As you may know from my various writings about their Paperbacks From Hell series, I have become an avid follower of Valancourt Publishing. So, a few months back when I saw that they had started a new imprint called Monster, She Wrote, I got very excited. A series of books with consistent cover art spotlighting female horror and weird fiction? I was in! But, I was having trouble finding the non-fiction book that started it all! What happened and how did it work out?Enter, if you dare…
Do you ever keep hearing about an author so many times that reading their books just seems like a delightful inevitability. That was kind of the case with Grady Hendrix. I remember his early fiction books getting talked about on my favorite horror podcast, Shock Waves, and then he went on to appear on the show a few times (a bonus ep from May 2017 and episode 115 if you’re looking for specifics). Between those appearances and the time he showed up on Teen Creeps (episode 150), Hendrix quickly jumped way up on my radar of authors to keep an eye out for. Luckily, several of his books, including Horrorstor and Paperbacks From Hell soon showed up on the cheap digitally and I grabbed them both. I briefly wrote about the former in my 2019 year end list, but now it’s time to talk about Paperbacks…and what it’s lead to.
Like any hopeful reader, I have boxes of books just waiting to be read in my garage and even a fair number waiting in the digital realm. There’s not much rhyme or reason to which ones I choose or why they take me so long to read, but I figured I’d put a few thoughts down about these four books I’ve finished in the relatively recent past including books by Joe Hill, Erik Larson, Tina Fey and Roger Moore. Continue reading Four Books I Liked By Joe Hill, Erik Larson, Tina Fey & Roger Moore
The other day I was cleaning out the garage and came across a few boxes of unread books that I was able to combine, but only if I pulled a few out. I figured that was as good a reason as any to try my hand (and eyes) at another Ambitious Summer Reading list. There’s just something about the warm weather that makes me want to stay inside and read, I guess.
As usual, I’ve got a pretty eclectic selection here. From the top, Ghosts And Things is a spooky anthology from 1962 that includes stories by Henry James, Ambrose Bierce and others. I’m thinking about reading these stories in between other books, but the James story was SUPER boring, so I’m not sure if I’ll stick with that plan.
Below that is the 1979 Avengers novel The Man Who Stole Tomorrow by the awesome David Micheline. In the 90s I read a lot of superhero novels and am curious to see how this early example is. Then there’s Freddy Krueger’s Tales Of Terror #2: Fatal Games. My buddy Jesse sent me this and I’m pretty excited to read it because I love Freddy and this looks like the Christopher Pike novels I read in grade school.
You can also see Stephen King’s The Dark Tower: The Gunslinger. I’ve heard a lot of different things about this series over the years and made sure to get the pre-revised version of this book, so we’ll see how this goes. Switching gears completely, I’ve also got Chuck Klosterman’s Fargo Rock City. I listened to the audiobook version of Klosterman’s IV a few years back and picked this up not long after. I’m a sucker for music related autobios, so I’m sure this will be awesome.
I know absolutely nothing about Twilight Of The Superheroes by Deborah Eisenberg other than the fact that it was like a dollar at one of all time favorite discount stores that’s no longer around. But, hey, it’s about superheroes, so it should be in my wheelhouse (I hope). At the bottom of the pile you’ll see another comic-related book, this one Mark Evanier’s column collection Comic Books And Other Necessities Of Life. For some reason I thought this was a collection of interviews, but I must be thinking of ANOTHER book in one of my boxes. Evanier’s one of the best comic historians around, so I’m sure this will be an interesting read.
That brings us to the last three books. Trevanian’s The Loo Sanction is the sequel to The Eiger Sanction, a book I read last year and really enjoyed. There’s also my first Raymond Chandler book Farewell, My Lovely and The Dante Club by Matthew Pearl. I must have read about that last one ten years ago and always wanted to check it out, but haven’t gotten around to it until now!
As you can probably tell, there wasn’t much rhyme or reason to these selections. I tried to balance out longer books with shorter ones just to take it a little easy on myself. I haven’t been taking much time to read actual books lately, but I’m hoping that this will push me in that direction. I’m kicking off with The Loo Sanction because I actually started it like six months ago and want to finish it. I’m about halfway through and trying to spend more time with good books, so I’ll hopefully be posting about that one soon!
