As it turns out, most of the music I bought this year came from Amazon and their awesome $5 album (and under) deals. I’m a sucker for a deal and an even bigger sucker for paying a little for what I consider to be a lot. That’s the case for most of the five records on this particular list which features a soundtrack, the complete recording of a particular artist from one record label and three greatest hits packages. This is a good way to mainline lots of music from a particular artist on the cheap. I wrote about how much I enjoyed The Muppets earlier this year. That love translated into the purchase of the soundtrack as well, something that hasn’t happened in years. This one is a great mix of soundbites from the movie, original songs and a few known songs like Starship’s “We Built This City” and Paul Simon’s “Me and Julio Down By The Schoolyeard.” I would have probably bought this record just for the amazing “Life’s A Happy Song,” the fact that the rest is so awesome is gravy. I only really know ZZ Top from their singles, a greatest hits collection my dad had and seeing them live also with my dad. I do have one of their early records, but have to admit, it gets a little slow and I tend to lose interest. So, when I saw Rancho Texicano: The Very Best of ZZ Top — which features 38 tracks! — on Amazon for a fin? That was an easy purchase. The great thing about this collection is that it’s not just all the songs you know like “Tush,” “Cheap Sunglasses” and “Gimme All Your Lovin'” but also some deeper cuts that flesh this record out. A great example of what a greatest hits collection can be when not limited to a physical disc. Also, proof that this is one of the greatest damn bands around. Sometimes you just need some soul in your life. That’s why I snatched up Aretha Franklin’s 30 Greatest Hits. Also, Lu likes listening to music with some swing and jazz to it, so this was an easy buy. Listening through these tracks was an interesting experience because I didn’t realize that some of these songs were hers. That’s probably a reflection on my ignorance of Franklin’s career, but I enjoy getting educated. One of the reasons I shied away from greatest hits records in the past is because I like discovering some of the deep cuts on records, the ones you don’t hear on the radio. Now that I’m getting older though, I find myself becoming more “Get to the hits!” It’s not a feeling I like and one I’m trying to work beyond. Anyway, Willie Nelson’s Complete Atlantic Sessions is like the antithesis of those hits records I avoided as it contains all 61 tracks Willie recorded for them. I haven’t gotten all the way through this one yet, but I like what I’ve head enough to warrant the purchase and its spot in this list. For years and years I heard how great the Beach Boys’ Pet Sounds was. When I finally picked it up, I have to admit, I was a little disappointed. It’s a great record, don’t get me wrong, but it lacks the fun, surf rock songs I love (for the most part). It just wasn’t what I was expecting. So, when I saw The Beach Boys’ 50 Big Ones: Greatest Hits, it was another no-brainer. The beauty of this collection is that it literally has every Beach Boys song I know of. I’m sure it’s missing the deep cuts I talked about above, but I’m okay with that. The one downside to having so many tracks, though, is that I realized I’m not built to listen to 25 Beach Boys tracks in a short period of time, let alone 50. Those amazing harmonies they do can get a little annoying when listened to in a short period of time. However, I’m still glad I have this record because I can listen to what I want, in small chunks, whenever I want.
The Pitch Perfect soundtrack is exactly why I don’t post these list before the end of the year. I actually wrote the first draft of this post a week or so back, but saved it as a draft. I’m glad I did because my wife and I watched Pitch Perfect for the first (and then second) time recently and I kind of fell in love. As I mentioned in my post about the film, I was something of an a cappella fan in college, so this brought back some memories. It also reminded me of how good that B.O.B/Rivers Cuomo song “Magic” is, which I really appreciate. I’ve had that and a few of the other songs from the film in my head since watching the movie and I actually don’t mind it, so that’s a pretty good sign.
One of the more influential movies from my childhood has to be Wayne’s World. I know how strange that sounds, but from the day I convinced my grandmother to take me to see it in the theaters back in 1992, that movie and those characters have been ingrained in my psyche. I got the movie on tape and can still recite good chunks of it to this day. I wasn’t the only one. I had friends in high school who dressed up as Wayne and Garth for Halloween and could quote the movie as well as I could. My all time favorite scenes from the movie is still the guys singing Queen’s “Bohemian Rhapsody” in the car with even their drunk friend fill getting in on the action.
