This is from before the season finale, but I think it still holds true. Courtney Enlow over at Pajiba completely nails the problem with How I Met Your Mother: the creators seem as obsessed with Ted and Robin as Ted is. Also, I completely agree with her inability to really let the show go because we both love these characters so much. Sigh.
This is also pretty old at this point, but I finally got around to reading Robin Williams’ tribute to Jonathan Winters from The New York Times is a really great read.
Brian Collins’ Horror Movie A Day review of Rob Zombie’s Lords Of Salem actually makes me kinda want to watch that movie, something I’ve never said in my life.
Do yourself a favor and read my buddy Alex Kropinak‘s look back at the very first What The-?! he did for Marvel.com.
I like Fall Out Boy and I like artist Dave Perillo, so the two coming together in the form of this Perillo-created FOB poster is fun.
While on the subject of FOB, Andy Greene’s Rolling Stone article about what went on between their last album and Save Rock And Roll was pretty fascinating.
Ron Marz is a whole heckuva lot busier than I am and on a completely different level as a writer, but there’s a lot I can relate to in his “day in the life” piece for CBR as a comic writer.
Man, I have got to see Miami Connection. Not sure if I want to buy the film from Drafthouse without seeing it, but these packs are awfully tempting.
Mental Floss took a walk down memory lane by digging up memories of the Nickelodeon time capsule buried back in 1992 supposed to be dug up in 50 years. I wonder what comic book is in there.
I’ve often wondered what the collaboration between Jimi Hendrix and Miles Davis would have sounded like. Rolling Stone says Paul McCartney was also possibly going to be involved. That might not sound super exciting, but then think about how Paul’s weirdness would have bounced off and been morphed by those guys. Epic.
Bloody Disgusting says a new Gremlins movie might be in the works. I like this news quite a bit.
Hey, speaking of Chris Columbus (he wrote Gremlins) has anyone read his House Of Secrets book? He says it’s the thematic cousin of Goonies in this THR interview which definitely sounds intriguing.
I just read that Alton Brown‘s going to have a podcast on Nerdist Network. This is very good news.
Finally, this is pretty heavy, but if you’ve ever felt depressed, you can probably relate to the most recent Hyperbole And A Half post. It’s long, but it’s really well done too.
I can’t accurately describe how freaking excited and nostalgic I was when I saw this trailer for Capcom’s upcoming DuckTales Remastered. I adored that game as a kid — it’s easily in my all time top ten — and have had a blast playing it here and there as an adult too. Adding to the excitement is that fact that my daughter is an in-the-works DuckTales fan!
That Patton Oswalt has a lot of interesting stuff to say, as he did in this Esquire interview with Scott Raab.
Not a fan of his movies, but I love that Rob Zombie plays and headlines giant music festivals just to hang out with his musician friends. That’s why I go to NYCC. Well, that and the freelance. (via Rolling Stone)
I still have no idea what Dub Step is supposed to be, but I was a big fan of Fatboy Slim/Norman Cook/Pizza Man back in the day, so it’s cool to see him getting some recognition for being at the forefront of electronic dance music by way of this Rolling Stone interview. I’m glad they stopped calling it electronica, but all the other names are dumb too.
Recalling 1993 sounds like a really interesting project. Head to any pay phone in NYC, dial 1-855-FOR-1993 and hear someone specific to that area telling you about the place you’re standing back in 1993.
Here’s hoping they can get Chevy Chase and Beverly D’Angelo back for the new Vacation movie. They don’t need to have huge roles, but it would be nice to see them together in something other than a commercial for pants. (via THR)
If you want to see what I’ve been working on lately, head on over to my author page on CBR. I talked to Paul Pope and John McLaughlin and also did another installment of my collectible column Toying Around!
My pal, one time boss and all around rad dude Justin Aclin talked about writing a Star Wars OGN for Dark Horse over on his blog. As you might expect, I’m super proud of him and super jealous at the same time.
Karen Burger leaving Vertigo is pretty huge when you think about all the amazing series’ she helped foster. Good luck to her! (via The Mary Sue)
Everyone interested in comics and comic production should read Jim Zub’s breakdown of costs and profits for such books. Then he wrote about digital comics. Eye-opening stuff.