Aaron Eckhart looks pretty badass in this teaser for the first I, Frankenstein trailer which hits tomorrow. [via Collider]
Michael Bay showed off this picture of Mark Wahlberg, Nicola Peltz and Jack Reynor from the set of Transformers: Age Of Extinction. [via Michael Bay]
Discovery Channel’s working on an Evel Kineval documentary called True Evel. [via Deadline]
Gina Carano’s In The Blood will be distributed by Anchor Bay and Fox home video. In the film, the MMA star goes on a mission to get her kidnapped husband back in the Caribbean. [via THR]
Maggie, the film starring Arnold Schwarzenegger as a dad trying to help his daughter played by Abigail Breslin after she gets bit by a zombie, has rounded out the family unit with Joely Richardson joining on as the mom. [via TheWrap]
I knew I hadn’t been doing very well on the most recent Ambitious Reading List, but then I checked the blog and realized I started it back in November of last year and have only since read three and a half of the books. So, with Halloween in the offing, I figured it was about time to toss that one aside and start a brand new one, this time with more of a focus.
So, I now have nine books that I’m trying to read this month. It probably won’t happen because I’m a damn slow reader, but why not give it a shot, right? Here’s the basic rundown.
The Listeners by Christopher Pike. I was a huge fan of Pike’s young adult books as a kid and figured I’d give one of his adult titles a read. I actually stumbled upon this used book store purchase while looking for the next book in the pile, but it felt appropriate to check out this month.
Interview With A Vampire by Anne Rice. This is one of two re-reads on the pile this time around. I can’t remember the first time I read this book, probably late grade school or high school, but I’m curious to get back to it and then give the adaptation another watch.
The Shining by Stephen King. You might not be able to see my Kindle on the pile, but I assure you it’s there. I read this book in high school then lent it to a guy I worked with at the bagel shop when I was 16. He got fired and I never saw him again. So, it’s been quite a while since I’ve given it a read. I will follow this one up by watching all of Kubrick’s film version FOR THE FIRST TIME! By the way, it’s only $4 for Kindle right now!
Vicious Circle by Mike Carey. This is the second Felix Castor novel from Carey. I used to interview him all the time for Wizard and really enjoyed the first installment The Devil You Know. The book explores a world where everyone knows ghosts exist and have to deal with them on a regular basis.
The Fall by Guillermo del Toro and Chuck Hogan. Since reading The Strain, I’ve actually been able to get my hands on the other two books in the series at Barnes & Noble for less than cover price of one book! I’m really curious to see where this story goes and hope to read all three installments before the TV show premieres.
The Dead Boy Detectives by Ed Brubaker and Bryan Talbot. I read this Sandman spinoff series once before and am a big fan of Brubaker’s. While looking at my trade shelf, it seemed like a good fit for the theme.
Eerie Crime & Horror by Wally Wood. I fell in love with Wally Wood’s artwork after reading Weird Science Volume 2 and have been on the hunt for more of his work since then. I picked this book up earlier this year and figured now’s as good a time as any to finally read it (or possibly just scan it for the pretty pictures depending on how good the writing is).
Creepy Archives Volume 1. Featuring stories by some of the greatest artists in the comics business, I’ve been sitting on this book for years. It’s about darn time I finally sit down and have some fun with it.
Crystal Lake Memories: The Complete History Of Friday The 13th by Peter M. Bracke. No kidding, I have a whole shelf filled with coffee table books I’ve never read. This oral history of one of the all-time greatest slasher franchises is one of them and seemed like a good non-fiction entry in the list.
Alright gang, so here goes. Hopefully this stack o’ books will get read more efficiently than the other. I’m already working on two of them right now, so I’m thinking it won’t be too long before the first review goes up.
