As I mentioned when reviewing the first batch of DC Rebirth trades I went through, I’d lost touch with a lot of these characters since the New 52 hit and mostly rewrote the old continuity I loved. That’s not exactly the case with the Batbooks. I’ve read almost all of Scott Snyder’s volumes of the previous Batman series and a few other entries here and there like Batgirl and We Are Robin. Still, I thought it was interesting diving into these new takes on familiar titles and characters. Continue reading Batman Rebirth Trade Post: Batman, Detective Comics & All-Star
I know it’s October and I should be finishing up the Wally Wood EC book I started or the volumes of Creepy and Eerie Archives I got from the library, but I just couldn’t resist reading this pair of books from the library. So let’s jump right in! Continue reading World’s Finest Trade Post: Lois, Clark & Robo-Batman
Batman Vol. 5: Zero Year – Dark City (DC)
Written by Scott Snyder, drawn by Greg Capullo
Collects Batman #25-27, 29-33
I continue to fully enjoy Scott Snyder’s run on Batman for DC’s New 52 initiative. A while back I briefly talked about reading the first entry in the Zero Year story. I get that diehard Batfans don’t like how much he and artist Greg Capullo are straying from the origins laid down by Frank Miller in Year One, but I heard an interview with him somewhere where he said that he was equally freaked out by the idea, but was encouraged by editorial to blaze a bold new trail for a new universe. Thus was born Batman’s earliest adventures in a flooded Gotham City run completely by the Riddler.
While the previous volume felt a little more straightforward, I really enjoyed how Snyder played out the mystery of who Dr. Death is (and why he does what he does) while also laying down Riddler’s plans for keeping Gothamites docile. I appreciated that this story felt somewhat familiar — like No Man’s Land or Dark Knight Rises — but also blazed its own trail, kind of like a jazz solo in the middle of a standard (or maybe a familiar tune in the middle of a crazy jazz composition).
I also appreciate how Snyder disseminated the information throughout these issues, though I fully admit that they would have been lost on me had I read this book in monthly issues. All those little bits and pieces about how Dr. Death ties back to Bruce Wayne were super neat and compelling, but I doubt I’d be able to remember them over the span of eight months or so. This is why I love trades.
You also can’t talk about Batman without talking about Greg Capullo. I never read his Spawn stuff, but he just seems so perfect for Batman. I’m glad he and Snyder have been able to keep this run going together because it lends such a specific visual to this new take on Batman. They remind me of one another and pair so well that it feels like a complete thing made by two creators at the top of their game. The colors by FCO Plascencia are also off the wall in the best way possible. So bright and crazy at times and so subdued at others.
Batman Vol. 6: Graveyard Shift (DC)
Written & drawn by a lot of folks including Scott Snyder & Greg Capullo
Collects Batman #0, 18-20, 28, 34, Annual #2
While the previous five volumes of this collection all tell an increasingly c0mplex and cohesive story, Graveyard Shift brings together a variety of tales told in that time and during Batman Eternal, a weekly comic that was set in the present while “Zero Year” took us back to Batman’s earlier days. So, as you might expect, this book doesn’t have the feel of the previous one (especially because Snyder’s joined by a series of other writers and different pencilers plying their craft).
Even so, it’s impressive that this all still feels like part of the larger Gotham City Snyder and Capullo have been working on so far. In that way, it feels a bit like an anthology whereas the others are part of a sequential story. Oh, also, many of these stories take place after the much publicized death of Damian Wayne, which I haven’t read yet, but obviously knew about.
Personal highlights include Bruce Wayne testing his Batarangs in a flashback on the roof before Gordon pops up to ask him some questions, more Harper Row, Clayface drawn by Capullo, the nod to the Batman Beyond armor, Superman’s appearance, Mateo Scalera’s art and Batman’s new accomplice inside Arkham.
My only complaint about this collection comes from my weird need to know where every story actually comes from. They’re all credited as they begin, but they skip over which issues they first appeared in. That’s a pet peeve of mine (as is a trade filled with non-consecutive stories/skipping stories as they were originally published) but I still enjoyed the experience of looking at Gotham from a different angle, something I’m also experiencing in my re-through of Batman Eternal.
