Trade Post: Runaways Volume 1

runaways-vol-1-hc Runaways Volume 1 (Marvel)
Written by Brian K. Vaughan, drawn by Adrian Alphona with Takeshi Miyazawa
Collects Runaways Volume 1 #1-18

I can’t say for sure, but I believe Runaways was the last comic I decided to check out after reading about it in Wizard. I went on to intern and work there and discovered all kinds of amazing new and old comics thanks to suggestions and coverage, but this would have still been in college before I had any real connection to the mag aside from a subscription. But even then, I didn’t actually start reading until the second volume. At some point I read through those little digests to get caught up, but when it came to actually adding this comic to my trade collection, I wanted to go with the larger scale hardcovers. Eventually, I got my hands on all three of Brian K. Vaughan’s run and have them proudly displayed, but it’s probably been six or seven years since I read this original run.

If you’re not familiar with one of the most beloved Marvel Comics of the past decade, Runaways revolves around a group of kids who find out their parents are supervillains working for giant old gods. They decide to rebel, go on the run and figure out what to do with the new information about their folks they’ve learned. Along the way they also discover they have their own abilities or accessories to help them along the way.

Like a lot of BKV comics (Saga, Y: The Last Man, Ex Machina), this one features well drawn characters with solid personalities and quick wits going through relatable experiences painted on top of a superhero canvas. Each of the lead kids has realistic moments of heroism, cowardice, failure, success, courage, doubt and everything else you feel on a daily basis which means just about everyone can find something to relate to in every issue if not page. They’re just feel them in regards to their parents who may or may not want to kill them. That’s really the key to BKV’s continued success in comics: he keeps his stories fairly simple, zeroes in on character, throws a few twists and turns along the way and just makes great, solid stories that have a low barrier of entry. And most of all? He makes it look easy.

I think Adrian Alphona’s art reflects that seeming simplicity. He’s drawing real-looking kids in some fantastic moments but never loses sight of their human-ness. I will say that some of the earlier issues in this collection seem pretty slight and I think that’s a result of some thin line-work. There’s also some pretty big inconsistencies with the characters from panel to panel and page to page, but you really get a sense of the artist’s growth as these issues progress and then experience an almost quantum leap in quality going into the next volume. Like I said when reviewing The Dummy Line, it can be fun seeing an artist of any kind progress when you’re not looking for “perfection” all the time.

Much like my experience going back and re-reading Y: The Last Man, I found it interesting comparing not only my memories of this book to the actual material, but also the things I’ve heard and read about it since then. BKV gets a lot of well deserved praised in the comics community, but that can distort your perspective a bit when you finally sit down to absorb (or in this case reabsorb) the material. I really enjoyed this reading experience, but I will say that it felt a little too drawn out at times. That might be because I knew the ending and was waiting for it or that I thought one of the the things that happens at the end actually happened much sooner. Whatever the case may be, I still had a great time experiencing this first run of Runaways and feel like I have a more realistic relationship with the work now, which is always a good thing.

Trade Post: Exiles Ultimate Collection Book 1 (Marvel)

exiles ultimate collection vol 1 Exiles Ultimate Collection Book 1 (Marvel)
Written by Judd Winick, drawn by Mike McKone & Jim Calafiore
Collects Exiles #1-19

Sometimes a book comes along and just fits so perfectly in your wheelhouse that you wonder why you haven’t already mainlined the whole thing already. Exiles is that book for me. I’ve always been intrigued by the idea of the X-Men, but didn’t feel up to the challenge of diving into that incredibly dense continuity. I also love alternate world stories, so when Judd Winick — a writer I love — came along and combined the two in Exiles, I was on board. Well, not really because I didn’t read the book as it started coming out because I was graduating high school and heading into college at that point, but I was intrigued and kept it on my trade-watch radar. At this year’s New York Comic Con I scored the first, second, third and fifth volumes of the Exiles Ultimate Collection books for $5 each which was huge for me. I’m pretty excited about getting my hands on the two I’m missing, though maybe not the very last one which is all Chris Claremont. Still, I’ll have fun with the volumes I have (I hope) and see if I want to keep reading the rest.

