Here’s a fan reconstruction of the Universal Conan show that got Gary Goddard the job directing Masters Of The Universe!
As you can tell, I haven’t been blogging much lately. My days are filled with work, kids and house stuff, so I don’t have as much time to sit back down behind the computer and write out my thoughts on important things like movies and comics, but I’ve been lucky enough to see and read a lot of cool stuff lately and want to remember that.
So, let’s start with the trio of Dwayne Johnson movies I’ve seen recently. A few weeks back, unbeknownst to us we had a free trial of HBO. For a night, I thought we’d had the thing since we moved in six months ago and I’d just missed it, but the disappearance of the channels the next day revealed the truth. Still, I was able to take advantage and watch Justin Lin’s Furious 6.
I’m actually not very up on the Fast & Furious movies. I saw the first in the theaters way back in 2001, but I preferred the previous year’s Gone In 60 Seconds. Since then this series produced a few sequels that kept the motor running until it really kicked into gear in the past few installments. In a lot of ways, these movies have taken on a kind of comic book nature. The last three films have drawn from the previous ones as far as characters go and also, as Paul Scheer said on the episode of How Did This Get Made dedicated to the movie, they’re basically superheroes at this point who can’t die (or mostly can’t die). Continue reading Dwayne Johnson Is Awesome Part 1 (of Infinity)
Ellen Page might play Tara Chace in the big screen adaptation of Greg Rucka’s Queen & Country comic series. John Rogers (Leverage, Transformers) is currently working on the script. [via Variety]
Check out the first image from the Robert De Niro/Sylvester Stallone boxing comedy Grudge Match. [via USA Today]
Paramount announced that they snagged Snow White And The Huntsman writer Evan Daugherty to pen the third G.I. Joe film. Daugherty also did some re-writing on the upcoming Ninja Turtles reboot. [via Deadline]
Even though he finds explosions boring these days, Bruce Willis is still signing on for more
paychecks action films. The latest is called The Prince in which he plays a guy waiting for revenge on a mob enforcer who returns to Vegas to get his daughter back. Red Dawn writers Andre Fabrizio and Jeremy Passmore penned the script for director Sarik Andreasyan (American Heist). [via Collider]
Did you see the French poster for Snowpiercer? Well now you have! [via CloneWeb]
Word on the street is that Mark Wahlberg is in talks to star in a remake of the James Caan 1974 flick The Gambler with potential director Rupert Wyatt (Rise Of The Planet Of The Apes). [via Deadline]
Electric Shadows blogger Jean Lukitsh wrote an e-book about the history of martial arts cinema that also features segments from the author’s personal memorabilia collection called Electric Shadows: The Secret History Of Kung Fu Movies Volume 1. The 69 page book is $2.99 on Amazon. [via Kung Fu Cinema]
Man, what’s with Bruce Willis lately? First, he reportedly demanded too much money to reprise the role of Mr. Church in Expendables 3 (to be replaced by Harrison Ford) and now he’s giving weird interviews all over Europe as a weird way of supporting Red 2 and telling us that explosions are dull, Deadline reports.
The actor talked about his growing action movie fatigue with Spanish magazine XLS. “Explosions are one of the most boring parts of my job,” Willis said. “When you have seen a few fireballs, it’s not exciting anymore. I know part of my audience enjoys the explosions, but to be honest, I’m a bit bored of it now.” The next rational question, then, is why does he bother to keep making these films? He answered that question very pragmatically. “I am very clear with who I am,” Willis said. “I work in all sorts of films, but the action movies are the ones that generate the most revenue. I like to earn lots of money from those.”
Look, we’ve got no problem with an actor taking jobs for the money. That’s how the business works. But there’s something off-putting and diminishing about a guy trashing the genre we love while also essentially saying we’re the ones who help him out by buying tickets and buying Blu-rays. It feels kind of like he’s saying, “I make my money off you explosion-loving goofballs, but it’s super boring.” Let’s be real, here, Bruce. No one’s remembering you for your dramatic work. You’re a good actor. We saw that on Looper. But the legacy of Bruce Willis on film isn’t Moonrise Kingdom, it’s Die Hard. Either make a shift towards more serious, cerebral roles or stop complaining.
Like most of the Hollywood news sites out there, Deadline reported that Steven Spielberg and DreamWorks have pulled out of adapting Navy Seal Chris Kyle’s American Sniper for the big screen.
The other day, Sylvester Stallone announced that Harrison Ford would be replacing Bruce Willis in The Expendables 3. THR reports a rumor that Willis wouldn’t agree to shoot for four days in Bulgaria for $3 million (he wanted another mill apparently). We guess this is what Sly meant when he said “GREEDY AND LAZY …… A SURE FORMULA FOR CAREER FAILURE”
We here at Explosions Are Rad are big fans of the mash-up action-fests better known as The Expendables movies. The brainchild of Sylvester Stallone, the films bring together some of the best and brightest action stars of all time together offering explosions, fight scenes and gunplay worth the price of admission alone.
