in the first three Jaws flicks die. Nice touch.

Another nice touch is the above closing credits song. I’m a big fan of horror movies (any movie really) that include a song at the end that’s actually related to/written for the movie. Sure it’s corny, but I guess I’m a little corny too. At the end of the day, I’d have to agree with a quick description I just read on YouTube while looking for this clip, it’s the second best shark movie I’ve seen. Now, I’ve heard that The Reef and that other movie where divers are abandoned at sea (can’t think of the darn name) are good too, but my Jaws-bias got in the way.

NYC & LA Movie Marathon: 7 Movies From Both Cities

I watch a LOT of movies. More so than usual since I’m unemployed/work from home. Netflix really has become my closest friend which is both sad and technologically impressive. Anyway, I like to watch movies or shows while I work on freelance, which means I’m not always giving them 100% of my attention, but enough to do a series of mini-reviews. I’ve been trying to figure out some thematic similarities between the movies I’ve been watching (like the otherwise unrelated Dr. Horrible and Angel of Death from the other day). It wasn’t until I was watching Last Action Hero today which takes place in both New York City and Los Angeles that I realized that a big chunk of the movies I’ve watched recently are set in one or the other. So, what the hell? Even though they’re mostly unrelated, here’s a look at seven movies I’ve watched in the last few weeks set in these places. Hit the jump for the incredibly entertaining reviews.

First up, New York, both because it’s a place I’m semi-familiar with and it contains the movie I watched first.

F/X (1986)
As long time United Monkees know, I watched F/X 2 a little over a year ago and had a great time with it. It was a fun little action movie that didn’t seem to take itself too seriously and had fun with the concept. The original is a bit more straightforward and intense that I was expecting, with Cocktail’s Bryan Brown taking on an assignment from the government to make it look like a mobster (Jerry Orbach) gets killed so he can testify. Turns out he gets double crossed and things go downhill from there. Brian Dennehy still stars as the one guy trying to help Brown’s character and the two team-up to take out the bad guys and win the day, using plenty of Brown’s special effects tricks. It’s a cool movie, but definitely not as fun as the sequel.

RIGHTEOUS KILL (2008)
Not only do Righteous Kill and F/X share a common setting in the form of NYC, but they also share something in the form of awesome actor Brian Dennehy. In this case he plays lieutenant to Robert De Niro and Al Pacino. This review absolutely contains SPOILERS, so if you don’t want the movie ruined, skip to The Muppets Take Manhattan. Anyway, the whole plot of this movie revolves around De Niro’s seeming confession to being this killer of guys who fall through the cracks of the criminal justice system. We even have video footage of him confessing. But, it turns out that the video is Pacino making him read his (Pacino’s) diary. See, throughout the movie, they’re only referred to by their nicknames, so when De Niro reads a real name, we don’t actually know who it is. I found the twist to be a fairly interesting one that would probably make sense on further viewings (less High Tension and more Usual Suspects). Personally I liked watching these two veterans working together in a fairly tight script that brings in the talents of 50 Cent, Dennehy, John Leguizamo, Donnie Wahlberg and Carla Gugino. Definitely worth the NetBox watch in my opinion.

THE MUPPETS TAKES MANHATTAN (1984)
I must admit, I’m not a huge Muppets fan. That’s not to say I don’t like them, I just don’t have the history with them that a lot of people my age seem to. My only childhood memory of them is from Muppet Babies. After that? The video they did with Weezer. So, it was kind of on a whim that I watched The Muppets Take Manhattan on NetBox and I had a great time with it. The story follows Kermit and the Muppet gang who are fresh out of college (seems like that would make a great movie premise itself) and taking their show to New York to get it on Broadway. After several failed attempts to get the show made, Kermit kind of blows up at his friends who all decide he would be better off if they told him they got other jobs and moved away. This leaves Kermit in NYC, working in a diner and still trying to get the show made. He, of course, succeeds eventually, only to get in an accident that leaves him with amnesia and taking a job as an ad exec, Mad Men-style. I had a ridiculous amount of fun watching this flick and trying to figure out if I’d ever been to the parts of the city Kermit was walking around (I’m guessing so, though the place has changed quite a bit in 25 years). I also really enjoyed the flashback that spawned Muppet Babies. It made a lot of things make sense. Now, I’ve got to check out the rest of the movies.