The idea here is that a group of X-Men have been plucked from their alternate dimensions to work for an entity called the Time Broker who sends them on missions in other dimensions to help get the time stream back on track. If they fail, their own realities will suffer great changes that threaten their own lives. The great thing about this book is that it’s so completely in and of itself while also playing off of many of the themes and ideas presented in the main X-books as well as the Marvel Universe as a whole. Since Winick is working with a team of characters who “don’t matter” in the grand scheme of things at Marvel, he can do a lot more with them than you might expect. These first 19 issues are packed with character deaths, pregnancies, jokes, budding relationships, ridiculously difficult decisions, honest conversations and heaping helpings of ass kickery and explosions.

While building his own team, Winick also does a great job of building an interesting world within a world that explores all kinds of other worlds. There’s clearly a system at play with the Time Broker, but as the series progresses, we learn that the Exiles aren’t the only team of displaced heroes popping around dimensions. It’s one of the intriguing overarching elements that makes me want to keep reading all six volumes of the Ultimate Collection except for maybe that Claremont stuff.

One of my favorite aspects of this book is that Winick didn’t work in the typical six issue arc format. If a story needed one issue, he gave it one issue. If it needed three, it got three. This not only keeps the book moving at a good clip — something that’s much appreciated when reading nearly 20 issues of a comic in one collection — but also gives artists Mike McKone and Jim Calafiore the opportunity to do their own things with their own stories before trading off with one another. While McKone’s style is a lot smoother than Calafiore’s more angular one, they both excel at balancing the action scenes with the comedy gags Winick throws in via Morph, so they still feel like they’re working on the same coherent series.

This kind of book does something that not many Corporate Comics can: play with all the pieces of an existing universe and really have fun with it. By going the alternate universe route Winick was able to build his own team, while also creating a myriad of worlds worth their own miniseries’ in many cases. Since those worlds and these characters weren’t connected the main Marvel U, the stakes were much higher. Is Morph going to die in this issue? Are they going to actually save the world from Galactus? These are questions that not only get raised, but worried about because Winick didn’t have to play it safe. You feel pretty safe assuming those bad things won’t happen in a regular universe book, but pretty much anything can happen here.

Trade Post: Marvels, Atlas Volume 1 & Gotham By Gaslight

marvels Marvels (Marvel)
Written by Kurt Busiek, painted by Alex Ross
Collects Marvels #0-4

Going into last weekend, I pulled out a random sampling of mostly one-off trades that I wanted to make my way through this weekend. Some I had experience with, others were brand new to me. I’m splitting the experience between two posts, but here’s how the first three went over.

When I was a kid in the early-to-mid 90s Alex Ross blew everyone’s mind in comics. He might not have been the first guy to paint comic books, but he seemed like it to me at the time. His figures were so iconic and classical looking that you just couldn’t help but pour over his pages. The fact that he and the writers he worked with liked hiding pop culture easter eggs throughout the panels also helped. Kingdom Come was the first book of his I read and it blew me away. I even picked up his next work, Uncle Sam, which I didn’t understand at the time, but definitely want to dig out of my longboxes when I have access to them. I did eventually pick up the four issues of Marvels at a garage sale where a woman was selling off her son’s collection for a buck a book.

I don’t actually remember much about that original reading experience, but I can imagine it was pretty revelatory to me. I was a hardcore DC guy growing up, so my main exposure to the Marvel U was through trading cards, action figure bios, pieces in Wizard and cartoons. At the time, I was a novice when it came to Marvel’s Golden and Silver Age history which we see through the literal lens of photographer Phil Sheldon. He’s there from the beginning, when the original android Human Torch first gets shown off to a suspicious crowd and, as a NYC journalist, sees the beginnings of the superhero world and the way people react to what he labeled Marvels.

Unfortunately, the story wasn’t nearly as fresh this time around. I’ve read a ton of Marvel comics in the meantime and even a few books about the company, so the big action scenes are pretty well-worn for me even if they were presented by Ross in his heyday. I know that’s not what the book is ABOUT, but it is what drives things forward. I appreciate the man-on-the-street perspective that Busiek uses with Sheldon, especially the way his opinions of the “mutant menace” evolves, but I felt like he did all this much better in Astro City (a complaint I realized I also had when reading Busiek’s Web of Spider-Man #81). It’s interesting to see how the writer has wanted to work with specific themes throughout his career, tried them out with Marvel books, but, in my opinion at least, was really able to nail them down in his creator-owned book.

