I realized somewhat recently that I don’t write about big time, blockbuster type movies on here very much. Partially, that’s because I haven’t been writing about much of anything, but also because I sometimes don’t feel like I have a lot to say about films of that ilk. For me, this blog doubles as a kind of digital, poorly edited external hard drive for the things I’ve watched or read, but it’s also a way to tip people off to things that are fun. Considering the latter, it might not seem like Godzilla and San Andreas need a signal boost from a guy without a lot of readers, but I really enjoyed both films, so what the heck?! Continue reading Disaster Double Feature: Godzilla & San Andreas
I gave up watching a show I actively enjoy — yes, The Devil’s Ride, even though I complained about it’s realness recently — in favor of checking out Bates Motel on A&E. I’ve been writing about this series for what seems like forever over on Spinoff Online and yet I was still curious to see the results. A big part of that comes from the source material, just last year I watched all four of the Psycho films and got a weird, giddy thrill not only when Norman and Norma pulled up to the hotel, but even more so when they went inside and it looked perfect. I was also curious to see Carlton Cuse’s next offering. He was one of the driving forces behind Lost, a show I still hold in high esteem, so I wanted to see what he’d do next.
Bates Motel takes a Year One approach to the world of Psycho, showing how Norma (Vera Farmiga) and her son Norman (Freddie Highmore) made their way to the infamous Bates Motel. SPOILERS FOLLOW. The show literally starts with death, that of Norman’s dad and then jumps six months into the future as she surprises him with the purchase of the motel. Norman’s a bit odd, but we discover that he tends not to make connections with people because his mom moves him around so much. He meets a group of girls who seem to like him right off the bat and even invite him to study with them. His mom says no, so he sneaks out and meets up with them, but they really take him to a weird house party. While he’s gone, the man whose family the motel used to belong to breaks into the house, attacks Norma and rapes her. Norman comes home just in time and knocks the guy out. When he leaves the room, Norma stabs the crap out of her attacker. The rest of the episode revolves around moving the body to one of the motel rooms, ripping up carpet, talking to cops, Norman dealing with all this at school, the disposal of the body and a super-weird talk between mother and son where he tells her that she’s his entire world. You get the idea pretty quickly about exactly who you’re dealing with in these characters. The looming mysteries revolve more around how those characters will interact with the people of the town, the mysterious and dangerous sounding older son who we only hear on the phone and why a young girl is being kept chained up in a mysterious locale by unknown forces.
Having watched the first episode, I’m not really sure how I feel. I’m thrown off balance and not just because of the graphic content of the show. I think the main problem I had with the episode, or possibly the main problem of the series as a whole, is that it lacks a consistent tone. For one thing, the time period feels all-over-the-place. The Bates’ dress as if they’re straight out of the 50s, they only talk about or watch old movies and the setting is so firmly entrenched in that time period that you get thrown off a bit when Norman is shown listening to an iPod and meets other kids who are more of the modern times. I knew from writing about the series that it was set in the present, but the show didn’t convey that until well into the first episode, something that probably threw more people off than it needed to. The real question here, though, is why they went with that vibe and that reveal. Was there a point beyond homage? If so, I’m not sure what it was. It doesn’t seem wise to throw your new audience so many random curve balls this early in a series, especially if there isn’t a clear payoff for them. I already get that we’re dealing with weirdness, it’s written on every single character’s face.
I also felt like some things were presented in such a way — like the teen party scene — that look over-the-top and kind of crazy. But then a few moments later you have a very real, visceral and mostly on-camera attack on Norma that doesn’t flinch or look away. That moment was uncomfortable enough as it was for obvious reasons, but even more so if your brain let you think, “… but, two minutes ago I saw a girls in neon clothes jumping on a bed under a backlight, now…this?” I haven’t watched much horror based television but this show does seem to be taking some cues from Twin Peaks which really is its own beast. While that series kept a very consistent tone all around — one that allowed for all kinds of weirdness, but all presented in a serious manner when necessary — this one seems to go from wacky to ultra-real and serious without much grace, almost looking like scenes from different movies cut together.
Before moving on to one of the show’s other problems, I want to talk a little bit more about the rape scene. I was as uncomfortable watching that scene as everyone else, but while it was playing out I also found myself wondering how the plus/minus evaluation for it played out in the writers room. You could have had the exact same scene with the same outcome had he only been there to attack her and not sexually assault her. I could see them arguing that you’ve got to have a more serious violation going on to make this man’s murder more palatable for young Norman, especially Norma’s argument that they can’t go to the cops because she’ll be a laughingstock (she’s counting on his desire to protect her). I think you could have gotten there if Norman had walked in on this guy just about to stab his mom. There’s three reasons I didn’t like the scene. First off, it’s just plain uncomfortable to watch in a way that I don’t want to be uncomfortable while watching horror (I do not watch rape revenge movies,generally speaking). Second, it felt like lazy writing, as if they couldn’t think of a different way to justify murder and manipulation. We’re talking parents and children here, wanting to protect one another is built-in. And third, I think that scene might have turned a lot of people off the show as a whole, including my wife who watched along with me even though she does not like horror or have any special affinity for Psycho.
