Like any hopeful reader, I have boxes of books just waiting to be read in my garage and even a fair number waiting in the digital realm. There’s not much rhyme or reason to which ones I choose or why they take me so long to read, but I figured I’d put a few thoughts down about these four books I’ve finished in the relatively recent past including books by Joe Hill, Erik Larson, Tina Fey and Roger Moore. Continue reading Four Books I Liked By Joe Hill, Erik Larson, Tina Fey & Roger Moore
After recently rewatching The Matrix and remembering how incredibly huge it was for me at the time it came out, I decided to start going back and watching some of my all-time favorite movies. I’ll be sticking to the ones I haven’t written about here on UM already, because even I’m surprised at how many movies I love that I haven’t written about here on the site.
At this point you might be thinking, “You’re writing about your favorite movies and Wayne’s World is the first entry?” To which I reply, hell yes! This movie about a pair of goofy midwestern guys with their own cable access TV show who live pretty rad lives filled with rock clubs, friends, pretty girls, bands and weird characters came at just the right for me.
I was 9 when the movie came out. This was right around the time where my dad and I would see who could stay up later on Saturday’s to catch SNL, so I was already somewhat familiar with Wayne (Mike Myers) and Garth (Dana Carvey). From there it wasn’t a hard sell to get me into the theaters. As it turned out, I actually went to see this movie with my grandma when I went to visit her. I don’t remember the exact circumstances, but I can imagine she was a mixture of confused and appalled. Still, I had a great time and soon enough added this movie and it’s 1993 sequel to my tape collection. And, of course, the soundtrack was in my 50-disc CD player.
Beyond that, this film was also a touchstone amongst my group of friends throughout grade school and high school. In fact, my two buddies Chad and Charlie dressed up as Wayne and Garth for Halloween our freshman year of high school. Heck, another friend would constantly pledge his undying love for the film’s female lead Tia Carrere. This movie was part of our DNA. It shaped us in ways that I can’t even properly explain.
Speaking of explanations, I should probably talk about the movie itself. Wayne and Garth host the cable access show Wayne’s World. Slimy 80s yuppie holdover Rob Lowe sees this and offers them a deal to take the show to a wider audience. Meanwhile, Wayne meet’s Carrere’s character Cassandra. She’s in a band that Lowe’s character Benjamin tries to sign in an effort to seduce her. Eventually, Wayne and Garth realize what’s up, get back to their roots and try to make things happen anyway. It’s kind of a “screw the man” film packed with all kinds of humor and gags that might not work for modern audiences, but sure as hell worked on me and my friends when we were kids.
While some of the humor is admittedly amateurish and sophomoric, this movie also gets into some fourth-wall breaking stuff that not only comments on this movie, but movie-making in general. This might not seem like a big deal, but to me, at the time, it helped me figure out some of the different working parts that went into making something like this.
At the end of the day, I understand that Wayne’s World fits into the category of “Great To Me” and not necessarily “Great,” but that’s the whole point of these Best Of The Best posts.
There’s nothing about any of this that should work. Paul McCartney playing with the surviving members of Nirvana (including touring guitarist, and Foo Fighter Pat Smear) and playing a full on rock and roll song? My brain tells me that should not be a thing that works and rocks. Oh, Sir Paul’s also playing a cigar box guitar (or is it a ukelele, I really have no idea)? Oh heavens no. And yet, when I first saw them perform “Cut Me Some Slack,” I was blown away.
I heard about this collaboration first for the 12/12/12 concert, but didn’t actually watch the clip until today, after seeing them blaze through the rollicking track on Saturday Night Live. i was so unbelievably pumped up after hearing this performance not only because McCartney’s singles output lately has been…not the best, but also because this felt like a viable supergroup. I don’t expect them to tour or anything — though that would be pretty incredible — but there’s potential there for a really cool record. I say let’s make it happen!