I can’t move on without talking about Ross’s art in this book. It’s as big and bold as you’d expect, though far less pastel than you might expect if you’re more of a recent fan. You can also tell, though, that this is the guy who will evolve into the Kingdom Come painter. The characters here seem a bit lighter and less dense than they do in KC, which is still one of my all time favorites and I’ve got the itch to read it again, so look for that review soon.

atlas return of the three dimensional man Atlas: Return Of The Three Dimensional Man (Marvel)
Written by Jeff Parker, drawn by Gabriel Hardman, Giancarlo Caracuzzo, Ramon Rosanas & Parker
Collects Assault On New Olympus Prologue, Incredible Hercules (back-ups) #138-141, Enter The Heroic Age & Atlas #1-5

In writing about Agents Of Atlas: Dark Reign, AoA: Turf War and pretty much every other Jeff Parker comic I’ve reviewed here on the site, I’ve talked about how much I enjoy his ability to play within the Marvel sandbox while still adding something new to the characters. It’s a skill set that I’m always impressed by, especially in the days when it seems like creators at the big two don’t have as much freedom thanks to huge events and/or other external circumstances that have nothing to do with creating. Of course, it helps when you’re dealing with characters that are only really cool because you made them that way.

Parker launched AoA as a miniseries back in 2006 based off of an old issue of What If?! that posited a team of characters created back in the Atlas days of Marvel’s history actually became the Avengers. Forgotten by most, Parker dusted these characters off, gave them unique voices and personalities and, in the course of telling thrilling stories, hooked me forever. Since that first outing, the team has appeared in a few failed ongoings (I always said I’d like them to simply take the Hellboy/B.P.R.D. series-of-minis approach, but that wasn’t in the cards), minis and back-ups. This trade collects the team’s back-up features in Incredible Hercules which were going on at the same time as the Assault On Mount Olympus story. The team then got another shot at an ongoing simply titled Atlas, but it only made it the five issues collected in this volume.

Anyway, this volume continues all the elements about Parker’s team that I enjoy while always moving the individuals and the team itself forward. The thrust of the main story revolves around Triathalon and the gang figuring out why beings are trying to kill the original 3D Man and his brother (who was a part of that What If?! issue but no subsequent iterations). The book ends with the team searching for and finding a resolution that actually winds up helping everyone involved instead of going the easy route, which is a nice touch. At this point, I believe this is the last AoA book around. I still haven’t gotten my hands on the Gorilla Man or Marvel Boy minis, but I’m hoping somewhere down the line Parker gets to bring these guys back again and show the world why they’re rad.

gotham by gaslightGotham By Gaslight (DC)
Written by Brian Augustyn, drawn by Mike Mignola

Gotham By Gaslight is the kind of book I’ve heard about for years. Though not labeled as such on the cover of this original GN version, this was the first of the Elseworlds tales, stories taking iconic DC characters and putting them in different settings throughout time, space and, oftentimes, literature. Back in 1994 when I was 11, DC gave every ongoing book the Elseworlds treatment in that year’s annuals. It was a lot of fun, spawned one of my all time favorite stories and also sparked my imagination in a general way. So, as a fan of Elseworlds and artist Mike Mignola, Gotham By Gaslight was easily on my to-get list.

After working out a Sequential Swap, I wound up with a copy in hand and while I’m not sure if it deserved so much anticipation, it’s still a pretty good story. The idea here is that Bruce Wayne became Batman back in 1889. As it happens, he comes back to Gotham just in time to take on Jack the Ripper who has also relocated after committing his infamous crimes in London.

I think this book sounds cooler than it actually is. Batman versus Jack the Ripper drawn by Mike Mignola? That was a much different animal back in 1989 than it is today. The book isn’t bad by any means and dodges many of the elements that made some of those Elseworlds books annoying — like every single DCU supporting character coming into play in these alternate universes — but also doesn’t do a great job of creating a compelling mystery. The looming question over the story is, “Who is Jack the Ripper?” {If you want to completely avoid SPOILERS, skip the rest of this paragraph.} We’re offered a few potential suspects, but the actual culprit is really the only person it could have been, right? We’re thrown some red herrings like the creepy British people on the boat and this world’s version of the Joker, but neither of them come up ever again. Had those characters recurred more throughout the story, I would have questioned my original guess at who the killer was, but as it was, I had it pegged from that character’s first appearance in the comic.

