The High Five Podcast Episode 19 – New Teen Titans With Ben Morse Part 2

On this week’s episode of the podcast, my pal Ben Morse and I close out our conversation on the first three years’ worth of New Teen Titans comics from Marv Wolfman and George Perez! Follow Ben on Twitter and Instagram!

Between last week’s episode and this week’s I mentioned two interviews I read in prep for the episode. The Wolfman one is here, the Perez one is here.

We talked about a lot of other Titans-related books, here’s a few artistic representations. I couldn’t find an image of the Tom Grummett Titans poster online, but you can check out the one I had below!

If you want to drop me a line you can do so at high5tj at gmail dot com or follow me on Twitter and/or Instagram.

Halloween Scene: House Of Mystery, Animal Man & Flesh + Blood

I’ve mentioned my general plans for this year’s Halloween Scene and even discussed my history with Vertigo, so now it’s time to jump into the actual reviews! The first three books I tackled are the entire run of House Of Mystery, the fourth volume of Animal Man and the modern day vampire tale Blood + Water!

Continue reading Halloween Scene: House Of Mystery, Animal Man & Flesh + Blood

The Great Teen Titans/Outsiders Deep Dive Part 2 – A Kid’s Game & Looking For Trouble

In the inaugural installment of The Great Teen Titans/Outsiders Deep Dive, I got into Graduation Day and the short story “A Day After” from Teen Titans/Outsiders Secret Files & Origins 2003. Briefly, the former Titans and Young Justice teams called it quits after a time-traveling blue robot popped into the present and woke up a Superman Robot that killed Donna Troy. Of course, these being superheroes, they tend to flock to one another and two new books soon followed: Teen Titans and Outsiders. Today we’ll get into the first volumes of each series, which debuted in 2003! Continue reading The Great Teen Titans/Outsiders Deep Dive Part 2 – A Kid’s Game & Looking For Trouble

The Great Teen Titans/Outsiders Deep Dive Part 1 – Graduation Day & Secret Files 2003

When Teen Titans by Geoff Johns and The Outsiders by Judd Winick launched in 2003, I’d been reading comics for about a decade. I still loved them, but my reading habits had changed, mostly because I was in college and diving into my to-read pile Scrooge McDuck-style when I’d come home on breaks. I still read Wizard when I could, but my actual exposure to comics was very different than it had been.

And then at some point in my junior or senior year, I discovered that a nearby hobby shop sold comics. I can’t remember if I found this out myself or if this one girl I knew mentioned it, but I started buying a few books here and there. I stuck to ones that I knew I wasn’t getting in my pull box. I think the two I started reading were Runaways and Outsiders. Not bad choices, if I do say so myself. Continue reading The Great Teen Titans/Outsiders Deep Dive Part 1 – Graduation Day & Secret Files 2003

Alternate Universe Trade Post: Exiles Ultimate Collection Vol 2 & Revolver

Sometimes I grab a series of trades the purposefully have a connection while other times I just grab whatever looks interesting out of my boxes. In the case of this week’s post, I did the latter, but realized that I had a nice connection in that both the second Exiles book and Matt Kindt’s Revolver feature characters dealing with the differences in the realities they experience! Want to know more? Hit the jump! Continue reading Alternate Universe Trade Post: Exiles Ultimate Collection Vol 2 & Revolver

Trade Post: Exiles Ultimate Collection Book 1 (Marvel)

exiles ultimate collection vol 1 Exiles Ultimate Collection Book 1 (Marvel)
Written by Judd Winick, drawn by Mike McKone & Jim Calafiore
Collects Exiles #1-19

Sometimes a book comes along and just fits so perfectly in your wheelhouse that you wonder why you haven’t already mainlined the whole thing already. Exiles is that book for me. I’ve always been intrigued by the idea of the X-Men, but didn’t feel up to the challenge of diving into that incredibly dense continuity. I also love alternate world stories, so when Judd Winick — a writer I love — came along and combined the two in Exiles, I was on board. Well, not really because I didn’t read the book as it started coming out because I was graduating high school and heading into college at that point, but I was intrigued and kept it on my trade-watch radar. At this year’s New York Comic Con I scored the first, second, third and fifth volumes of the Exiles Ultimate Collection books for $5 each which was huge for me. I’m pretty excited about getting my hands on the two I’m missing, though maybe not the very last one which is all Chris Claremont. Still, I’ll have fun with the volumes I have (I hope) and see if I want to keep reading the rest.

