Given our current situation as parents of a very active toddler and a born-early infant, my wife and I don’t find a lot of time where we’re just hanging out in an evening with enough time to watch a feature film. Well, one night a few weekends back we were in that rarified air on a Saturday night and decided to give Phil Lord and Christopher Miller’s 21 Jump Street a look.
The basic concept is that Schmidt (Jonah Hill) and Jenko (Channing Tatum) were high school adversaries who both wound up being less-than-well-balanced police academy students who got over their past to become good friends. They also get assigned to the re-opened 21 Jump Street program which takes young-looking cops and puts them into high schools to help solve crimes (the basic plot of the Fox series of the same name, of course). Their first mission puts them in a school where a new drug is making the rounds and it’s their job to bust it up. As they get to school, though, the jocky Jenko comes to realize that his ways aren’t cool anymore while Schmidt quickly gets in with the popular kids, relishing ever minute of his newfound acceptance.
This movie won me over in the first 10 minutes or so when they quickly got past the bullying stuff and got right to these guys becoming real, good friends. It reminded me a little of Hill’s similar relationship with Michael Cera’s character in Superbad because it feels honest, especially when it hits snags as the film progresses. Beyond that, it’s just a damn funny movie. I laughed so hard throughout the entire film that my throat was a little sore afterwards.
In addition to the big name leads, the film includes plenty of great cameos — including one by original series star Johnny Depp! — and the leads were fantastic, but Dave Franco really stole the show for me personally. Nothing against his brother, but I think the younger Franco might be even more charismatic. He’s captivating, plain and simple.
As far as relating back to the original material, I wasn’t a 21 Jump Street fan when the show was on. For a long time, it was a reference I’d hear, but only vaguely understood. But I did watch at least the first season on Netflix a few years back and had fun with it. So, with some knowledge going in, I’d say that Lord and Miller used the concept of the series as a spring board for something much bigger and funnier, but without making fun of the original too much.
I’ve long given up on trying to figure out why certain films kill at the box office and others don’t. Take The Lone Ranger for instance. Much like it’s filmic cousin, Pirates Of The Caribbean, this film stars Johnny Depp as an offbeat character, was directed by Gore Verbinski and features a ton of fun action set pieces. And yet 2011’s POTC: At World’s End made over $1 billion worldwide and Lone Ranger pulled in a mere $206.5 million. At the end of the day, as a viewer, these things don’t matter to me aside from the fact that a poor performance in the real world will kill franchise potential which is too bad because I did like this film.
I was never a Lone Ranger fan. I remember the reruns being on the Disney Channel when I was a kid, but I avoided them (Zorro was more of my jam back then). I did read the first arc or so of Dynamite’s initial comic series which was solid, but that’s about where my experience ends. So, I went into this without many expectations and was pleasantly surprised by what I was presented with which was a big, fun popcorn movie featuring Armie Hammer developing into the Lone Ranger persona with the help of Tonto (Depp) while running afoul of the always-fantastic William Fichtner.
Sure, the film probably could have been a little shorter — it clocks in around the 2.5 hour mark as it is — but I didn’t find it lagging, personally. There’s a solid mix of character as Hammer’s John Reid moves from the law abiding district attorney he is at the beginning of the film to the masked vigilante at the very end. We even learn interesting things about why Tonto’s so crazy and get looks at a lot of interesting character as well as a bevy of train and shoot-out based action scenes that are always fun.
My one complaint about this film is that they went with the origin story. Much like with comic book films, I think that screenwriters, directors and producers fall into this trap when they’re making films based on existing properties and that is this desire to devote the first film to the character’s earliest days learning to be a hero. I’m personally much more in favor of the Die Hard method of action film storytelling in which you just show the lead being awesome and give details about their past as they’re needed. I wonder if a full-on Lone Ranger film would have done better than the story of the guy who becomes the Lone Ranger. Still, I enjoyed the movie, think it got a bad wrap and would suggest spending a lazy Saturday or Sunday giving it a watch.
The Michael Bay-produced Teenage Mutant Ninja Turtles flick from director Jonathan Liebesman got pushed back to August 8, 2014. This movie’s getting moved around more than the Turtle Van on patrol. Is there any hope it will be good? [via THR]
Word on the street is that Disney’s so pissed about the The Lone Ranger not making it’s money back yet that they’re restructuring their deal with producer Jerry Bruckheimer. In the past, his contract said that he had final cut, but that might not be the case anymore with Pirates Of The Caribbean 5. [TheWrap]
CW’s DC Comics-based Arrow is recruiting The Killing actress Bex Taylor-Klaus to play a character called Sin. In the comics, Sin is a girl trained for years to replace super-assassin Lady Shiva who gets adopted by Black Canary. [via THR]
Speaking of Greg Berlanti-created shows, the futuristic prison series Paradise got snatched up by NBC. Berlanti’s teaming up with Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter) to make the Prison Break-like show set in a version of Las Vegas that’s been converted into a giant prison. [via Deadline]
Divorces can be rough, especially when kids are involved. When Legendary split from Warners earlier this summer, some of the films the former financed were left without distribution. That was the case with Sergei Bodrov’s The Seventh Son, but don’t worry, the Jeff Bridges film will now be distributed by Legendary’s new partner Universal. [via TheWrap]
Warner Bros. snatched up a pitch by Mark L. Smith (Vacancy) called Herald about a Viking king that Leonardo DiCaprio may or may not play. [via Deadline]
James Cameron revealed to Visionaries that he was thinking of blue ladies well before he came up with the idea for Avatar. [via Movies.com]
Dig this crazy set from Brett Ratner’s Hercules. [via Dwayne Johnson’s Twitter]
Finally, this video reenacts the Peter/Chicken fight from Family Guy as performed by stuntwomen Jessie Graff and Tree O’Toole. [via Topless Robot]