Still, I enjoyed the comic and would be interested in checking out the follow-up which features art by Eduardo Barreto called Master Of The Future. While the main character of Bruce Wayne and Batman is basically the same as you’d expect as even a casual Batman fan, it’s cool to see how that character interacts with a world that reminds me a lot of the one seen in Sandman Mystery Theatre. Plus, that costume is just rad!

Marvel Trade Post: Siege, Doomwar, Captain America And Black Panther & X-Statix: Good Omens

Just about every weekend I spend a few minutes sitting in front of the twin to-read longboxes of trades I have sitting in my closet and pull out a small pile to read. I rarely get through all of them, but I tend to do pretty well. As such, I wind up reading a lot more books than I can get to when reviewing doing one, sometimes two, Trade Posts a week. So, I’m going to run through a quartet of Marvel books I’ve read in the past few months.

Siege

Siege (Marvel)
Written by Brian Michael Bendis, drawn by Oliver Coipel with Michael Lark, Lucio Parrillo & Jim Cheung
Collects Siege #1-4, Siege: The Cabal & FCBD 2009 (Avengers) #1

First up you’ve got Siege. This was the big Marvel event that came out in the beginning of 2010. If memory serves, this was the big header to the massive, ongoing story that started off with Civil War, marking a pretty dark time in the lives of that universe’s superheroes. At this point, Norman Osborn was leading H.A.M.M.E.R. which used to be S.H.I.E.L.D. after supposedly saving the world from the Skrulls at the end of Secret Invasion. Jeez, that’s a lot of continuity to remember.

The story itself revolves around Osborn — who’s bug nutty crazy, by the way — attacking the floating city of Asgard which hovers above a town in Oklahoma. This attack draws all the heroes together — both registered and unregistered, harkening back to Civil War — to help defend Asgard against Osborn’s army of Dark Avengers and villains.

At the time, I was excited to see an event comic coming in at only four issues and to see how this would lead into the more positive, less dark Heroic Age at the company. As a story, it involves all the things you’ve come to expect from comic events these days: big group shots, copious amounts of dialog from newscasters, wildly violent moments to let you know things are serious, deaths and splash-page worthy moments returning important characters to their status quos. Maybe it’s because we’re so far removed from this era of Marvel comics — which I wasn’t a huge fan of in the first place — or maybe it’s because this feels like a lot of familiar elements being perpetrated by different people, but the story didn’t do a whole lot for me. It’s beautifully composed by Coipel who’s a top notch talent. He does as well drawing Captain America talking to people as dozens of superpowered folks battling at the same time.

Basically, this book served its purpose by making the good guys good and the bad guys bad again and it’s definitely necessary if you want to know what happened between roughly 2006 and 2010 in Marvel’s books, but it doesn’t really stand out as the kind of book that needs to be revisited.

doomwarDoomwar (Marvel)
Written by Jonathan Mayberry, drawn by Scot Eaton
Collects Doomwar #1-6

I’ve written about this here and there, but I am a huge fan of Reginald Hudlin’s Black Panther series. I think it was an amazing mixture of action and drama that did a great job of cherry picking fun characters from the Marvel sandbox to play with. Because of that run, I’ve become a fan of the character and done a bit of checking in on what he’s been up to here and there.

Doomwar finds Wakanda under attack by the likes of Dr. Doom. With Storm framed for treason, the X-Men come in to help T’Challa and his sister — the then-current Black Panther — clear her name and save the country. As the story — which feels like an event, but was contained in just these six issues — progresses, the scope gets bigger and brings in more characters. I like when comic stories do this, combining an epic feel without making me buy or read a huge stack of comics.