Another huge problem and an element that contributes to the show’s odd tone is Freddie Highmore’s inability to hide his British accent consistently. There’s times where he hides it well and just sounds like a soft spoken young man, but other times, usually when he’s angry, he sounds like a pub-drunk Brit. I think he does a good job of capturing the confused sexuality and overall repressed nature of Norman Bates, but the kid can’t sound like he’s his mother’s son. That’s a huge problem, one that can break the show for a lot of people. As with the time trickery and the weird tone, these are the kinds of things that can knock people out of the story. They might be small annoyances for some, but they can easily add up to become a too-distracting aspect of the show for some people to get involved in.
I was talking to my wife earlier today about the show and she said she wasn’t int it. She summed it up pretty well: she’s crazy, he’ll do anything for her, I know where this winds up, do I care how it gets there? That’s a really good question. As I mentioned above, it looks like they’re throwing a whole town of crazy at the Bates’ to see what happens. I’m not sure if that’s a set-up I’m super interested in. With something like Dexter, I can be into the overarching stories of the series as well as the murder-of-the-week stuff, but as of right now, it doesn’t seem like Bates has as much that makes me want to come back for more especially if it continues to wallow in such terrible human behavior.
At the end of the day, I’m still not sure about how I feel about the show. I’m still an old school, DVR-less viewer which means I’ve got to actually pick and choose which shows I want to watch. I might give Bates Motel another episode or two, but if it continues to feel wobbly, I might just hop back on over to The Devil’s Ride. If people like it I might catch up down the line. I also feel a little wary of A&E, though, because they really sucked me in with Breakout Kings and then left me hanging. Do I want to get into another one of their shows only to have the same thing happen?
Did anyone else watch Nash Bridges back when it was on between 1996 and 2001? I did, for most of if not all of the run. It was one of those shows that my whole family liked and, watching the first four or five episodes on DVD brought back all kinds of memories. I’m shocked at how well I remember a good deal of these episodes and specific scenes. There’s one part in the episode after the pilot where Nash is in a car chase with a camper, it’s leaking oil, he shoots something underneath the camper and a piece of metal falls down and starts sparking which blows the camper up. I remembered it moment by moment and remember sitting on the end of my couch when I was 13. Crazy. Aside from nostalgia, the other reason I’m going back and watching Nash Bridges is because Carlton Cuse or Lost-fame was a creator and producer. There isn’t anything Lost-like about the show itself aside from the high quality and story that you’d expect from a Cuse show.
The basic idea behind the show is that Don Johnson’s Nash is a top cop in San Francisco teaming up with his former cop buddy Joe played by Cheech Marin. Nash may be a perfect cop, but his personal life is all over the place with two ex-wives, a teenage daughter and a father with Alzheimer’s. The show is very bright thanks to the costume and set design and everything looks really unique because, as it turns out, Johnson wanted it that way and had a good eye for these kinds of things. The episodes are pretty standard cop drama, but, for the time, the characters were really fresh and interesting. Like I said, Nash is flawed, Joe’s having problems with his wife. Then there’s a few other cops like Harvey who is a huge Grateful Dead fan and Evan who is the young turk, techhead. It’s pretty funny listening to them talk about tech stuff considering this came out 14 years ago. The pilot even revolves around some stolen computer processors.
In addition to watching all the episodes on the disc which I really enjoyed, I also watched and listened to all the extra features. There was one featurette with Cuse and a group of other producers and writers from the show talking about what it was like to work on a show like this which revolved around a star like Johnson. Everyone seemed to be saying Johnson was hard to work with, yet really knew what he was talking about when it came to filming, locations, color and lighting, without actually saying the former.
There’s a commentary with just Johnson on the last episode of the disc that confirms this with a confused or sick sounding Johnson mailing pointing out broad strokes like what kind of lighting setting something was, architecture, costuming and a few other technical things. He actually refers to comics (both American and Japanese) quite a few times when referencing the color and on-screen technology. I thought that was pretty cool, didn’t know he was a comic fan. There are long periods of silence and the commentary could have greatly benefited from someone in the room. I’m not sure if Johnson is in good health or not, but he went from sounding confused to very lucid, which makes me wonder if he was actually recorded at two different times. I hope he’s doing alright, dude’s only 61.
There’s one other commentary which goes along with the pilot episode featuring Cuse and Cheech which was a lot of fun. There’s a lot of the same information as Cuse explains how Cheech got involved in the show, but overall it was a lot of fun. Unlike Johnson, Cheech still sounds completely on his game and made me laugh several times. Cuse sounds just like he does on your average Lost Podcast (a must for Lost fans) and has a great memory for the elements of the series. There’s lots of interesting talk about how some characters just fade into the background because there isn’t much story potential and that sort of thing. They also pointed out an appearance by Lucy Liu that I had missed so that was cool.
All in all this is a really fun show to watch. I doubt I’ll burn through the DVDs like I did with shows like Mad Men, Buffy, Doctor Who or Big Love, but I will enjoy going through a disc every now and then. As of now, only the first two seasons are out on DVD. Paramount started releasing them in 2008 with 1 and then 2 last year. I’m hoping for a bit more of a push this year or at least the ability to watch them on the NetBox.