I fell in love with Neil Gaiman’s Neverwhere when I first read it. I’m very excited about the BBC radioplay version that will include James McAvoy, Anthony Head, Benedict Cumberbatch and Christopher Lee! (via Hypable)
I love Phil Noto‘s series of original art pieces that are supposed to be photos from Hank Pym’s collection. Dig this Storm he posted.
Esquire scored an interview with June Diane Raphael, the wonderfully funny co-host of one of my favorite podcasts How Did This Get Made and a recurring player on the equally wonderful New Girl.I’m pretty curious about Sub Pop co-founder Bruce Pavitt’s e-book about Kurt Cobain and Nirvana in Europe in 1989. $5 isn’t too steep, but is it only available on the iPad? That’s no good. (via Rolling Stone)
Billy Corgan talked to Rolling Stone about my first ever Smashing Pumpkins album Mellon Collie and the Infinite Sadness.
Rolling Stone talked to Jimmy Page about his days in the Yardbirds. I’m sure I knew most of this stuff from Hammer of the Gods, but it was still a nice read.
Speaking of music, I discovered The Pogues’ “Fairytale of New York” by way of a cover and fell in love with it. This Guardian story about the song’s origins are pretty interesting.
Whoa, this skateboarding video posted over on One Cool Thing A Day is AMAZING. Tricks you’ve never seen before, guaranteed.
I’m pretty excited about Comedy Central giving shows to Nick Kroll, Amy Schumer and Anthony Jeselnik. Here’s hoping I’ll actually know when they’re on. (via THR)
Speaking of funny people, Louis CK answered the Proust Questionnaire over at Vanity Fair.
Lastly, I’m grown to really love Judd Apatow’s movies. I always liked them, but as I get a little older I can relate to the truth and honesty in them a lot more. As such, I’m very excited for This Is 40, though I have no idea when I will see it. Until then, I’m happy reading interviews about him and Leslie Mann from The Chicago Tribune.
I have very mixed, split-down-the-middle feelings about Patton Oswalt’s Zombie Spaceship Wasteland. Without going through and counting the pages, I think I liked exactly half of this book. It’s kind of a mixed bag of autobiography, faux greeting card explanations, epic poetry and comic stories all written by actor, comedian and long time book fan Oswalt. I’m a big fan of his stand-up, his ultra geeky character on King of Queens and the movie roles I’ve seen him in like the lead voice in Ratatouille and Young Adult.
When it came to this under-200-page book I got from the library for work purposes (I might be working on a list of Oswalt’s geekier non-stand up moments in the future), it didn’t take a long time to read and I’m not perturbed by the parts that I didn’t like, I just skipped or skimmed them. The parts I was drawn to were the autobiographical sections. Oswalt talks about the movie theater he worked at as a kid, how books and music influenced him, how his opinions on his crazy uncle changed over time, how different comedians dealt with their crafts and one terrible week he spent in Canada. My favorite part of the book was the title section in which Oswalt labels many of his fellow geeks, artists and angry young men as either a Zombie, a Spaceship or a Wasteland and how that relates to music, sci-fi and other artistic endeavors. It’s honestly brilliant, solid, well thought out and the kind of thing that everyone who considers themselves a geek should check out.
I was less interested in the epic poem he wrote about his Dungeons & Dragons character, the multiple pages of notes written regarding the punching up of a comedy screenplay or the explanations of fake greeting card artwork. There were definitely funny moments to these portions, but I didn’t want to read that when I wanted to find out more about Oswalt as a person. It wasn’t really fair of me because I was comparing my expectations to the actual product and down that path leads ruin. Oswalt even points out in the intro that the book is a hodgepodge and it really is.
At the end of the day, it only took me a few days to read this book, so my complaints are miniscule in comparison to the enjoyment I did get out of the book in a fairly short amount of time. If nothing else, it makes me like Oswalt all the more and hope that he takes the time to sit down and write more whether that’s a fictional story or an autobiographical one, I’ll be there to check it out. Essentially, ZSW is like a Patton Oswalt writing appetizer. You get an idea of what he can do in various styles and formats and probably have a good idea of what else you’d like to read of him in those styles and formats.
Long before I finished Please Kill Me, I was working on creating my next Ambitious Reading List. As I said at the end of that review, I’m a big fan of this much-smaller version of my larger to-read pile. Helps me stay focused while also keeping my interest not only in reading, but in crossing one book off the list and moving on to the next. Most of the books in this pile are newer to that pile, but there are a few that have been sitting around for a while too.
