The High Five Podcast Episode 36 – Horror-Themed Comic Flicks From The 20th Century

Do you like comics? Do you dig horror? Then you should be into at least a few of these comic-based horror movies — some of which became franchises! Did I miss anything major? Let me know in the comments!

If you’re curious about my earlier thoughts about some of these films, I’ve got links! The Crow comic, the craziness of Swamp Thing, Swamp Thing, Return Of Swamp Thing, Blade and Blade II!

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Halloween Scene: Urban Legend (1998)

My buddy Rickey passed me some interesting horror movies for Christmas, one of which is the post-Scream Urban Legends which is a flick I never saw. I was a teenager when these flicks all started coming out, but thanks to a combination of theater attendants intent on stopping me from seeing R-rated movies and not super-loving either I Know What You Did Last Summer or Scream, I didn’t bother with UL because I was diving deep into the history of 80s horror and absorbing all kinds of horror both old and good.

I think it’s probably for the best that I waited until now to see this movie because I don’t think it would play as well before going to college. If you’re unfamiliar with the premise, Alicia Witt and her friends–a group that includes Rebecca Gayheart, Jared Leto (who I didn’t recognize at all), Tara Reid, Michael Rosenbaum, Danielle Harris (!) and Joshua Jackson–are being terrorized by a slasher who’s using classic urban legends as a jumping off point for murder. One girl gets axed in the back seat of a car after running away from a creepy gas station attendant who tries to warn her, but he stutters! Another involves a dude hanging from a tree on top of a car (can’t say I’ve heard that one). Witt, being the main character and SPOILER final girl, of course thinks there’s something going on before everyone else catches on.

The characters aren’t super exciting and wind up being kind of one note. Jackson’s the prankster, Rosenbaum’s the frat guy (pretty much the same part he played in Sorority Boys, but honestly with less of an arc) even our heroine doesn’t have a lot of character to her, she just keeps running into trouble and trying to stop it. But, the kills are great. I’m especially fond of that involves a sliced Achilles heel, a car in neutral being used as a battering ram of sorts and a series of tire spikes. Sick. But more than that, I enjoyed the play between actual urban legends I’ve heard (the one about gang members and headlights among the rest) and how all that prays upon the fears of young people on their own at college for the first time. My college had it’s fair share of stories, though most of them involved ghosts. My favorite was that there was a room on campus that was supposedly so haunted that, after spending a night in there, the president of the school ordered it bricked up never to be used again!

Like a lot of other slasher flicks from the 90s, the killer doesn’t have the most interesting or original look (a parka hiding their face) and the motive winds up being pretty familiar for anyone who’s seen a horror movie or even an episode of CSI or Bones but all in all, I found this one pretty fun and enjoyable. I added it to my newly purchased DVD binder. I also decided to finally rewatch IKWYDLS which I absconded from the great Wizard library purge from a few years back. I’m a few minutes in and it’s funny because they talk about urban legends pretty early on, including the one about the guy in the roof of the car!

Josie and the Pussycats: The Movie!

I know there’s been a lot of talk about Josie and the Pussycats (2001) on the internet lately (well, Jim mentioned the soundtrack over on Enemy of Peanuts and also watched it last night at the same time I was and Kiel‘s been telling me to watch it for years). Well I finally checked it out and it was definitely surprising.

Did you fall for the hook? I hope so, because I loved this movie way more than I thought I would. Sure, I love Can’t Hardly Wait, which was written and directed by the same team as Josie (Deborah Kaplan and Harry Elfont), but this is a movie based on an Archie comic. That would seem to limit the comedic potential, right?

Fortunately no. First of all, I was surprised with how many “bitches” and “shits” we got at the end of the movie, but nowhere near as much as in the beginning when Tara Reid’s character causes a car crash by holding up a sign that, at first glance, reads “Honk if you love pussy.” She pulls the sign out from behind something to reveal that it actually says “pussycats,” but I was still surprised that joke made it into the movie. You always hear horror stories about really funny ideas being nixed because parent companies are worried about how it’ll make their property look. Apparently Archie Comics is pretty cool, or just weren’t paying attention.

The basic plot is that Alan Cumming (who I thought was Paul Reubens at first, sorry Alan) is a manager for a big record company looking for a new band to replace with the boy band whose plane he let crash (code “Put the Chevy to the levy”). He stumbles across Josie and the Pussycats and signs them, but it later turns out that Parker Posey, who runs the record company, has been encrypting subliminal messages in the music for various reasons. It’s a really goofy plot, exactly the kind you’d expect for a movie like this, but there are enough winks to the audience and tongues in cheek to let you in on the joke that the writers are making fun of movies just like this. It’s oddly subversive.

In honor of the marketing-to-kids theme/satirization, the filmmakers do quite a few things that I liked. First off, anytime the Pussycats are out in public, everyone else is where the “it” color of the moment (starting with pink, then orange and on and on). I noticed it before it was explained (the record company is controlling fashion and slang though these impressionable kids with tons of disposable income, as explained by Eugene Levy playing himself in a filmstrip), which made the reveal all the more satisfying. There’s also enough product placement to make Michael Bay jealous. According to IMDb, they didn’t actually receive any money for all the shout-outs as they were, again, there to show how crazy intense the marketing towards kids can be.

Josie also works as a strange kind of time capsule. TRL and Carson Daly play a somewhat important role in the movie. Daly and Reid have some screen time together and, as anyone who’s anyone will remember, they dated for some time (though I couldn’t remember when that happened or when they broke up, which made the scene both funny and awkward, like watching episodes of Newleyweds after Nick and Jessica got divorced). We also get glimpses of Behind the Music (a show they should really bring back along with Pop Up Video) and Serena Altschul of MTV News fame. If you were a way-too-avid watched of MTV in the late 90s, you’ll remember Serena, if not, she’ll just be another face on the screen, but man, that was a fun little flashback.

Lastly, I’ve got to talk about the cast. First up, you’ve got the Pussycats played by the aforementioned Reid, Rachel Leigh Cook (what is she doing nowadays?) and Rosario Dawson (I had no idea she was in this until the credits rolled). They’re all very serviceable in their roles, but they’re significantly outshined in my opinion by the members of Du Jour, the boy band (another 90s flashback now that I think about it) from the beginning of the movie consisting of Breckin Meyer, Seth Green Donald Faison and a guy named Alexander Martin who played the foreign exchange student in Can’t Hardly Wait. Now CHW fans will remember that Faison and Meyer played two members of the band at the party. I’d like to think that they ditched the other two guys, grabbed Green’s Kenny, taught the foreign kid to speak English and blew up on the boy band scene. These guys are hilarious from the very first moment they’re on screen to their inevitable plane crash.

After a quick look at the Robot Chicken IMDb page, I wonder if this is where Green met Meyer and Cook, both of whom who have regularly contributed voices along with tons of other late 90s “teen” actors. Maybe they can get a good script together and give us a new movie with all those familiar faces dealing with being in their late 20s/early 30s. I could go for that, how about you guys?