I threw all my plans out the window when I got a very cool package in the mail from a cool PR person! As a result, you’ll have to wait to find out more of my favorite 2020 film experiences and instead dive into my all-time favorite body swap stories from TV, animation, movies and comics!
Director and documentarian Jon Schnepp asked the question many of us have been wondering since the 90s: What happened to Tim Burton’s Superman Lives? Back then, word got out that the Batman Returns helmer would put his stamp on the Man of Steel with star Nicolas Cage. Most of us didn’t hear much else aside from the film’s eventual demise, Kevin Smith’s recollection of writing the film’s first draft and later design images that would find their way online. Enter The Death Of Superman Lives: What Happened?
As the film got rolling producer Jon Peters hired a slew of people to work on the project. Smith and two other screenwriters worked on the script, Burton invested himself in the story and a variety of costume designers and artists started working on the ever-changing visual elements.
But, even with so many people working hard on the film, it ultimately fell apart. The doc doesn’t necessarily place the blame on any one individual person involved, though its hard not to put Peters’ name up there with some of the chicanery he pulled. Ultimately, though, the answer to the question posed in the title comes down to some simple facts: Burton’s weird vision made the studio nervous. That same vision also would have cost a bunch of money to bring to life and the studio eventually decided to go another direction that lead to Superman Returns.
Even so, this doc isn’t really about why Superman Lives didn’t get made, it’s about all the work that went into it while the creative people involved thought they were making it. Everyone from Peters and Smith to Burton and costume designer Colleen Atwood. It’s fascinating to see how they all attempted to bring each others’ visions to life and maybe a little tragic that it was all for nothing. Except, it’s not really for nothing because this public record of their work now exists. I think that might be the great thing about this era of “why didn’t it get made” documentaries. They take something that a lot of people put a lot of effort into and bring it to your attention, even if it’s not in the originally intended way. With that in mind, I’m even more excited about eventually seeing Doomed and the one about George Miller’s Justice League movie.
For all the effort he put into the film, I give Schnepp huge buckets of kudos. Cage is the only major player who did get interviewed for this thing, but he still shows up thanks to some filmed segments of him trying on the costumes with Atwood and Burton. Those clips really bring the whole thing together because the represent the in-the-moment as opposed to the looking-back. I’m not personally a fan of the animated sequences in the film and think it’s super awkward for the interviewer to be on camera nodding when the subject is answering questions, but altogether I can’t recommend this movie enough for anyone who’s ever been even remotely interested in Superman Lives or the process that goes into making these big, blockbuster superhero films.
Fede Alvarez, who most recently remade Evil Dead, is in talks with Universal to helm an adaptation of the Dante’s Inferno video game from Electronic Arts. The video games star a knight named Dante advised by the poet Virgil as he navigates a battle between heaven and hell. [via Deadline]
It wouldn’t be a Bullet Points without a picture from Dwayne Johnson’s Twitter account. This time we’ve got two shots of the in-progress Hercules film based on the Radical comic Hercules: The Thracean War. One prominently features director Brett Ratner while the other shows another piece of impress set building.
For about a day there was talk about Arnold Schwarzenegger playing a bad guy in James Cameron’s Avatar 2 thanks to a story on Latino Review. Then sites like THR reported that Fox said the Terminator actor’s not even in talks for the role. Wahwah.
Comic book company BOOM! Studios, the same people who published 2 Guns, scored another live action deal. This one’s with Fox for a TV series based on Mark Sable and Julian Totino Tedesco’s Unthinkable. The plot revolves around an FBI agent teaming up with a screenwriter who was part of a think tank about potential threats years earlier. [via Deadline]
Finally, if you’re looking for some fan-made film continuations, check out The Dark Knight Legacy, which takes place in the streets of Gotham a year after the events of The Dark Knight Rises. The first episode features the Red Hood, Stephanie Brown and a guy doing a pretty darn good impression of Joseph Gordon-Levitt. If you like what you see, you can contribute to the project’s Indiegogo page. [via SHH]
TheWrap reports that Vin Diesel has signed on to star in the sci-fi, alien-fighting thriller Soldiers Of The Sun at Universal. Written by Arash Amel (Erased, I Am Legend 2), the flick finds Diesel and a group of soldiers in a post-apocalyptic world trying to find a city of gold.
World War Z writer Matthew Michael Carnahan scored Ray Liotta and Linda Emond to play the parents in his Godfather-inspired modern day mob flick Violent Talent, Deadline reports. Carnahan wrote the script and will also direct.
Deadline broke news that Hard Candy and 30 Days Of Night director David Slade will direct the first episode of NBC’s pirate series Crossobones. The show was created by Luther‘s Neil Cross and stars John Malkovich.
