Another day, another pile of trades! This time around I’ve got a very cool haunted house story starring a longtime DC scare characters, a comic adaptation of a film I haven’t seen and a trip to Mega-City Two drawn by one of my favorite artists working in comics now!
I watched a lot of documentaries last week, but my favorite one by far was called Not Quite Hollywood. It documents the history of Australian film, sticking mostly to bawdy comedies, horror movies, skin flicks and other grindhouse fair, aka all kinds of movies that I would dig. The doc did a great job of getting what seemed like all of the big names in the industry into the movie and then a series of other people who brought in all kinds of color from film critics who hated these movies to American stars like Jamie Lee Curtis who appeared in some of the movies and even Quentin Tarantino who is just a really big fan of these movies. If nothing else, Not Quite Hollywood acts as a checklist for movie fans of a lot of flicks you might not have heard of if you’re around my age. The few that I had heard of were, of course, Mad Max, Patrick (which I hadn’t seen, but the ending gets spoiled in the footage shown), The Howling 3 and BMX Bandits (which I have seen). After watching the movie, I checked out the Wiki page for a full list and then checked it against Netlflix. Unfortunately, movies like Stunt Rock, The Man From Hong Kong and Death Cheaters don’t seem to be available. In fact, the majority that I looked up aren’t Mad Max, Dead End Drive-In and a few others are rentable by disc while Patrick is on Instant. So, keep an eye out for reviews of those in the coming days/weeks.
But, aside from being a watchable checklist, NQH also does an awesome job of giving viewers a true sense of the scene. These dudes weren’t really looking to make high art, they wanted to show some boobs, get some blood splatter, crash some cars and kick some ass. The movies were mostly designed to be shown in drive-ins around the world and the people who made them make no pretense about it. Budding filmmakers should take the time to give this a look for some dos and don’ts when it comes to filmmaking as these guys were mostly working on low budgets.
One of my favorite parts of the movie is when everyone’s talking about this movie called Mad Dog Morgan. They brought Dennis Hopper in to star as the titular character and then nearly everyone in the doc goes on about how much of a drunk ass the guy was. Just causing trouble and not worrying about continuity between shots and being generally drunk. Then, Hopper actually pops up and owns up to it! It’s great. I’m also a big fan of seeing Tarantino get really excited and talk about these movies, many of which he not only claims as inspiration but explains what parts of them he used in some of his movies.
Of all the rad movies I saw clips of in NQH, the one that intrigued me the most was Dead End Drive-In and luckily it’s one of the few available for rent. The plot, as it was explained in the documentary was that the government basically took a drive-in and turned it into a concentration camp for bad kids. They’re given food vouchers, live in their cars and have a steady stream of movies playing on the screen. It’s kind of like a much smaller Escape From New York and instead of an ultra bad ass like Snake Plissken, our hero goes by Crabs. See, he and his girlfriend went to the drive-in to watch some flicks. While there, the cops steal his tires and they’re stuck there. The next day Crabs gets the rundown from the drive-in operator who tells him he’s there for a while, whether he likes it or not.
Unlike just about everyone else, though, Crabs doesn’t like it and start planning on how to bust the hell out of what some of us might call a filthy paradise. I’ll be honest, I was working on Toy Fair coverage while the movie was on and, thanks to some of the thicker accents and my split attention, I missed some of the smaller details, but overall the plot is pretty simple and a ton of fun culminating in a giant car chase within the confines of the drive-in. There’s also some cultural commentary in there as some Asians are bussed in to parallel the camps the US set up for Japanese Americas during WWII. The subplot might seem a bit weighty for such a seemingly silly movie, but I liked the attempt and the visceral reaction it got from most of the other internees, though not Scab. It’s what sets him apart from his fellow dirtballs and really does make him the hero of the movie, as if he needed more reason than living so long with such a terrible nick name.
In addition to someday wanting to own/run a bar, I now want to open a really rad drive-in. I don’t really get why they’re not very popular anymore. I’d make it kind of an Alamo Drafthouse (and maybe a roller rink) with a variety of different movies, both new and old and some really good food. Anyone want to invest?