The idea here is that a group of X-Men have been plucked from their alternate dimensions to work for an entity called the Time Broker who sends them on missions in other dimensions to help get the time stream back on track. If they fail, their own realities will suffer great changes that threaten their own lives. The great thing about this book is that it’s so completely in and of itself while also playing off of many of the themes and ideas presented in the main X-books as well as the Marvel Universe as a whole. Since Winick is working with a team of characters who “don’t matter” in the grand scheme of things at Marvel, he can do a lot more with them than you might expect. These first 19 issues are packed with character deaths, pregnancies, jokes, budding relationships, ridiculously difficult decisions, honest conversations and heaping helpings of ass kickery and explosions.

While building his own team, Winick also does a great job of building an interesting world within a world that explores all kinds of other worlds. There’s clearly a system at play with the Time Broker, but as the series progresses, we learn that the Exiles aren’t the only team of displaced heroes popping around dimensions. It’s one of the intriguing overarching elements that makes me want to keep reading all six volumes of the Ultimate Collection except for maybe that Claremont stuff.

One of my favorite aspects of this book is that Winick didn’t work in the typical six issue arc format. If a story needed one issue, he gave it one issue. If it needed three, it got three. This not only keeps the book moving at a good clip — something that’s much appreciated when reading nearly 20 issues of a comic in one collection — but also gives artists Mike McKone and Jim Calafiore the opportunity to do their own things with their own stories before trading off with one another. While McKone’s style is a lot smoother than Calafiore’s more angular one, they both excel at balancing the action scenes with the comedy gags Winick throws in via Morph, so they still feel like they’re working on the same coherent series.

This kind of book does something that not many Corporate Comics can: play with all the pieces of an existing universe and really have fun with it. By going the alternate universe route Winick was able to build his own team, while also creating a myriad of worlds worth their own miniseries’ in many cases. Since those worlds and these characters weren’t connected the main Marvel U, the stakes were much higher. Is Morph going to die in this issue? Are they going to actually save the world from Galactus? These are questions that not only get raised, but worried about because Winick didn’t have to play it safe. You feel pretty safe assuming those bad things won’t happen in a regular universe book, but pretty much anything can happen here.

New 52 Bat Trade Post: Batman & Robin, Batwing & Batman

Batman and Robin Volume 1 Born to Kill Batman & Robin Volume 1: Born To Kill (DC)
Written by Peter J. Tomasi, drawn by Patrick Gleason
Collects Batman & Robin #1-8

One of the more confusing aspects of DC’s New 52 initiative is that some books seem to carry over completely from the old continuity while others have gone in radically different directions. This only confuses older continuity geeks like myself who aren’t quite sure how all these Robins can fit in the same world now that Batman’s been around for a lot less time. You’re also dealing with a Teen Titans-less world in the way that most people know them, so where does that leave Batman and his relationship with Nightwing? It’s a slippery slope indeed, but not on the creative side. They’re setting everything up how they want to, it’s the continuity guys and gals who have to do their best to not slide into the infinite game of “what if” and instead just read these new stories as if they’re being told to us for the first time without any existing information. That’s how I tried to go into all three of these book and I had varying degrees of success with that.

I actually had the most trouble with Batman & Robin and not necessarily because I was comparing it to the books I’m familiar with, but because I didn’t really know what was going on for big chunks of the story. I mean that in both a confused-story kind of way and in a “That’s not how I think Batman should act” way. The story confusion came from the book’s main adversary, Nobody. I had no idea who this guy was and wasn’t sure if he had been around in the previous continuity or not. Now, this might seem contrary to my earlier statement that I was trying to put such things out of my mind, but the reason I kept wondering is because it took so long to explain who he was and where he came from. I didn’t want to know if he existed previously because I wanted to compare him to the original, I wanted to know if I was already supposed to know about this guy or not, information that wasn’t presented to me as a reader until pretty far into the tale.