Even with all the Halloween-related work I had going on this season — which included healthy doses of Warren’s Eerie comics and Marvel scare books — I still had some time to read a few other things leading up to the big day. I’ll hit these up in a quick hits fashion, but still wanted to call out a few fun aspects of each book. Continue reading Halloween Scene: The Trade Pile
As you can see from the photo above, I’ve read a lot of random trades lately. Here are a few of them and my thoughts! Continue reading Trade Post Quick Hits: Flex Mentallo, Severed, Justice Society Returns & Grayson
Longtime readers might remember a time when I was reading so many books a week that I would simply take pictures of them in a stack and do a quick hit kind of report on them. Well, I’m not knocking down nearly as many books these days, but I did read through a good number from the library and figured I’d return to that form for this post. Let’s hit it! Continue reading The Trade Post: A Big Ol’ Pile Of Library Books
After reading the first three volumes of Scott Snyder’s Batman, I’m firmly and solidly hooked. I can’t wait to see where that story goes as it makes its way to trade over time and even more slowly finds its way into my collection. But, while waiting, I figured it would make sense to go back and read the writer’s first attempt at playing in Gotham. Snyder wrote the main feature and back-ups of Detective Comics leading up to New 52. This story features Dick Grayson as Batman, but takes place after Bruce came back in The Return Of Bruce Wayne.
There’s a lot going on in this book which finds art chores split between Jock and Francavilla. You’ve got Dick investigating a long-running black market auction for evil objects held in places where terrible things happened as well as the ongoing mystery of exactly who or what Commissioner Gordon’s son James is. All of that is mixed with what’s considered more “comic booky” elements like massive sea animals and a car-filled deathtrap. The two artists have wildly different styles, but they both fit the story so well from Jock’s chaotic lines to Francavilla’s more solid, thick-lined take. Sometimes when artists change in a book like this it can be super distracting, but in each case, they seem perfectly suited for the twists and turns Snyder threw at them and us.
I absolutely loved going on this journey. For me, it’s got a lot of connections to Year One, which I read for the first time in years recently. The thing that struck me about Year One when I gave it a re-read was how much of a Jim Gordon story it is. He’s really the main character and I’d say that’s the case with the majority of these issues as well. I don’t know how he did it or if I’m just pre-disposed to get on Gordon’s side, but I was completely taken and absorbed with the story revolving around his son. I gasped while reading a few times and got uncomfortable at others. It took me several weeks to read this book the first time for various reasons, but I’m hoping the next time I crack it open, I’ll be able to take it in in a much shorter period of time because it really feels like a complete epic that utilizes the history of Batman while also blazing new trials in a similar way that Geoff Johns did with books like JSA, Flash and Green Lantern.
The Joker: The Clown Prince Of Crime (DC)
Written by Denis O’Neil, Elliot S! Maggin & Martin Pasko, drawn by Irv Novick, Dick Giordano, Jose Louis Garcia-Lopez, Ernie Chen, Vince Colletta, Tex Blaisdell & Frank McLaughlin
Collects Joker #1-9
I’d love to say that I chose to read this collection of the Joker’s solo comic from the 70s for deep thematic reasons like the fact that it’s another Bat-book that Bruce Wayne has nothing to do with, but in reality, I just wanted to give it a read. I appreciate that DC’s still reprinting these older tales even though they’re pretty much negated everything about them thanks to the New 52.
These issues debuted between 1975 and 1976 and feature the Clown Prince of Crime going on a variety of adventures that either feature his fellow Rogues Gallery members like Two-Face or Scarecrow or pit him against heroes like Creeper or Green Arrow. There are some attempts to connect these stories like the continued appearance of henchmen Tooth and Southpaw as well as repeated appearances by Benny and Marvin, a pair of former Arkham Guards who repeatedly run into Joker. But, for the most part, this is a monster/her/team-up/crime of the issue type of comic thanks to the mix of writers and artists on board each issue.