As I’m nearing the end of this Ambitious Reading List, I find myself looking forward to the next one and have even started assembling that stack. The problem with that is that I want to burn through the four books I have left with a quickness. While I did return to Devil In The White City and am working my way through it, I started getting a little antsy and wanted some immediate gratification, so I grabbed Steve Martin’s 207 page Born Standing Up and read it in a few days. And you know what? I got exactly that.
The first time I read Crime and Punishment, I was in high school and someone in the class said they wanted to know what happened to Raskolnikov after he was SPOILER imprisoned and the teacher responded that the book would need a new title then. He went on to make the point that stories need to have a focus. Raskolnikov’s story could go on until he died, but Dostoevsky was telling the story of Crime and Punishment, not Crime and Punishment and Whatever Happens After That Until He Dies. Steve Martin took a very similar approach to Born Standing Up. This is not a complete history of the man from birth to the stage, through movies and on to his current turn as a concert banjo player, it’s just about his life and performing career up to the point when he left stand up in the late 70s/early 80s.
I appreciate that kind of focus and while I would definitely be interested in reading another biography about more of his film work and recent endeavors, this book does a great job of telling what feels like a complete tale with beginning, middle and end, something Martin says he liked to bring to every one of his performances. The only real problem I had with Laurie Lindeen’s Petal Pushers was that it didn’t feel like a complete story because she glossed over the break up of the band. I did not have similar problems with this book.
One problem I thought I would have is that I wasn’t sure how serious Martin would be. His comedy lies in the realm of the absurd, so I wasn’t quite sure. Many years ago I borrowed Leslie Nielson’s supposed autobiography The Naked Truth from the library in hopes of learning more about a comedy icon I held in great esteem only to discover a few pages in that it was all a joke, one that I wasn’t in on or expecting. Though I had heard good things about this book, I did have the nagging feeling it might not be as honest as I wanted it to be. Again, that wasn’t a problem.
Martin offers a poignant, honest, real memoir here that not only proves that anyone who works hard can have a chance at making it, but also presents show business in a very truthful light (it ain’t all great). It sounds cliche, but this book really does have it all, ti can make you laugh and cry and really think about life. It’s refreshing to see someone who achieved such huge success — at the time he was the most comedian of all time between ticket and album sales — look back on his life and give a balanced account of what he did and went through. If you’re a fan of Martin’s stand-up and films or the real life portrayal of the life of comedians expressed on Marc Maron’s WTF podcast, do yourself a favor and read this book.
With Born Standing Up out of the way that leave me to finish Devil In The White City and then read The Particular Sadness of Lemon Cake and Please Kill Me which I plan on reading in that order. Devil is one of those weird books that I enjoy reading while I’m reading it, but once I put it down it’s almost like a mind wipe and I don’t want to jump right back in, a feeling that grows the longer between reading sessions. I’m dedicated to getting back into it the rest of this week and deciding once and for all if I’ll keep on with it.
So behind on links again, but after a few trips, I think I’m going to be back on point (I hope).
I’ve done lots and lots of writing lately. I wrote about Nowhere Men, Point of Impact, Where Is Jake Ellis?, Star Bright and the Looking Glass, Multiple Warheads and Black Kiss II! Whew, that was a lot of writing.
Do yourself a favor and check out my pal Rickey Purdin’s new blog VHS Notebook. He watches movies, takes notes and draws, it’s a wonderful thing.
The question at the center of my pal Sean T. Collins’ review of Earth One: Batman over on TCJ is an important one that more comics need to ask: Why does this comic exist?
I don’t truly know what it means to be discriminated against or outwardly hated, but I do completely agree with this editorial by Lucas Grindley over on The Advocate when he says that homophobia is not a political issue, but one that can threaten a person and their families. People need to stop worrying about what’s going on in their neighbors’ bedrooms and start worrying about the starving, dying people all over the world.
Okay, on to less serious stuff. Everyone saw the BBC‘s latest preview of Doctor Who Series 7, right? It looks raaaaaaaaad.
I’ve been watching a ton of Olympics this week and will most likely do so next week as well. As such, I found this AP article about the decaying structures built for the Athens games to be quite interesting. What DO you do with an outdoor Olympic pool when all the people go home?
