I haven’t done a lot of blogging this year, but, don’t worry, I’ve still been watching a ton of movies! I’ve even been keeping track of everything I’ve watched or read in a pair of Composition Note Books that I’ve (not so) cleverly dubbed Pop Notes. Thanks to them, I’m pretty confident looking back at the year and piecing together thoughts on some of my fave film-watching experiences (minus horror, which will get a list or two of their own). This one’s pretty long, so hit that jump and get into it!
Continue reading My Favorite Film Experiences Of 2018Toy Commercial Tuesday: Jurassic Park
With Jurassic World hitting the big screen a few weeks ago, I’ve been thinking a lot about the original film and how I saw it with my cousin in the theater by ourselves (I didn’t realize you could go to movies without your parents up to that point). I love that film and still marvel at the bits and pieces I see on TV (I’m waiting to fully re-watch it when I get back to my Chronological Spielberg project).
As with most blockbusters of the 90s, my mind quickly moves from the film to the toys that surrounded it which seamlessly brings us to this commercial for Jurassic Park action figures. I think it’s kind of hilarious how they reframe the theme of the movie from humans surviving a deadly experience that they basically created through their own arrogance into “let’s make these dinosaurs be nice to each other!”
I definitely remember these toys hitting shelves, but never picked any up myself. Though I loved this movie, I was never a dinosaur kid and must admit that the blood-and-bone revealing wound sections were more of a turn off than a draw. Still, if memory serves, these dinosaur toys were reused later on down the line and sold in gift shops thanks to their accuracy. Having written that statement, I could not find proof of its accuracy on the google, but I’m leaving it in for now.
The Chronological Spielberg: Twilight Zone: The Movie (1983)
I have a few distinct memories of Twilight Zone: The Movie. When I was a kid, I have a very clear memory of watching the beginning of this movie with my dad, who does not like scary movies by the way, and being completely freaked out by that Dan Akyroyd bit in the beginning between him and Albert Brooks. That was well before I got into horror movies myself and I must say it stuck with me.
The other memory is that it’s not very good. My memory didn’t go much further beyond that, but I think it had something to do with the fact that, aside from the initial segment by John Landis, the movie didn’t do too much in the way of newness. But upon watching the full thing again recently in my attempt to go through all of Steven Spielberg’s major film efforts, I didn’t have that same problem.
In fact, the only segment of the film — four parts each directed by Landis, Spielberg, Joe Dante (who I recently realized I’m a huge fan of) and George Miller of Mad Max fame — that I didn’t like is the one by Spielberg which was pretty disappointing.
Called “Kick The Can,” the second part of the film finds The Shining‘s Scatman Crothers playing Mr. Bloom, a recent addition to a nursing home who riles up all the other old folks with talk of youth. That night, they all go out to play and actually become young again. I’m not nearly as familiar with this episode from the original TV series — which I absolutely love watching in marathon mode every New Year’s — but I can’t imagine that one is as schmaltzy and sappy as this one. Spielberg just goes overboard with the cutesy stuff and winds up undercutting his own fairly poignant story about not wanting to lose yourself to age. It’s too bad considering the other filmmakers created much more balanced offerings and Spielberg had just nailed well crafted, earned sentimentality with E.T. the year before.
Since I’m probably not going to circle round back to this movie for a while, I might as well review the other three segments. Landis’ piece about a bigot who winds up surviving violent encounters while looking like the various groups he hates was a really solid piece of craftsmanship unfortunately tainted by the real life tragedy that went on while filming. Still, I thought the whole film should have been more in line with this part which deftly recreated the feel of the old series while telling an all new story.
Dante did a lot with his part, “It’s A Good Life” about a little boy with intense reality warping powers who brings a traveling teacher into his incredibly strange house. He does a great job of slowly revealing what’s going on and also lacing the entire thing with cartoons to not only explain what’s going on without smashing you over the head with it, but then become much more a part of the proceedings as the segment progresses (poor Cousin Ethel). There’s something awesomely grotesque about how the toons look when they come into the real world. Since we’re inundated with cartoons, it makes all the more sense that some of the house’s hallways and rooms look like they’re straight out of Tom and Jerry or one of the Warners cartoons seen in the film. Actually, the set design of this movie reminded me quite a bit of what Dante did once the kid went in the deep, dark pit in The Hole.
