Hey, wait a minute. The last film I wrote about for The Chronological Carpenter was Assault On Precinct 13 and now I’m doing Someone’s Watching Me. What about Carpenter’s finest effort Halloween? Well, I put the film on again last week and had a revelation: I know that movie so well that I have trouble tapping in if I don’t really want to watch it. Basically, I need to be in the mood and it just so happened that I wasn’t. I figured it was okay to skip over because I’ve written about the film not once, but twice, so we’re pretty well covered in that department.
I had also gotten the Someone’s Watching Me DVD from Netflix in the mail and didn’t want to sit on it for too long, so in it went. The film is an interesting one because John Carpenter wrote it as a feature script that was eventually turned into a TV movie that he wound up directing in about 10 days. The film follows a New York woman named Leigh Michaels (Lauren Hutton) moving into an LA high rise where she soon discovers she has a peeping tom stalker living in the building across the way from her.
Leigh can’t rely on the police to help her because, technically, this guy hasn’t broken the law, but she does rely on her friend and co-worker Sophie (Adrienne Barbeau) as well as her boyfriend Paul (David Birney) to figure out who it is.
The film certainly has some limitations. You can see that it was a TV movie, but I will say I was surprised when I found out it was filmed in so few days. It might look like a TV movie, but there’s lots of great lighting and camera tricks going on to the point where it seems like they had a lot more time. When it comes to the light, I was actually surprised with how much of the film takes place during the day. That probably took away some of the film’s potential suspense, but it makes sense when you find out how little time they had to make the film.
Overall, though, Someone’s Watching Me hit several of my personal fear buttons. Even though the basic plot feels a little archaic these days (or maybe just overly-trod) there’s still something primally scary about a predator constantly watching you from a distance, especially one as portrayed in this film who has so much power and control over not only what he can see and hear, but also the building in which she lives. She has very little agency until she really puts her mind to figuring out what’s going on, which is super empowering.
The other big fear on display in this film is having a big, life threatening problem that the authorities can’t or won’t help with. This is a huge part of the horror genre in general and probably one of the reasons I like it, because I can embrace that fear to an extent without it actually mattering in the real world. Leigh gets to the point where the cops are involved, but not actually doing anything, so she has to take the law into her own hands and figure out exactly what’s going on. I also kind of hate the sound of old phones ringing, especially at night. So there was a lot going on to give me the creeps
All of that leads to the final scene with her in her place with the watcher which is just a damn great few minutes of creepy filmmaking. In a way, it’s very reminiscent of Laurie’s final battle with Michael Myers in Halloween where the potential victim is trapped in a fairly small space with her attacker and just barely makes it out alive. Watching gives Leigh a lot more agency, though, by having her save her own self. Also, it sure looked to me like the killer was wearing blue coveralls. Remind you of anyone?
While this movie isn’t nearly as perfect as Halloween, it does have a lot of greatness, much of which comes from Hutton who carries the film. She goes from tough New Yorker to justifiably terrified victim to enraged investigator and lots of places in-between. I also really enjoyed Barabeau who played the lighthearted best friend instead of the more serious siren or bombshell that I’m used to. Both her and Hutton feel like fun people to hang out with because they’re actually funny and clever when joking around with each other which is not always the case in horror. It was also fun seeing Len Lesser, better known as Uncle Leo from Seinfeld!
All in all I really enjoyed Someone’s Watching Me. I won’t say that it’s this amazing find from Carpenter’s TV movie past like Spielberg’s ridiculously amazing Duel. However, I did really enjoy the film as well as the six or seven minute featurette of Carpenter talking about how he did this film the same year as Halloween AND Elvis. A few weeks after this film was done, he started work on Halloween, so fans of the latter owe a lot to this one for giving Carpenter more experience in the horror realm, which helped him figure out how to bring Michael Myers to life.
Moving forward with The Chronological Carpenter, I SHOULD watch Elvis, but that movie’s 170 minutes and there’s no way I’ll be able to get through that in more than a dozen sittings, so I’m going to pass for now. That will most likely be the last part of Carpenter’s filmography that I skip over. Up next I’ve got The Fog, a film I haven’t liked in the past, but hopefully I’ll be able to get my hands on the recent Scream Factory release which I hear is much better. Maybe I’ll watch both versions and see how they’re different. We shall see how that shapes up.