The CW’s Arrow will be adding a new character based on the world of DC Comics played by Teryl Rothery (Caprica, Hellcats). SpoilerTV says she’ll portray Jean Lorring, a lawyer who defends Moira Queen for the crimes she confessed at the end of the first season. In the comics, Lorring was married to the Atom and eventually went insane.
Variety says that Switched At Birth‘s Cassi Thompson is replacing Disney star Ashley Tisdale as Nic Cage’s daughter in the big budget version of Left Behind currently in the works.
Warrior star Joel Edgerton is looking to play Ramses in Ridley Scott’s Exodus against Christian Bale’s Moses, Deadline reports. This sounds like a more serious film, but if these guys don’t throw down at some point, it’s everyone’s loss.
Sullivan Stapleton, the star of 300: Rise Of An Empire, signed on for Krive Stenders’ Australian thriller Kill Me Three Times, a project that’s been in the works for a while now. [via Deadline]
Finally, if you’re interested in checking out the motion comic prequel to the upcoming Mad Max game, just check out the videos above and below. The game hits next year, but what the heck is the deal with Mad Max: Fury Road?
We here at Explosions Are Rad are big fans of the mash-up action-fests better known as The Expendables movies. The brainchild of Sylvester Stallone, the films bring together some of the best and brightest action stars of all time together offering explosions, fight scenes and gunplay worth the price of admission alone.
If you’re a fan of the franchise, you really need to follow Stallone on Twitter (he’s @TheSlyStallone). The legendary action star took to social media today to not only announce that Bruce Willis won’t return for The Expendables 3, but also that he’ll be replaced by Harrison Ford. “WILLIS OUT… HARRISON FORD IN !!!! GREAT NEWS !!!!! Been waiting years for this!!!!”
He followed that up with what seems like a slam against Willis who appeared as Mr. Church in the first two Expendables movies. “GREEDY AND LAZY …… A SURE FORMULA FOR CAREER FAILURE”
Willis’ Mr. Church played an important role in both films. In the first, he hired the team to invade Valena and in the second he uses their failure in the first movie as leverage to send them out to get a device that winds up putting them in direct opposition to Jean-Claude Van Damme’s Vilain. He even got in on the action alongside Arnold Schwarzenegger in the second film. Will Ford do the same in 3? We sure hope so.
Last month, Stallone also said via Twitter that the new film, directed by Red Hill‘s Patrick Hughes, will feature real life fighters Ronda Rousey and Victor Ortiz as well. Hopefully, they fall into Randy Couture territory and turn out to be super watchable on screen. The film is also said to star Jason Statham, Dolph Lundgren, Couture, Terry Crews, Jet Li, Nicolas Cage, Mickey Rourke, Jackie Chan, Kellan Lutz, Milla Jovovich, Wesley Snipes and many more.
It seems impossible to tell if Nicolas Cage is a good actor. Instead of playing a character, he just controls how much of his inner lunatic he decides to let the camera see. Drive Angry from director Patrick Lussier (Dracula 2000, the My Bloody Valentine remake) lets Cage unleash the full flow of insanity as Milton, a guy who escaped hell to get revenge on cult leader Jonah King (Billy Burke), who killed his daughter and snatched his grandaughter. Along the way he teams up with Amber Heard’s Piper, a tough young woman without much going on in her life aside from a cheating boyfriend and a crappy waitress job. As they operate their automobile in a perturbed fashion, Milton and PIper also have to stay several steps ahead of The Accountant (William Fichtner), an agent of Hell looking to bring back the escaped Milton.
Lussier — who co-wrote the script with Todd Farmer (Jason X, the My Blood Valentine remake) — does a great job of having fun with this story. It’s not overly gory, but plenty of blood is spilled and bullets fired. The gore effects that do exist look just as gross as they should considering the wounds inflicted and the over-the-top style of the film. While the movie doesn’t get into hand-to-hand combat too often there’s plenty of excellent driving scenes, lots of gunplay and a few run-ins that show just how silly it is for regular ol’ humans to go up against supernatural entities.
Actually, Heard gets her fists dirty more than anyone else in the movie and does a pretty serviceable job going up against dudes much bigger than her. She smacks around the woman her boyfriend’s cheating on her with before trying to give him the business end of an ass kicking. Later on, she throws down with King on an RV. After saying he’s going to kill her she drops this fantastic bit of dialog: “Between now and then, I’m gonna f*ck you up.” You might not think it to look at Heard in her other roles, but she delivers it like she means it, then backs it up. Good for her.
