Halloween Scene: New Movie Roundup

p9523329_p_v8_aaAs I mentioned in my first post in what felt like forever, I was awful busy looking at Halloween related material for work throughout September and October, which resulted in a lack of posts here on the site, a first if I’m not mistaken. Sure, Halloween season is technically over, but I wanted to write a bit more about a few of the newer movies I saw on Netflix in preparation for two Spinoff lists: 5 Recent Indie Supernatural Horror Movies Worth Watching and 5 Recent Slasher Flicks to Take a Stab at For Halloween.

First off a little background that I mentioned in those posts, but didn’t get fully into. While looking around for horror movies on Netflix Instant back in September, I realized that a lot of movies I’d heard good things about on Killer POV (my favorite horror podcast) were on there. I tend to avoid new horror movies out of a kind of fear, not necessarily a fear of being frightened by them, but a fear of being subjected to awful depravity. Let’s face it, that was the subgenre du jour for a while there. It seemed like every new movie I watched was just filled with torture. Not my bag.

john dies at the endBut after hearing about so many quality movies that had come out — many of which don’t work for everyone, which is fine my me — I decided to focus my viewing efforts this season on new movies from this decade. With only four years to choose from, I was a little worried about slim pickings, but I have to say I was pleasantly surprised and happy with the results. In fact, I think I enjoyed everything I watched (at least on some level).

Alright, let’s start with the Supernatural list. I covered them pretty well, but to take things a few steps further Don Coscarelli’s John Diest At The End and Resolution are two of my favorite scary movies in a long time. I loved The Innkeepers. Like I said in the review, between the on-screen scares and my anticipation of scares based on lesser films, I was pretty wiped by the end of that viewing experience. I thought about watching Ti West’s Sacrament, but wussed out.

rites of springI’d seen Odd Thomas on Netflix several times, wasn’t sure about it, but finally watched it and really enjoyed it. It kind of reminded me of Brick, but with less melodrama and more death-monsters. I liked it so much, I’m actually reading Dean Koontz’s Odd Hours from the library. It has the same feel as the movie. I’d like to see Anton Yelchin star in a series of films or, better yet, a TV show based on the character. I still can’t tell if All Cheerleader’s Die is a super clever film or I’m just reading too far into it, but it was definitely worth the watch.

Over to the slashers, this was another pleasantly surprising batch of films. I was especially surprised by how much I enjoyed Curse Of Chucky as that’s not exactly a series I’m in love with. I also wasn’t sure if Maniac would be my bag because I’ve never seen the original or its fellow real-killer-in-NYC ilk, but I found it chilling and Elijah Wood captivating in the lead role. I actually felt super creepy walking anywhere near a woman when I was going from the hotel to the bar during NYCC because of that viewing experience. Stage Fright was so much fun, but that might be solely because of my experience in high school musical theater. It’s goofy and weird, but I’m okay with that.

The-Innkeepers-PosterI’ll be honest, I didn’t actually watch Hatchet II again, but those films are still some of the best slasher flicks I’ve ever laid eyes on from any decade. I didn’t really think about it until I wrote that list, but it’s difficult to think of any other series with that much consecutive quality. Finally, I really liked the look and mash-up feel of Rites Of Spring. It’s on the shortlist of movies I watched this year that had a distinct color pallet and style. I found myself wondering if the Stranger was actually satiating a kind of crop god or just a crazy person throwing blood down on a man in a weird mask for decades. It would have been nice to get some of those answers, but I didn’t think they were necessary.

I also watched American Mary. I’ve got a blog post written that I’ll throw up this week. Here’s a preview, I thought it was pretty damn unique, but I’ll probably never watch it again. I still really dig the You’re Next viewing experience and do think I’ll return to that one at some point. Speaking of repeated viewings, that was the focus of my late-October horror movie schedule which will make up another post!

Halloween Scene: Phantasm (1979) & Phantasm II (1988)

I’ll admit, I was getting a little burned out on these Halloween Scene double features. I usually like to go to the coffee shop to get some of my work done which takes away from potential movie watching time. Plus, as much as I love horror movies, watching nothing but them can be a bit much. I have no idea how BC over at Horror Movie A Day does it. You might have noticed (if anyone’s paying attention) that I didn’t do a Halloween Scene on Friday. That’s because the missus got off work early, I wanted to work on my own horror script (it’s getting closer and awesomer, if I say so myself) and my folks were coming to visit, which limited my time. I thought about dumping the whole idea and just watching movies I love, but then I got Phantasm II in the mail from Netflix and decided to continue on.

