Here’s a fan reconstruction of the Universal Conan show that got Gary Goddard the job directing Masters Of The Universe!
I know it’s in vogue to just automatically dislike any new take on beloved childhood icons, but I don’t have the energy for hating things I haven’t actually experienced. As such, I took the Michael Bay-produced, Jonathan Liebesman-directed Teenage Mutant Ninja Turtles movie from a few years back with a grain of salt. I had to cover a lot of the pre-release outrage for Spinoff back when it all happened and yet still decided to give it a watch on On Demand recently. Continue reading We Want Action: Teenage Mutant Ninja Turtles (2014)
Aaron Eckhart looks pretty badass in this teaser for the first I, Frankenstein trailer which hits tomorrow. [via Collider]
Michael Bay showed off this picture of Mark Wahlberg, Nicola Peltz and Jack Reynor from the set of Transformers: Age Of Extinction. [via Michael Bay]
Discovery Channel’s working on an Evel Kineval documentary called True Evel. [via Deadline]
Gina Carano’s In The Blood will be distributed by Anchor Bay and Fox home video. In the film, the MMA star goes on a mission to get her kidnapped husband back in the Caribbean. [via THR]
Maggie, the film starring Arnold Schwarzenegger as a dad trying to help his daughter played by Abigail Breslin after she gets bit by a zombie, has rounded out the family unit with Joely Richardson joining on as the mom. [via TheWrap]
The Michael Bay-produced Teenage Mutant Ninja Turtles flick from director Jonathan Liebesman got pushed back to August 8, 2014. This movie’s getting moved around more than the Turtle Van on patrol. Is there any hope it will be good? [via THR]
Word on the street is that Disney’s so pissed about the The Lone Ranger not making it’s money back yet that they’re restructuring their deal with producer Jerry Bruckheimer. In the past, his contract said that he had final cut, but that might not be the case anymore with Pirates Of The Caribbean 5. [TheWrap]
CW’s DC Comics-based Arrow is recruiting The Killing actress Bex Taylor-Klaus to play a character called Sin. In the comics, Sin is a girl trained for years to replace super-assassin Lady Shiva who gets adopted by Black Canary. [via THR]
Speaking of Greg Berlanti-created shows, the futuristic prison series Paradise got snatched up by NBC. Berlanti’s teaming up with Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter) to make the Prison Break-like show set in a version of Las Vegas that’s been converted into a giant prison. [via Deadline]
Divorces can be rough, especially when kids are involved. When Legendary split from Warners earlier this summer, some of the films the former financed were left without distribution. That was the case with Sergei Bodrov’s The Seventh Son, but don’t worry, the Jeff Bridges film will now be distributed by Legendary’s new partner Universal. [via TheWrap]
Warner Bros. snatched up a pitch by Mark L. Smith (Vacancy) called Herald about a Viking king that Leonardo DiCaprio may or may not play. [via Deadline]
James Cameron revealed to Visionaries that he was thinking of blue ladies well before he came up with the idea for Avatar. [via Movies.com]
Dig this crazy set from Brett Ratner’s Hercules. [via Dwayne Johnson’s Twitter]
Finally, this video reenacts the Peter/Chicken fight from Family Guy as performed by stuntwomen Jessie Graff and Tree O’Toole. [via Topless Robot]
Damn, these guys are awesome. For those of you who might not know, Alex Kurtzman and Roberto Orci are the screenwriters behind Transformers, it’s upcoming sequel (which I’m very excited about), The Legend of Zorro, Mission Impossible III, Fringe, Star Trek and The Island, the last two I watched recently.
Right off the bat, I’ve got to admit that I don’t really remember Legend of Zorro or MI3, so I can’t speak to their ability writing those or for shows like Xena, Hercules, Jack Of All Trades and Alias, but everything else I’ve seen that they’re written has been rad. As you might have noticed, Kurtzman and Orci have a history of working with producer, writer and director extraordinaire J.J. Abrams (Alias, Fringe and Trek). Not shabby company to keep if you ask me.