Oh man, there’s gonna be color versions of Scott Pilgrim? Oni‘s trying to get more of my money!
Flea released a digital EP of all original, weird, emotional soundscapes? Yeah, I downloaded that, now I just gotta listen to it. (Rolling Stone)
The possibilities of DreamWorks buying Classic Media are close to endless and very, very exciting. (THR)
I love reading interviews with Pat Carney from The Black Keys, like this one on Rolling Stone. I like how that dude doesn’t buy into the fame.
I’ve been slow on the uptake when it comes to Wreck-It Ralph, that is until I read this LA Times article about how the filmmakers scored rights to all those classic video game characters.
Denis Medri’s Steampunk Spider-Man characters look so cool, it would potentially get me to read something about Steampunk. (via Project: Rooftop)
Beau Smith suggests more comics have a little fun with their books. I agree their needs to be more humor in comics.Final Girl Stacie Ponder created this fantastic Casual Friday Jason Voorhees shirt. I like it very much.
Speaking of Final Girl, her next FG Film Club selection is Deadly Blessing which is great because it’s on Netflix Instant AND already in my queue. Now I just need to 1. remember, 2. find time to watch it and 3. write about it by August 13th. I CAN DO IT!
Finally, I was really saddened to hear about Tom Davis’ passing. He was such a huge part of SNL, one of the pillars of my concept of comedy. (THR)
As I said in my post about the excellent film The Muppets, I missed out on most of The Muppet Show. The series started off and ended before I was born and wasn’t on in reruns that I remember as a kid. I did, however, love The Muppet Babies, but that series focused on a much smaller group of characters. Between The Muppets and Being Elmo, though my curiosity was piqued, so I moved the first disc of the first season of The Muppet Show to the top of my Netflix DVD queue and watched it with my wife and daughter last week.
The amount of creativity and humor that went into the series is mind blowing. It actually reminds me a lot of the early seasons of Saturday Night Live, which only kicked off a year before the Muppets finally made it to air in 1976. Note that SNL actually featured Jim Henson Muppets as well for the first season or two.
Anyway, I had a lot of fun with the first disc even if I didn’t recognize many of the celebrity guest hosts or the Muppets themselves. There’s just so much pure creative force coming across from Henson, Frank Oz and the rest of the gang. The sketches are funny on their own and would be even with human actors, but when you take into account the fact that these guys were literally creating these characters on the spot, giving them voices and personalities and make a show every week, that’s even more impressive. I’m inspired by that kind of creativity.
Like I said, I’m still new to The Muppet Show, but I’m excited about slowly making my way through it. I’m looking at it like any other sketch comedy show, which is an area of television that I’m looking to explore more fully outside of SNL. Should be a fun journey.
Unlike The League, I found myself watching IFC’s Portlandia for a trio of very simple reasons: the show’s been all over the place recently because the second season just started or is starting soon, I like Fred Armisen from Saturday Night Live and the first season is on Netflix Instant. I had no idea what the show was really about and was a bit surprised to discover it’s actually a sketch show with some recurring characters from episode to episode all set in Portland, Oregon which is apparently a pretty hipster-filled place which makes sense, but I guess I hadn’t realized all that was still around.
Armisen’s fellow star is Carrie Brownstein of the band Sleater-Kinney, which I’ve never listened to but know is well respected. Their characters included a couple named Fred and Carrie, a pair of women working in a women’s book store, a reverse gender role couple and plenty of others that pop up including a personal favorite bit where they’re in a hide and seek league. The skits are generally pretty short and are more in the absurd world of comedy, but still real world based enough to not lose site of the kernel of reality they’re trying to send up, most of which revolve around the unintended hypocrisy or ridiculousness of the hipster lifestyle.