As I mentioned last week, I’m doing these reviews completely out of order, having reviewed the third and fourth Phantasm movies before the first two. I’ve seen all the movies before and I think I can say that it almost doesn’t matter which order you watch them as long as you’ve seen them before because they’re all just so gonzo. The first Phantasm sets up a lot of the mythology of the series. You’ve got young Mike witnessing some weirdness involving the mortician at Morningside Cemetery. Soon Mike’s trying to convince his older brother Jody that monsters are out and about doing something to the corpses in town (including their friend who just died and their parents who died two years prior). They’re joined by Jody’s friend, fellow guitar player and ice cream man Reggie who joins in on the action. Our trio of heroes finds themselves facing off against mutant flies, Jawa-like monsters and the iconic metal balls. Meanwhile, the Tall Man seems to be stealing bodies, shrinking them down and sending them off to his home world/dimension.

Now to talk about the ending, so ignore if you don’t want to kind of sort of know what happened. After seemingly succeeding in burying the Tall Man in a deep hole, we’re told that it was all a dream. Jody died in a car accident, Reggie’s watching over Mike and Reggie thinks Mike’s story was just a dream or delusion. Usually I hate endings like this because it basically means you wasted the last hour and a half of your life on something that mattered even less than a movie already does. For whatever reason, though, it doesn’t bother me quite as much with Phantasm. Maybe it’s because the Tall Man appears and Mike gets sucked through the mirror so it seems like some aspect of the movie must have been true? Maybe the Tall Man somehow made Reggie and everyone else forget the events of the movie somehow. There’s a lot to think about with the movie if you don’t mind putting way too much thought into a movie.

Oh, one last thing, I love the music in the movie. It seems to take some cues from John Carpenter’s Halloween score which came out the year before in 1978. Here’s the thing though, the movie took a few years to make, which means the score might have been conceived before Carpenter’s or it might have been created afterwards, it’s hard to tell. I listened to the director’s commentary for the movie years ago. It’s really interesting with lots of fun facts and details (they filmed the movie over a series of weekends spanning a year or two), but I don’t remember writer/director Don Coscarelli talking about it specifically. Then again my memory’s not so great (I completely forgot that Jody and Reggie’s friend dying kicked the movie off).

It’s not often that a horror movie sits around for nearly a decade before getting a sequel. Coscarelli was apparently offered the chance to do one immediately after finishing the first movie, but instead went on to do Beastmaster. He eventually got a deal with Universal to create this sequel which recast the role of Mike, kept Reggie the same and didn’t include Jody at all. Of course, the Tall Man returned played by Angus Scrimm. The larger budget allowed Coscarelli to really open the story up. We kick off kind of where the previous movie ending and then moving into the present where a grown-up Mike is getting out of the loony bin after seven years. He immediately goes after the Tall Man, digging up graves and finding out that they’re actually empty. Reggie stops Mike and takes him to his house which inexplicably blows up killing Reggie’s family. This makes him believe Mike, leads to them breaking into a hardware store where Reggie makes a four barreled shot gun and Mike a flamethrower and drives the two to go on a road trip to track down and kill the Tall Man. There’s also some girls involved and a new group of monsters for Mike and Reggie to fight like a gas masked killer who Reggie has a chainsaw battle with. It’s pretty amazing.

The added budget also lead to more special effects like the Tall Man’s visage popping out of a girl’s back Freddy-style and a golden flying ball that can bust through walls and shoot lazers. It’s pretty epic. In fact, the whole flick is. I especially like that whole towns have been murdered, as Reggie says, by the Tall Man and his monstrous minions and yet no one seems to notice. This is either sloppy storytelling or hints at the Tall Man’s greater powers that haven’t been directly explained. I’m going to go with the latter because I can’t help but liking the series, especially as Reggie takes center stage this time around and becomes an Ash-level badass (I think I might actually like him better than Ash, at least in this flick).