This segment is also the one I want more of after it’s over. All four portions feel like complete short stories, but there’s clearly a lot more going on here that could be explored more fully in a longer form story. Plus, damn that kid and the mutant bunny are creep-city. Oh and it’s pretty crazy seeing Nancy Cartwright as Cousin Ethel because you can hear her Bart Simpson voice even back then.
Finally you’ve got Miller’s take on “Nightmare At 20,000 Feet” starring John Lithgow in the William Shatner role. Of all three recreated episodes, this is the original I’ve seen the most. This is the one where an airplane passenger is convinced that a gremlin is on the wing of the place tearing it apart. Everyone around him thinks he’s nuts, but, being the Twilight Zone, we know that’s not what’s up. The key to this one is Lithgow’s excellent performance as the flier who starts off already terrified and then skyrockets into anxiety when he starts seeing things that shouldn’t be there. Since he nails it, the whole thing comes off as a more intense journey than you might expect. Of course, it helps that the gremlin looks a lot better than a dude in a carpet suit.
Oddly, as far as anthology films go, I’d give this one a thumb’s up, something I rarely do. Overall the quality’s solid, with great storytelling, acting and direction. As a Spielberg offering, though, it leaves much to be desired. With Twilight Zone out of the way, I’m moving on to Temple Of Doom, which I love, and then a few episodes of Amazing Stories that I believe are on Netflix Instant. After that I’m getting into some pretty new territory with his more dramatic efforts of the 80s and 90s starting with The Color Purple and Empire Of The Sun. I’m hoping to stay a bit more up to date on these posts. Looking back I only did two all year, this being the second. Hopefully I can at least get up to Purple by year’s end, but it would probably be foolish to make any promises.
Audiobook Review: Jaws by Peter Benchley, Read by Erik Steele (1974)
Alfred Hitchcock once said that you shouldn’t make a movie out of a good book. That’s what he supposedly did with The Birds and that worked out pretty well, right? Well, apparently Steven Spielberg did the same thing with Peter Benchley’s Jaws. The book, much like the movie, finds a resort town terrorized by a great white shark. Sheriff Brody, shark scientist Matt Hooper and grizzled fisherman Quint are the only three people willing to go out and put a stop to all this.
I spent most of the day listening to this book while doing work and watching our daughter and have to say, I was pretty bored. Things start off interesting, with Brody trying to figure out how to handle this unusual problem. While, in general, I think the movie is all around better than the book, I will say that the complexities of keeping the beaches open are more deeply explored in the book and make more sense than “the mayor’s a jerk.”
Speaking of the mayor, he’s a far more detailed character in the book, but I’m not sure if that’s such a great thing. The overall problem with the book is that it spends far too much time away from the shark. As you may or may not know, there’s an entire subplot the finds Brody’s wife having an affair with Hooper, whose older brother she dated in high school. There’s a whole dinner party scene and then one where they go to dinner. All of this took about an hour in audiobook form. AN HOUR! Even worse? It didn’t really have much to do with the story other than to make us feel a little better when SPOILER Hooper dies in his shark cage (something Spielberg was supposedly going to keep in the film version, but changed for a bit of a happier ending). At the end of the day, when you’re writing a book about sharks, write about sharks.
I know I shouldn’t be comparing the book to the film as much as I am, but it’s nearly impossible because I’m so familiar with the movie and it’s one of the best films ever made. Still, there are some interesting meta elements that I noticed while listening to the book. First and foremost, the movie kicked off huge interest in sharks that we’re still experiencing today. In a roundabout way, that makes the shark action in the book much easier to picture. In fact, with the ending, I was basically watching a slightly edited version of the film in my head while it was going on.