From the top, I picked up Robert Ludlum’s Bourne Identity at a flea market out of sheer interest based on the Matt Damon movies. I can’t keep the straight, but I’m curious to see how this book compares to the movies as well as an audiobook version of The Bourne Legacy that we finished recently and will review soon. I’ve also got an Elmore Leonard book called Riding The Rap in there. I bought this for $2 at a used book store based solely on Leonard’s name. Love that dude’s books. After that is Hunger Games, which my wife read and liked. My last ARL got in the way of me reading this over the summer, so I included it this time. I hope to compare it to the movie somewhere down the line too.
I actually started reading Michael Chabon’s Manhood For Amateurs around the time our daughter was born, or maybe just before. It’s a great book of essays I’m looking forward to finishing. I’ve been living a lie with Wizard of Oz, keeping it on my shelf since high school without every reading the whole thing. I plan on remedying that and also telling a pretty great story about the signature I have in that book. After that it’s Patton Oswalt’s Zombie Spaceship Wasteland which I got from the library for a list I was working on before my pal Rob Bricken moved from Topless Robot to io9. I have no idea where that list will lie, but that’s the first book on the pile I’m reading because I’m lousy at getting books back on time.
From there I’ve got the illustrated version of the unfilmed Harlan Ellison script based on Isaac Asimov’s I, Robot,Marc Eliot’s book about Cary Grant which I got because George Hamilton made him sound really interesting in his book and Peter Ackroyd’s retelling of Geoffry Chaucer’s The Canterbury Tales. I read parts of the original in college, but could barely get through it, man.
I got Raiders! thanks to a PR email letting me know about this book about the guys that made the 80s Raiders of the Lost Ark fan film. Then I’ve got It Happened In Manhattan, an oral history about the Big Apple by Myrna Katz Frommer and Harvey Frommer and finally Harvey Pekar’s graphic novel adaptation of Studs Terkel’s classic look at careers, jobs and Americans Working. As you can see, it’s another eclectic mix. I’m pretty jazzed to be adding a few different formats (screenplays, essays, graphic novels) and also think that this one might go a little bit quicker than the previous one, assuming I still have time to read. The next few months are going to be pretty busy/crazy.
As I’m nearing the end of this Ambitious Reading List, I find myself looking forward to the next one and have even started assembling that stack. The problem with that is that I want to burn through the four books I have left with a quickness. While I did return to Devil In The White City and am working my way through it, I started getting a little antsy and wanted some immediate gratification, so I grabbed Steve Martin’s 207 page Born Standing Up and read it in a few days. And you know what? I got exactly that.
The first time I read Crime and Punishment, I was in high school and someone in the class said they wanted to know what happened to Raskolnikov after he was SPOILER imprisoned and the teacher responded that the book would need a new title then. He went on to make the point that stories need to have a focus. Raskolnikov’s story could go on until he died, but Dostoevsky was telling the story of Crime and Punishment, not Crime and Punishment and Whatever Happens After That Until He Dies. Steve Martin took a very similar approach to Born Standing Up. This is not a complete history of the man from birth to the stage, through movies and on to his current turn as a concert banjo player, it’s just about his life and performing career up to the point when he left stand up in the late 70s/early 80s.
I appreciate that kind of focus and while I would definitely be interested in reading another biography about more of his film work and recent endeavors, this book does a great job of telling what feels like a complete tale with beginning, middle and end, something Martin says he liked to bring to every one of his performances. The only real problem I had with Laurie Lindeen’s Petal Pushers was that it didn’t feel like a complete story because she glossed over the break up of the band. I did not have similar problems with this book.
One problem I thought I would have is that I wasn’t sure how serious Martin would be. His comedy lies in the realm of the absurd, so I wasn’t quite sure. Many years ago I borrowed Leslie Nielson’s supposed autobiography The Naked Truth from the library in hopes of learning more about a comedy icon I held in great esteem only to discover a few pages in that it was all a joke, one that I wasn’t in on or expecting. Though I had heard good things about this book, I did have the nagging feeling it might not be as honest as I wanted it to be. Again, that wasn’t a problem.