While that confusion was at play, I also keep looking at this guy claiming to be Batman and feeling like he wasn’t jibing with the idea of the character I’ve had in my mind after over 20 years of comic reading. He spends most of the book telling his son — and current Robin — Damian not to follow him out on patrol because it’s too dangerous. He expects Damian to just listen to him and do what he says which anyone could tell you would not happen. For one of the smartest guys in the DCU, this recurring element — which he was doing to protect his son — just felt stupid and feeling smarter than Batman is not a reaction I like having while reading one of his comics in particular.

Artistically speaking I’m a pretty big fan of Patrick Gleason. He’s definitely got his own style and it works well on a book like Batman & Robin. The fact that I thought it also worked well in the Green Lantern Universe shows how diverse he can be. My one complaint in this department would be that some of the more zoomed-out panels seemed to lose definition. I’m not sure if that’s on his end or the coloring/inking department, but it was something I noticed, as if getting further away in some panels made everything lose focus.

batwing volume 1 the lost kingdom Batwing Volume 1: The Lost Kingdom (DC)
Written by Judd Winick, drawn by Ben Oliver with ChrisCross
Collects Batwing #1-6

Meanwhile, I had a great time reading Batwing, though it’s definitely an intense comic. If you’re already familiar with some of Winick’s DC work, it should come as no surprise that this book about, essentially, Africa’s Batman is packed with equal parts superhero craziness and social and political elements. In this case, the star of the book, David Zavimbe, is not an orphan who fights for justice, but a former child soldier trying to make up for some of the atrocities he committed in his younger days. As much as I love the classic Batman origin, I’ve got to say, Batwing’s actually rings a little truer to me than Bruce’s.

The story in this first volume revolves around the murder of several former African superheroes who collectively referred to themselves as The Kingdom. Though he’s fairly new to the superhero game, David does his best to figure out why these people are getting offed, which puts him into direct conflict with a real bruiser named Massacre. What I liked about the pacing of this story is that you continue to learn more and more about what’s going on, but there’s always more questions in the works. As we learn about David’s past, you can’t help but wonder why he decided to start wearing a costume or how long he can really do this with such rage and anger inside of him. Plus, there’s the more obvious mystery of who’s killing The Kingdom and more importantly why? These are the kinds of things that keep you coming back for a serialized story like this. I was satisfied enough with the given answers that I want to come back and give the second volume a shot to see how things pay off.

I wasn’t sure if I was going to like the art in this book, but found that it really fit with the story being told. I’m really bad at explaining these things, but Oliver has a style that almost makes his figures look like they’re three-dimensional objects superimposed on painted backgrounds. Does that make sense? Sometimes that kind of style — where the two elements look so disparate — takes me right out of the story, but in this case it brought a more grounded realism that really fit the tone of the book.

batman volume 1 court of owls Batman Volume 1: The Court Of Owls (DC)
Written by Scott Snyder, drawn by Greg Capullo
Collects Batman #1-7

Finally we have the one comic that most people tend to agree on as being one of the best monthly comics from DC these days: Scott Snyder and Greg Capullo’s Batman. After hearing a lot of the hype, already being a fan of Snyder’s non-superhero work and listening to him talk about the character on Kevin Smith’s Fat Man On Batman Podcast, I decided to finally jump in and see what all the fuss was about. And man, I agree with every good thing everyone’s saying about this book. It’s just fantastic.

The basic approach to this story is actually somewhat similar to what Grant Morrison did with Batman: R.I.P. and the Black Glove in that Bats discovers a long-standing group of bad guys who come out of nowhere only to come after the Dark Knight. Putting the comparison aside, though, this one is really a lot of fun and offerse a ton of Batman goodness to sink your teeth into.

I don’t want to get too deep into the details because I really don’t want to spoil anything (even though I’m probably the last person on earth to read this book), but one of the aspects I liked about this comic is that it’s really Batman’s story. Sure he interacts with Robin, Nightwing and Jim Gordon, but this is about him trying to figure out Gotham’s connection to the Court of Owls and how his own family ties into all that. Like I said above, I like continuity and Snyder’s doing a heckuva job building an all new one that more fully connects Batman and Bruce Wayne to Gotham City in ways that are both inventive and fun (from a reader’s perspective, I’m sure Bats doesn’t think all this is fun).