I don’t think Jaws is necessarily a bad book — it sold like gangbusters when it came out in 1974 — but I do think it’s a less focused version of this story than Spielberg’s. In fact, had the affair subplot been excised or shortened, I would have liked it a lot more. I even enjoyed some of the characters who aren’t in the movie like Hendricks and Meadows, though completely understand why the nicer version of Hooper in the film was able to carry a lot of their weight. At the end of the day, if you’re interested in both the book and the movie, I’d read the book first and then watch the movie, which is the exact opposite thing I would suggest if you’re interested in The Shining.
Finally, I absolutely loved Brody’s line, “I’ll never be as old as I feel today.” I feel like that at least three times a week.
Halloween Scene: Ten Notable Movies That Scared This Jaded Horror Fan
I’ve seen a lot of horror movies since I started getting into the genre around the age of 16. Like a lot of horror fans, I feel like I’ve become somewhat jaded over the years. Once you see enough of these things, you can see the Matrix a little bit and know when a scare is coming — if you can tell the difference between an impending jump scare and a legit one, you’ve got the super scardar. And yet, there are still the scenes that scared us when we started out and even though they’re fewer and farther between these days, the new films that still give us the willies or come out of nowhere to spook us. I figured with Halloween still in the air — and inspired by awesome horror blogger Stacie Ponder doing something similar over on her excellent Final Girl blog — I’d run down the ten movies that scared me over the years. I’m sure there’s more out there in the world, but these are the ones that came to mind, either because they entered my life at just the right time, scared me for a moment or created an atmosphere that still ooks me out to this day. So, in no particular order, here’s the ten movies the still spook me in no particular order. Consider yourself warned, spoilers abound after the jump!
Continue reading Halloween Scene: Ten Notable Movies That Scared This Jaded Horror Fan
BULLET POINTS: HOT ROUNDS OF INFORMATION GOODNESS
For the second week in a row, an action film won the box office. Two weekends back it was The Wolverine, last week it was 2 Guns! Congrats all around!
Speaking of action films making money, THR pointed out that G.I. Joe: Retaliation topped home video sales after premiering last week.
If you want to check out 33 images from Neill Blomkamp’s Elysium featuring Matt Damon and Jodie Foster, head on over to Hero Complex.
Like most of the Hollywood news sites out there, Deadline reported that Steven Spielberg and DreamWorks have pulled out of adapting Navy Seal Chris Kyle’s American Sniper for the big screen.
The other day, Sylvester Stallone announced that Harrison Ford would be replacing Bruce Willis in The Expendables 3. THR reports a rumor that Willis wouldn’t agree to shoot for four days in Bulgaria for $3 million (he wanted another mill apparently). We guess this is what Sly meant when he said “GREEDY AND LAZY …… A SURE FORMULA FOR CAREER FAILURE”
Finally, in news that’s not surprising to anyone, 300: Rise Of An Empire, the navally oriented sequel to 300, got an R-rating from the MPAA. [via SHH]
The Chronological Spielberg: E.T. The Extra-Terrestrial (1982)
I don’t think there’s a person my age who doesn’t have some pretty strong feelings about E.T. I was born the year after this movie came out, so it always existed in my brain. Back in my day movies tended to live on in my mind morso because of regular viewings on cable instead of tape rentals. But, I do have two very distinct memories of watching this movie. The first time, I was pretty young, maybe five or six, possibly seven. It was one of the few childhood Christmases I remember where my aunt, uncle and cousins who lived in Indianapolis all came and stayed at our house. Grandma also came in from Cleveland, so her whole family was in one house. That might have been the Christmas I got my Nintendo, but I know that we all sat down together, dimmed the lights and watched E.T. on VHS. That’s a great memory that still lives on in my mind.
The other important viewing of E.T. came in 2002 when the film was re-released to theaters with some extra scenes and all the guns edited out. I was 18 or 19 at the time and had been dating my future wife since early November of 2001, but since neither of us had a car or much money, we tended to just hang out around campus or maybe go out for some coffee. Eventually we decided that we should probably go out an official date, so we hit up one of the local Mexican places, caught the movie at the local, privately owned movie theater and got coffee at The Mean Bean. It was a wonderful date and I think we both really enjoyed watching the movie again.