Tone-wise, this is an interesting book. When it was coming out you had the more realistic take on the Caped Crusader going on thanks to Denny O’Neil, Neal Adams and company. This book reflects some of that, especially in the art style,as we see Joker murdering a few people here and there, but also carries a comedic tone that presents itself in many ways. Heck, Joker gets out of Arkham with a giant balloon in the first issue and goes on to build a secret base under his cell in the asylum so he can commit crimes more easily. There’s a whole issue where Lex Luthor and Joker accidentally switch personalities and an incredibly complicated way of doing a modern-day Sherlock Holmes story that feels like the kind of longform joke Andy Kaufman would try to pull off, so there’s still plenty of humor.
I do have to say one thing that got under my skin while reading this book was the fact that they referred to Joker’s hideout as the Ha-Hacienda, which is a funny idea, but it should be the Ha-Ha-Hacienda, right? Aside from that, I had a lot of fun reading through this book. I don’t always go in for comics from this era because they’re not super well regarded or original, but this hit a lot of my buttons, including the huge Creeper one hiding in the depths of my comic-loving brain.
Batman: Gates Of Gotham (DC)
Written by Scott Snyder, Kyle Higgins & Ryan Parrott, drawn by Trevor McCarthy, Graham Nolan, Dustin Nguyen & Derec Donovan
Collects Batman: Gates Of Gotham #1-5, Detective Comics Annual #12 & Batman Annual #28
One my favorite parts of going to any comic convention is digging through $5 trade boxes. I scored a number of Exiles Ultimate Collection volumes at this year’s NYCC, but was also incredibly excited to get my hands on a copy of Batman: Gates Of Gotham. I’d read a few of these issues here and there, but lost track of it. At the time, I didn’t know about Scott Snyder, but have since become a huge fan of his after reading Severed, American Vampire Volumes One and Two and the first book of his New 52 Batman stuff. He plotted this miniseries along with New 52 Nightwing writer Kyle Higgins who also teamed up with Ryan Parrott for dialog. Between that general appreciation and the fact that I also recently came into a copy of Batman Volume 2: City Of Owls, it seemed like a good time to go on a mini-Batman reading spree.
The miniseries bounces back and forth between the early days of Gotham as we know it, when the city was being built up by a pair of architect brothers known as the Gates of Gotham. They worked for the Waynes, Cobblepots, Elliots and Kanes, the four richest families in town at the time who funded many of the biggest construction efforts in the late 1800s. Meanwhile, in the present, Batman (Dick Grayson) is trying to figure out who is blowing up some of those older structures and what the two have to do with one another. Luckily for him, he’s got Robin (Damien Wayne), Red Robin (Tim Drake) and Black Bat (Cassandra Cain) to help him out.
Much like American Vampire, I dug how Snyder, Higgins and company were able to make this history lesson not only interesting, but intriguing. That story itself could have supported its own miniseries, but you’ve also got all the action in the present and the mystery of how the two are connected. Plus, there’s a great little twist at the end that was clever and fun. This is a great, fun miniseries that I really enjoyed and will happily add to my collection, but I really do wish that they would have been able to stick with Trevor McCarthy for the whole series. I really dug his angular, animation-ish style and while the other guys aren’t bad, they do have different styles that can bring you out of the story because it’s so obvious that you’re dealing with a different person behind the pencil.
There was one interesting aspect of this book that actually had nothing to do with the writing, but more of the setting. This is, I believe, one of the last pre-New 52 Batman stories out there. I’ve been reading a TON of New 52 books lately and have a lot of mixed feelings, so it was fun to go back to “my” DCU and enjoy a newer story with characters I actually know and understand deeply. Plus, the only big continuity thing you need to know is that this story comes after Bruce returned from his post-Final Crisis journey through history in The Return Of Bruce Wayne and that he’s launched Batman Incorporated. That’s still kind of a lot to remember as time goes on (once again, a recap page would have been nice), but all-in-all, I think I’ll be able to handle it, especially after I get all of Grant Morrison’s run on my shelf.
