This week, I catch you up on It’s All Connected 2021, the scare season scenario where every film I watch has to have a link to the previous one! For the full It’s All Connected 2021 experience go back and listen to episodes 29, 31, 33, 34 and the back half of 35.
Over the past few years, I’ve had a lot of fun diving into the action movies of the 80s and 90s focusing on stars like Sylvester Stallone, Jean-Claude Van Damme and Dolph Lundgren. As it turns out, Lundgren and his films have turned out to be a lot more impressive than I would have imagined. Not only does it turn out that he’s a brilliant man, but what I’ve learned about his life has been pretty fascinating. He also makes really fun movies with lots of kicking and explosions.
One such movie is Dark Angel (a.k.a. I Come In Peace) which I’d never seen and only started hearing about in the last two or three years. Shout Factory recently released the film on Blu-ray and a buddy of mine sent me a copy. I jumped at the chance to start watching the week before last, but fell asleep and then found myself in a place without a Blu-ray player so I had to hold off on finishing until last night. But, I will say the movie about alien drug dealers running afoul of Lundgren’s Detective Jack Caine and his new partner Special Agent Smith (Brian Benben) was worth the wait. While investigating the murder of a police officer, Caine and Smith become more and more aware of the intergallactic threat which they fight in an abandoned warehouse, as you do.
The disc comes with a retrospective that scored Lungren, Benben and director Craig R. Baxley (Action Jackson) to talk about the movie. It was really interesting learning that Baxley was tight with stunt people, so he was able to really beef up the explosions and other action elements, all of which look great in Blu-ray. Lungren also points out an interesting aspect of the story that I didn’t think about, but it’s cool to see a sci-fi movie that’s on a relatively small scale. This isn’t an alien invasion movie with a few people fighting them off, which is what you tend to get. From story and explosions to actors and ideas, I dug Dark Angel and am glad to have it in my collection for repeated viewings.
Moving from Dark Angel to The Punisher seemed like a pretty natural move for me. Not only did they come out a year after each other, but they both feature a bad ass Dolph sporting uncharacteristic dark hair! Plus, it helps that the latter has been in my DVD collection for years.
A lot of people complain about how bad comic book movies were for so long and, compared to the effort put in these days, it’s fairly accurate. But, I think The Punisher — directed by Mark Goldblatt (Dead Heat) — is an overlooked gem. Frank Castle is actually one of the easiest comic book characters to bring to film which makes him a good choice for a lower budget, street level movie concept. His wife and kids were killed so now he’s driven by the desire to kill all criminals. There’s no flying or lasers or superpowers, just lots of shooting, punching and explosions which were right up Lungren and company’s alley in the late 80s.
This movie finds Castle living in the sewers, befriending weird rhyming guys like Shake (Barry Otto) who give him information and avoiding cops on the hunt for him like Jake Berkowitz (Louis Gossett Jr.) and Sam Leary (Nancy Everhard, who was in Trial Of The Incredible Hulk that same year too!). Castle’s after a mobster named Gianni Franco (Jeroen Krabbé) who’s on the ropes after years of the Punisher taking out his men compounded with the recent appearance of Lady Tanaka (Kim Miyori) who’s trying to take over by kidnapping all the mobsters’ kids. To save the kids, Punisher teams up with Franco to get his boy back.
The film features several great fight scenes, but there are two particularly fun ones. Castle heads to Coney Island in an attempt to get the kids back and faces off a ton of gun-toting ninjas in an amusement park ride. How rad is that? The end of the movie also features Castle and Franco storming Lady Tanaka’s skyscraper, taking on all kinds of threats as they climb towards their adversary. For some reason, many of these scenes are tinged red, but I still really enjoy this high body count explosion of violence. This is one of the few comic book movies that also fits right in with that great 80s/90s action aesthetic and I love it.
