I’ve long given up on trying to figure out why certain films kill at the box office and others don’t. Take The Lone Ranger for instance. Much like it’s filmic cousin, Pirates Of The Caribbean, this film stars Johnny Depp as an offbeat character, was directed by Gore Verbinski and features a ton of fun action set pieces. And yet 2011’s POTC: At World’s End made over $1 billion worldwide and Lone Ranger pulled in a mere $206.5 million. At the end of the day, as a viewer, these things don’t matter to me aside from the fact that a poor performance in the real world will kill franchise potential which is too bad because I did like this film.

I was never a Lone Ranger fan. I remember the reruns being on the Disney Channel when I was a kid, but I avoided them (Zorro was more of my jam back then). I did read the first arc or so of Dynamite’s initial comic series which was solid, but that’s about where my experience ends. So, I went into this without many expectations and was pleasantly surprised by what I was presented with which was a big, fun popcorn movie featuring Armie Hammer developing into the Lone Ranger persona with the help of Tonto (Depp) while running afoul of the always-fantastic William Fichtner.

Sure, the film probably could have been a little shorter — it clocks in around the 2.5 hour mark as it is — but I didn’t find it lagging, personally. There’s a solid mix of character as Hammer’s John Reid moves from the law abiding district attorney he is at the beginning of the film to the masked vigilante at the very end. We even learn interesting things about why Tonto’s so crazy and get looks at a lot of interesting character as well as a bevy of train and shoot-out based action scenes that are always fun.

My one complaint about this film is that they went with the origin story. Much like with comic book films, I think that screenwriters, directors and producers fall into this trap when they’re making films based on existing properties and that is this desire to devote the first film to the character’s earliest days learning to be a hero. I’m personally much more in favor of the Die Hard method of action film storytelling in which you just show the lead being awesome and give details about their past as they’re needed. I wonder if a full-on Lone Ranger film would have done better than the story of the guy who becomes the Lone Ranger. Still, I enjoyed the movie, think it got a bad wrap and would suggest spending a lazy Saturday or Sunday giving it a watch.