Batman Volume 2: The City Of Owls (DC)
Written by Scott Snyder with James Tynion IV, drawn by Greg Capullo with Jonathan Glapion, Rafael Albuquerque, Jason Fabok, Becky Cloonan, Andy Clarke & Sandu Florea
Collects Batman (New 52) #8-12, Annual #1
After all the craziness of the first volume, Snyder didn’t give Batman much of a breather. Battered and nearly broken, Bruce is in rough shape when all of the previously frozen Talons decide to kill him and several other prominent members of Gotham society all on the same night. Of course, they came at Bruce a lot harder than everyone else. Since he was pretty banged up already, Bats donned a pretty killer suit of armor to take them on. I love when characters put on armor, you guys. Love it.
From there, Batman tracks down the Court of Owls only to find a much more prominent villain who thinks he has direct ties to the Wayne family that rounds out Bruce and his parents’ history in this new universe even more. This collection also contains the introduction of a new ally for Batman’s called Harper Row and a really great story that explains this new version of Mr. Freeze that plays off some of the known aspects of the character and goes in a few different directions. Also, for what it’s worth, this book does have a text opener letting readers know what happened in the previous volume. Kudos for that , DC!
I’ve listened to two different Fat Man On Batman podcasts with host Kevin Smith interviewing Snyder and I’ve got to say, this guy thinks about story on levels that I don’t hear about much and I talk to a fair amount of writers for my day job. He’s not just in Batman’s head, but he’s in every character’s head going back a few generations and, from what I hear of the current/upcoming stuff, into the future. I’ve become a huge fan of his writing and hope to score a few more of his books from my Amazon Wish List in the near future. Hinthinthint.
One of the more confusing aspects of DC’s New 52 initiative is that some books seem to carry over completely from the old continuity while others have gone in radically different directions. This only confuses older continuity geeks like myself who aren’t quite sure how all these Robins can fit in the same world now that Batman’s been around for a lot less time. You’re also dealing with a Teen Titans-less world in the way that most people know them, so where does that leave Batman and his relationship with Nightwing? It’s a slippery slope indeed, but not on the creative side. They’re setting everything up how they want to, it’s the continuity guys and gals who have to do their best to not slide into the infinite game of “what if” and instead just read these new stories as if they’re being told to us for the first time without any existing information. That’s how I tried to go into all three of these book and I had varying degrees of success with that.
I actually had the most trouble with Batman & Robin and not necessarily because I was comparing it to the books I’m familiar with, but because I didn’t really know what was going on for big chunks of the story. I mean that in both a confused-story kind of way and in a “That’s not how I think Batman should act” way. The story confusion came from the book’s main adversary, Nobody. I had no idea who this guy was and wasn’t sure if he had been around in the previous continuity or not. Now, this might seem contrary to my earlier statement that I was trying to put such things out of my mind, but the reason I kept wondering is because it took so long to explain who he was and where he came from. I didn’t want to know if he existed previously because I wanted to compare him to the original, I wanted to know if I was already supposed to know about this guy or not, information that wasn’t presented to me as a reader until pretty far into the tale.
While that confusion was at play, I also keep looking at this guy claiming to be Batman and feeling like he wasn’t jibing with the idea of the character I’ve had in my mind after over 20 years of comic reading. He spends most of the book telling his son — and current Robin — Damian not to follow him out on patrol because it’s too dangerous. He expects Damian to just listen to him and do what he says which anyone could tell you would not happen. For one of the smartest guys in the DCU, this recurring element — which he was doing to protect his son — just felt stupid and feeling smarter than Batman is not a reaction I like having while reading one of his comics in particular.
Artistically speaking I’m a pretty big fan of Patrick Gleason. He’s definitely got his own style and it works well on a book like Batman & Robin. The fact that I thought it also worked well in the Green Lantern Universe shows how diverse he can be. My one complaint in this department would be that some of the more zoomed-out panels seemed to lose definition. I’m not sure if that’s on his end or the coloring/inking department, but it was something I noticed, as if getting further away in some panels made everything lose focus.
