In my zeal to enjoy my re-found health and the nice weather, I lost track of time and will not have enough time to watch a James Bond flick tonight (also because of NBC comedies and Jersey Shore, of course). I thought that meant there’d be no Bondy goodness today, but then I remembered that we were finally getting the chance to see Michael Scott’s Threat Level: Midnight starring Michael Scarn on tonight’s episode of The Office (funny I forgot about it after calling the show out on my Maxim TV column). The episode featured a secret agent whose nemesis has a gold face and killed his wife. Doesn’t sound too far off from a Bond movie, right? Well, he’s also got a robot butler, a mystical hockey teacher and his own signature dance which you can check out here. I was thinking about this earlier today, but I love it when movies or parodies of movies don’t just go with the genre they’ve chosen to tackle but also add in a few others. In this case, Michael Scott didn’t just want to make a secret agent movie, but also one with a robot AND a sports mentor/training montage. Fun stuff. I know this is a bit of a cop out entry, but at this point, I’m thinking the DDOS posts will be going on past the end of the month unless I can watch a bunch of movies back to back next week (we’re heading to Ohio this weekend). Don’t worry though, you’ve got a weekend full of James Bond Jr. posts!
“Baby, It’s Cold Outside” is officially my favorite Christmas song. It’s also the one standard that’s been in my life the shortest period of time. Somehow, I have no recollection of this song before hearing Zooey Deschanel and Will Ferrell sing it in 2003’s Elf. I was instantly hooked and not just because of my (at that time) newfound lady crush Ms. Deshanel. I did a little research (ie typed the song’s title in over at Wikipedia) and found out the song was written by a guy named Frank Loesser back in 1944 to sing with his wife at holiday parties. He eventually sold it to MGM and they used it in a 1949 movie I’ve never heard of called Neptune’s Daughter. Since then tons and tons of people have taken a crack at singing this duet. I did some searching on YouTube and here are a few of my favorite renditions.
Zooey & Will in Elf.
Rainn Wilson & Selma Blair switch gender roles in this Gap video from 2008 that I don’t remember.
Ha, looks like the whole gender switch thing was done first in Neptune’s Daughter in this clip starring Red Skelton & Esther Williams.
Tom Jones & Cerys Matthews. This video is weird, like something out of Twin Peaks.
Lady Antebellum last year on Today. Skip to about 1:25 for the actual song.
This one’s only audio and pictures, but you can’t go wrong with Dean Martin & Martina McBride.
Rudolf Nureyev & Miss Piggy on The Muppet Show (again, switching the parts) in the steam room.
I haven’t been having a ton of luck lately when it comes to watching movies. Aside from falling asleep about a half hour in exactly no matter how cool the movie, I’ve been picking some duds (though still a few good ones). I couldn’t even get into watching Repo: The Genetic Opera for some reason. I’m not going to pass judgment on that one now because I was really tired, but I wanted to keep our Netflix queue going so I sent it back.
I did not however like an action movie I tried watching last night called Kiltro (2006). I made it about a half hour into that one before I fell asleep. I was hoping for an awesome action movie (as advertised), but instead I got a story about a guy who likes to fight and has a crush on a girl who blah blah blah. I’ve said it before and I’ll say it again, I want my action movies (and my giant monster movies for that matter) to be less talking and more destruction, unless they happen to be actually funny like Police Story 1 and 2. Again, I don’t really consider this a review, because I didn’t watch the whole movie, just letting you action fans out there know not to waste your time.
I also watched most of a movie called Hickey and Boggs (1972) which has a lot going for it in that The Warriors writer Walter Hill wrote it and Bill Cosby stars as a tough guy private detective along with Robert Culp who also directs. I didn’t have any problem with this movie, though it is a bit slow, I just haven’t finished it yet because it’s kind of long and it expires from Netflix on March 1. It’s in the same vein as Dirty Harry and is pretty cool, so I might finish it up today. Oh, and if you were wondering, yes it’s kind of weird seeing Bill Cosby as a tough guy, but he also pulls it off really well. It’s fun to watch. Again, not a real review, but just some thoughts.
That being said, I do have four ACTUAL reviews:
Man, the 90s were a weird time for horror movies. You’re looking at a time after the slasher glut greatly hindered the genre, but before Scream made them cool again. Popcorn is kind of a weird movie. The basic premise is that a college film club decides to hold a movie marathon to raise some money. But this isn’t any movie marathon, they’re showing movies with a gimmick like smell-o-vision or shock-o-rama. As such, they need an old movie theater to show their flicks in and a crazy old guy to help out (and then completely disappear) in the form of Ray Walston (My Favorite Martian). If you really liked the beginning of Scream 2 where there’s all kinds of craziness happening in a movie theater, then this is right up your alley as it seems as though a counterculture guy from back in the day wants his weirdo movie to be seen so much he’s willing to kill people for it (that’s not exactly the plot, but I don’t want to give too much away). There was enough quirky charm to keep me watching even though the movie isn’t awesome by any means. So, if that sounds interesting (oh and the fact that someone gets killed via giant fake mosquito), check it out.
THE ROCKER (2008)
I was really surprised with how much I liked this Rainn Wilson flick. I was also surprised with the huge number of cast members I not only recognized, but knew by name (for the most part). Wilson stars as a drummer who got kicked out of what became the biggest band of the 80s right before they blew up. Now, in modern times, Rainn’s down on his luck, but ends up joining his nephew’s band, which garners its own huge levels of success. Aside from the cast that includes Christina Applegate, Emma Stone, Jeff Garland, Jane Lynch (from 40 Year Old Virgin and a hundred other things), Jason Sudekis, Will Arnett, Fred Armisen, Jane Krakowski, Bradley Cooper, Lonny Ross (30 Rock), Demetri Martin and Aziz Ansari, I was really impressed with how well they pull off some moments that could have come off as cheesy. There’s also one part where Rainn offers up the emo lead singer some songwriting advice (paraphrase “let’s speed it up and switch it to I’m NOT bitter) and he actually takes it without flinching. Sure it’s kind of similar to a scene in That Thing You Do, but in this case the lead singer just decided to go for it instead of being a d-bag. The Rocker is one of those flicks that seems like it either went up against some huge other movie or their producers didn’t have the juice to put much/any advertising cash behind it, because there’s no reason that this shouldn’t have done way better (though I said the same thing after seeing Speed Racer, which I still really enjoyed, so what do I know).
I also watched a couple movies all the way through that I wasn’t really into and those were Bangkok Dangerous (2008) and The Crazies (1973). I’ll be honest, the only reason I wanted to watch BD is because I’ve laughed a million times at the Best of The Wicker Man video on YouTube starring BD’s Nic Cage. Man that’s a funny video. You can get to it here after reading an AWESOME article I wrote about horror movie remakes for ToyFare. Unfortunately, BD was no where near as ridiculous as I was hoping it would be (I mean, COME ON, it’s Nic Cage as an assassin!). Instead, it’s a pretty run-of-the mill story about an assassin who has all kinds of rules, but is starting to not want to be an assassin anymore. You’ve seen it a million times and this doesn’t really offer up anything new, unlike Grosse Pointe Blank which is completely awesome.
The Crazies (1973) is the first non-zombie George Romero movie I’ve ever seen. It was okay, but not all that interesting. Instead of focusing on characters and how they react to these crazy situations, it seemed like Romero was more focused on showing a lot of dudes in white hazmat-type suits rounding people up after a virus that makes people go bat-poop nutso, gets released in a small town. There’s nothing all that wrong, really, it just didn’t grab my attention like my favorite Romero (and horror) flick Dawn of the Dead does.