In addition to Armisen and Brownstein, there are a good deal of special guest spots like Kyle MacLachlan as Portland’s rad mayor who keeps asking Fred and Carrie to help him do things like start a baseball team and write a city theme song. Aubrey Plaza, Selma Blair, Steve Buscemi and Jason Sudeikis also pop up and had me laughing pretty hard. There’s also a bunch of musicians who appear, many of which I admit I’m mostly ignorant of, but the best of the bunch involve Aimee Mann who is now a cleaning lady after the music industry tanked. She’s working for Fred and Carrie who alternate between geeking out around her and chastising her for her poor cleaning abilities. The sketch also involves Sarah McLachlan doing yard work. Really funny stuff.
The sketches come pretty fast and furious, so I’m being reminded of a ton of guests and skits just by looking at the Wikipedia page right now. I watched the first episode two nights ago before going to bed and then the other five episodes yesterday morning. There’s a lot going on on the show and I think I’d need another viewing or two to really absorb it all. As you’ll find with anything like this, some jokes really landed with me and others didn’t, but overall, I think I’m pretty much always on board for anything that skewers hipsters. Why is that? I actually agree with a lot of hipster ideological, but I think making such a big deal about those ideas gets on my nerves. Just do it and shut up, you know? The dumpster diving sketch really nails that aspect.
So, I definitely recommend giving the show a shot. There’s only six episodes and they’re not very long, so you can burn through them pretty quickly if you’re interested.
I’ve covered Monday and Tuesday, Wednesday and Thursday and now here’s the rest of the week. Our weekend viewing isn’t nearly as regular as the rest of the week, but I figured there’s no problem in being complete.
FRIDAY10:00pm – THE SOUP (E)
I absolutely love The Soup and have for years now, even back in the Talk Soup days. No one one television is more honest than Joel McHale, though Joan Rivers on Fashion Police which follows the soup at 10:30pm is doing her fair share of celebrity skewering nowadays. The pair actually make for a pretty damn refreshing hour of television and more laughs than whole blocks on other networks.
SATURDAYSaturday’s a football day. I’m a big Notre Dame fan and luckily their games are usually played on NBC or one of the other major networks so I don’t miss too many games. One of the strange things about living in New York is that, since there’s no real big college teams around here, they show games from all over, which is great. I’ll get to the negative side of this coin in Sunday’s section. 11:30pm – SATURDAY NIGHT LIVE (NBC)
I am a long time and die-hard SNL fan, so I watch whenever I can. Consider our social lives have slowed down lately, we’ve been able to catch most of this season’s episodes, though we did miss Emma Stone and John Hamm’s recent ones. I think the episodes have been pretty damn funny lately and think the series is on a significant upswing so it’s a good time to watch.
SUNDAYWhile the area I live in offers a bevy of college football options, you’re stuck with basically two teams when it comes to the NFL, the damn Jets and Giants. Blech. Being a Steelers fan, none of that interests me. Even though Pittsburgh is just a few hours’ drive from where I live, I’ve only been able to watch two or three games all season. You’d think the local TV networks which service the biggest city in the world along with people from the outlying areas and also happen to stretch into New Jersey, Pennsylvania and Connecticut would have a little bit more varied viewing options. I know there’s a problems with NFL Network and licensing and all that, but come on, I’ve seen more tennis and yachting competitions advertised on certain days than football games. 8:00pm – AMAZING RACE (CBS)
The missus and I kind of stumbled onto Amazing Race because there wasn’t a whole lot else to watch on Sundays. We have fun watching the couples/pairs trying to work together while running all over the world. Fun stuff. I don’t really have a problem with The Simpsons, but can’t get into any of the other shows around it, which puts us at kind of a weird places as far as having something to watch. With football, Amazing Race generally gets pushed back which, now that baseball season is over, will allow us to watch both. Win win!10:00pm – WALKING DEAD (AMC)
Though I didn’t really like the first episode, I’ll come back for at least a few more of the first season’s six episodes. I’m hoping the next few episodes are a little tighter and more interesting, but we’ll see. If not, I’m sure there’s some movies coming up I’ll want to watch.