Meanwhile, I had a great time reading Batwing, though it’s definitely an intense comic. If you’re already familiar with some of Winick’s DC work, it should come as no surprise that this book about, essentially, Africa’s Batman is packed with equal parts superhero craziness and social and political elements. In this case, the star of the book, David Zavimbe, is not an orphan who fights for justice, but a former child soldier trying to make up for some of the atrocities he committed in his younger days. As much as I love the classic Batman origin, I’ve got to say, Batwing’s actually rings a little truer to me than Bruce’s.
The story in this first volume revolves around the murder of several former African superheroes who collectively referred to themselves as The Kingdom. Though he’s fairly new to the superhero game, David does his best to figure out why these people are getting offed, which puts him into direct conflict with a real bruiser named Massacre. What I liked about the pacing of this story is that you continue to learn more and more about what’s going on, but there’s always more questions in the works. As we learn about David’s past, you can’t help but wonder why he decided to start wearing a costume or how long he can really do this with such rage and anger inside of him. Plus, there’s the more obvious mystery of who’s killing The Kingdom and more importantly why? These are the kinds of things that keep you coming back for a serialized story like this. I was satisfied enough with the given answers that I want to come back and give the second volume a shot to see how things pay off.
I wasn’t sure if I was going to like the art in this book, but found that it really fit with the story being told. I’m really bad at explaining these things, but Oliver has a style that almost makes his figures look like they’re three-dimensional objects superimposed on painted backgrounds. Does that make sense? Sometimes that kind of style — where the two elements look so disparate — takes me right out of the story, but in this case it brought a more grounded realism that really fit the tone of the book.
Finally we have the one comic that most people tend to agree on as being one of the best monthly comics from DC these days: Scott Snyder and Greg Capullo’s Batman. After hearing a lot of the hype, already being a fan of Snyder’s non-superhero work and listening to him talk about the character on Kevin Smith’s Fat Man On Batman Podcast, I decided to finally jump in and see what all the fuss was about. And man, I agree with every good thing everyone’s saying about this book. It’s just fantastic.
The basic approach to this story is actually somewhat similar to what Grant Morrison did with Batman: R.I.P. and the Black Glove in that Bats discovers a long-standing group of bad guys who come out of nowhere only to come after the Dark Knight. Putting the comparison aside, though, this one is really a lot of fun and offerse a ton of Batman goodness to sink your teeth into.
I don’t want to get too deep into the details because I really don’t want to spoil anything (even though I’m probably the last person on earth to read this book), but one of the aspects I liked about this comic is that it’s really Batman’s story. Sure he interacts with Robin, Nightwing and Jim Gordon, but this is about him trying to figure out Gotham’s connection to the Court of Owls and how his own family ties into all that. Like I said above, I like continuity and Snyder’s doing a heckuva job building an all new one that more fully connects Batman and Bruce Wayne to Gotham City in ways that are both inventive and fun (from a reader’s perspective, I’m sure Bats doesn’t think all this is fun).
Speaking of fun, the visuals in this book are a delight to look at. I don’t have much experience with Greg Capullo’s Spawn work, but he certainly has the chops to nail Gotham in all its weirdness. The skyline looks interesting, but so do new additions like Talon and the Court of Owls masks. I liked staring at these pages as much as I did reading them. His style’s kind of cartoony in places, but I think that does a lot to break some of the tension and darkness of a story that’s not exactly smilesville.
At the end of the day I’m left feeling lukewarm, pretty interested and overly psyched about these books in that order. Batman & Robin didn’t do a lot for me and is already set up for a Sequential Swap. Meanwhile, I like the Batwing book mostly because of the creator and think it would have worked equally well as a creator owned Image book or something along those lines. Lastly, Snyder’s Batman does an amazing job of taking an existing character that I know and love and doing something that really adds to the mythos while also setting all of that in a new universe I’m growing to understand. I not only can’t wait to get the second volume, but also want to get his other Batman stuff like The Black Mirror and Gates Of Gotham which he co-wrote or plotted or somesuch. This guy is legit, you guys. Super legit.