If you’re a fan of the franchise, you really need to follow Stallone on Twitter (he’s @TheSlyStallone). The legendary action star took to social media today to not only announce that Bruce Willis won’t return for The Expendables 3, but also that he’ll be replaced by Harrison Ford. “WILLIS OUT… HARRISON FORD IN !!!! GREAT NEWS !!!!! Been waiting years for this!!!!”
He followed that up with what seems like a slam against Willis who appeared as Mr. Church in the first two Expendables movies. “GREEDY AND LAZY …… A SURE FORMULA FOR CAREER FAILURE”
Willis’ Mr. Church played an important role in both films. In the first, he hired the team to invade Valena and in the second he uses their failure in the first movie as leverage to send them out to get a device that winds up putting them in direct opposition to Jean-Claude Van Damme’s Vilain. He even got in on the action alongside Arnold Schwarzenegger in the second film. Will Ford do the same in 3? We sure hope so.
Last month, Stallone also said via Twitter that the new film, directed by Red Hill‘s Patrick Hughes, will feature real life fighters Ronda Rousey and Victor Ortiz as well. Hopefully, they fall into Randy Couture territory and turn out to be super watchable on screen. The film is also said to star Jason Statham, Dolph Lundgren, Couture, Terry Crews, Jet Li, Nicolas Cage, Mickey Rourke, Jackie Chan, Kellan Lutz, Milla Jovovich, Wesley Snipes and many more.
We’re probably not going to get into too much comic book movie news here on Explosions Are Rad because they’re covered really well on other sites, but it’s pretty cool that an action-packed flick like The Wolverine took the box office and made $86 million worldwide according to Variety.
We’re also not looking to delve too much into horror movie news for similar reasons, but Syfy’s Sharknado had enough (terrible) action scenes and explosions to qualify for a quick bullet point. TheWrap reported that the film will hit Regal, UA and Edwards Cinemas for a Friday, Aug. 2 midnight showing. It will be interesting to see if the so-bad-it’s-good phenomenon will transfer over to make actual money after being offered so often for free.
The Mary Sue recently posted an interesting story about a new Pakistani animated series called Burka Avenger that stars a female superhero who spends her days as a teacher. It definitely sounds like kid stuff, but the concept of a strong woman using her brains to fight crime is aces in our book.
Collider did an interview with Jon M. Chu about this week’s G.I. Joe: Retaliation DVD and Blu-ray release and also talked a bit about the third film which he’s signed up for. Briefly, he said that Dwayne Johnson and Bruce Willis are returning, they’re looking for a writer now and also to “double down on the adventure part of the movie” while also looking to possibly bring in more Joes.
Speaking of Dwayne Johnson, the man known as The Rock, Tweeted out an image from the set of Brett Ratner’s Hercules with the message: “Let it be to death or victory” THANK U my ‘Thracian soldiers’. Intensity & energy.”
There’s a flick in the works called Black Friday that revolves around a man trying to get his wife back after she’s kidnapped inside a giant mall. He’s got to perform crazy tasks to get her back. Sounds silly, but I spent enough time in the Palisades Mall to give this a look on Netflix. John Sullivan wrote a script that Darin Beckstead’s attached to helm. (via Deadlline)
World War Z fans can look forward to checking out the big budget zombie flick starring Brad Pitt in IMAX 3D for a week kicking off on Aug. 2. (via Deadline)
Much like with The Raid, I’d heard pretty much only good things about Rian Johnson’s Looper. The trailers I’d seen looked good and according to post-Cop Out Bruce Willis detractor Kevin Smith the movie was so good that it even made him like Willis again, so that definitely piqued my interest. Plus, who doesn’t love a good time travel movie? I’ve seen some really killer newer entries into the genre lately between Primer and Triangle (I wasn’t as big a fan of Timecrimes).
My wife and I watched this movie over the weekend and I was pretty taken aback by it, something I can’t say about most movies. There were some faulty bits that I’ll get to in a graph or two, but first, let’s talk about all the good stuff. This story is fantastic. Joseph Gordon-Levitt plays an executioner in 2044 who works for mobsters in 2074 who have access to time travel tech. They have a hard time offing people in the future, so they transport people to the past where a Looper is waiting for them with a blunderbuss and blow the target away. Things go crazy in the film when JGL’s future self (Willis) gets sent back without the usual restraints and winds up getting away. Willis is on a mission to save his life while JGL just wants to get his old life back. The craziness flows from there.