So that’s about it for our regular viewing. Sometimes I watch Jimmy Fallon’s show, though watching two horror movies a day during October got me out of that habit. I’m really looking forward to Conan coming back on Monday and will give that show a look on a fairly regular basis.
I find myself with a strange feeling this TV season: a lack of interest. Sure, I’ve got favorite shows I like tuning in to, but it feels like I’ve got a lot less of them to look forward to, possibly because Lost is gone. There wasn’t another show in the history of my television watching career that engrossed me as much as that one and got me so excited about an hour of TV. Maybe it’s because most of the new shows aren’t so good. Here’s the break down for the first section of the week as far as regular viewings go.
For all the years I’ve been in New York, I’ve been looking around for a good syndicated block of reruns between 6 and 8 that would stay consistent and, for the most part, I’ve been unsuccessful. That is until recently. VH1 scored Saturday Night Live reruns from the 90s which have been a lot of fun to watch, even when I’m reminded that that was an era when skits tended to run WAY too long. It’s still fun to see a lot of today’s big stars and musical acts on the show both in the cast and as hosts. It’s even more fun to see long forgotten folks like Finese Mitchel and Sysqo perform. That takes care of the 6 to 7 block and then we bounce over to a local station called My9 which runs How I Met Your Mother. The only problem I foresee is that, with only a few season under its belt, I’ll be rewatching these episodes over and over again.
8:00pm – HOW I MET YOUR MOTHER (CBS)
I’ve already gone on record with the potential problems I see with HIMYM, but I still enjoy this show better than most of the others I watch on a weekly basis. I’ve grown to really enjoy these characters, but I still think there needs to start being some resolution to the overhanging “mysteries” or else this one could start feeling a little tedious. Like I said though, great cast and still one of my favorite, most looked-forward-to shows.
8:30pm – RULES OF ENGAGEMENT (CBS)
Rules of Engagement is a show we only started watching because it was on right after HIMYM and nothing else was on, but I’ve actually come to enjoy it. Sure, it’s a jokier type of sitcom with lots of jokes being tossed around that aren’t hilarious, but funny enough to get a laugh. I like seeing Patrick Warburton and David Spade doing their things, plus I find the dumb neighbor/friend guy oddly charming. I’m in it with this series, though if something more interesting came on I think we’d jump ship in favor of that.
9:00pm – THE EVENT (NBC)
AS regular readers might remember, I wasn’t really all that into The Event when it premiered. I’m even less so now and barely still pay attention while the missus watches. I think she’s getting pretty sick of it too. I spent way too many episodes wanting to slap Jason Ritter for saying “My girlfriend!” so much that I don’t think we can ever be okay again (at least not on this show). I appreciate that they’re trying to move things along at a faster clip, but I just do not care about any of these people or what’s going on. I have the vaguest interest in what’s happening with these supposed aliens (though my money’s on dimensional or time travelers), but I could really just look it up in Wiki at some future date and feel satisfied. Probably moreso because I wouldn’t be wasting my time watching a lackluster Lost wannabe.
10:00pm – CASTLE (ABC)
I almost feel bad for not liking Castle more. I really like the cast and the dynamics of the characters, but it just feels so hacky lately. From the wacky set-ups for crimes this season (steampunk AND time travel in one episode?!) to the increasingly formulaic plot, I’m getting worn down. How many times can they run across a suspect who lies so well that they completely buy his story and move on only to come back to him or her later in the episode to realize he or she is really the killer? It’s boring and, personally, I expect more from a show with Nathan Fillion on it. Hopefully this one will pick up because the missus still LOVES it, while I just keep thinking about how much better Bones is and wishing Netflix would send the first disc of last season already so we can start the long road to catching up.