So, there you have it. I’m glad I found two movies I hadn’t reviewed that I really like. I’m going to search through the blog archives to see what I have and haven’t reviewed and hopefully fit in some of my favorites (Jaws and the original TCM have yet to be reviewed, plus I’ve got a few Roger Corman and Vincent Price movies I haven’t watched as of yet, but I do have to find time to watch at least Halloween and Halloween III). Things are looking up!

Halloween Scene: Phantasm 3 (1994) & 4 (1998)

I’m doing things a little backward with the Phantasm series. I’m reviewing the last two first and the first two last (once I get Phantasm II in the mail). I first saw all four of the flicks back in my teen years, bought the first movie used at a record store and watched a few of them with Rickey when we lived together, but I didn’t remember much from the third and fourth movies which made watching these movies again a lot of fun.

If you’ve never seen the Phantasm movies, the idea is that the Tall Man (that guy on the left there played by Angus Scrimm who has looked 100 years old for 40 years, much like his character) takes dead bodies, turns them into little Jawa-looking monsters and sends them to another dimension. The films are marked with lots of wild dreams, evil doppelgangers and things not being what they appear. Our heroes are Reggie, Mike and Jody, some guys who stumble upon the Tall Man’s plan and try to stop him. When we pick up with 3, Jody is dead, but his younger brother Mike and Reggie are still fighting the good fight. The pair get separated and Reggie runs into some problems first with some crooks trying to kill him (or something) and then a little kid who must have seen Home Alone many a time who murders the crooks using things like a Frisbee with razor blades and tossing a tomahawk into someone’s head. Reggie teams up with Tim and then a woman named Rocky who can only deliver clunky wooden lines that shouldn’t sound as bad as they do.

As poorly acted as Rocky’s character is, Tim shines through as does Reggie. Mike comes off as a little weird and as usual the story is all over the place, but the special effects were pretty damn solid. The Jawa guys had actual faces this time around and the scenes with the iconic silver balls popping out of various body parts (including a skull) all looked pretty great. There’s a more comedic element to the movie this time around, but it didn’t bother me because I wasn’t expecting a whole lot. One of the more interesting elements this time around is the fact that Jody returns, but he’s inside one of the shiny balls, so he can kind of help his friend and brother, but also finds himself hurting them by drawing the Tall Man closer. I also like how gonzo things always get as each movie adds more monsters that the Tall Man controls and they all look gross and are filled with yellow blood.

I read that there was a much more epic script or a fourth Phantasm flick but the money never materialized, so writer/director/creator Don Coscarelli decided to do a movie that got more back to the roots of the original film, but also explore the origins of the Tall Man. In a weird transition from the previous movie, this one starts about five or ten minutes before the end of 3 and then ignores Rocky and Tim completely and never mentions them throughout the film, but that’s the kind of craziness you come to expect from these movies. Another interesting thing about this film is that Coscarelli found a bunch of unused footage from the first Phantasm and used it to tell this story which was pretty fortunate and cool.

Once again, Reggie and Mike are split up with Jody flying around talking to them at different times. While Reggie fights more monsters, Mike tries to get to the bottom of who the Tall Man is, even going back in time and meeting Jebediah Morningside before he turned into the Tall Man.

Once again, this isn’t a great flick, but if you’re a fan of the previous movies I think it’s a fitting end to the series. SPOILERS AHEAD. I had forgotten that the end involves Mike going back in time and actually stopping the Tall Man from ever happening…or something like that. It’s a very complicated series of films that I probably should not have watched while doing my work for the day, but I plan on revisiting these in the future all in the correct order at some point. Overall, I love the weirdness of these movies and how Coscarelli and the cast made the first one on weekends when they had time and enough money to buy film. He got four very unique films out of the process and gave the world two of the best horror movie villains around: Tall Man and those damn balls. I don’t remember the second film very much, so I’m looking forward to watching that one again and hope that someday everyone can get their act together and put out a full set of these discs. I’ve also heard word that Coscarelli wouldn’t mind making another version and I would fully support that. Heck, I wouldn’t mind seeing any remake of this movie, just to see what another set of eyes and brains would do with the concept, though finding another Scrimm would be nearly impossibly in my mind.