What I love about these guys is how thoroughly they think through genre stories that, a few years ago, would have probably been tossed to guys who were just looking to get a paycheck. Transformers didn’t have to be a good movie (and many of you might disagree with me on this), but it was. It was also full of crazy fun action scenes. Aside from the incredible stories you see on the screen, I’ve heard a number of interviews with the writing duo thanks to the Creative Screenwriting Podcast. Most recently I listened to the Star Trek one and it blew me away at how well they were able to address and answer logically many of the geek and logic-based questions. A few holes in the movie were filled in the original writing stage, but were later cut and there’s all kinds of other information they have to offer in these interviews. I highly recommend them.
Like I said, I watched The Island (2005) and Star Trek (2009) last week. I’m thinking of going back and listening to the Island podcast interview actually because I’m curious to hear what they have to say about their first original movie, which ended up getting directed by Michael Bay (who I’ve gone on record as loving). The Island is a very cool movie though it seems at first to have a ton of plot holes (how do they go from naive teenage-level beings to pulling off this crazy scheme?). But, the more I think about the various apparent holes, the more I can explain them. Ewan McGregor’s character is growing memories right? So maybe he’s growing a few character traits here and there. It’s these kinds of questions I think would be addressed in the podcast, which I will, now that I think about it, definitely be downloading from iTunes tomorrow.
What I do know just from watching the movie without any background is that it was clearly influenced by some of the classic 70s sci-fi flicks I watched back in January. It was fun watching the movie, kind of knowing what the twist was, but not really knowing how completely it would flip. SPOILER: I knew they were clones, but I didn’t know the details, like that they were living in a complex created by someone who saw Logan’s Run a time or two too many. Even knowing what I knew, I still couldn’t figure how it would be revealed, so that’s a testament to the writing.
I definitely recommend The Island to anyone. It’s got the assumed Michael Bay chases and explosions. Even a car chase with a truck dropping big scary things while being chased by a smaller vehicle (cars in Bad Boys II, train wheels here). Plus you get McGregor, Djimon Hounsou, Sean Bean and Steve Buscemi who are always good, and Scarlett Johansson who’s at least nice to look at. Plus if you like their later movies, I think it’s always cool to go back and see how they broke into the movie business.
So, from their first to their latest, I have to throw my hat in with just about everyone else in the world and say I really dug Star Trek. I didn’t come out of it feeling like I did when I left Iron Man (PUMPED!), but I still really enjoyed it. It might be because I’m not a Star Trek fan. Before trying to tackle the Original Series this past year, I had seen only a handful of episodes from any of the series’ (that one episode of DS9 where they Tag and Bink their way through the Tribble episode) and the movies starring the original cast. I knew the basics, it’s hard not to when you’ve worked for some of the geekiest magazines in the world (don’t forget, I was in the research department while InQuest was still around). But, even not knowing much, I had no problem watching this flick, which was great, but I still got some of the nods to past stories.
I appreciate the amount of thought that Kurtzman and Orci along with director J.J. Abrams and producer Damon Lindelof put into this epic story, especially the way they made everything you know still make sense while starting this new continuity. Honestly, I really wish this cast would get together and just do a TV series. How cool would that be? Just forget about Heroes (I dislike that show so much that I actually wanted to hate Zachary Quinto as Spock, but he was so damn good I just couldn’t) and fly Simon Pegg and John Cho in between movie roles and get that DONE!
Also, how cool was that drill scene? I started laughing as soon as the guy in the red suit showed up while Sulu and Kirk were wearing different colors. Em asked me what I was laughing at and I whispered “That guy’s gonna die.” She asked me how I knew and I told her just to watch and, man, they did NOT disappoint with that moment. Even better, though, was how Sulu and Kirk handled themselves given a crappy situation. I love how Chris Pine perfectly embodies that “never say die no matter how bad things look” mentality. Obviously, I’d like to see everyone return for a sequel, but I really hope Pine does a superhero movie. He could do justice to a bunch of heroes.
So, next up from Kurtzman and Orci will be Transformers: Rise of the Fallen and the last two episodes of Fringe that I missed and I’m pretty psyched about both.