Martin offers a poignant, honest, real memoir here that not only proves that anyone who works hard can have a chance at making it, but also presents show business in a very truthful light (it ain’t all great). It sounds cliche, but this book really does have it all, ti can make you laugh and cry and really think about life. It’s refreshing to see someone who achieved such huge success — at the time he was the most comedian of all time between ticket and album sales — look back on his life and give a balanced account of what he did and went through. If you’re a fan of Martin’s stand-up and films or the real life portrayal of the life of comedians expressed on Marc Maron’s WTF podcast, do yourself a favor and read this book.
With Born Standing Up out of the way that leave me to finish Devil In The White City and then read The Particular Sadness of Lemon Cake and Please Kill Me which I plan on reading in that order. Devil is one of those weird books that I enjoy reading while I’m reading it, but once I put it down it’s almost like a mind wipe and I don’t want to jump right back in, a feeling that grows the longer between reading sessions. I’m dedicated to getting back into it the rest of this week and deciding once and for all if I’ll keep on with it.
I’ve been doing more off-line reading lately (hence today’s About A Boy review) and the kid’s been exploring her sleeping options lately, so I haven’t been sitting down and reading things on the computer as much lately. Anyway, here’s the things I dug from the past few weeks.
I talked to Robert Kirkman about the 100th issue of Walking Dead, Geoff Johns and Jim Fletcher about DC Collectibles and Steven T. Seagle about Batula. My dude Rickey Purdin did such an awesome job with this Street Fighter piece over on the Sketch Attack job that I want it on my wall.
I enjoyed this Robot 6 interview with Kevin Huizenga.
Rolling Stone posted this 2006 feature about Fall Out Boy talking about them rising to stardom. That’s about the time I started listening to it, so it was fun reading it, especially now that they’ve broken up.
Chris Cornell talked to Rolling Stone recently about the upcoming Soundgarden record and the song they created for The Avengers. I really, really like this James Bond 50th Anniversary poster by Max Dalton (who sounds like a Bond character himself).
Get yourself frozen in Carbonite at this year’s Star Wars Weekend!
I’ve been catching up on every episode of The Nerdist Writer’s Panel which focuses on TV writers, so this THR photo batch about show runners was very interesting. Lots of crossover.
I just heard today that Van Halen cancelled the rest of their tour mysteriously. Glad my dad and I saw them when we did. Anyway, before all that Esquire did interviews with Eddie and Wolfgang Van Halen that I found enjoyable. I love these OMFG figures from October Toys.
I have a lot of ideas for a post about MCA’s passing, but while I’m still organizing all those thoughts, I really enjoyed Perry Farrell’s take on things for Rolling Stone. I am fascinated by that late 80s heavy LA club scene, man.
I’m not what you’d call a Gin Blossoms fan by any means, but I found lead singer Robin Wilson’s very realistic and honest take on the 90s nostalgia that he’s a part of refreshing (via Rolling Stone).
One more Rolling Stone link, Living Colour’s Vernon Reid started a jazz fusion supergroup with Jack Bruce, John Medeski and Cindy Blackman Santana. This makes me VERY excited. Oh goodness, Joao Carlos Vieira’s Spaceman Spiff drawing for Ashcan Allstars was AMAAAAAAAZING.
Wired‘s look at an old school fortune cookie factory was pretty darn interesting.
Neil Marshall is great, so I’m excited that he’s working on something called The Last Voyage Of The Demeter, which is about the boat that Dracula rode in to get from Transylvania! Sounds rad. (via THR)
I will be studying Esquire‘s list of six summer cocktails, but I’ll probably just wind up drinking strange mixtures of whatever I have on hand.
Oops, here’s one more Rolling Stone link, apparently there’s a whole album of Joey Ramone tracks ready to be released called …ya know? I really like Don’t Worry About Me and of course everything Ramones, so this should be interesting.
Finally, Louis CK has some more awesome stuff on sale for $5, check it out!
Longtime readers might remember that I tried to tackle a large stack of classic books for my Ambitious Summer Reading List last year. Well, that wound up spreading into the beginning of this year and wound up not being a whole lot of fun. So, this summer, I wanted to try something different and finally read some of the books that have been sitting under my bed for ages. This is a mix of autobiography, mystery, psychological thriller/horror, slice of life, drama, food, music and just about everything else. I started off with Nick Hornby’s About A Boy (review coming soon because I finished it today), but don’t have an order figured out (last year’s was chronological).