There’s the scene if you’re not familiar with it. Anyway, I’m sure I knew the song before seeing the movie–my dad has always been a big fan of rock music which he shared with me growing up–but it was this movie and it’s soundtrack which I still own that really hammered the lyrics and solos into my head. By the age of 9 or 10, I had the whole thing down, just like Wayne, Garth and their friends. Fast forward to about 1998 or 1999, I’m in high school, I’ve listened to a lot more music and still love “Bohemian Rhapsody.” I also have gotten into my high school’s yearly musical. I’m a sophomore and we’re doing Wizard Of Oz. I only tried out because I wanted to be a flying monkey and got the part (we rollerbladed instead of flew, but it was still pretty cool). At some point during the long process of practicing for the show, a few friends and I decided to start playing “Bohemian Rhapsody” to get ourselves psyched. I don’t remember if this started the week the show actually premiered or before that, but it wound up being a nightly thing in the guys’ dressing room. We’d put the Wayne’s World soundtrack in a little boom box, blast it and sing at the top of our lungs. Soon enough, some of the girls came in and it became even more of a thing. I stuck around and did the musicals my Junior and Senior year and we kept singing the song before each show. At one point the director–an intense fellow who seemed to think we were on Broadway at times instead of the St. Francis production of Oklahoma–told us to stop because we were going to kill our voices. I don’t remember if we skipped a night or just turned it down, but the show must go on in a lot of ways. I figured it was something that might continue on for a few more years with the younger kids, the ones who would be seniors in a few years and then die out. Then a year or two ago, I joined a Facebook group that I can’t seem to find now that consisted of SFS musical alums. There were a lot of people on there I didn’t know, but one of the kids who were still in school at the time told me they still sing “Bohemian Rhapsody” before shows. I got a kick out of that. Everyone wants to leave some kind of legacy and I definitely never thought mine would involve a song to get musical kids to get psyched before going on stage, but that’s pretty cool. And we all owe it to Wayne and Garth. I still get pretty pumped when I hear the song, remembering those days and also because it’s an asskicking song front to back.
Recently, my love of music has been rekindled. I’ve always had an affinity for the medium and have never really left it behind, but for the last year or so, I’ve been decidedly less focused on listening to music in favor of watching movies while I work or listening to podcasts. With my recent work changes, I’ve also changed how I work, which now involves playing the old iPod instead of zoning out with a movie I don’t really care about. I’m still gonna watch some TV and movies during the day, but I’m also going to utilize my time to catch up on the tons of CDs I picked up this summer at flea markets and also revisit some old faves. I’ve also been playing my guitar and bass a lot more often which has been a great stress reliever and a lot of fun. With that in mind, I figured it might be interesting to talk about how I got into listening to music.
I don’t remember much about music before around the 6th grade. I know my mom tended towards the classic, oldies radio stations when we’d drive around and my dad was more into classic rock, so I had a pretty broad base growing up, but it took me a while to go after music on my own aside from asking for MC Hammer tapes for my birthday. I don’t remember exactly when I got my first CD-playing boombox, but I think it was around 1992 because the first three CDs I got to go along with it were Kriss Kross’ Totally Krossed Out, the Aladdin soundtrack and a Disney disc called For Our Children with covers of children’s songs by artists like Little Richard, Bob Dylan and a slew of others. Pretty eclectic. Oddly enough, I don’t have any of those three discs in my collection anymore, having sold Kriss Kross in a garage sale and passed the two Disney discs along to my folks, though I might have to get them back for my kid to listen to. I would have been 9 around that time.
My musical evolution has a few distinct memories from those early days, but mostly a lot of fog. I’ve mentioned going to see KISS with my dad in 1997 and I have very distinct memories of sitting in the back of Mrs. White’s classroom in 7th grade during free time with my friend Jimmy listening to CDs on our Discmen and doodling. I did a lot of doodling back in the day and had great fun coming up with various lists of my favorite bands. During the last few summers of my grade school years, I remember watching MTV even though I wasn’t supposed to and probably did so when I was alone after school as well. I remember having a hard time mapping out the history of rock and roll in my brain because there was just so much going on (and I knew almost nothing about punk or funk, so it would only get bigger and more unwieldy as I got older). Wait, so the Beatles broke up BEFORE John Lennon was killed? How is it possible that Eric Clapton was in SO MANY bands?! Getting a subscription to Guitar World in high school really helped. That mag was like a history book for rock and roll.