I also like that this story works as both a continuation of the Black Panther story, but also works well as a Marvel Universe story. Doom is such a classic villain that it only makes sense to throw as many heroes at him as possible while keeping his machinations HUGE. And huge they are. I won’t spoil his end game, but it actually works and winds up changing a chunk of the Marvel U. Of course, this is comics, so that may or may not last (or might have already been changed for all I know). I also really dug Eaton’s artwork which has a dark boldness that works on everything from giant monsters to armor-covered heroes. I’ll definitely be keeping this one around.

captain america black panther flags of our fathersCaptain America & Black Panther: Flags Of Our Fathers (Marvel)
Written by Reginald Hudlin, drawn by Denys Cowan
Collects Captain America & Black Panther: Flags Of Our Fathers #1-4

Hey look, another Black Panther comic! This one also stars Captain America, a character who I have grown to love thanks to Ed Brubaker’s run on that book and teams him up with T’Challa’s dad during WWII as the pair face off against Baron Strucker, Red Skull and their band of evil Nazi supervillains. Just like his run on the regular series, Hudlin does this great thing where he grabsgreat characters — like Sgt. Fury and the Howling Commandos, Master Man, Tiger-Man and Warrior Woman — and just has fun with the story. These four issues basically fully tell a story more briefly mentioned in Hudlin’s early days on Black Panther.

On one hand, Flags Of Our Fathers works as a cool team-up story pitting heroic good guys against dastardly bad guys, but there’s also some really great dramatic and personal moments going on here. I really enjoyed seeing Howling Commando Gabriel Jones interacting with Captain America as well as T’Chaka and his people. There’s a really great dynamic there where Gabe is mentally balancing a love for his own country even while a large part of which fears and hates him. He’s even offered Wakandan citizenship, which gives him an interesting problem to mull over coming to a conclusion that isn’t super surprising, but felt natural and earned.

Cowan’s an artist whose style doesn’t always hit with me. I really enjoyed him on The Question because he let his get syper sketchy which really fit the tone of that book and I really like him on this mini series too because he reigns that sketchiness in a little bit while still retaining his style. As with Doomwar, I’ll be adding this one to my collection as fun stories featuring two of my favorite characters.

x-statix good omensX-Statix: Good Omens (Marvel)
Written by Peter Milligan, drawn by Mike Allred with Darwyn Cooke and Paul Pope
Collects X-Statix #1-5

The Peter Milligan/Mike Allred run on X-Force which quickly turned into X-Statix is one of those comics I’ve heard great things about for years, but just never got around to checking out until a few months ago when I got the Good Omens book from a Sequential Swap trade. I had forgotten that this concept actually kicked off in the pages of X-Force and wrongly assumed that this would be the beginning of the story.

The big thing about this team at the time was that they weren’t afraid to put their names out there, let the world know they were mutants and grab their share of the spotlight. This arc follows the darker side of that as a reality-warping mutant named Artie whose an obsessed superfan of the recently deceased U-Go Girl causes trouble for them while at the same time, there’s also a rival super team that offers the team more competition for the spotlight than they’ve previously known.

I should note that this is not really the best place to start reading these characters. As I mentioned, the story really started in X-Force and ran for 14 issues. Huge, huge portions of the Good Omens storylines are based on what went before it. However, even though I wasn’t completely caught up on what was going on, I never felt completely lost. In fact, I was still so interested in these characters and events that I’m trying to figure out the best way to read the whole thing. There’s an out of print omnibus that has everything, but there’s also a hardcover and two softcovers that collects the X-Force stuff as well as the four volumes of X-Statix. I guess I’m on the hunt for a few more books now!