KRUSH GROOVE (1985)
Holy crap, I loved this movie. I just watched it today (well, yesterday at this point in the early morning) and had so much fun with it. See, it’s a fictionalized history of Def Jam records back in the 80s, but starring a ton of their artists like Run-DMC, the Fat Boys, LL Cool J, Kurtis Blow, Rick Rubin, Sheila E., the Beastie Boys and New Edition among others. I only really started exploring hip hop within the last five or six years, but that exploration has heavily included Run-DMC and the Beasties. I also had a couple Fat Boys tapes back when I was a kid (I’m guessing around the time they got huge, musically speaking, because I vaguely recognized a track or two in the movie from those tapes). That combined with my fairly recent viewing of VH1’s 2009 Hip Hop Honors which focused on Def Jam really made this movie interesting for me. There’s a lot going on in a fairly limited amount of time, but I feel like the director did a good job of balancing the main storyline of Run-DMC thinking of jumping form the Krush Groove label and the B-story of the Fat Boys trying to make it big. If you’re interested in early hip hop at all, this is a must-watch flick. I was also surprised to find out that director Michael Shultz also directed past UM reviewed movie Car Wash and a few movies I didn’t get around to reviewing like the epic Last Dragon (SO awesome) and Cooley High (surprisingly depressing).

New York To LA and Back

LAST ACTION HERO (1993)
The movie that inspired this entire entry starts off with a kid in NYC who loves Arnold Schwarzenegger movies getting sucked into movie-LA and eventually bringing the fictional Jack Slater back into the real world. I don’t want to sound like a broken record, but I really loved this movie. I remember watching it with my grandparents back around the time it came out on video and thinking it was kind of dumb. But, see, now I’ve seen most of the movies it tries to spoof and had a much better time with it (I’m guessing my grandparents also thought it was dumb, but I bet they never said anything). The kid calls out all kinds of late-80s, early-90s action movie cliches, trying to convince Slater that he’s living in a movie. What I like is that all aspects of the story are interesting and I guess the credit for that goes to world renowned scriptwriter William Goldman (whose book of scripts including Butch & Sundance, Misery, Marathon Man & The Princess Bride is sitting mostly unread on my shelf) who came in and did a rewrite after Arnold insisted on it. Credit should also be given to Die Hard and Predator director John McTiernan who did a great job of mixing the comic and action elements. Sure, the kid’s acting can be a bit thin at times and maybe over-the-top, but I think it works, especially (maybe only) if you’re a fan of these kinds of movies. Oh, it also features a cartoon cat voiced by Danny Devito, how can you go wrong?!

Now On To LA

SHOWDOWN IN LITTLE TOKYO (1991)
After watching several movies about cops getting new partners (Dragnet, The Rookie, Lethal Weapon (the latter two soon to be reviewed on their own), it’s funny how similar they end up. This one has dandy Dolph Lundgren and Brandon Lee teaming up to take down crime in LA’s Little Tokyo. Soon enough, something minor leads them to something huge and our heroes have to put a stop to it. I’ll be honest, I wasn’t paying a lot of attention to this one, but I still enjoyed the weird aesthetic of it. See, Lundgren loves Asian culture, while Lee only knows martial arts because his mom made him take lessons and otherwise doesn’t care. When I was a kid I always got this one confused with Big Trouble In Little China. That doesn’t really mean anything, I guess. On another note, Wayne’s World’s Tia Carrere also stars in this movie. On another nother note, the director Mark L. Lester also directed the more-fun Class of 1999 and Commando.