I recently switched from Blockbuster to Netflix as it was taking way too freaking long for me to get my DVDs (five days at times, even when I turned them in at the store, ugh). As a result I sat here switching my queue over and moving things around. I gotta say, I like the Netflix site a lot more. It’s way more user friendly and I actually like a lot of their movie suggestions. All of which I’m telling you to let you in on how I inadvertently ended up with two crazy, Nic Cage action movies from the mid 90s. I had never seen Con Air before and it’s been about a decade since I saw The Rock, so it was practically like watching it again for the first time.
CON AIR (1997)
What a great and crazy movie. Like with The Rock, I don’t really buy into one of the initial plot points. In this case its the idea that a military man just home from a tour of duty (or something, I’m not always clear on the jargon) kills a dude in a fight, a dude with a knife near Cage’s pregnant girlfriend no less. According to the brief court scene, soldiers are held to a higher standard because they’re killing machines. Sorry folks, I don’t buy it. Isn’t that plain old self defense? Anyway, aside from that (and Cage’s ridiculous accent throughout the film), I bought in. You see, Cage is done with his five year sentence and just wants to get home to his girl and their kid, so they put him on a plane (why was he so far away from home anyway?) with a bunch of other cons to fly them someplace else. Once in the air, the prisoners take over the plane in a pretty ingenious multi-part plan and we go on from there.
The first thing that struck me about Con Air is the cast. Aside from Cage, you’ve got John Cusak as a cop of some kind, John Malkovich as the mastermind behind the hijack, Dave Chapelle, Danny Trejo (the best interview I’ve ever had) and Ving Rhames as cons and Steve Buscemi as a sociopath serial killer. The characters aren’t all that well rounded, but the actors really sell their parts, offering up some of the creepiest cons in recent memory. Even Cusak, who I love in High Fidelity, Grosse Point Blanke and even 1401, is believable in the roll as an action-faring blockbuster cop, who would have thought?
There are all kind of groan worthy aspects to this flick, but I’ll take all of them in exchange for a crazy balls-out action flick that pays off in big names, big explosions and big plots. The final scene takes place in the middle of Las Vegas, first as a plane crash, then as a chase between a fire truck and two motorcycles. One aspect of the movie that was too much, though, was Colm Meaney’s “disbelieving tough guy cop.” In a movie filled with otherwise compelling (if not likeable) characters, Colm’s character just comes off as a boring, one note pain in the butt whose role should have either been rewritten or toned WAY down. It is cool to see his car come to its end, though.
One last thing, I just looked director Simon West up on IMDb and was horrifying to discover he’s the man responsible for subjecting me to the When A Stranger Calls remake. Well, to be fair, I’m responsible for subjecting Ben, Rickey and myself to a pretty awful movie, but who’s counting? It was by birthday after all!
THE ROCK (1996)
Like I said, I’d seen The Rock before, but had very little memory of it, which is great because this movie turned out to be a great surprise. I had a ton of fun watching The Rock, even though I was a little worried about it’s long running time (I have gotten pretty lazy, going so far as to sending Armageddon back without watching it because of its 2 and a half hour running time). Regardless, I am officially a huge Michael Bay fan, so of me what you will, even given what I think was a fairly weak plot point. My biggest problem with the story is that I don’t really buy that Ed Harris’ character would at any point believe his plan would work. If he’s not willing to actually kill a bunch of civilians, why would the government do anything by completely annihilate the island? Oh well.
The island in question is of course Alcatraz, the famous island prison which has fascinated me since I first saw it on some long forgotten show when I was a kid. There’s always been a great sense of history and mystery surrounding that place so I’m pretty much down with any movie or comic being set there (I’m also a big fan the Mythbusters where they test to see if prisoners could have really escaped from The Rock). I am also a big Sean Connery fan, though who isn’t? Seeing how great he is in this movie makes me wish he’d come back and do a role or two. In the flick he plays the only man to have ever escaped from Alcatraz. he gets teamed with chemical weapons expert Nic Cage to stop Harris and his hired soldiers (one of whom is Candyman) from firing off a series of missles with highly toxic bioweapons inside, which means they’ve got to break back into Alcatraz.
