Knightfall Trade Post: Volumes 2 & 3

batman knightfall volume 2 knightquestBatman Knightfall Volume 2: KnightQuest (DC)
Written by Chuck Dixon, Alan Grant, Doug Moench & Jo Duffy, drawn by Graham Nolan, Vince Giarrano, Mike Manley, Barry Kitson, Jim Balent, Bret Blevins & Tom Grummett
Collects Detective Comics #667-675, Batman: Shadow Of The Bat #19-20, Batman #501-508, Catwoman #6-7 & Robin #7

Jeepers, I can’t believe I read and reviewed the first Knightfall trade all the way back in 2012. It doesn’t seem like it’s been that long, but then again, my memories of that reading experience aren’t quite as strong as I would like (but that can be said regarding most of my faculties these days). Anyway, after Bane broke Bruce Wayne and Jean-Paul Valley took over in the previous volume, the second is all AzBats, all the time, specifically him meeting Batman’s allies as well as a mix of old and new villains. In the process, it becomes clear to everyone that JPV is out of his mind thanks to all of the programming his dad inputted into his brain in preparation for him to become the Azrael (assassin) of the Order of St. Dumas.

This humongous collection which clocks in at 655 pages includes a healthy dose of issues I hadn’t read before, specifically that crossover with Catwoman where the Cat-Bat dynamic gets flipped around and a Shadow Of The Bat arc that finds AzBats going up against a pair of deranged Clayfaces who happen to have found love in each others’ weird, muddy arms.

Much like the first volume, this was a great walk down memory line for me. I specifically remembered the Joker story that’s packed with movie references including two characters who are clearly Gene Siskel and Roger Ebert. There’s also the Abattoir story which weaved in and out of the books more than I remembered. This is a serial killer who targets his own family members. He and AzBats tangled, but the villain got away only to come back into the spotlight further along into JPV’s descent into madness. The important aspect of this story is that JPV lets Abattoir fall to his death which is bad in and of itself, but also leads to the death of one of his family members who was hooked up to an elaborate death trap. At the end of this book, Robin can finally talk to Bruce — who is back in Gotham — and a plan begins to take shape that will get Bruce back in the cape and cowl.

batman knightfall volume 3 knightsend Batman Knightfall Volume 3: KnightsEnd (DC)
Written by Doug Moench, Alan Grant, Chuck Dixon, Jo Duffy & Denny O’Neil, drawn by Mike Manley, Bret Blevins, Graham Nolan, Ron Wagner, Tom Grummett, Jim Balent, Joe Rubinstein, Barry Kitson, Mike Vosburg, Mike Gustovich, Romeo Tanghal, Lee Weeks, Phil Jimenez, MD Bright & John Cleary
Collects Batman #509-510, 512-514, Batman: Shadow Of The Bat #29-30, Detective Comics #676-677, 679-681, Batman: Legends Of The Dark Knight #62-63, Robin #8-9, 11-13 & Catwoman #12-13

This one’s all about Bruce Wayne taking over the mantle of the Bat. Well, mostly. Before actually going up against AzBats, Bruce trains with Lady Shiva, the deadliest woman on the planet who kills without thought (as long as she’s not fighting a major character in the DCU). Once he succeeds in that endeavor, Bruce almost immediately leaves and hands the costume over to Dick. This leads to some great moments between Dick and Tim as the former and current Robins as well as a nice story that deals with Dick’s past with Two-Face which has haunted him ever since his earliest adventures as a sidekick.

I loved on the “KnightsEnd” story pretty hard. It’s not the most artfully told tale in the world, but seeing Bruce’s climb back to the top — which includes an encounter where he seemingly kills an opponent — followed by the equally epic battle with AzBats is a lot of fun. I didn’t actually realize that the “Prodigal” story featuring Dick as Batman was in this collection, so that was kind of a nice surprise. The problem with a portion of that story is that Two-Face apparently hacks Gotham’s computer system without any actual knowledge of how computers work aside from the basic idea of binary. I’m pretty far from tech savvy by today’s standards, but I furrowed my brow in confusion at parts of this story.

There is one large problem with this collection, even at 647 pages, it’s not really a full story. Bruce Wayne just comes back with very little explanation. That story was told as “The Quest” in various titles like Shadow Of The Bat, Legends Of The Dark Knight and even two issues of Justice League Task Force that have never been collected, but would make a nice little companion book. We also get no real explanation for why Bruce decides to take yet another break from being Batman or even where he goes during the “Prodigal” story. I understand that you can’t collect everything that pertains to this epic story, but some of the things left out make this feel overly devoid of context and reason. Now that I think of it, it probably would have made more sense to include “The Quest” issues in this book than the “Prodigal” one. Maybe I’ll make my own bound collection of “The Quest” issues and the missing Bane appearances before the “KinghtFall” story proper.