My 12 Favorite Trade Reading Experiences Of 2012

I write about a lot of trades on this site, about two a week if I’m on my game. But, I actually read a lot more than that. So, this particular list is the 12 books or runs that I enjoyed the most reading or re-reading this year. Most of them have been covered on the site, but others have not. I’ll give the latter a few more words than the former, but hope you enjoy.
outsiders looking for trouble  I read all of Judd Winick’s run of Outsiders this year, but didn’t write about it? Why? Well, it was a pretty big reading project, something that makes it harder for me to write about as a whole. But, I still really enjoyed this reading experience. Winick brings a realness to superhero comics without letting it get too in the way (if that makes sense). I know a lot of people think he forces issues into books, but I think these are the kinds of things that should be talked about and seen. Anyway, this was a fun superhero reading experience that made me remember how fun the DCU was back when this book and Geoff Johns’ Teen Titans launched. Good times. starman-omnibus-vol-3I haven’t written about James Robinson’s Starman because I haven’t finished the last omnibus yet. I haven’t finished it because I kind of don’t want to finish it and I also need quiet time to really sit down and finish it. This series is up there with Preacher and Sandman for me in my list of all time favorites. It lives in my heart and I was elated to discover that I still like it. This is what shared universe superhero comics could and should be. legend of grimjack volume 1I know I just read the first two volumes of Grimjack, but the experience has stayed with me. I love that world and keep thinking of great ways it could be interpreted for different genres. Right now I’m thinking about a Crackdown/Amazing Spider-Man style video game set in Cynosure where you take on jobs or just spend your day drinking in Munden’s Bar. If you dig Hellboy, B.P.R.D. or 100 Bullets, I think you’ll enjoy Grimjack. Frankenstein Agent Of S.H.A.D.E. Volume 1 War of the MonstersI’ve had a lot of different feelings about DC’s New 52. At first I was upset that “my” versions of the characters would only survive in my trade shelves and long boxes. Then I realized that I don’t really read new issues anymore and I still have my collection (and books I’ve never read from that era) to enjoy. I also realized that I’m almost 30 and have better things to worry about. With that behind me, I was able to dive into various trades with a mostly clear head and enjoyed them for the most part. I appreciate how DC was attempting to hit all different kinds of genres and audiences, of course, not all of those attempts were successful. The least successful tries in my opinion, though, were the books that just failed to set up a basic reason why that book existed aside from “to make money.” I still have a pile of them to read and am getting a sense of the new U, which is kind of fun. secret avengers vol 1 mission to marsEven though I read the second arc of Ed Brubaker’s Secret Avengers first and the first second, I had a great time reading this “black ops” take on superheroes. Bru writing Captain America/Steve Rogers is always aces in my book, but throwing in a lot of other street level-esque characters was even cooler. I’ve only read these first two volumes, but was satisfied with Brubaker’s ability to create an enjoyable sci-fi/spy mash-up story that felt well contained while still making me want to read more. the return of king dougReturn of King Doug came out of left field for me. It was gifted to me by a pal and I knew nothing about it, but Greg Erb, Jason Oremland and Wook-Jin Clark reminded me so much of the kinds of stories I love from the 80s, but while also doing all kinds of new, funny things I enjoy. Read this now. bprd hell on earth 2 new world gods And MmonstersI’ve said this before, but one of the things I miss most about not working at Wizard anymore is access to all of the Hellboy and B.P.R.D. comics that came out. I’m super behind, but I did get my hands on some B.P.R.D. trades this year for a little catching up (Hell On Earth: New World and Gods And Monsters). That’s still the best damn comic series around and has been for a while. hulk red hulkI don’t mind playing catch-up on some books. I’ve been super happy re-reading things like World War Hulk and catching up on Hulk, Incredible Hulk and Red Hulk this year. Super fun, popcorn books mixed with well thought out ongoing superhero tales filled with monsters? Yeah, I’m all over that. izombie vol 2 uVAmpireI read the first iZombie trade in 2011, but was delighted to get my hands on the second and third volumes in 2012. I wrote about the second one here and have a post in mind talking about the third. Anyway, this series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen. So, so, so good. american vampire volume 1I’m pretty surprised there are two Vertigo books on here. It seemed like for a while I was reading nothing from them. Now iZombie and American Vampire are two of my faves. Then again Chris Roberson and Scott Snyder are two of the best newcomer writers around, so that’s no surprise. In this case, Snyder takes two things that have become old and boring — vampires and American history — and makes them both super interesting and intense. Can’t wait to see where the rest of this series goes.batman knightfall volume 1Batman: Knightfall Volume 1 was pure, nostalgic joy. All of the Batman comics that got me into Batman in one place in one fat volume? Yes, yes and yes. I have the second and third volumes waiting to be read. Maybe next month after knocking off a smattering of random trades I want to check out. lost_dogs_cover_sm_lgI don’t remember exactly why I didn’t write about Jeff Lemire’s Lost Dogs. It’s one of the few books I’ve bought through Comixology for my Kindle Fire. The long and short of it is that this story about a simpleton trying to save his family. It’s raw and rough and hits you in the gut. I don’t know if I liked the experience of reading this story, but it was certainly powerful. I can’t remember if it made me cry or not, but it came close.

I’m certain I missed a few books that I didn’t write about, but this is a pretty solid list by all accounts. I should probably branch out into more diverse trades and graphic novels — and I plan to — but what can I say? I love me some superheroes. I also happen to love all kinds of other comics, so let’s continue to make and talk about awesome comics.