Jimmy was a pretty big influence on my listening habits. I got into bands like Red Hot Chili Peppers and Alice In Chains thanks to him. We also both dug 70s music because both our dads were into that kinda stuff. I would raid my dad’s CD collection and listen to Led Zeppelin, The Beatles and the like. At some point I also got my own turntable and borrowed a bunch of my dad’s vinyl which had a lot of 50s/60s pop records and introduced me one of my favorite bands of all time: The Ventures. Eventually, I’d start hitting up the used CD stores like CD Warehouse to add to my collection. For Christmas one year, my parents bought me a CD player that could hold 51 CDs, like a juke box. You would slide the CD booklets into a book so you’d know which ones were where and could even hit the random button and just let them run wild. Eventually, the CD selector arm stopped working and iPods came into play, but that stereo served me well all the way through college.
First with the help of the boom box and later the stereo, I also started listening to some Toledo and Detroit rock stations. I was pretty anti-rap, pop and country at that point for whatever reason (close mindedness, lack of experience, whatever you want to call it), so it was mostly 104.7 which was classic rock, 106.5 Buzz FM (alternative and classic) and Detroit’s 89X which introduced me to a lot of 90s bands and also played more than just the regular singles. I discovered this in the last few years after giving the missus’ Our Lady Peace records a listen and realizing I knew more songs than I should have.
By the time I got to high school I had seen KISS and Aerosmith with my dad, I’d soon win tickets to see Black Sabbath from one of the aforementioned radio stations and would add a bunch of music enthusiasts to my group of friends who would bolster my fandom and exploration even further. Going to concerts was a fairly regular occurrence with us (I miss those days a lot) and we had a ton of fun. We’d also talk about music more than was probably healthy, but what else are you supposed to talk about at an all guy Catholic high school?My freshman year (1998 or so) a group of us attended our school’s Battle of the Bands and were so inspired that we decided to form a band. Since one friend had a guitar and one a drum set, it came down to me to learn bass. So I did. I rented a black Fender Squier and an amp for a little while, took lessons from a guy named Ed who thought my dad’s first name was mine and eventually bought my own bass at a store’s semi-annual going out of business sale. Eventually, I’d switch teachers and get a really good one named Jason who I would go to for the rest of my high school career. It took awhile and a lot of effort, but we finally put a band together Sophomore that had the friend who was going to play guitar on drums, a different singer, a new friend on guitar and the one who was going to play drums too busy to participate because he was doing musicals. We practiced a lot, went through two lead singers (the musical dude eventually became the singer) and played a few parties, but nothing too fancy. It was a ton of fun. Senior year, we got our shit together, played Battle of the Bands and won. One of these days, I’ll figure out how to convert the VHS tape into YouTube clips to really embarrass everyone.
Between playing music and learning more about it, I had a great time in high school as far as music was concerned. My buddy Chad, who would become the guitar player in the band (it was called The Pen Is Mightier, first, then Bennet after the singer change in case you were wondering) helped me get even further into classic rock, by really introducing me to Pink Floyd and some other bands. The summer after my sophomore year of high school, I started working at Barry’s Bagel Place and would continue to on and off until I moved out to New York to work at Wizard. That was a whole other world of music to get exposed to thanks to all kinds of new people of all different ages with different tastes. That’s where I discovered the Buzzcocks! The bakers got to choose the music played in the back and they had a big effect on what I was listening to as did this dude Matt who I worked up front with. He was a big fan of classic rock. But, the biggest influence on my at that time was working down the strip mall from my beloved Boogie Records, an independent record store that sold new and used CDs, records, DVDs, patches, the whole shebang. I can’t tell you how many laps I did around those racks before the place closed down when I was in college, but I wound up buying all kinds of CDs from them. It wasn’t until well after Kurt Cobain died that I really got into Nirvana. I had picked Nevermind a while before, but at some point I got really into them and went back and bought all their CDs at Boogie and even got a rad interview disc called The Bark Not The Bite that I should give another listen to. My tastes tended towards rock, classic and alternative including the growing pop punk of the day, but not much into metal or the nu-metal that was popping up all around me. While some of my friends got into Korn, I never could. I guess I wasn’t angry enough. Plus. those dudes always seemed like posers to me anyway.