I’m far from the most impartial judge of these issues. I clearly had a few problems and even a few more that I didn’t mention but seem minor in retrospect. Still, having three huge volumes that collect so many of my first Batman comics, plus ones I never got around to thanks to the limitations of allowance, is a delight. Whenever I get more shelf space, these will be proudly displayed, possibly with a few action figures. I think I’ve got the one of Bruce in his Bat-themed ninja training gear somewhere in my collection.

Trade Post: Batman Knightfall Volume 1

Batman Knightfall Volume 1 (DC)
Collects Batman #491-500, Detective #659-666, Showcase 93 #7-8, Shadow of the Bat #16-18 & Vengeance of Bane
Written by Doug Moench, Chuck Dixon & Alan Grant, drawn by Jim Aparo, Norm Breyfogle, Graham Nolan, Jim Balent, Bret Blevins, Klaus Janson & Mike Manley

You guys, I can’t tell you how excited I was when I saw that DC was re-collecting the Batman Knightfall story. If you’re unfamiliar with early 90s Batman comics, a weakened Batman went up against a new bad guy on the street named Bane who released all the villains in Arkham. After trying to stop and recapture all the bad guys, Batman finally goes up against Bane and — as you can see on the cover to the left here — Bane breaks Batman’s back. After this, a guy who has been hanging around for a little bit named Jean-Paul Valley, also known as Azrael, gets named the new Batman. JPV’s a little nutty to be nice about things and Robin realizes this is a problem, but Bruce is worried about finding Tim’s kidnapped dad and their shared doctor who Bruce wants to tell he’s Bats. There’s a lot going on, but what else can you expect from a 630 page book?

The reason I was so excited about this book — and the two that come after it — is because these were really my first Batman comics. I’d read one or two before and knew the character from the Adam West TV show, but these were the first ones I collected. The death of Superman got me into that book and the breaking of Batman got me into this one, I guess I was a little morbid as a kid. Anyway, while I have most of the issues collected therein, this is the very first time I’ve read them in order. I got many of the issues piecemeal, read them and then promptly placed them in bags and boards.

I was surprised by a lot of things reading through this book. First off, I was shocked that Kelly Jones didn’t do any interiors, only covers. This surprised me because what I remember about these stories is mainly his covers (as well as the gatefold foil Joe Quesada one for #500). I was also surprised at how quickly they got to breaking Bats. I assumed it would be towards the end of the book, but it actually takes place around the half way point.

My other surprises were more story based, so they deserve their own paragraph(s). I should note that, even if this book was a complete artistic embarrassment, I would love it because it’s so near and dear to me. While I didn’t think it was embarrassing at all, I was surprised at how flimsy Bane’s reasoning is presented in the book. We see his origins in the Bane one-shot, but his reasoning doesn’t make much sense. Why does he care about Gotham or Batman? Because some guy told him how great it was? I assume the intent is for Bane to compare himself to the highest physical specimen and win, but that falls apart when you release an army of madmen to bend him so you can come in and break him. Along similar lines, I have no idea why Bane hangs out with the trio of goofballs he does, Bird, Trogg and Zombie as they don’t do a whole lot for him.

Another problem I had which might have come from seeing how well this source material was handled in The Dark Knight Rises was that I didn’t get the impending sense of worry and doom with this story that I got in the film. Bane not only releases every crazy into Gotham and breaks Batman’s back IN FRONT OF PEOPLE, but also starts taking over all of the crime in the city, but the normal people we see don’t seem super upset or worried about it. The story lacks a sense of larger urgency that the film absolutely nailed. This is not helped by the inclusion of the Shadow of the Bat issues included in this collection which come right after JPV went out as Batman for the first time and give you three issues of Scarecrow trying to become a fear god, JPV being crazy Batman and Anarky trying to kill both of them. These don’t really help the series along and slow things WAY down, but I’m glad they’re in there. Maybe it would have been better to put them later in the book? But then they’d come after JPV made the AzBat armor…hmm

Okay, that was a good deal of complaining and critiquing, but I still really enjoyed reading this book and not just because of the wonderful trip down memory lane. Watching Batman getting so worn down facing also-rans like Firefly was actually pretty amazing. And, man, that scene where he fights Bane and gets broken? Still gives me chills. So intense. I also liked how JPV goes over the edge bit by bit. I mean, he’s clearly a terrible choice for Batman, but Bruce is not in his right mind, his brain’s as broken as his body, so it kind of makes sense. Plus, JPV was apparently hanging around before all this and was being trained by Batman and Robin. I’m pretty excited to break into the next book and see how his books hold up.