If there’s one thing Bay knows, it’s how to make an awesome movie. This one’s got everything from chase scenes to bad ass lines to bigger than life characters and cushion clenching suspense. It really makes me wonder what happened to Cage, though. If nothing else, these two movies reminded me of how much fun he used to be to watch on screen. Maybe it’s that I used to feel like we were both on the same page (these are goofy fun movies and he’s having a goofy fun time doing it), but somewhere along the line he turned into the guy who would star in Ghost Rider. Yeesh. I’ve also heard some pretty terrible things about Wicker Man and really want to watch it after seeing this Best Scenes from The Wicker Man YouTube video:
Crazy right? Well, I can always go back and watch Con Air and The Rock, both of which looked super awesome on the new TV (I really love this thing). But, hey, maybe John Carpetner’s upcoming Cage starrer Riot will bring him back to action movie prominence (I sure hope so).
Wow, what a weekend. It was kind of busy with a wedding and both my football teams losing, but I was also able to squeeze in far more movies than I should have.
On Friday, Em went to bed early, so I ran up to Blockbuster and did a trade in for a double feature of Robert Rodriguez’s El Mariachi (1992) and Desperado (1995). I’d seen Desperado and Once Upon a Time in Mexico before, but had never seen the original piece of the Mexico Trilogy, plus I’m a sucked for a 2-for1 and traded it in. I did not know that Mariachi is completely in Spanish and it seems as though the version I had rented didn’t have an English dub, but it did have an awesome commentary by Rodriguez. So I listened to that and put subtitles on and enjoyed the heck out of myself. Turns out he made the movie for $7,000 and most of that cost went towards film. He worked with mostly no crew and local people who’d never acted before. And while I can’t understand what they’re saying on screen, they really seemed natural. Rodriguez gives a play by play of how he did everything on screen which is super informative and then, in the special features, offers up a segment called “10 Minute Film School” showcasing how he did some of the more complex stunts and basic stuff like shooting scenes with editing in mind. I’ve never been to film school, but I feel like I got a heck of an education from just listening to the commentary. It was worth the rental for the feeling of “heck, I can do this too.” Who wants to make a movie with me?
So, I was pretty hyped up after Mariachi and put Desperado on immediately after. It definitely looks and feels like a different animal with it’s slicker look, bigger actors and crazier action sequences, but Rodriguez maintains the feel of the original which is impressive. This time Antonio Banderas plays El Mariachi and Salma Hayek plays his love interest. You’ve also got Quentin Tarantino, Cheech Marin, Steve Buscemi and Danny Trejo (my personal favorite interviewee so far). What stuck in my head from my previous viewing of Desperado was how bad ass it was. And that still holds up as Banderas leaps around shooting dudes from all kinds of awesome camera angles. I also love how cool the guitar case full of weapons is. It’s like Rodney Dangerfield’s golf bag from Caddyshack 2! Anyway, I also really dug the final scene where Mariachi calls in his boys who also have guitar cases concealing weapons (machine guns and a rocket launcher!). It’s an awesome revenge story with tons of action and plenty of bad ass characters walking around looking bad ass, but none as bad ass as Mariachi. BAM!
After that I was pretty exhausted (it was 3AM), so I went to bed. The next day Em took a nap in the afternoon and I started tinkering with my VCR and actually got the dumb thing to start working again which meant I could watch some of the tapes I’ve picked up at work and garage sales lately. So I popped Don’t Answer the Phone (1980) on. It wasn’t very good. The story follows a serial killer as he calls in to a radio psychologist and taunts her. The video tape quality added to the atmosphere of the film, but it was overall just kind of uncomfortable and I didn’t even both finishing it. What I did find interesting was the fact that we as the audience spent a good deal of time with the killer even when he wasn’t killing. We see him walking along the street and calling into the radio show. I’ve often thought it would be interesting to see a slasher movie done like this, where you really get to see things from the killer’s perspective. If Don’t Answer the Phone is any indicator, maybe it’s not such a good idea.