Christmas Stories: 2012 Geek Ornaments From Hallmark

IMG_2185I actually snapped these pictures at our local Hallmark weeks ago, well before Thanksgiving, but forgot about them until now. Hopefully you’re all set on your Christmas shopping, but if not, the geek in your life will surely enjoy something from this line-up (assuming they’re still available, I really have no idea). Either way, I’d love to get my hands on the giant cardboard Darth Vader wearing red cloves and cape AND a Santa hat!

It seemed like there were a lot more available this year, which is pretty cool. I guess geeks like to go all out when decorating their Christmas tree. Of course, I know this. A few years back, we only had a tiny artificial tree that I decorated entirely with the superhero, movie and TV ornaments I’ve been given over the years. Speaking of superheroes, considering the huge summer they had at the box office, it comes as no surprise that they’re featured so heavily. You’ve got Spidey, Catwoman, Batman, Iron Man, Thor, Captain American, Green Lantern and of course Lion-O. That last one is the most exciting to me as it seems to come out of nowhere (especially because it’s in the classic style instead of the new-but-failed style of this year’s excellent remake). IMG_2184

Of course, you can’t have a giant cardboard Vader and not have a goodly offering of Star Wars ornaments. Looks like you’ve got your choice between a TIE Fighter, Hoth Han on Tauntaun, General Grievous, Darth Maul and a pair of Lego dudes. I have a longstanding love of Hoth Han, so I really should get my hands on that ornament.

I’m also a big fan of the movie and TV ornaments they make. I’m as much a product of the thousands of comics I’ve read as the hundreds of movies I’ve watched over and over again, so I’m just as, if not more excited by the Ghostbusters Stay Puft Marshamallow Man, ET with flowers and Caddyshack groundhog dressed like Rodney Dangerfield as I am about the superheroes. Looks like a pretty darn good crop of ornaments to me!

The Dark Knight Rises Versus The Avengers

One of the hallmarks of the geek community is comparing things we love and seeing how they stack up. Of course, the problem with doing this is that we wind up comparing things that don’t even match up. Back when The Dark Knight came out the big question was whether it was better than Iron Man and I thought it was incredibly annoying. It’s like comparing Die Hard to The Usual Suspects, they’re both somewhat dramatic action films, but that’s where the comparisons end. One’s a balls-out auctioner while the other is a really serious, more cerebral outing…with punching and costumes.

The same thing happened this year when people started comparing The Avengers to The Dark Knight Rises and I thought it was an equally foolish comparison. However, while watching Avengers for the second time at the drive-in last night I realized a few things about the two movies that made me like one over the other and, seeing as how this is the internet, I figured I’d share them with whoever will read them.

Right off the bat (heh, PUN!), Avengers is more fun and a more enjoyable watching experience. It’s the perfect movie to check out on a Saturday or Sunday. It also has a lot of great moments that made me geek out, but I realized something while watching Avengers again. The moments in that movie that I dug the most (Iron Man reflecting his blasts off of Cap’s shield, Hulk sucker punching Thor after a team up) were great moments that reminded me of ideas from comics, but those same kind of things in Dark Knight Rises reminded me of specific moments from Batman comics. This is obviously completely subjective, but I can’t separate those very personal moments of awesomeness form my childhood, so why not embrace them? It doesn’t discount anything from Avengers, but just gives DKR a leg up in my book.

I know a lot of people thought DKR was bleak and sad, but I actually found it really uplifting. The character of John Blake completely embodies the never-give-up attitude that’s kept humanity alive for all these centuries. That same attitude is something Batman had to rediscover and use to his advantage to save the city he loves. There’s some of that in Avengers, but I never really thought they’d be in trouble. That wasn’t going to happen, but with rumors swirling that Batman would die in this flick and Christopher Nolan being an incredibly ballsy filmmaker, there was a small part of me that thought it might happen and even that it should have happened. I left Avengers feeling pumped up and fueled by geek-love, but I actually felt good about humanity after watching Rises.

So, Dark Knight Rises has the leg up in my mind, but that doesn’t mean I like Avengers any less. They’re both hallmarks of filmmaking that should be appreciated by all kinds of audiences. It’s amazing the kind of things that can come from comic book source material.