As I mentioned in my Stranger Things-inspired post, I’ve been watching a lot of horror films lately. And you can’t have a mention of that Netflix series without thinking of Mr. Stephen King, now can you? Well, I read and listened to a crazy number of his novels earlier this year (and am still sloooooowly working my way through The Stand) but I’ve also watched a few of the films he’s worked on.
While flipping through movie options on TWC On Demand I saw Maximum Overdrive as an option and immediately turned the film on. Usually, I spend a ridiculous amount of time thinking about my choices, but this was nearly instantaneous. Continue reading Riding With The King: Film Edition!
When it comes to mid 90s music-infused comedies, the two that were ridiculously influential in my world were Empire Records and Dazed And Confused. Both of those movies showed young me a world that not only involved more complex emotional relationships than I’d personally experienced up to that point, but also reflected my views on how important music could be.
Airheads has some of those themes, but is much more of a madcap comedy. Michael Lehmann (Heathers) directed this movie starring Brendan Fraser, Steve Buscmi and Adam Sandler as members of a band called The Lone Rangers desperate to make it big in the LA music scene. Through a series of misunderstandings and accidents while visiting a local radio station, everyone thinks they’re holding the DJs and other employees hostage. The band decides to roll with it in an effort to get people excited about their music.
Fraser’s Chazz is the true heart of the film. He wants to make great music his way, but it seems like the whole world’s against him. Buscemi’s less emotionally invested, but still into it. Think Mr. Pink with a bass. And then there’s Sandler who’s somewhere between Waterboy and Billy Madison on the Sandler Stupidity Scale. The cast also includes Michael McKean as the shifty station owner, Judd Nelson as the also-shifty record exec, Ernie Hudson and Chris Farley as cops, and DJs Joe Mantegna and David Arquette. Oh and Michael Richards is in here too, mostly crawling around like a worm.
I think the success of this movie for the individual viewer depends on what kind of films you dig. If you’re a fan of the comedies from this time like Dumb & Dumber and Tommy Boy, then I think you’ll be into this one. I wasn’t such a fan so it fell a little flat. They all just seemed a little silly to me, but I get the appeal if that’s your thing. I liked Airheads a bit more than those other movies though because Fraser is just so damn earnest and Mantegna gives it his all. Still, there’s a lot of dumbness going on that took me out of the story immediately following scenes I really enjoyed. Frankly, I winced and rolled me eyes any time Richards appeared because his role, while somewhat important to the story as it gets a real gun in the station, winds up being overly stupid and mostly pointless. In other words his involvement is a long way to go for a pretty basic plot point that could have been done in one scene.
At the end of the day, I felt like there was actually a really solid point behind this film, but the overall goofiness surrounding most of it doesn’t serve that story very well because it’s not much of a leap to feel like Lehmann is just making fun of Fraser’s Chazz, which is too bad because he’s probably the best part of this film.