Ah, I’ve got one more complaint or more positively, a suggestion. It would be nice if there was a trade collecting some of the stuff that leads into this book. Bane appeared in a few other comics that are referenced several times that I’d like to read, but it’d also be cool to get a little bit more of JPV’s back story. Sure, I’ve got the Sword of Azreal trade on my shelf (and plan to read it again soon), but that’s a pretty old and, I assume, out of print book that I’m sure other people would like to read. Similarly, I noticed from looking at the second Knightfall volume I have and the information out there for the third, there’s a lot of stuff that’s still not collected like the Justice League Task Force stuff and a few other tales of Bruce Wayne running around trying to save Tim’s dad and their doctor. It’s entirely possible that these trades will get made in the future, especially if the planned Knightfall ones do really well, but I’m not going to hold my breath. Maybe I’ll just make my own!

The Box: Lobo Annual #1, Snake Eyes Declassified #2 & Crux #6

My continued adventures with the longbox of comics my pal Jesse sent me for my birthday from Cardsone took me back into the world of Bloodlines, the history of one of the coolest G.I. Joes around and into the first of many CrossGen comics I’ll be reading.

My first pick up was Lobo Annual #1 from 1993 written by Alan Grant and drawn by Christian Alamy. It was actually a pretty interesting one as it’s an early chapter in the saga that would become Bloodlines, an effort to bring some new, edgy blood into the DC Universe by way of some aliens based on the seven deadly sins who eat people with the metagene. Back when Bloodlines was actually coming out, I didn’t have enough cash to purchase annuals at their whopping $3.50 cover price. Add the fact that they had no real real importance on what happened in the ongoing series’ and I skipped out.

The interesting thing about this issue, in addition to teaming Lobo up with a female character named Layla who took no guff from him, this issue explains how the invading parasite aliens wound up getting their human looks: by mimicking the looks of some L.E.G.I.O.N. agents they took out.

Lobo’s the kind of character you either dig or you don’t, I do so this was a fun issue. I’m also a bit of a fan of L.E.G.I.O.N. and R.E.B.E.L.S., though it’s more of a curiosity since I didn’t read the books when they came out. On it’s own, the issue actually works pretty well and it also holds some sort of importance on the oncoming Bloodlines story, but it was worth the read, though maybe a little long as these things tend to be.

Up next came Snake Eyes: Declassified #2 from 2005 which I did not have nearly as much fun with. The Devil’s Due book was written by Brandon Jerwa with art by Emiliano Santalucia and Robert Atkins. I had a pair of problems with this comics not including the fact that I’m not a die hard G.I. Joe or Snake Eyes fan. First off, the story is very obvious. The man who would become Snake Eyes winds up hooking up with a guy who is clearly using him. As a reader you get this nearly immediately, so the following pages wind up being kind of pointless. My other problem is one that I’ve had with several comics and that is that the art just doesn’t feel up to snuff. It’s not bad by any means, but it’s not as good as you would expect from a professional comic book you theoretically would have paid three bucks for. The backgrounds are boring, the figures vary between strong and weak and the coloring feels very faint which makes the characters feel less bold and imposing.

At it’s heart, though, this is basically just a comic about two dudes running around committing crimes. That’s all well and good, but when you know one of them is going to become the greatest ninja warrior around, you kind of don’t care and just want to get to the good stuff. One of the problems with prequels is that we all know the foregone conclusion, so we know when risks are involved. This felt like it could have been told in a simple flashback instead of taking up an entire issue.

Lastly I came out of the box with CrossGen’s Crux #6 by Mark Waid and Paul Pelletier. This was a bit of a difficult issue to pick up on out of nowhere because it directly deals with an important event that happened at the end of #5. It’s well recapped–as are the characters and their abilities thanks to a recap page on the inside cover–but you do miss a bit of the emotional impact of something when you’re reading about it in text or in recap.

Of course, this is an ongoing comic book and that’s the trick to them. I was filled in enough to understand the story and follow along. This book is about a bunch of super type beings waking up on an Earth that’s empty and they’re trying to figure out why. There’s a few revelations that pop up, but again, since I’m not as invested in the characters or the story, they don’t hit as well for me.

Probably the most confusing element of this book and most of the other CrossGen comics I read, though, comes from the fact that a very disparate number of books on all kinds of different worlds are supposed to be connected by the sigil symbol some of them sport that looks unsurprisingly like the CrossGen logo. I still feel like CrossGen could have been a success had they not flooded the market too quickly and labored so intensely to connect all these comics that didn’t need to be connected.

By the way, Paul Pelletier is an awesome artist.