Listen here, if you dare!
As I mentioned yesterday, I got to an early start when it came to watching horror movies this fall. So, I’ve got a lot to talk about! First, if you haven’t already, check out a pair of lists I wrote for CBR. One’s about movies and shows to follow Stranger Things up with while the other focused on the best classic horror movies to stream on Netflix and Amazon Prime!
Listen to the episode here!
Last week I found myself in the enviable position of being in the house alone during the day with a bunch of work to do on my laptop and the television unoccupied by children demanding to watch the same two episodes of Bubble Guppies on repeat. So, like anyone who hasn’t been able to stay up past 11 on a week night in recent memory, I decided to watch three movies in a row all on Amazon Prime! Continue reading Halloween Scene Triple Feature: Shivers, After Midnight & Billy Club
Oh my goodness, you guys. Nightmare Weekend has got to be the most bonkers movie I’ve seen in a good long while. Maybe that’s because it’s the ONLY credit to screenwriter George Faget-Benard’s name or that director Henri Sala mainly seemed to deal in French erotica or the fact that it deals with, well, everything, but Nightmare Weekend is that rare movie that tries to do too much, fails, but still manages to entertain.
You probably want to know what the movie is about. I’ll try to let you know, but there are a surprising number of characters in this movie and far too many of them are brunettes who look very similar. I also don’t remember any of their names and apparently neither does anyone else who’s watched the movie.
So there’s this college girl whose dad is a scientist working on some kind of super computer. She leaves school to visit her pops. At the same time, dad’s assistant (she’s evil) invites one of the daughter’s friends and two others to a seemingly different house to test the computer on (they don’t cross paths until towards the end of the film, so unless it’s an enormous house…your guess is as good as mine). Somehow these tests include taking seemingly innocuous items like a watch and turning them into metal balls that can be programmed to attack various people Phantasm-style. Instead of drilling into the victims, though, they either fly right down the throat or…hide somewhere so they get consumed. If you’re wondering how something like this could cure people, as the assistant claims early on, you’re as confused as I was.
Sound crazy? We’re just getting started. The main girl wants to date this guy in town so she talks to her computer about the best way to get his attention. You’re thinking, “But computers couldn’t do anything cool like that in the 80s!” And you’d be right if it wasn’t for George. George is the girl’s computer, a TV inserted into what looks like a princess castle set from The Land of Make-Believe in Mr. Rogers Neighborhood that can play rudimentary computer games and display text. Oh, that’s right, there’s also a green-haired hand puppet who she communicates with who is basically the interface for the system. No I’m not making this up, I promise. Here’s proof.
You’ve got to wrap your mind around this whole George thing pretty early on, even before the main killings start, so it’s a lot. George can also talk with the dad’s system. There’s one scene where the main character is playing a game in her room, but inadvertently controlling someone’s car in the real world. BUT THAT’S NOT EVEN WHAT THE MOVIE IS ABOUT! It’s about the balls that turn people into crazies who lick spiders, claw people during sex and drown in nearby water.
There are so many crazy parts of this movie! The college girls make it seem like being a scientist is like the best, most respected and wealthiest job in the whole world! George! The arachnophobe practically Frenching a Tarantula! Everyone at the bar! The alcoholic chauffeur! That scene where — I think — two people are getting down in a limo while the driver is trying to fix the tire, the passengers are on a picnic just a few feet away and a random guy on a motorcycle is standing…somewhere nearby dancing to his radio shirtless. You really have to see it all to believe it. I’m still processing it all and should probably watch it again. You know, for science.
Nightmare Weekend was a French film shot in Florida in which all the dialogue was eventually dubbed, which explains some of the off-kilter-ness on display. It also probably explains why Troma decided to distribute this one. There’s a Blu-ray version of the film from Vinegar Syndrome, but I streamed it on Amazon Prime. It’s pretty dark at times so you can’t always see what’s happening, something that’s not helped by the fact that the end of the movie bounces from day to night far too quickly. Still, if you like all-out craziness, then give this one a watch.
Oh and for what it’s worth, as someone who spends an inordinate amount of time at the computer, I’d fully support a system like George. I’d much rather talk to a weird, animated hand puppet than type everything out or talk to Siri.
It’s vampire week here on UnitedMonkee! Let’s kick things off with one of their all-time biggest enemies, Buffy The Vampire Slayer! Like most of the internet, I loved the series (yes, even the first season). Even so, when Dark Horse first announced they were continuing the show’s adventures with Season 8, I was a bit skeptical, even though series creator Joss Whedon was acting as executive producer of the whole thing. See, back in the day, I bought a ton of Buffy comics from Dark Horse until I realized that they were just kind of filling in holes and playing with the mostly un-chronicled summers. Later on I picked up the Buffy Omnibus volumes and read in the intro that that was part of the whole deal because they didn’t want the comics to step on the toes of the show. As a reader, though, I got a bit bored reading about Season Three characters when Season Four was in full swing, but that’s old water under an old, far more crankier bridge.
The timing thing was obviously no longer an issue with the show being off the air. And, adding to the “good” column, Whedon would have an unlimited budget to work with and some of the best names in comics, TV and film like Brian K. Vaughan, Brad Meltzer, Georges Jeanty, Drew Goddard, Jane Espenson and Karl Moline.