While I really dug the story, there some story elements that bothered me though. Why do Loopers have such silly guns? Sure a blunderbuss can blow a hole in an elephant, but why not train them to shoot a guy in the head or even use an automatic weapon? I only ask this question because it seems like this detail was added in for the sole purpose of giving JGL a weapon that’s basically useless at the very end of the film. Also, why are they called Loopers? JGL explains in voiceover that it’s because the mob will send the Looper’s future self back for the current Looper to kill, but isn’t that funny naming logic? You don’t name a guy for the last part of his job, do you? I still can’t tell if I have a problem with the telekinesis stuff or not. On one hand, you can just accept is as part of the world, a piece of information that’s put in place and paid off for at the end of the movie. On the other hand, it could be a kind of tacked-on bit of business that’s only there to turn a character who would normally be non-threatening into something you really have to worry about.
Even with the above complaints, I was really moved by this movie. First off, it’s a daring story that goes weird places you don’t expect your basic theater-fare to go. Bruce Willis also stars as a somewhat relatable character doing incredibly awful things to try and save his family. Plus, JGL absolutely kills in the film. He carries the intensity and rawness of his own character while also channelling Willis in ways that don’t seem cheap or hokey. Plus, he really rocks that prosthetic nose and begin to believe he’s almost a completely new person (I kept thinking he looked like Shia at times in the film). And man, that ending. I did not see it coming and it hit me in the gut like heavyweight punch. That’s something else you don’t see often.
If you’re like me and just about everyone I’ve talked to about this movie and want to learn more about Johnson’s life, creative process and experience making this film, check out Kevin Smith’s 2-part SmodCast/SmovieMakers podcast interview with the director (here and here) who also goes into detail on his previous efforts Brick and Brothers Bloom.
In my post about the exceptionally disappointing Death Proof, I talked about how excited I was about Grindhouse, the combined efforts of Quentin Tarantino and Robert Rodriguez to recreate the feeling of going to a 70s drive-in complete with double bill and even trailers for movies that didn’t–at the time–exist. What I forgot to mention was how inundated we were with Grindhouse stuff at the time for Wizard. I was working in the research department at the time, which meant it was my job to find images to go along with features and news stories. As you might expect, there was a good deal of Grindhouse coverage leading up to the movies, but not a lot of images released. While watching Planet Terror again last night I kept having these weird flashes when particular scenes came on. At first I thought I was just remembering the movie from the first time I watched it a few years ago, but then I realized that they were the stills we kept running over and over in the mag.
Anyway, I was flipping through my DVDs last night to see if there was anything I wanted to watch more than the intended night’s flick X2 and stopped as soon as I saw Planet Terror. I had completely forgotten that I had picked the movie up on one of my many trips through the sale racks of my nearby Blockbuster before it closed down. Bonus! Aside from the freeze frames I mentioned above, I didn’t remember much of the movie other than it had zombie-esque people attacking a girl with a gun leg and a guy who owns a barbecue joint.
Unlike Death Proof, I had a delightful time watching Planet Terror. I think the difference between those two movies is that Rodriguez had a much better understanding of what makes the kinds of movies he was paying homage to work than Tarantino did, which is strange because Quentin has made a whole career based on taking a genre and updating it while also making callbacks to other movies. As far as I’m concerned, Rodriguez completely nailed the zombie outbreak story. He dealt with elements we’ve seen since Night Of The Living Dead but also turned a lot of them on their ears (what happens to Dakota’s son, what happens to Naveen Andrew, etc.). He did a great job of presenting the characters and getting me interested in them–even if it is because of the very B-movie idea that they’re just cool looking so I want to know what happens to them–before getting into the zombie goodness.
And once we do get into the zombie goodness, it’s SOOO good. It looks like some of the blood might have been added with CGI, but for the most part it looks so real and good and gross and bloody that those little bits of computer generated saturation didn’t bother me. The gore is fantastic and something that I’ve missed a lot from most of the modern horror movies I’ve seen lately (maybe I’m just watching the wrong ones, but I felt like I hadn’t seen this kind of big budget feel in a gore-filled horror flick in a while). I also really loved the ending which didn’t just leave our heroes wondering what was happening with the rest of the world, but showing a bit of it. There was something very 70s feeling about it, which was the whole point.
While watching the movie, I came to the realization that Robert Rodriguez might be the most consistent of the directors I like. Quentin really faltered with Death Proof, but I also tried to watch Jackie Brown in the past year or two and was bored to tears. I like the rest of his movies, but those are two pretty big strikes. Meanwhile, Kevin Smith seems to have gone down in quality over the past few years, especially with Cop Out. However, I’m excited about Red State, so he’s in a little better shape in my book. Then you’ve got Rodriguez who has never disappointed me. I’ve watched El Mariachi, Desperado, From Dusk Till Dawn, The Faculty, Once Upon A Time In Mexico, Sin City, Planet Terror and Machete and have never once been less than impressed. I’m actually excited about delving into his kid friendly flicks like the Spy Kids movies, Shorts and Shark Boy & Lava Girl because I bet they have as much fun with the tropes of those genres as he does with the ones he’s played with in his more grown up flicks.