After giving up on that flick, I still had a little more time, so I popped in F/X2 (1991), which is a tape I grabbed from Em’s parents when they were cleaning out all the tapes. They used to own a video store back in the day, so I can only assume it’s a leftover from those days (how I wish I was around when they were getting rid of their boxes and boxes of movies!). I actually thought F/X2 was a horror movie, so I was confused when I couldn’t find it in my Creature Features book. It turns out that it’s more of an action thriller than a horror movie, though. Bryan Brown (Cocktail!) stars as a Hollywood effects man who gave up the game after the events of the first movie (which I haven’t seen). This time, the woman he’s dating’s ex husband asks him to help out with a case (making him look like a woman), but it turns out that the ex gets killed and Bryan stumbles upon a much bigger plot involving cops killing cops, mobsters and the Vatican. Bryan calls in his buddy from the previous flick Brian Dennehy and now they’re on the case. It’s a fairly standard plot from here, but what I really liked about the movie is how Brown uses his crazy special effects talents to go after the bad guys. At one point, a dude breaks into his house to kill him, but Brown’s able to slip into this motion control suit that coincides with a robot clown, so anything Brown does, the clown does. Then there’s this amazingly hilarious fight scene with Brown and the clown vs. the assassin. There’s also all kinds of craziness at the end. Definitely worth checking out if you want to see the kind of movie that will never get made nowadays, one with a sense of humor about itself, but also takes itself seriously.
The aforementioned wedding interrupted my movie watching (it’s okay, I forgive them). On Sunday, I caught part of Bad Boys II (2003) on TV and you know what? That movie’s awesome. I think Michael Bay gets a bad rap. I don’t know much about the guy aside from what he puts on the screen, but I definitely appreciate his love of big crazy movies with lots of action and explosions. Some people call him a hack for that, but I don’t buy it. I’ve liked Armageddon, The Rock, Bad Boys I and II (though definitely II better) and Transformers. I haven’t seen The Island yet and I didn’t really like Pearl Harbor at the time, but would definitely give it another shot. I didn’t get to see the entirety of BBII (I’ve seen it before though) and man, there are some awesome scenes in there. The 360 degree scene of Will Smith on one side of a room and dudes with machine guns on the other. The chase scene where the bad guys throw cars at them. You can’t beat that kind of stuff. And, I didn’t get to see it this time, but the absolute disregard for human life while driving through Cuban homes! This is what movies used to be like back in the 70s and 80s and it’s awesome to see that again. (NOTE: I in no way support the ACTUAL disregard of human life in Cuba, just in the movies!) Also, I forgot how cool Will Smith can be when he wants to (and when the camera angels make him look so). There were a lot of fun similarities between how Rodriguez shot Banderas and how Bay shot Smith. Fun stuff.
Finally, I ended my weekend movie watching with the original When A Stranger Calls (1979). I’ve got a bit of a history with the remake. My first year here in New York, before I got married, I didn’t really have a lot going on, so on my birthday Rickey, Ben and I (sorry if I forgot anyone else, my memory’s fuzzy at best) I thought it would be awesome to go see a horror movie (Em was still in New Hampshire). WASC had just come out and Rickey and I had just seen the main girl, Camilla Belle, in Chumscrubber and had school boy crushes on her so it seemed like a great idea. It was not and I still get reminded of how bad of a movie it was. Soon after, I looked the original up in Creature Features to find out that the original actually split it’s time between the babysitter getting terrorized story and then a seven years later story when the killer breaks out of an asylum. No wonder it felt like it was way too drawn out.
So, last night I finally watched the original and was even more surprised to find out that the babysitter portion only takes up about 15 minutes of screen time! Oh remake people, you’re so crazy. Anyway, it’s a pretty effective movie, the babysitter stuff in the beginning is definitely creepy and spawned the line “The call is coming from inside the house.” You’ve also got a pretty creepy killer, he killed the kids she was babysitting in their bedrooms with his bare hands while she was downstairs. After the 7 year jump we end up splitting our time between the escaped killer as he wanders around New York trying to hit on (or kill?) some woman and the private detective who’s on his trail. Here’s another movie where we get to see things from the killer’s perspective for a significant part of the movie. I’m not sure if we’re supposed to feel sorry for him or what, which adds to my not loving this movie, but eventually he finds the babysitter, who now has two kids and a husband and starts screwing with her again. There are some creepy moments and the killer definitely walks the line between total creep and somewhat not-hateable. It’s not a great movie, but definitely not as bad as the remake, though this kind of makes me want to watch it again. Somebody stop me…