Do you like comics? Do you dig horror? Then you should be into at least a few of these comic-based horror movies — some of which became franchises! Did I miss anything major? Let me know in the comments!
The combination of Amy Poehler and Rachel Dratch sold me on watching Spring Breakdows as I’m not much of Parker Posey fan. It seems fairly obvious from watching the movie, though, that Posey wasn’t the first choice to play Beck St. Germaine as she basically plays a Tina Fey character. I would like to think that if Fey was in this movie it would be a lot better, but then again I was pretty disappointed and I find Poehler and Dratch to be great comediennes. The story follows three friends as they head to spring break to keep Posey’s boss’s daughter out of trouble, but as it turns out, the daughter is just a big nerd. There’s a current of lameness that seems to run under this movie at all times that seeps into the performances, dampening all of them except for Seth Meyers’ which is solid throughout his few scenes as Dratch’s gay fiance. But even his performance can’t elevate this very been-there-done-that movie. And again, this cast is crazy stacked with talent. Aside from the three leads, you’ve got Amber Tamblyn, Mae Whitman (Anne from Arrested Development), Sarah Hagan (Buffy, Freaks & Geeks), Jane Lynch, Will Arnett and even a brief cameo by Jack McBrayer (Kenneth from 30 Rock). And it still falls flat. Laguna Beach fans might want to take note that Kristen Cavaleri’s in the movie, but I’m guessing the director wasn’t too pleased with her performance as I, a recovering LB fan, didn’t even notice her until about 3/4 of the way through the movie where she finally says something. There’s even a sexy talent show dance where she barely appears because, I’m guessing, she can’t dance.
Anyway, avoid this one. It’s played way too goofy and not in an ironic way, though it is nice to see Poehler playing a smarter character than Leslie Knope. I guess there’s a reason that some movies go straight to video.
While still not a great movie, The Air I Breathe was much better than Spring Breakdown, though comparing a goofy and boring spring break movie with a drama about emotions and people and how those people and emotions are connected probably isn’t an even one to make. Before getting into the plot, which I probably don’t completely understand, I want to give you a cast list. Ahem. Kevin Bacon, Brendan Fraser, Andy Garcia, Sarah Michelle Gellar, Emile Hirsch (completely didn’t recognize him, but knew he looked familiar), Forest Whitaker, Kelly Hu and John Cho are all in this movie. Okay, so here’s the deal as far as I can tell. Brendan Fraser can see the future. He works as muscle for Garcia’s mobster. Fraser kind of convinces Whitaker to try and rob a bank which goes wrong. Fraser then has to show Hirsch, playing Garcia’s visiting nephew, how not to get killed while being a mobster. Fraser sees Hirsch getting killed in a vision but somehow prevents it. Then, in exchange for not killing a guy, Garcia gets SMG’s pop star managing contract and puts Fraser in charge of her safety. They fall in love. It gets weird from there and a little circular, but I don’t think the way the movie ends makes sense compared to what you just saw a little while before. Basically, I’m not sure what happened to Fraser because I was working while watching.
Did anyone else watch this movie? I’m kind of surprised it didn’t make it to theaters with such an impressive cast and it’s not a bad movie by any means, but just more confusing that it should be. Fraser also plays his roll a bit too over dramatically for my taste, but everyone else seemed on point.
I know there’s been a lot of talk about Josie and the Pussycats (2001) on the internet lately (well, Jim mentioned the soundtrack over on Enemy of Peanuts and also watched it last night at the same time I was and Kiel‘s been telling me to watch it for years). Well I finally checked it out and it was definitely surprising.
Did you fall for the hook? I hope so, because I loved this movie way more than I thought I would. Sure, I love Can’t Hardly Wait, which was written and directed by the same team as Josie (Deborah Kaplan and Harry Elfont), but this is a movie based on an Archie comic. That would seem to limit the comedic potential, right?
Fortunately no. First of all, I was surprised with how many “bitches” and “shits” we got at the end of the movie, but nowhere near as much as in the beginning when Tara Reid’s character causes a car crash by holding up a sign that, at first glance, reads “Honk if you love pussy.” She pulls the sign out from behind something to reveal that it actually says “pussycats,” but I was still surprised that joke made it into the movie. You always hear horror stories about really funny ideas being nixed because parent companies are worried about how it’ll make their property look. Apparently Archie Comics is pretty cool, or just weren’t paying attention.
The basic plot is that Alan Cumming (who I thought was Paul Reubens at first, sorry Alan) is a manager for a big record company looking for a new band to replace with the boy band whose plane he let crash (code “Put the Chevy to the levy”). He stumbles across Josie and the Pussycats and signs them, but it later turns out that Parker Posey, who runs the record company, has been encrypting subliminal messages in the music for various reasons. It’s a really goofy plot, exactly the kind you’d expect for a movie like this, but there are enough winks to the audience and tongues in cheek to let you in on the joke that the writers are making fun of movies just like this. It’s oddly subversive.
In honor of the marketing-to-kids theme/satirization, the filmmakers do quite a few things that I liked. First off, anytime the Pussycats are out in public, everyone else is where the “it” color of the moment (starting with pink, then orange and on and on). I noticed it before it was explained (the record company is controlling fashion and slang though these impressionable kids with tons of disposable income, as explained by Eugene Levy playing himself in a filmstrip), which made the reveal all the more satisfying. There’s also enough product placement to make Michael Bay jealous. According to IMDb, they didn’t actually receive any money for all the shout-outs as they were, again, there to show how crazy intense the marketing towards kids can be.
Josie also works as a strange kind of time capsule. TRL and Carson Daly play a somewhat important role in the movie. Daly and Reid have some screen time together and, as anyone who’s anyone will remember, they dated for some time (though I couldn’t remember when that happened or when they broke up, which made the scene both funny and awkward, like watching episodes of Newleyweds after Nick and Jessica got divorced). We also get glimpses of Behind the Music (a show they should really bring back along with Pop Up Video) and Serena Altschul of MTV News fame. If you were a way-too-avid watched of MTV in the late 90s, you’ll remember Serena, if not, she’ll just be another face on the screen, but man, that was a fun little flashback.
Lastly, I’ve got to talk about the cast. First up, you’ve got the Pussycats played by the aforementioned Reid, Rachel Leigh Cook (what is she doing nowadays?) and Rosario Dawson (I had no idea she was in this until the credits rolled). They’re all very serviceable in their roles, but they’re significantly outshined in my opinion by the members of Du Jour, the boy band (another 90s flashback now that I think about it) from the beginning of the movie consisting of Breckin Meyer, Seth Green Donald Faison and a guy named Alexander Martin who played the foreign exchange student in Can’t Hardly Wait. Now CHW fans will remember that Faison and Meyer played two members of the band at the party. I’d like to think that they ditched the other two guys, grabbed Green’s Kenny, taught the foreign kid to speak English and blew up on the boy band scene. These guys are hilarious from the very first moment they’re on screen to their inevitable plane crash.
After a quick look at the Robot Chicken IMDb page, I wonder if this is where Green met Meyer and Cook, both of whom who have regularly contributed voices along with tons of other late 90s “teen” actors. Maybe they can get a good script together and give us a new movie with all those familiar faces dealing with being in their late 20s/early 30s. I could go for that, how about you guys?