As I mentioned in my list of favorite reading experiences of 2012, iZombie has quickly become one of my favorite comic read experiences around (check out my reviews of volume 1 and 2 if you’re so inclined). I wrote in that post, “This series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen.” That feeling continued into this third volume as all kinds of craziness goes down and we’re even introduced to a whole new team of characters called the Dead Presents who seem pretty important to the overall narrative. I think it’s a great sign when a book like this heading into its final arc doesn’t shy away from introducing new characters, especially ones that I’m so intrigued by.
One of the keys to this book, in addition to the mythology and characters is that Roberson does a great job of giving everyone a secret, one that you don’t necessarily learn the truth about for issue after issue. I mean, I’m introduced to Gwen in a broad way in the first volume and she explains what her deal is, so I’m on board. I like the character and I’m along for her adventures. But most of the give information at that point has very little to do with her pre-undead life. The realizations and reveals that come from that aspect of her were great and almost unexpected because I was so invested in this character that I forgot that I know almost nothing about her.
This volume is all about answers and reveals while still leaving plenty of large question son the table like what will happen between Gwen and Horatio now that he knows the truth about her? How will they stop the zombie outbreak? What’s the deal with the Dead Presidents? What’s up with Gramps? Ahhh, there’s so many questions. Even though I read this book a while ago, I’m still excited about it and getting my hands on the last volume to see how everything wraps up.
Another favorite discovery of last year was Scott Snyder’s American Vampire (check out my review of the first volume here). This volume focuses on Las Vegas lawman Cashel McCogan in 1936. He’s a good man doing his best in a place overrun by bad folks. In addition to the run of the mill monsters you might expect, he’s also got a nasty vampire problem on his hands that will reveal dark secrets about Vegas and lead to dark personal realizations for McCogan himself. I don’t want to get too deep into the details for fear of spoilers, but the payoff to the second page in this collection that finally reveals whats in his backup is pretty amazing and disturbing.
The story also circles back around and shines the spotlight on volume one star Pearl and her man Henry who discover along with the audience that there’s an organization out in the world dedicated to destroying vampires. They actually want to test Pearl in exchange for supposedly never bothering her again, but Pearl is understandably wary. And, of course, we get more Skinner Sweet, the OG American Vampire.
Much like iZombie, this book is so great because the characters feel real and robust, the setting is intriguing, the action is intense, the art is rad and the horror fits with the subject matter. I want to dive into this world and soak up every drop of story. I’m excited to get my hands on the remaining books.
Fables is one of those Vertigo books that I’ve been hearing great things about for years. One of the guys I used to work with at Wizard would devour the new issues every time they came out and I was at a party once where a woman read through the first volume in a corner while everyone else stood around, drank and talked. I thought that was pretty weird, but I figured it indicated something interesting about the book. Even though I hadn’t read it, I knew the basics: all the storybook characters you’ve read about are real and in our world for some reason. Why did I finally decide to check the book out? Well, it’s mainly because of Once Upon A Time, a show I really enjoy that has very similar themes.
In fact, I think watching OUAT has gotten in the way of my reading of this book because I compared every character in the comic to their counterpart in the show. I wasn’t doing it in a “This was ripped off” kind of way but more of just a constant comparison which got kind of tiring.
I also wasn’t super interested in the story of the first arc which revolves around Fabletown’s resident PI Bigby Wolf trying ro figure out who killed Rose Red (Snow White’s sister). The whodunit is kind of a perfect way to introduce the reader to a group of characters who will go on to be major players in the comic (I assume), but I had two problems with this set-up. First, I didn’t know Rose Red at this point and therefore wasn’t really invested in finding out who killed her. Sure, her sister was upset and wanted to find out what happened, but something just didn’t land with me and get me super involved. The other problem I had was that I figured out the big twist pretty early on, so a lot of the procedural stuff wasn’t super interesting. To be fair, I’m not sure if I actually parsed out what was going on or had the answer rattling around in my head.
So, at the end of the day, I wasn’t super absorbed by this first Fables outing. I’ve got the second and third volumes thanks to a Swap, but I’m probably going to knock out a few smaller books as well as the next Y: The Last Man Deluxe hardcover before getting back to them. Maybe I’ll wait til Once Upon A Time‘s season ends to avoid some of the comparisons.