The pile includes another Fletch book by Gregory McDonald (Fletch And The Man Who), Stephen King’s Misery, the aforementioned Boy, an oral history of the punk rock and new wave movements called Please Kill Me by Legs McNeil and Gillian McCain, Anthony Bourdain’s follow-up to Kitchen Confidential called Medium Raw, Aimee Bender’s The Particular Sadness Of Lemon Cake (I loved her book An Invisible Sing Of My Own), Alice Sebold’s The Almost Moon which I know nothing about but liked The Lovely Bones, the latest Diary Of A Wimpy Kid installment which doesn’t really count but I want to finally read it, Steve Martin’s autobio Born Standing Up, actor George Hamilton’s autobiography Don’t Mind If I Do, a book about a band I’ve never heard of called Petal Pusher by Laurie Lindeen and Erik Larson’s historical thriller The Devil In The White City.
It’s a pretty eclectic mix, but also a pretty apt representation of the kinds of books I’ve been wanting to read for a while, found for a few bucks at various places or both. I’m hoping that by choosing books I’m interested in, I’ll stick with them a little better. I also admit that the idea of actually focusing on getting through a dozen of the books I’ve been collecting for more years than I can count and either put them on a shelve (or more likely a box in storage) or give away to someone else. I’d much rather store books I’ve read and liked than ones I’m still waiting to get to.
I still write lots of things for fun and profit. Check out this story I did for Marvel.com about Marvel Zombies Destroy.
Over on CBR, I wrote about Kurtis J. Wiebe’s Debris and the 20 year anniversary of Spawn.
Mark Waid’s Thrillbent is live! Time to check things out. I love Adventure Time, but most of the fan art for the show I’ve seen doesn’t do much for me. I do however very much like this Glen Brogan piece that shows Marceline hanging out with Kim Pine from Scott Pilgrim. Speaking of Adventure Time art, check out all these crazy-awesome pieces from the Mondo art show. Speaking of artwork, I really like this Admiral Ackbar painting. Click through and check out more Star Wars Celebration art.
I quite enjoyed this list of geeky kitchen equipment over on Topless Robot. That’s another one I wish I had thought of…
I haven’t read through all of Geek Dad‘s list of books every geek should read to their kids before age 10 just yet, but I’m excited to.
I still haven’t gotten Jack White’s new record Blunderbuss in my ears just yet, but I’m glad to hear that he has a-whole-nother album’s worth of material he just needs to put the finishing touches on. (via Rolling Stone)
Comedian Steven Wright talked to Esquire, check it out.
I really enjoyed Cullen Bunn‘s post about not wanting to get too complacent when it comes to his writing.
Dammit! TVLine says HBO balked on making The Corrections. I was really curious to see how that turned out. Maybe someone else will pick it up?This season’s CustomCon — where toy customizers present their imaginary toy lines — finished up today and was pretty damn enjoyable. My personal favorite group was the 80s Toys as MiniMates. This not only makes me want to work on my next customizing project, but also create a 6-inch scale Karate Kommandoes Chuck Norris.
I’m trying out a new format for these I Watch A Lot Of ____ posts. The problem with using the posters is that I feel like I need to fill in all the space on the right hand side, but I don’t always have that much to say. So, I’m going to go with showing a trailer and then giving my thoughts. Hope it works out. Let me know if one format works better than another for you.
Snake Eyes (1998)
On the Nic Cage scale of craziness, Brian De Palma’s Snake Eyes lands in a nice sweet spot. He’s playing an eccentric cop who’s trying to figure out who shot a government official while attending a boxing match in Atlantic City. He’s also trying to help his pal Gary Sinese and the bodacious looking Carla Gugino, but this is the type of movie where no one is what they seem and everyone has ulterior motives. The story itself is the kind of thing you wouldn’t be surprised to see as an episode of your favorite procedural show, but De Palma does some fun stuff, putting his own spin on it by playing with perspective, showing scenes from different angles and even doing some nice camera work like showing an entire scene from a boxer’s perspective and then moving out of it to reveal him in a mirror. Where’d the camera go?! Those tricks plus the performances make it worth a watch.