Like a lot of people, I heard about the Raiders Of The Lost Ark fan film made by a bunch of kids in the 80s. I don’t remember the exact details, but it would have been sometime in college. I even wrote a little bit about it for a huge never-published article my pal Rickey Purdin and I put together for a Wizard movie issue (I should check my files and see if I have a copy of it anywhere). I thought it was cool, but never saw it or thought much more about it. Then I saw Son Of Rambow, a British film that seems to take many of the ideas of the true story, switched the movie to First Blood — which I incidentally just watched again recently — and made a film I fell in love with. There’s something so amazing about the youthful drive to make something, especially when it took so many years and involved so much work. Again, the Raiders fan film left my consciousness again for a while.
Until I got an email a few months back about a book documenting the making of the movie. Would I like a copy? Hell yes, send it over! I wanted to jump into it right away, but a lot of things got in the way. I wish it hadn’t because Alan Eisenstock’s Raiders! is a fantastic, magical book. Knowing the broad strokes of this story really isn’t enough, it deserves the intense level of research that Eisenstock surely did to get such amazing results.
The Raiders fan film was created by director Eric Zala and star Chris Stromopolos, two kids from Mississippi who loved a movie and decided to remake it. They banded together with several friends and friends of friends and over the course of seven years, shot and edited the film. It was amazing reading how they figured out every shot of the movie, developed storyboards (which I’d like to see, actually), scrounged allowance to buy props, raised local awareness and struggled to find locations to match the film. All that makes the story epic, but that’s only half the story.
In addition to being a story about the making of a film, Raiders is also the story of a pair of kids who become friends, dedicate themselves to a project, both falter, grow up and hit a rough spot before SPOILER rekindling their relationship several times and eventually having their movie discovered and loved by people all over the country. There’s a few chapters in the book after they finish filming the movie. At that point I was like, “What more could happen?” And then, bam, you’re hit with some intense, real world drama, the kind that hits a lot of people. These guys went through a lot of crap, lived together, went their separate ways, built families and eventually became creative partners again. Chris especially had it tough, while Eric used his steadfastness to excel in the video game industry.
The beauty of this story is how theatrical it is. Just when everything seems lost at one point, the boys get word that they can shoot a scene on a dry-docked submarine. Boom, they’re back in it. There’s so many ups and downs like that that you almost forget your reading a biography and have drifted into fiction territory. Eisenstock does a wonderful job of weaving these tales together, taking Chris and Eric’s detailed memories and putting together a narrative that might hold a few things back for dramatic purposes, but always pays off. Well, almost always pays off.
My only complaint about this book is that it didn’t finish one important storyline: Eric and Chris’ in-the-works screenplay. The last section of the book makes a point of the two reuniting to work on something creatively, but then leaves off in 2005. What happened?! Did they write a screenplay? My quick IMDb search shows that Zala doesn’t have any more credits past his student film, so I’m guessing it never got made, but did they at least finish writing it? Not following up on that one thread seemed odd, especially considering the book came out last year and could have done some kind of follow-up in the eight years between the end of the book and it’s publication. I had a similar problem with Laurie Lindeen’s Petal Pusher which didn’t go into detail when it came to the band’s break-up. If you’re going to go into huge detail about this story, you’ve got to deliver on the important final moments or at the very least, catch us up on what they’re currently up to.
But, that’s a small complaint. There’s so much goodness in this book, so much that got me fired up both as a fan of things and a wannabe creator of things, that it’s really a minor quibble. I really can’t express how much I loved this book. It made me want to create things, it made me want to be a bigger fan of things and it made me wish I had had more of a creative spark when I was younger. I can’t recommend this book any higher, it’s amazing and deserves to be read by anyone even remotely interested in film or fandom. Read it!
As far as the latest Ambitious Reading List, I’ve definitely stalled out a bit. I started reading Elmore Leonard’s Riding The Rap, but it really didn’t grab me. I think I’ll read something else and then maybe go back to it and see if I find something in there. I’ve got another book sent to me by PR folks that’s not on the list, but should be read pretty quickly. Seems like the right thing to do.
I have very mixed, split-down-the-middle feelings about Patton Oswalt’s Zombie Spaceship Wasteland. Without going through and counting the pages, I think I liked exactly half of this book. It’s kind of a mixed bag of autobiography, faux greeting card explanations, epic poetry and comic stories all written by actor, comedian and long time book fan Oswalt. I’m a big fan of his stand-up, his ultra geeky character on King of Queens and the movie roles I’ve seen him in like the lead voice in Ratatouille and Young Adult.