When it comes to the chase scenes, of which there many, Lussier gets pretty inventive with the car-eography. After a lifetime of watching car chases on television and in movies, they can get a little boring, but this one uses a lot of fun elements like the Accountant driving a Hydrogen truck into a small army of cop cars, stepping out on a truck and Milton driving just so to avoid the explosion. Sure, it looks a little CGI-y on Blu-ray, but it’s over pretty quickly and the idea is cool enough to outshine some execution flaws.
Speaking of of the Blu-ray presentation, it’s possible this movie looks too good. This is completely subjective, but since the film takes a lot of its cues from the grindhouse flicks of the 70s, you sometimes want it to look a little less clean and pristine. It’s kind of like listening to a completely remastered version of a live Ramones show. Everything’s still there, but the grit is gone. That’s not to say this is a clean movie, there’s lots of death, carnage and nudity to go around, it all just looks really crisp and clear.
A few other highlights from the film include Tom Atkinson’s role as a local police captain. That guy’s pure gold in everything. Speaking of being great in everything, watching Cage and Fichtner on screen together is delightful. The fact that this is an original story with some big stars and a fairly good effects budget is also cool and something we’re seeing less and less of at the movies. After being disappointed with how Parker didn’t add much to the revenge/heist genre, it’s good to watch something like Drive Angry that did as much as it possibly could with the materials available.
Finally, did anyone see this in 3D? It was shot that way, but the Blu-ray rental from Netflix didn’t have the option. Drop a comment and let us know.
Guys, this should come as no surprise considering I love Mark Neveldine/Brian Taylor-directed flicks (Crank, Crank 2 and Gamer), but I really dug their first comic movie effort Ghost Rider: Spirit of Vengeance. They brought their trademark super-kinetic, down-and-dirty directing style to a character who rides around on a flaming motorcycle and fries bad guys with his eyes. I love that Marvel allowed one of their weirder characters to be treated how he should have been on film. Ghost Rider is essentially a pretty goofy idea (remember, flaming face and motorcycle) so creators really need to just embrace that and run with it. That’s what Jason Aaron did on his wonderful run of GR a few years back (I read the omnibus of his stuff last year, but didn’t get around to reviewing).
I remember very little of the first Ghost Rider movie, almost nothing in fact. This time around, Idris Elba finds Nic Cage (Ghost Rider) and makes him a deal: help his religious order find this mystically important kid and get severed from the Rider. So, Cage unleashes the beast (both the Ghost Rider and the maniac that lives inside that man in the real world) and all kinds of fun unravels. The kid starts off with this one hood who winds up turning into the villain I believe is based on Blackout. I’m not sure familiar with Ghost Rider’s world, but I do have one of those GIT DVDs, so I kind of want to catch up.
If you can’t get behind the idea of the devil having a kid with a woman just so he can then take over that half human/half demon body and a man who turns into a fiery demon and pees like a flamethrower, do not apply, this movie is not for you. If you dig that kind of stuff and Cage’s wackiness, this movie is pretty fantastic. Neveldine and Taylor were the prefect guys for this project and really brought a realness to it, which is difficult when you’re dealing with so much inherent CGI. The chase scenes look great as do the fights, even when moving between the real world and Blackout’s weird dark-inducing one. That expert use of effects combined with some of the lowest tech ways of filming (holding onto the back of a motorcycle wearing rollerblades and holding a camera) make for something that feels real most of the time (Blackout’s disintegration powers didn’t always look great on our TV).
At the end of the day, I had a ton of fun with this movie. It was exactly what I wanted from both the directing duo and Cage. I have a feeling I’ll have a better time remember SOV than the original flick too. I have no idea what Neveldine and Taylor are working on next, but I will definitely see it…probably on DVD well after it comes out, as is my lot in life.
I haven’t been having a ton of luck lately when it comes to watching movies. Aside from falling asleep about a half hour in exactly no matter how cool the movie, I’ve been picking some duds (though still a few good ones). I couldn’t even get into watching Repo: The Genetic Opera for some reason. I’m not going to pass judgment on that one now because I was really tired, but I wanted to keep our Netflix queue going so I sent it back.
I did not however like an action movie I tried watching last night called Kiltro (2006). I made it about a half hour into that one before I fell asleep. I was hoping for an awesome action movie (as advertised), but instead I got a story about a guy who likes to fight and has a crush on a girl who blah blah blah. I’ve said it before and I’ll say it again, I want my action movies (and my giant monster movies for that matter) to be less talking and more destruction, unless they happen to be actually funny like Police Story 1 and 2. Again, I don’t really consider this a review, because I didn’t watch the whole movie, just letting you action fans out there know not to waste your time.