Even with those two very fond memories, E.T. isn’t the kind of movie I purposefully revisited on a regular basis. I’d see bits and pieces of it on TV and I bought the DVD release of the 20th Anniversary when it came out, but I don’t believe I’ve seen that movie again since that 2002 viewing. The film lives in my brain in a weird, incomplete space where I have pretty solid memories of E.T. appearing, the frog scene and the bike stuff leading up to the end, but not all the doctor and sciencey stuff. I think it bums me out, so I forget it.
Okay, I’m getting ahead of myself. Here’s the deal with the movie if you’re unfamiliar or don’t remember too much. The film opens with a spaceship landing in the forest. We don’t know why they’re there, but they seem to just be looking around and taking samples. Some folks show up and scare the aliens away, but one of their own gets left behind. That alien, eventually dubbed E.T., finds his way to a house inhabited by Elliot, his older brother Michael, his younger sister Gertie and his recently divorced/separated mother Mary. Elliot and E.T. form a bond as the two become good friends and also form an empathic bond. We soon discover that E.T.’s not doing so great and wants to contact his people, so Elliot, Michael and their friends do what they can to save their new, weird friend.
The beauty of the film is its emotional heart. Every member of Elliot’s family has an emotional center that seems related to the others, but different. Mary loves her children, but also has a broken heart from her husband’s leaving with another woman. Michael is the only one who understands this and wants to protect her. He actually speaks a line that’s kind of the heartstone of the film early on to Elliot when he says something like, “Why don’t you grow up and start thinking of other people for a change,” to Elliot. Gertie does this in a more child-like fashion while Elliot’s entire arc revolves around the idea. That’s really what this film is about: empathy in all forms.
On a quick side note, I just realized something really great about this movie: the older brother isn’t a total jerk. Isn’t that how most of these 80s movies go? There’s always a jerky older brother who gives his brother crap and the two don’t even seen to be related. I don’t have any siblings and I understand that they don’t always get along, but it seems like, especially in movies like these from this time period, that dynamic was never more complicated than “the older brother’s a jerk.” Michael has a lot of depth and it shows in the film. I love the part where he’s so excited to hear about E.T. being okay that he jumps up in excitement and bangs his head on the ceiling. That’s a great bit.
And the movie is jam packed with great bits. I was especially blown away by the first 10 to 15 minutes of this movie which all seemed like a big homage to Spielberg’s previous hits. Of course you start off with a spaceship (Close Encounters Of The Third Kind) that leads into the shadowy introduction of the film’s hero (Raiders Of The Lost Ark) and also something of a chase scene where you don’t really get a good look at the pursuers (Jaws). In fact, I didn’t realize this until I was looking through the film’s IMDb Trivia Page, but you don’t really see an adult’s face aside from Mary’s until the scientists show up. And guess who the villains are? Yup, adults. Spielberg might have stumbled upon the idea of keeping the shark hidden in Jaws because of technical difficulties, but he took that idea and used it in his other films.
Speaking of film connections, E.T. is a really interesting companion piece to Close Encounters because of the similarity of content but looked at from different angles. They’re both about people dealing with the reality of aliens but in very different ways. While Richard Dreyfuss’ Roy practically loses his sanity trying to get to the aliens, which doesn’t happen until the end of the film, Elliot finds his right away and goes from there. Another interesting bit of info I came upon while reading the Trivia page is that E.T. started as more of a horror movie where a family is terrorized by alien creatures. He went the nicer route and wound up using the nefarious elements for Poltergeist which he produced for Tobe Hooper to direct, but the two movies kind of work together as different sides of the same coin. Maybe I’ll give that movie another watch and see how they compare while E.T.‘s still in mind.
Aside from that, I’m going to do my best to get to the next Spielberg film in a more timely fashion. I’m going to watch at least Spielberg’s part of The Twilight Zone movie which I don’t always enjoy watching because I’m constantly comparing every frame to the original episodes in my brain. From there it’s on to my personal favorite Indiana Jones movie, Temple Of Doom. After that, I think I’m going to hit up the two episodes of Amazing Stories that he directed (“Ghost Train” and “The Mission”) before moving on to two movies I’ve never seen: The Color Purple and Empire Of The Sun. Should be a fun ride!