8:00pm – GLEE (Fox)
This one’s completely because the missus likes the show. She’s a big fan of musicals and show tunes and whatnot, so this is right up her alley, which is unfortunate, because I find it to be one of the most wildly inconsistent, sloppy and increasingly gross shows around. Anyone else see the Rocky Horror episode tonight where the teacher actually considered and planned on dressing up in gold shorts and performing a sexually charged number with one of his students? Sure he practiced with the hot red head teacher, but he was actually planning on jumping in and doing that. He’s just one of the many headache-inducing characters on a show filled with them. I’ve heard the argument made that you’re not supposed to expect anything from Glee but high school drama and musical numbers, but I call bullshit on that. The very basis of ongoing fiction of any kind is based in consistent characterization and this show lacks it for the most part. However, I do love Brittany’s throwaway lines. Those are just solid and sound like they’re being written by someone from 30 Rock.
9:00pm – RAISING HOPE (Fox)
I can’t remember the last time I watched this much Fox programming on a single night, but I find myself really liking Raising Hope. It’s clear the show was created by the brains behind My Name Is Earl as both showcase small town folks without much money doing what they can to get by. Hope revolves around a guy discovering his one night stand turned out to not only be a serial killer on death row, but also pregnant with his child. Now he’s raising the kid with his parents who had him at a really young age (his dad looks about the same age as him at times) and his mom’s grandma played by Cloris Leachman. Hope can be a little too weird and a little too jokey at times, but I think it’s starting to hit its stride. Plus, the Halloween episode featured homemade Batman and Robin costumes, so bonus points for that.
9:3opm – RUNNING WILDE (Fox)
Running Wilde, on the other hand, is not a show I’m enjoying much and I’m starting to get the feeling I’m not the only one as Fox decided to run two episodes of Raising Hope tonight instead of one of each, like usual. I am a huge Arrested Development fan, so I should like this show with its use of Will Arnett, David Cross and that fact that it was co-created by Mitchell Hurwitz, but Wilde suffers from two afflictions. First off, it’s not very easy to jump into. We missed the first episode and had trouble figuring out what the relationship between Arnett and the still-hot Keri Russell was. That’s not a good thing for a new show and something that AD suffered from (I still have trouble describing it to friends who missed out the first time around). The other problem is that it just feels like a rehash of old material. Arnett’s playing GOB from AD, Russell feels like Felicity though I never watched that show, plus the premise is a more exaggerated version of Dharma & Greg without the love. I’ll be curious to see what Fox replaces this show with if it does get the axe.
10:00pm – PARENTHOOD (NBC)
Parenthood continues to be one of the best written, most solid shows on television. I’d honestly put it up there with Mad Men. There’s a lot more in Mad Men considering it’s a period piece, but like that show, the Parenthood creators do an amazing job of juggling a small army of fast talking characters, giving each their moments to shine and great lines. Great writing mixed with a great cast makes for great TV, but for some reason I don’t find myself looking forward to this show on a regular basis. I’m happy when it’s on, but never excited for it. I wonder if that’s because it’s a drama and not an action show. I’ll have to think about that. I’ll be back on Thursday with more shows I’m watching. What are you viewing on Monday and Tuesday?
The missus and I have been wanting to head to the Warwick Drive-In all summer, but the pairings of movies have either been uninteresting or we’ve either been out of town on good weekends. See, they’ve got three screens set up and each one shows two movies. We had never been to this drive-in, but we had a great time when we went last night to see Going The Distance and The Other Guys. As an added bonus, I could see the screen showing Expendables and kept peeping the awesome action scenes while listening to Other Guys.
Before getting into my review of Going The Distance, which I dug, doesn’t that not look like Drew Barrymore in the poster to the left? It’s kind of unsettling. Otherwise, I dig the poster.
Anyway, the movie’s about Barrymore and Justin Long a pair that meet in Brooklyn’s Barcade (one of the few hip places I’ve been in the city, though I could barely handle the overabundance of hipsters, go fig), but the problem is that Barrymore is an intern at a NYC paper and will be heading back to California in a few weeks. They don’t plan on making a big deal of their relationship, but find that they really dig each other and give the long distance relationship thing a shot.