I also watched most of a movie called Hickey and Boggs (1972) which has a lot going for it in that The Warriors writer Walter Hill wrote it and Bill Cosby stars as a tough guy private detective along with Robert Culp who also directs. I didn’t have any problem with this movie, though it is a bit slow, I just haven’t finished it yet because it’s kind of long and it expires from Netflix on March 1. It’s in the same vein as Dirty Harry and is pretty cool, so I might finish it up today. Oh, and if you were wondering, yes it’s kind of weird seeing Bill Cosby as a tough guy, but he also pulls it off really well. It’s fun to watch. Again, not a real review, but just some thoughts.
That being said, I do have four ACTUAL reviews:
Man, the 90s were a weird time for horror movies. You’re looking at a time after the slasher glut greatly hindered the genre, but before Scream made them cool again. Popcorn is kind of a weird movie. The basic premise is that a college film club decides to hold a movie marathon to raise some money. But this isn’t any movie marathon, they’re showing movies with a gimmick like smell-o-vision or shock-o-rama. As such, they need an old movie theater to show their flicks in and a crazy old guy to help out (and then completely disappear) in the form of Ray Walston (My Favorite Martian). If you really liked the beginning of Scream 2 where there’s all kinds of craziness happening in a movie theater, then this is right up your alley as it seems as though a counterculture guy from back in the day wants his weirdo movie to be seen so much he’s willing to kill people for it (that’s not exactly the plot, but I don’t want to give too much away). There was enough quirky charm to keep me watching even though the movie isn’t awesome by any means. So, if that sounds interesting (oh and the fact that someone gets killed via giant fake mosquito), check it out.
THE ROCKER (2008)
I was really surprised with how much I liked this Rainn Wilson flick. I was also surprised with the huge number of cast members I not only recognized, but knew by name (for the most part). Wilson stars as a drummer who got kicked out of what became the biggest band of the 80s right before they blew up. Now, in modern times, Rainn’s down on his luck, but ends up joining his nephew’s band, which garners its own huge levels of success. Aside from the cast that includes Christina Applegate, Emma Stone, Jeff Garland, Jane Lynch (from 40 Year Old Virgin and a hundred other things), Jason Sudekis, Will Arnett, Fred Armisen, Jane Krakowski, Bradley Cooper, Lonny Ross (30 Rock), Demetri Martin and Aziz Ansari, I was really impressed with how well they pull off some moments that could have come off as cheesy. There’s also one part where Rainn offers up the emo lead singer some songwriting advice (paraphrase “let’s speed it up and switch it to I’m NOT bitter) and he actually takes it without flinching. Sure it’s kind of similar to a scene in That Thing You Do, but in this case the lead singer just decided to go for it instead of being a d-bag. The Rocker is one of those flicks that seems like it either went up against some huge other movie or their producers didn’t have the juice to put much/any advertising cash behind it, because there’s no reason that this shouldn’t have done way better (though I said the same thing after seeing Speed Racer, which I still really enjoyed, so what do I know).
I also watched a couple movies all the way through that I wasn’t really into and those were Bangkok Dangerous (2008) and The Crazies (1973). I’ll be honest, the only reason I wanted to watch BD is because I’ve laughed a million times at the Best of The Wicker Man video on YouTube starring BD’s Nic Cage. Man that’s a funny video. You can get to it here after reading an AWESOME article I wrote about horror movie remakes for ToyFare. Unfortunately, BD was no where near as ridiculous as I was hoping it would be (I mean, COME ON, it’s Nic Cage as an assassin!). Instead, it’s a pretty run-of-the mill story about an assassin who has all kinds of rules, but is starting to not want to be an assassin anymore. You’ve seen it a million times and this doesn’t really offer up anything new, unlike Grosse Pointe Blank which is completely awesome.
The Crazies (1973) is the first non-zombie George Romero movie I’ve ever seen. It was okay, but not all that interesting. Instead of focusing on characters and how they react to these crazy situations, it seemed like Romero was more focused on showing a lot of dudes in white hazmat-type suits rounding people up after a virus that makes people go bat-poop nutso, gets released in a small town. There’s nothing all that wrong, really, it just didn’t grab my attention like my favorite Romero (and horror) flick Dawn of the Dead does.
I recently switched from Blockbuster to Netflix as it was taking way too freaking long for me to get my DVDs (five days at times, even when I turned them in at the store, ugh). As a result I sat here switching my queue over and moving things around. I gotta say, I like the Netflix site a lot more. It’s way more user friendly and I actually like a lot of their movie suggestions. All of which I’m telling you to let you in on how I inadvertently ended up with two crazy, Nic Cage action movies from the mid 90s. I had never seen Con Air before and it’s been about a decade since I saw The Rock, so it was practically like watching it again for the first time.
