Alright gang, once more with feeling! Unless I decide to get my act together and do a post about my favorite comic-reading experiences of 2018, this will probably be my last recap post. On one hand, it’s been fun looking back at everything I watched and read last year, on the other, I’m reminded of why it’s fun to do these sorts of posts as they happen. Here’s hoping I do more of that! Anyway, this last batch of horror movies features a five-pack of movies that not only deal with the complexities of childhood both during and after that stage of life, but also emotionally devastated me (well, all but one). Alright, let’s dive in!Continue reading My Favorite Newer Horror Movies Of 2018 Part 2
Halloween’s the best you guys! I’ve been able to watch more horror flicks than I expected considering our toddler staked her claim on the TV long ago. Still, I’ve been able to go back and watch some old favorites and also check out a few new films like the amazing Sinister.
A few weeks back, after earning a few extra bucks at NYCC, I decided to splurge on some Scream Factory Blu-rays. I snagged The Burning and From Beyond on sale. A subdivision of Shout Factory, Scream is a horror centric imprint that goes all out when it comes to special features, extras and great looking transfers. Continue reading Halloween Scene: The Burning (1981), The Mist (2007) & From Beyond (1986)
Like a lot of people, Jaws is one of my favorite movies. As such, it is the standard by which I measure all over shark and water-based monster movies. This attitude has kept me away from a lot of movies of this ilk. But, you know what? That’s not really fair, is it? Halloween’s another favorite movie, but that hasn’t kept me away from slasher flicks, so why does liking Jaws make me not want to see shark movies? The obvious reason is that, if you can’t top the best, why bother? It’s a valid argument, but one that’s been keeping me away from a good movie like Deep Blue Sea. Another problem is that I’ve seen so many straight-up lifts of the Jaws plot, that I go into movies like DBS expecting them. Lastly, since Jaws was a widely accepted classic almost immediately, I think a lot of people with good underwater monster stories might have shied away. This is good because they would have been compared, but bad because it means the sub-genre is mostly filled with one great movie, lots of copycats and the occasional gem.
DBS is one of those gems. It’s not near-perfection like Jaws, but it’s a fun movie with a great cast, some alright effects and a plot that combines elements of Jaws, The Poseidon Adventure and your basic mad scientist flick. See, there’s this research facility out in the ocean that’s doing tests on sharks that will somehow help people. While doing the experiments, one of the doctors did a few things she wasn’t supposed to and now the sharks are super smart. They then start attacking the facility, killing a large number of the scientists and people there.
So, you’ve got the threat of not just sharks which are scary enough on their own, but super smart sharks with emotions and what not. Plus, you’ve got a mostly underwater locale which means there are plenty of scenes that made movies like Poseidon Adventure or The Abyss so creepy to me personally (I have a an unnatural fear of things that shouldn’t be under water, being under water). Plus, the cast include Sam Jackson, Michael Rapaport, Saffron Burrows, LL Cool J, Thomas Jane and more. There’s also quite a few winking nods to Jaws that let you know that director Renny Harlin knows the comparisons are being made. The first shark we see has a license plate in his mouth and the comparisons don’t stop there. I didn’t notice it on my own by SPOILER the sharks actually die in the same way that the sharks in the first three Jaws flicks die. Nice touch.
Another nice touch is the above closing credits song. I’m a big fan of horror movies (any movie really) that include a song at the end that’s actually related to/written for the movie. Sure it’s corny, but I guess I’m a little corny too. At the end of the day, I’d have to agree with a quick description I just read on YouTube while looking for this clip, it’s the second best shark movie I’ve seen. Now, I’ve heard that The Reef and that other movie where divers are abandoned at sea (can’t think of the darn name) are good too, but my Jaws-bias got in the way.
Whew, it’s been a busy few weeks. I was pretty exhausted for most of last week, but Em and I did watch a bunch of movies last Sunday to celebrate the new TV. Instead of watching special effects heavy movies like Iron Man or Transformers we went in the opposite direction and watched a pair of romantic comedies. Not exactly my usual, but I did enjoy both flicks.
The first was a movie that had been sitting near our TV for a few weeks along with Drop Dead Gorgeous which Em borrowed from her friend Lee (hey Lee). It’s called The Sweetest Thing (2002) and stars Cameron Diaz, Christina Applegate, Selma Blair, Jason Bateman and The Punisher, er, Tom Jane. I’ll be honest, it’s been over a week and my memory’s definitely fuzzy, but basically Diaz falls for Tom Jane in a club and then tries to go after him at what she thinks is her brother’s (Bateman) but is really Jane’s. Plot-wise, it’s a pretty standard romantic comedy, but it’s the flourishes that make this a pretty good flick. Diaz and Applegate have some pretty over the top scenes and they often sneak into annoying territory with their catch phrases and Diaz’s mugging for the camera. But all in all, if you’ve got to watch a RomCom, it’s a pretty good one.
We also checked out Run Fatboy Run (2007) which also falls into the romantic comedy genre and follows a lot of the standard tropes, but I’m a big Simon Pegg fan and David Schwimmer did a great job directing him, Hank Azaria and Thandie Newton. Pegg plays a dude who ran out on his pregnant fiance (Newton) on their wedding day. Now it’s five years later, they’ve got a kid, he works as a security guard at a clothing store where he runs down bra-stealing trannies and Newton’s dating the super succesful Azaria who likes to run marathons. Pegg realizes how big of a mistake he made and now wants to made good by showing people (mostly her, his kid and himself) that he can run a marathon in England (where he lives).
What I do like about RFR is that, even though it is kind of paint by numbers, Schwimmer uses a few different colors than you might expect. Like a lot of other RomComs, we see that Azaria’s maybe not the greatest guy and we do feel good when Newton finally realizes this. But, and this is a SPOILER at the end, after Azaria’s out of the picture and Pegg’s proven he’s a good dude, it’s not like he and Newton just fall in love again. I appreciate that.
So far, I haven’t seen Pegg in anything that I didn’t like, except for the flick that he co-starred with Schwimmer in called Big Nothing which really didn’t do anything for me. He’s even the reason I’m looking forward to Star Trek, though now that I’ve seen the previews, that movie is really making me want to see it, so kudos to the marketing team.
Yeah, I know romantic comedies probably aren’t what you expected to read about in this first post after a slow week, but I’m trying to catch up on what I read and watched over the week. Until next time…