When it came to this under-200-page book I got from the library for work purposes (I might be working on a list of Oswalt’s geekier non-stand up moments in the future), it didn’t take a long time to read and I’m not perturbed by the parts that I didn’t like, I just skipped or skimmed them. The parts I was drawn to were the autobiographical sections. Oswalt talks about the movie theater he worked at as a kid, how books and music influenced him, how his opinions on his crazy uncle changed over time, how different comedians dealt with their crafts and one terrible week he spent in Canada. My favorite part of the book was the title section in which Oswalt labels many of his fellow geeks, artists and angry young men as either a Zombie, a Spaceship or a Wasteland and how that relates to music, sci-fi and other artistic endeavors. It’s honestly brilliant, solid, well thought out and the kind of thing that everyone who considers themselves a geek should check out.
I was less interested in the epic poem he wrote about his Dungeons & Dragons character, the multiple pages of notes written regarding the punching up of a comedy screenplay or the explanations of fake greeting card artwork. There were definitely funny moments to these portions, but I didn’t want to read that when I wanted to find out more about Oswalt as a person. It wasn’t really fair of me because I was comparing my expectations to the actual product and down that path leads ruin. Oswalt even points out in the intro that the book is a hodgepodge and it really is.
At the end of the day, it only took me a few days to read this book, so my complaints are miniscule in comparison to the enjoyment I did get out of the book in a fairly short amount of time. If nothing else, it makes me like Oswalt all the more and hope that he takes the time to sit down and write more whether that’s a fictional story or an autobiographical one, I’ll be there to check it out. Essentially, ZSW is like a Patton Oswalt writing appetizer. You get an idea of what he can do in various styles and formats and probably have a good idea of what else you’d like to read of him in those styles and formats.
Long before I finished Please Kill Me, I was working on creating my next Ambitious Reading List. As I said at the end of that review, I’m a big fan of this much-smaller version of my larger to-read pile. Helps me stay focused while also keeping my interest not only in reading, but in crossing one book off the list and moving on to the next. Most of the books in this pile are newer to that pile, but there are a few that have been sitting around for a while too.
From the top, I picked up Robert Ludlum’s Bourne Identity at a flea market out of sheer interest based on the Matt Damon movies. I can’t keep the straight, but I’m curious to see how this book compares to the movies as well as an audiobook version of The Bourne Legacy that we finished recently and will review soon. I’ve also got an Elmore Leonard book called Riding The Rap in there. I bought this for $2 at a used book store based solely on Leonard’s name. Love that dude’s books. After that is Hunger Games, which my wife read and liked. My last ARL got in the way of me reading this over the summer, so I included it this time. I hope to compare it to the movie somewhere down the line too.
I actually started reading Michael Chabon’s Manhood For Amateurs around the time our daughter was born, or maybe just before. It’s a great book of essays I’m looking forward to finishing. I’ve been living a lie with Wizard of Oz, keeping it on my shelf since high school without every reading the whole thing. I plan on remedying that and also telling a pretty great story about the signature I have in that book. After that it’s Patton Oswalt’s Zombie Spaceship Wasteland which I got from the library for a list I was working on before my pal Rob Bricken moved from Topless Robot to io9. I have no idea where that list will lie, but that’s the first book on the pile I’m reading because I’m lousy at getting books back on time.
From there I’ve got the illustrated version of the unfilmed Harlan Ellison script based on Isaac Asimov’s I, Robot,Marc Eliot’s book about Cary Grant which I got because George Hamilton made him sound really interesting in his book and Peter Ackroyd’s retelling of Geoffry Chaucer’s The Canterbury Tales. I read parts of the original in college, but could barely get through it, man.