CON AIR (1997)
What a great and crazy movie. Like with The Rock, I don’t really buy into one of the initial plot points. In this case its the idea that a military man just home from a tour of duty (or something, I’m not always clear on the jargon) kills a dude in a fight, a dude with a knife near Cage’s pregnant girlfriend no less. According to the brief court scene, soldiers are held to a higher standard because they’re killing machines. Sorry folks, I don’t buy it. Isn’t that plain old self defense? Anyway, aside from that (and Cage’s ridiculous accent throughout the film), I bought in. You see, Cage is done with his five year sentence and just wants to get home to his girl and their kid, so they put him on a plane (why was he so far away from home anyway?) with a bunch of other cons to fly them someplace else. Once in the air, the prisoners take over the plane in a pretty ingenious multi-part plan and we go on from there.
The first thing that struck me about Con Air is the cast. Aside from Cage, you’ve got John Cusak as a cop of some kind, John Malkovich as the mastermind behind the hijack, Dave Chapelle, Danny Trejo (the best interview I’ve ever had) and Ving Rhames as cons and Steve Buscemi as a sociopath serial killer. The characters aren’t all that well rounded, but the actors really sell their parts, offering up some of the creepiest cons in recent memory. Even Cusak, who I love in High Fidelity, Grosse Point Blanke and even 1401, is believable in the roll as an action-faring blockbuster cop, who would have thought?
There are all kind of groan worthy aspects to this flick, but I’ll take all of them in exchange for a crazy balls-out action flick that pays off in big names, big explosions and big plots. The final scene takes place in the middle of Las Vegas, first as a plane crash, then as a chase between a fire truck and two motorcycles. One aspect of the movie that was too much, though, was Colm Meaney’s “disbelieving tough guy cop.” In a movie filled with otherwise compelling (if not likeable) characters, Colm’s character just comes off as a boring, one note pain in the butt whose role should have either been rewritten or toned WAY down. It is cool to see his car come to its end, though.
One last thing, I just looked director Simon West up on IMDb and was horrifying to discover he’s the man responsible for subjecting me to the When A Stranger Calls remake. Well, to be fair, I’m responsible for subjecting Ben, Rickey and myself to a pretty awful movie, but who’s counting? It was by birthday after all!
THE ROCK (1996)
Like I said, I’d seen The Rock before, but had very little memory of it, which is great because this movie turned out to be a great surprise. I had a ton of fun watching The Rock, even though I was a little worried about it’s long running time (I have gotten pretty lazy, going so far as to sending Armageddon back without watching it because of its 2 and a half hour running time). Regardless, I am officially a huge Michael Bay fan, so of me what you will, even given what I think was a fairly weak plot point. My biggest problem with the story is that I don’t really buy that Ed Harris’ character would at any point believe his plan would work. If he’s not willing to actually kill a bunch of civilians, why would the government do anything by completely annihilate the island? Oh well.
The island in question is of course Alcatraz, the famous island prison which has fascinated me since I first saw it on some long forgotten show when I was a kid. There’s always been a great sense of history and mystery surrounding that place so I’m pretty much down with any movie or comic being set there (I’m also a big fan the Mythbusters where they test to see if prisoners could have really escaped from The Rock). I am also a big Sean Connery fan, though who isn’t? Seeing how great he is in this movie makes me wish he’d come back and do a role or two. In the flick he plays the only man to have ever escaped from Alcatraz. he gets teamed with chemical weapons expert Nic Cage to stop Harris and his hired soldiers (one of whom is Candyman) from firing off a series of missles with highly toxic bioweapons inside, which means they’ve got to break back into Alcatraz.
If there’s one thing Bay knows, it’s how to make an awesome movie. This one’s got everything from chase scenes to bad ass lines to bigger than life characters and cushion clenching suspense. It really makes me wonder what happened to Cage, though. If nothing else, these two movies reminded me of how much fun he used to be to watch on screen. Maybe it’s that I used to feel like we were both on the same page (these are goofy fun movies and he’s having a goofy fun time doing it), but somewhere along the line he turned into the guy who would star in Ghost Rider. Yeesh. I’ve also heard some pretty terrible things about Wicker Man and really want to watch it after seeing this Best Scenes from The Wicker Man YouTube video:
Crazy right? Well, I can always go back and watch Con Air and The Rock, both of which looked super awesome on the new TV (I really love this thing). But, hey, maybe John Carpetner’s upcoming Cage starrer Riot will bring him back to action movie prominence (I sure hope so).