I’ve seen a lot of horror movies since I started getting into the genre around the age of 16. Like a lot of horror fans, I feel like I’ve become somewhat jaded over the years. Once you see enough of these things, you can see the Matrix a little bit and know when a scare is coming — if you can tell the difference between an impending jump scare and a legit one, you’ve got the super scardar. And yet, there are still the scenes that scared us when we started out and even though they’re fewer and farther between these days, the new films that still give us the willies or come out of nowhere to spook us. I figured with Halloween still in the air — and inspired by awesome horror blogger Stacie Ponder doing something similar over on her excellent Final Girl blog — I’d run down the ten movies that scared me over the years. I’m sure there’s more out there in the world, but these are the ones that came to mind, either because they entered my life at just the right time, scared me for a moment or created an atmosphere that still ooks me out to this day. So, in no particular order, here’s the ten movies the still spook me in no particular order. Consider yourself warned, spoilers abound after the jump!
It looks like Robert De Niro’s returning to his mob roots in Luc Besson’s The Family. In the new film, he plays a rat who testified against the mafia before being relocated to a small town in France along with his wife, daughter and son played by Michelle Pfeiffer (Batman Returns, Dark Shadows), Dianna Agron (I Am Number Four, Glee) and John D’Leo (Cop Out, Wanderlust).
Here’s the synopsis from Relativity Media, who recently released the above posters from the film:
In the dark action comedy The Family, a Mafia boss and his family are relocated to a sleepy town in France under the Witness Protection Program after snitching on the mob. Despite Agent Stansfield’s (Tommy Lee Jones) best efforts to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children, Belle (Dianna Agron) and Warren (John D’Leo), can’t help resorting to old habits by handling their problems the “family” way. Chaos ensues as their former Mafia cronies try to track them down and scores are settled in the unlikeliest of settings, in this subversively funny film by Luc Besson.
Besson has made plenty of entries in the action genre writing and directing movies like Léon: The Professional and The Fifth Element so it will be interesting to see his take on the relocated mobster action-comedy subgenre of crime flicks.
[via Latino Review]
While I do love traditional Christmas movies like White Christmas, Holiday Inn, Elf and even Love Actually, I’m also quite fond of genre flicks that happen to be set around the holiday like Gremlins (in fact, I wrote a whole list about just that over at Topless Robot). All of which reminded me that Batman Returns–the movie I almost wore out on VHS from watching so much–is set around Christmas time with major moments revolving around tree lighting and other festivities. It’s been a while since I watched this flick and the first thing I was surprised by was how well I know this movie. I don’t just know scenes or lines, but how people are posed in scenes. I knew the exact way that Michelle Pfeiffer was holding herself when she used the taser on her would-be attacker. It’s kind of crazy.
The next thing that stood out to me was how unlikely it would be to see another Christmas-based superhero movie. Even though this one, directed of course by Tim Burton who readers will remember I think is Awesome, doesn’t get into any of the religious aspects of the holiday, it still seems like the kind of thing that studios would shy away from now (what would foreign markets think?!). Heck, I’m surprised they did it back then, frankly.
Anyway, I love how cartoony this movie is without ever being too silly. It really is a comic book movie with a gang of evil circus performers, a mutant being carted around as a mayoral candidate and penguins with rockets tied to their backs! What Burton does, though, is that he makes it all seem real and plausible by creating a world like our own, but clearly different. Yeah Penguin’s kind of ridiculous, but the scenes of him researching his background are pretty heartfelt and you can’t help but be on Selina Kyle’s side because she’s being bullied by the real villain of the movie: corporate crazy asshole Max Schreck played pitch perfectly by the one and only Christopher Walken.
The action’s not as cool as you might see in a recent Batman flick (though you can always tell what’s going on at least) and it might seem kind of over the top, but I would completely recommend this movie if you haven’t seen it and you’re a big fan of Grant Morrison’s run on the book. I highly doubt there’s someone out there reading Morrison’s Batman who hasn’t seen this movie, but I guess it’s possible for people who missed out the first time around or might be younger. Anyway, this is an all time, childhood favorite of mine that I will always cherish, but I think still holds up as a particular kind of movie that will probably never get made again. At least I’ve got it on DVD, plus a butt-ton of toys so I can recreate it on my own if the world ever looses power. I’m pretty sure I could recreate at least 75% with little trouble.