ALIEN NATION (1988)
Hey, guess what? I’ve had a surprising amount of luck watching movies lately. Case in point? Alien Nation. I added a few sci-fi movies including this one a while ago and decided to give this one a shot. I remember seeing the TV series randomly syndicated when I was a kid watching late-night TV but had never seen the movie, which stars James Caan and Chicago Hope’s Mandy Patinkin. Kind of like V, Alien Nation is based around an alien race that is welcomed to earth and begins to be integrated into society, though basic stereotypes still exist. These aliens were bread to be slaves though. Like with Showdown, this movies focuses on cop Caan being saddled with Newcomer (that’s what they call the aliens) Patinkin. As the two learn about each other, they find out about a much bigger plot to addict the Newcomers to drugs and have to put a stop to it. I really liked James Caan in this flick. I guess I haven’t seen him in too many things, but I liked his every man approach. I haven’t seen a ton of his movies, but this made me want to do so. It also made me add the TV series to my Netflix queue, though I was it was on instant watch. I don’t have incredibly high hopes because it got canceled after one season, but it did spawn a number of TV movies. Anyone familiar with them?

So, that ends my cinematic tour of NYC and LA, though I’m sure I’ll see another movie or two set in one of those places before the end of the week. I’ve enjoyed my brief stay and wish I would have taken more pictures, but what are you gonna do?

Halloween Scene: Halloween H2O & Zombie Island Massacre

Hey, even though things aren’t all rosy, doesn’t mean you can’t depend on me for reviews of old movies you’ve either seen or have no intention of seeing. Yesterday, on what will be my last Train-Ing Video in a while, I watched Halloween H20 (1998) for the very first. time. As long time readers will remember, from my posts about the Halloween movies last year, I had seen the first 5 movies in the original series and then watched Rob Zombie’s remake, but I watched Curse for the first time and hadn’t seen H20 or Resurrection yet.

So, it wasn’t a bad movie. It had Jamie Lee Curtis, Adam Arkin (from Chicago Hope), Josh Hartnett, Michelle Williams, Joseph Gordon-Levitt, Jodi Lyn O’Keefe (Nash Bridges AND Prison Break!) and Janet Leigh (who I had forgotten was Jamie Lee Curtis’ mom). The whole ignoring-4-6 and being a little too Scream were definitely annoying and don’t make the series hold up in the long run, but I can see how it would be a good introduction to teenagers in the 90s who maybe hadn’t seen the originals yet. I’m not going to really get into it, because, frankly, BC over at HMAD summed my thoughts up pretty well in his review from 2007 (except for the whole “different opinion every time he sees it” thing, cause, you know, I’ve only seen it once).

I do think it would have been cool if this was the end of the original series of movies, but, not having seen Resurrection, but still reading a few things, I know that Michael got better from that decapitation (or it was a paramedic or some such nonsense?). While I’m not planning on seeing Zombie’s Halloween 2 any time soon, I probably will check out Resurrection relatively soon and let you know what’s up.

I also watched a little movie called Zombie Island Massacre (1984) on NetBox this morning. Yes it’s stupid, and SPOILER, no, there aren’t any actual zombies in it (hence the lack of the “zombie” label), but any movie that starts with a white guy in a tribal mask sneaking up on his girlfriend/wife who’s taking a shower, then jumps into Hatchet-territory with a tour group going to see some weird stuff, then it kind of gets into Children Shouldn’t Play With Dead Things and Night of the Living Dead zones. It really is a pastiche and it’s not bad, but it’s also not good and if you’ve ever seen a movie like this you’ll know what the twist ending will be.

One question I had though: how did they take a bus to the resort’s sister island? I could have easily missed a simple plot point about this, but I still laughed later once I saw the bus. Oh well. It’s got very little gore, but enough nudity to kind of make up for it.