In college, I had much less money to spend on music, but I did expand my horizons, slowly getting into blues, hip hop, country and jazz thanks to a class I took my senior year. I started with old school hip hop, outlaw country and general blues but I was liking it all. I also dropped my outstanding dislike of pop music, deciding it’s more fun to have fun with crappy pop music than it is to outright hate everything. Sure, there’s bad–really bad–pop music out there, but what’s the point of letting it upset you? Shitty music has always been around, it takes effort to work past that to get to the good stuff. While in college, the whole digital thing started happening, but I was mostly oblivious to it, preferring my CDs and, yes, my mini disc player. It wasn’t until right before I moved to NY and got my Mac that I discovered the joys of ripping all your music to a computer and a year or say later when the glorious iPod entered my life (it’s almost full now, which is kind of sad). Sometime around the end of high school, I decided I wanted a guitar and got a Squier Telecaster start-up pack, which I took with me, along with a bass, to college. I only ever played two gigs/shows/recitals in college but I liked having my gear around to play with. Still do.
Now I find myself with more CDs than I care to count, a small collection of records and an iPod nearly full of music with more to put on. I don’t really spend a lot of money on new music, but usually try new things out that I pick up at flea markets and garage sales. I’m generally cheap, so the idea of being able to get a disc for a few bucks is very appealing and allows me to try a lot of new things (for what it’s worth, I’m against pirating music). I’ve found a TON of 90s hip hop CDs at garage sales. The thing that still blows me away about music is how broad of a topic it can be. I used to think I knew a lot about a lot, but that was mostly all popular music. I know dudes who can talk for hours about bands I’ve never heard of.
So, what’s the point of this post aside from rambling scattershot about my history with music? Well, first off, it’s a way of me telling you that I’m going to be writing more about music on the blog. Music Mondays will now be Music Musings because I’m not sure if posts will always go up on Mondays. I’m also planning on actually doing record reviews on a more regular basis and documenting my exploration of new-to-me music genres like 80s music (to a 90s alternakid, the 80s were one big joke, but there’s obviously a lot of good stuff in there). For a brief period of time I got paid to do this kind of stuff, which was a life long dream. I’m hoping that my newfound enthusiasm for music will combine with this crazy blogging addiction I seem to have and make for some interesting posts. If not, well, I’ll probably just quit doing them and post more music videos or something.
THE CLASS OF ’99
THE PLAYERS: Layne Staley on vocals (Alice In Chains), Tom Morello on guitar (Rage Against The Machine, Audioslave), Stephen Perkins on drums (Jane’s Addiction), Martin LeNoble on bass (Porno For Pyros) and Matt Serletic on keyboards (producer).
THE STORY: The band members, a veritable who’s who of 90s rock gods, came together to record Pink Floyd’s “Another Brick In The Wall Part 1” and “Part 2” for the soundtrack to Robert Rodriguez’s late 90s horror flick The Faculty. Far as I can tell, they only recorded these two songs and were never seen or heard from again as a unit.
While it would take a little over 10 years for me to actually see The Faculty, a movie I wound up really liking (like pretty much every Robert Rodriguez movie I see), I do have very distinct memories from the late 90s of The Class of ’99’s cover of a Pink Floyd tune. I hated it. See, at the time, I had just started getting into Pink Floyd and I was fairly close-minded purist which meant that only Pink Floyd songs by Pink Floyd were acceptable. My buddy Chad was instrumental in getting me further into the band than just the usual Dark Side Of The Moon/The Wall phases that most teenagers interested in classic rock and roll go through (though the live version of The Wall is still one of my favorite records of all time). But that doesn’t mean I don’t remember the video with most of the band footage projected in various places throughout the The Wall movie-inspired high school.
Looking back, I really like their version of the song. It’s very 90s and really worked with the movie, but most of all, I’m filled with a wish that this spectacular assemblage of musicians could have done something more before Staley passed away in 2002, which makes them similar to The Dirty Mac in my mind. It’s kind of interesting that many of the band members would go on to be members of other supergroups. Morello would be in both Audioslave and Street Sweeper Social Club among other projects, Perkins has been in Jane’s Addiction and Porno For Pyros with lots and lots of appearances on other records as has LeNoble. Even Staley was in Mad Season. All of these guys have crazy chops and it would be fun to see them get together again or, better yet, how cool would it be if there happened to be unheard studio tapes of the guys jamming on other songs or having fun in the studio (assuming they were even in the studio all at the same time)? Anyone know any more info about the recording of the tracks? The Wiki page is pretty sparse.