I got Raiders! thanks to a PR email letting me know about this book about the guys that made the 80s Raiders of the Lost Ark fan film. Then I’ve got It Happened In Manhattan, an oral history about the Big Apple by Myrna Katz Frommer and Harvey Frommer and finally Harvey Pekar’s graphic novel adaptation of Studs Terkel’s classic look at careers, jobs and Americans Working. As you can see, it’s another eclectic mix. I’m pretty jazzed to be adding a few different formats (screenplays, essays, graphic novels) and also think that this one might go a little bit quicker than the previous one, assuming I still have time to read. The next few months are going to be pretty busy/crazy.
This is another one of those posts that have been kicking around in my head for a while. I actually finished the 10-disc audiobook version of David Hajdu’s The Ten-Cent Plague: The Great Comic-Book Scare And How It Changed America a few weeks back, but haven’t gotten around to talking about it until now. My inlaws actually brought me this set the day our daughter was born, I’m sure I thanked them and set it aside next to my bed for weeks without really realizing what it was. A month or two back I finally dug it out, noted the awesome Charles Burns cover, and decided to start listening to it while driving around in my car. My dad does this instead of listening to the radio and it seemed like a good idea, plus I knew that my wife wouldn’t have much interest in listening to the book while on our trips to either Ohio or New Hampshire, though I do think it would have been highly informative for her.
This is not my first foray into the history of comics. That honor goes to a tape about collecting comic books I bought as a kid hosted by Frank Gorshin that briefly went through the history of the medium, even talking to EC’s William Gaines in his cluttered office, an image forever burned in my brain. I haven’t read too many books on the subject, but have absorbed quite a bit over the years. Even so, I’ve never experienced anything as in depth and complete as Hajdu’s account. He starts off where most other accounts of comics does with the Yellow Kid and ends with the failure of EC after a series of government inquiries into the effects of comics on children.
What sets The Ten-Cent Plague apart from the other sources I’ve seen or read is the fact that he seemingly interviewed every living person possible. And I’m not just talking about the EC folks who do wind up taking center stage for the last third or quarter of the book (as they should considering what was going on), but also people who just worked in the biz. It gives the sense of a complete account or as complete as can be, though obviously no such thing could actually exist, especially so far away from the events themselves. I do think that, had I been reading this book instead of listening to it, I might have quit because it could be dry, but Rudnicki’s deep, commanding and lyrical voice kept me interested the whole time.
There were three things that really caught my attention while reading the book. First off, I didn’t realize how bad the comic book backlash was, especially in small towns. Places all over the country were rounding up comic books and just burning them. Book burning! In America! The small mindedness really got on my nerves. Second, how crazy is it that 60 years ago comics were such a big deal that the government was looking into them and the millions of copies they were selling while today it takes a complete overhaul of a major company to sell a tenth of that. Can you imagine that much attention being paid to comics today?
Finally, I tried to really think about where I would fall on the issues of the day back then. I’ve read some of the horror and sci-fi comics that EC was putting out as well as some Creepy and Eerie issues and a few other things. They were pretty gruesome, especially in a more sheltered time. Were I a kid back then and a fan of these comics, I would have been incensed that adults were starting to get in my business and take away my secret window into a more adult world. At the same time, if I were a parent at the time, I would probably do my best to keep them out of my younger child’s hands. Note, I’m not making a suggestion for governmental censorship, but censoring kids is kind of a parent’s whole job after keeping them alive is taken care of. Hopefully parents are in tune with their kids and understand what they can handle, but that’s up to them. It’s also up to the merchants to decide what they want to sell, but not the government’s to tell us what we can and can not create when it comes to art and entertainment, assuming no one is getting hurt in the creative process. I have lived my entire life in a world filled with ratings and warnings of content, though. Movies and comics had ratings and stamps of approval, records eventually got notices of questionable content and video games their own system of ratings. I’m used to these things and trust them to an extent. Ratings systems can be great if they are well maintained and keep to a set of public rules that everyone can read and understand. Unfortunately, that wasn’t the case back in the 50s and it lead to the end of a lot of great comics. Had things kept going the way companies like EC were going, we’d probably have a much different comic market now.
If you have any interest in comic book history, do yourself a favor and check Hajdu’s book out. I’d recommend hitting up the audiobook, but it’s worth consuming however you prefer.