Return To Horror High (1987)
To be completely honest, I was doing some work while watching Return To Horror High, so I missed a lot of details. At first I thought it was a legit sequel to a movie called Horror High thanks to the title and the premise that posits a film crew is making a movie at the exact location that an actual slasher struck. But that’s all in the fiction of the movie. By the way, I thought of this while watching Scream 3, I’m actually surprised the Hollywood version of Hollywood is more callous than actual Hollywood when it comes to these kinds of things. I mean, it’s not like there’s been a fictional Columbine movie shot in the school. Anyway, the film is super confusing because it bounced between the movie we’re watching and the movie they’re making. And then there’s an ending that I missed the set up to but completely bewildered me. SPOILER Was the whole thing a setup? Why? You might have heard of this movie for being an early appearance of George Clooney who plays an actor wanting to go off and get super famous (but everyone laughs at him, which is funny) as well as an appearance by Maureen McCormick of Brady Bunch fame. She’s way over the top, but is still cute and adorable.
Janeane Garofalo: If You Will (2010)
Janeane Garofalo is one of those stand-ups that I feel like I’ve known about as long as I’ve known about stand-up comedy. She was very popular in the early days of Comedy Central and I’ve fallowed her career to some extent since then, though I wouldn’t say I’m a super fan because I don’t necessarily actively seek out her stuff. A week or two back I listened to an episode of WTF with her and then noticed that this stand-up special was on the NetBox (lots of good stand-up on Instant) and gave it a watch. I assumed it was going to be much more political than it actually was because of how passionate she was on certain issues when talking to Marc Maron. She definitely gets into some of that stuff, but she makes sure to keep it funny and joke based, which made this a really enjoyable hour of stand-up. Even if you don’t think you like her comedy, give this one a look.
Norm MacDonald: Me Doing Stand-Up (2011)
I loved Norm MacDonald on Saturday Night Live and that love easily transferred over to his movie Dirty Work, but not much past that. So, I was excited to watch this stand-up and it was another solid hour. It starts off pretty dark with his thoughts on death, but they’re both honest and funny, so you can’t go wrong there in book. Gets a little filthy (okay, a lot filthy) at the end, but it made for great background while I was working. This is a great way of listening to stand-up without having to buy records.
Skyline (2010)
I added Skyline to my NetBox queue when I first saw it on there, but I moved it to the top after listening to the How Did This Get Made? episode focusing on it. I actually expected it to be a lot worse than it turned out to be. Yeah, there are problems with the script and editing, but I didn’t find it nearly as ridiculous as those guys did, though maybe I was primed for a lot more than anything could have lived up to. I actually give the filmmakers a lot of credit for putting together such a good looking movie by basically shooting in one guy’s apartment and doing a few set pieces. All that being said, I don’t think it’s a great movie by any means. A good effort with great effects, but it certainly has its problems.
Downton Abbey Season One (2010)
There is no reason on paper that I should like Downton Abbey. It’s based in an era and place (1920s England) that I’m not super duper interested in. It’s based on a class structure that enrages the part of me still susceptible to rage. And, it’s packed with the kind of scheming you only usually find in soap operas (I assume). However, this show is so amazingly well written and the characters are so well put together that I can’t help but get absorbed. The key, I think, is that, the writers give almost every main character an interesting bit of business, but without shoehorning them in. Plus, how can you not love Maggie Smith as the Dowager Countess? By the way, I still have no idea what it means to be a count or an earl and yet it has not impeded me whatsoever. All you need to know is that it’s very important to Robert Crawley who might be the best, most awesome dude in the history of television. How long until the second season hits NetBox?
Trespass (2011)
Trespass is not only another Nic Cage movie, but also one that I watched because it was going to be covered on How Did This Get Made? so it’s double related! This is the first HDTGM? movie that I actually watched in preparation for the podcast and it worked out a lot better than my experience with Skyline. It helped that the movie starts off as one thing and keeps changing with every lie and nearly everything that every character says is a lie. It’s ridiculous on so many levels that it’s almost hard to keep track. Cage looks bonkers with his hair and glasses, the pace keeps changing (first they have 20 minutes to get in and out then they spend hours there) and nearly all of the robbers are idiotic drug addicts or psychos making them one of the worst possible crews around to pull of a diamond heist. Even with how bad the movie is, I’m shocked it wasn’t in theaters. Between the big stars and director Joel Schumacher who must have some cred left, right? Maybe not. That’s a lot of supposed star power with very little faith from the studio. In fact, this movie holds the record for least amount of time between it’s opening release (on only 10 screens) and coming out on DVD. Also, it only made $16,816 in its short time in theaters. Wow.