Really, there was no chance I wasn’t going to start reading this book because I was working at Wizard at the time and free comics were everywhere. Like my fellow Buffy fans in the office, we got to reading and really enjoyed it. I might have been a little taken aback by the whole idea of this army of Slayers working around the world S.H.I.E.L.D.-style, but once I got used to it, I was all in. Continue reading Buffy Season 8 Trade Post: Volumes 1 Through 8 & Fray
Wonder Woman: Eyes of the Gorgon (DC)
Written by Greg Rucka, drawn by Drew Johnson, James Raiz & Sean Phillips
Collects Wonder Woman #206-213
About this time last month I made my way through Greg Rucka’s first three Wonder Woman books. It took me a little while to get the next volume from the library, but I finally did and had a ridiculously good time reading through it and the final two volumes of his run.
As I mentioned in the previous post, Rucka’s working on a longform comics story with this run and I think it’s one of the best ones I’ve read when it comes to this character. He not only had a solid take on the character, but also developed a variety of obstacles in his first few issues that all came to fruition as the series edged closer to its Infinite Crisis/One Year Later-mandated conclusion.
As you might be able to tell from this book’s title, the major obstacle this time around is the resurrected Medousa, the snake-headed Gorgon who turns people into stone if she makes direct eye contact with them (even via cameras). Medousa not only attacks Wonder Woman at the White House, but also turns the son of one of her staffers into stone before challenging her to a knock down, drag out battle for the entire world to see. In the process of defeating the inhuman monster, Diana blinds herself with hair-snake venom. The rest of this volume finds her dealing with her new condition, including a variety of tests from her teammates in the JLA.
Meanwhile, Dr. Psycho’s still causing trouble, Cheetah returns, the goddesses arrange to take over Olympus from Zeus and the United States is particularly worried about Paradise Island to the point where they won’t move their warships away.
Wonder Woman: Land of the Dead (DC)
Written by Greg Rucka with Geoff Johns, drawn by Drew Johnson, Justiniano, Rags Morales & Sean Phillips
Collects Wonder Woman #214-217, Flash #219
Land Of The Dead kicks off with a crossover with Flash that establishes a relationship between Diana’s longtime villain Cheetah and the Scarlet Speedster’s nemesis Zoom. These two baddies would go on to become a big part of Infinite Crisis as members of the Secret Society, specifically and the group that attacked and murdered most of the Freedom Fighters.
After that, though, the book circles back around to deal with its own problems, specifically Diana, Wonder Girl and Ferdinand traveling to Hell for Athena. This might be the shortest book in the bunch, but it does allow Diana to fix a few of her bigger problems. This is definitely SPOILER territory, so skip to the next paragraph if you don’t want anything ruined. First, Diana did all this so she could bring her staffer’s son back to the land of the living. Second, she gets her vision back because Athena’s so impressed with this selfless decision. Also, Wonder Girl discovers that her dad is Zeus, which was a mystery floating around since Geoff Johns relaunched Teen Titans and seemed to be hinting that it was actually Ares.
One of the interesting elements that Rucka played with in this book is comparing Diana in all her righteous, fair-headed glory to the machinations and overall pettiness of the gods themselves. This aspect is showcased in this volume, especially given Diana’s desire to fix a problem she saw herself as the source of and do the right thing by the people she cares about.
Wonder Woman: Mission’s End (DC)
Written by Greg Rucka, drawn by Cliff Richards, Rags Morales, David Lopez, Ron Randall, Tom Derenick, Georges Jeanty & Karl Kerschl
Collects Wonder Woman #218-226
This is it folks, the one where everything comes to a head! We find out the truth about Jonah (the entryway character from the first volume), Diana fights a brainwashed Superman and does what she thinks is right to stop him, she goes on trial and an army of OMACs attack Paradise Island.
Alright, so let’s break this down. More SPOILERS ahead for the next two paragraphs. As it turns out, Jonah was a Checkmate spy. I don’t remember there being any indications of this up until the previous book, but that’s where that is. Rucka also wrote the OMAC tie-in mini as well as the Checkmate comic, so maybe there’s more of that character in those books that I’m forgetting.
When Wonder Woman fought Superman it was because former Justice League backer and Blue Beetle murderer Max Lord was controlling the most powerful person on the planet with relative ease. As Lord went on about how he’d never stop coming back to take over Superman, Wonder Woman believed him and snapped his neck, which just so happened to be broadcast everywhere. From there, she turned herself in, intending to go on trial, but that all got scuttled by the OMACs attacking Paradise Island. Their leader, Brother Eye was all bent out of shape because Wonder Woman killed Lord and made her public enemy number one. A massive battle ensued that only concluded when Athena decided to leave that plane of existence and take all of the Amazons — save Diana — with her.
It’s interesting looking back at this run as a whole because, for the most part, it was a Wonder Woman story that would occasionally cross over with other characters when it made sense. But, as it wrapped up, this was fully a DCU story. Infinite Crisis rewrote some chapters in the DC book and Rucka was one of the architects involved at the time. I had forgotten some of the timeframe going into this, so that was something of a surprise, but overall I think it was all handled really well.
Above I mentioned that all of the balls Rucka got rolling felt like they were well paid off in this series, but that’s not entirely true. I realized while going back through these books for this post that Veronica Cale wound up a bit on the backburner. I think she’s a super interesting character, but probably got pushed to the side as the more major players revved up towards the series’ finale. She does show up in 52, though, which might help fill in some of the questions I have about her character.
Anyway, aside from a bit of a rushed feel at the end and the fact that I wish Drew Johnson had drawn the entire series — the multiple changes in artist per volume in these last three books is kinda crazy — I’d give this entire run of comics a huge, enthusiastic thumbs up. This is what a great example, not only of a fantastic Wonder Woman comic, but a long form sequential storytelling work that shows how solidly a writer can use the long game when plotting out his work.