Dead Heat is the kind of movie I should have already seen. On one hand, it’s exactly the kind of movie that sounds right up my alley: a buddy cop movie involving zombies. It was also, as my buddy Sean Collins wrote about years ago, an entry in one of the many Manly Movie Mamajamas I missed (they watched this and the excellent Tango & Cash and Point Break). I’ve also heard a bunch of my friends — many of the guys that attended that MMM — talk about how crazy it is. It wasn’t until Rickey Purdin’s latest VHS Diary post that the bug finally got in my ear deep enough to get me to watch the flick on Netflix Instant. And, man, they were right, this is one wacky, kind of awesome movie.
I write a lot on UM about how I like peanut butter and chocolate movies, you know two great tastes that taste great together. I’ve got a lot of subgenres I like, but I’m an even bigger fan of movies that combine those genres successfully. For the most part, Dead Heat does just that, though it’s a little more goofy and sloppy than some of my favorite movies of the original genres.
The film follows cops Treat Williams and Joe Piscopo as they get involved with some crimes that lead them to a strange discovery: some of the perps had already been dead. This brings them to a company that has developed a way to resurrect the dead. In the process, Williams winds up dying but Piscopo and their pal the medical examiner toss him on the machine and turn him into the undead. He’s not your typical zombie right away but as we eventually find out, he will deteriorate like his fellow formerly dead folks.
For the first half or so, it’s your basic buddy cop flick with a sci-fi/horror kick off, but then it turns into a full-on, bonkers zombie action movie. There’s this scene at a butcher shop in Chinatown that reminded me of movies like Re-Animator, Evil Dead and Dead Alive. It was insane. I don’t want to spoil it for you if you haven’t seen, just do yourself a favor and check it out if the idea of reanimated dead chickens attacking two cops sounds like your cup of tea.
But the movie’s not perfect. When I first turned it on I remember thinking, “Hey, Joe Piscopo, what happened to that guy? He was supposed to be the next big thing from Saturday Night Live in the 80s.” I know part of the explanation there is that his co-star Eddie Murphy blew up as the next big thing. He starred in Beverly Hills Cop and 48 Hours, the kinds of buddy cop flicks that I love and inspired the making of this one, clearly. But, I also didn’t get the sense that Piscopo was comfortable in the film. It wasn’t just that his character was freaked out by the fact that his pal and partner was a zombie, but that the man himself just wasn’t used to being on a film set. There’s one scene where the ME is explaining how they’re going to bring Treat back and Piscopo is just staring directly at the camera which is a general no-no.
As far as I’m concerned, though that’s a minor quibble. I still had a great time watching this movie today. It’s not like one of the best buddy cops of all time has horror elements in it, but it’s a fun attempt that I really wish I could have watched with my buddies.
I think the MMM gang would also get a kick out of Order Of The Black Eagle, a weird, wacky take on the James Bond spy flicks of the 70s and 80s. Our super spy in question this time around is Duncan Jax, played by a guy who only ever appeared in this movie and its sequel which I couldn’t find on Netflix at all. He does his best super-smooth routine, which you almost buy and then the next thing you know, he’s talking to his baboon while on a mission. The monkey is kind of a partner/valet/special friend, though he gets left behind for most of the action at the end.
The plot’s not super important to the movie aside from the fact that some Nazis were able to put Hitler in cryo freeze and they’re planning on thawing him out. Oh, there’s also something about a space age weapon, too. Jax gets sent to put a stop to this group, the titular Order of the Black Eagle, but he’s not the only one. There’s an American as well as a rag tag group of mercenaries that you can see in the trailer. I personally love how each of their specialties are put right on front street by way of their names (ie Spike throws knives!).
I didn’t give this movie as much attention as I should have, but I got the feeling that this one was more tongue in cheek than “trying to be clever and coming off as silly.” Some of the action stuff actually looked alright and I thought the scene of what wound up happening to Hitler was pretty interesting for this kind of movie.
I enjoyed this movie for its goofiness mixed with a pretty solid ending action scene. It’s the kind of thing you put on while doing stuff around the house or with a bunch of friends just looking to goof off, drink some beers and joke around about a movie. Man, if nothing else, watching these movies made me want to set up another MMM!