Sounds kind of formulaic, right? Yeah, it kind of is. Both Long and Barrymore have sexy friends and coworkers of the opposite sex who make the partner jealous. But, even with all of that, I thought the movie was surprisingly funny. I didn’t realize it was rated R and they really go with it, having the usually disgustingly saccharine Barrymore dropping F bombs and drunkenly telling a huge biker to suck her dick. So, I went in expecting yet another Barrymore romantic comedy with Long’s awkward comedic stylings (which I like for the most part), but with the inclusion of Jason Sudeikis and Charlie Day as Long’s friends and Christina Applegate and Jim Gaffigan (who is the only comedian in recent memory to make me laugh so hard I cried) as Barrymore’s sister and brother in law there’s a lot of funny moments going on like when Day, Long’s roommate, starts DJing Barrymore and Long’s first hookup and they’re both okay with it. Those unexpectedly funny moments made me laugh.
The problem with some of those moments and others where they seem to be letting Sydeikis or Applegate riff is that the movie feels about 10 minutes too long which is fair considering it’s 102 minutes. I’m a strong proponent of comedies not exceeding the magic 90-minute marker. Instead of cutting the funny bits, though, I would have just gotten rid of Applegate’s sexy British work friend who winds up disappearing after an awkward moment between the two when Barrymore gets super drunk. All in all, though, I was surprised at how funny the movie was and how much I didn’t mind the tropes of the romantic comedy genre shown by some legitimately funny actors and actresses.
I’m not a huge fan of writer/director Adam McKay’s but I’m getting there. Anchroman befuddled me when I first watched it, but I think that’s because I didn’t know what to expect and definitely wasn’t thinking it would be a life-like cartoon. Talladega Nights and Stepbrothers were pretty good, but didn’t blow me away, however, I really loved the shorts he did with his daughter Pearl “The Landlord” and the like. Plus, he wrote tons of sketches for SNL that I’m sure I loved during his long tenure on the show where he met up with Will Ferrell, the star of all the aforementioned movies and videos.
The Other Guys is about two low-men-on-the-totem-pole cops played by Ferrell and Mark Wahlberg who go after a low level criminal which winds up being a huge deal, referencing many of the financial problems we’ve seen in this country over the past few years. The plot reminds me of a lot of 80s and 90s buddy cop action movies I like, which is fun because they reference that genre by featuring the Rock and Sam Jackson as your action-packed cops.
I was glad to see Ferrell not playing his usual manchild character. Sure, he’s cartoony, but this time around he’s more buttoned up, but has a dark side. Meanwhile, Wahlberg plays the caricature of the pent-up cop perfectly. You’ve also got actors like Damon Wayans Jr., Rob Riggle, Michael Keaton, Steve Coogan and Eva Mendes doing great, funny work in the movie that makes it a lot of fun to watch. There’s lots of silliness going on here, but I think it’s the most grounded movie that McKay and Ferrell have made, which would probably also make it the most accessible (having Wahlberg and Mendes can’t hurt either). I dug this movie and appreciated that I could watch the action scenes in Expendables and not miss any plot points. Speaking of action scenes, the one in the beginning of Other Guys features the Rock and Sam Jackson in a car chase that gets stuck in a double decker bus. It’s awesome.
Both movies were set in New York, so it was fun looking for the few locales I’m familiar with. The two movies also had some interesting connections for Six Degrees fans: Rob Riggle appears in both as an asshole and both feature The Golf Club at Chelsea Piers, a driving range that overlooks the Hudson River. I’ve never been there and didn’t even know it existed until I saw Long, Sudeikis and Day hitting balls there in the first movie and then a helicopter landing on it in the second. Fun stuff!
The drive-in experience was a lot of fun. We took the missus’ car which has a hatchback and built ourselves a nice little nest in the back. I wasn’t sure how comfortable it would be lying in the back, but it was pretty great and the weather was perfect. The food we bought there wasn’t too bad, but the snacks we brought in were kind of unnecessarily and I wound up with a stomach ache (combining hamburgers, chewie Jolly Ranchers, soda and Kit Kats is not the best idea). Hopefully we can get a few more double features in before the end of the season! Also, I think I might have seen a UFO!