Speaking of fun, the visuals in this book are a delight to look at. I don’t have much experience with Greg Capullo’s Spawn work, but he certainly has the chops to nail Gotham in all its weirdness. The skyline looks interesting, but so do new additions like Talon and the Court of Owls masks. I liked staring at these pages as much as I did reading them. His style’s kind of cartoony in places, but I think that does a lot to break some of the tension and darkness of a story that’s not exactly smilesville.

At the end of the day I’m left feeling lukewarm, pretty interested and overly psyched about these books in that order. Batman & Robin didn’t do a lot for me and is already set up for a Sequential Swap. Meanwhile, I like the Batwing book mostly because of the creator and think it would have worked equally well as a creator owned Image book or something along those lines. Lastly, Snyder’s Batman does an amazing job of taking an existing character that I know and love and doing something that really adds to the mythos while also setting all of that in a new universe I’m growing to understand. I not only can’t wait to get the second volume, but also want to get his other Batman stuff like The Black Mirror and Gates Of Gotham which he co-wrote or plotted or somesuch. This guy is legit, you guys. Super legit.

My 12 Favorite Trade Reading Experiences Of 2012

I write about a lot of trades on this site, about two a week if I’m on my game. But, I actually read a lot more than that. So, this particular list is the 12 books or runs that I enjoyed the most reading or re-reading this year. Most of them have been covered on the site, but others have not. I’ll give the latter a few more words than the former, but hope you enjoy.
outsiders looking for trouble  I read all of Judd Winick’s run of Outsiders this year, but didn’t write about it? Why? Well, it was a pretty big reading project, something that makes it harder for me to write about as a whole. But, I still really enjoyed this reading experience. Winick brings a realness to superhero comics without letting it get too in the way (if that makes sense). I know a lot of people think he forces issues into books, but I think these are the kinds of things that should be talked about and seen. Anyway, this was a fun superhero reading experience that made me remember how fun the DCU was back when this book and Geoff Johns’ Teen Titans launched. Good times. starman-omnibus-vol-3I haven’t written about James Robinson’s Starman because I haven’t finished the last omnibus yet. I haven’t finished it because I kind of don’t want to finish it and I also need quiet time to really sit down and finish it. This series is up there with Preacher and Sandman for me in my list of all time favorites. It lives in my heart and I was elated to discover that I still like it. This is what shared universe superhero comics could and should be. legend of grimjack volume 1I know I just read the first two volumes of Grimjack, but the experience has stayed with me. I love that world and keep thinking of great ways it could be interpreted for different genres. Right now I’m thinking about a Crackdown/Amazing Spider-Man style video game set in Cynosure where you take on jobs or just spend your day drinking in Munden’s Bar. If you dig Hellboy, B.P.R.D. or 100 Bullets, I think you’ll enjoy Grimjack. Frankenstein Agent Of S.H.A.D.E. Volume 1 War of the MonstersI’ve had a lot of different feelings about DC’s New 52. At first I was upset that “my” versions of the characters would only survive in my trade shelves and long boxes. Then I realized that I don’t really read new issues anymore and I still have my collection (and books I’ve never read from that era) to enjoy. I also realized that I’m almost 30 and have better things to worry about. With that behind me, I was able to dive into various trades with a mostly clear head and enjoyed them for the most part. I appreciate how DC was attempting to hit all different kinds of genres and audiences, of course, not all of those attempts were successful. The least successful tries in my opinion, though, were the books that just failed to set up a basic reason why that book existed aside from “to make money.” I still have a pile of them to read and am getting a sense of the new U, which is kind of fun. secret avengers vol 1 mission to marsEven though I read the second arc of Ed Brubaker’s Secret Avengers first and the first second, I had a great time reading this “black ops” take on superheroes. Bru writing Captain America/Steve Rogers is always aces in my book, but throwing in a lot of other street level-esque characters was even cooler. I’ve only read these first two volumes, but was satisfied with Brubaker’s ability to create an enjoyable sci-fi/spy mash-up story that felt well contained while still making me want to read more. the return of king dougReturn of King Doug came out of left field for me. It was gifted to me by a pal and I knew nothing about it, but Greg Erb, Jason Oremland and Wook-Jin Clark reminded me so much of the kinds of stories I love from the 80s, but while also doing all kinds of new, funny things I enjoy. Read this now. bprd hell on earth 2 new world gods And MmonstersI’ve said this before, but one of the things I miss most about not working at Wizard anymore is access to all of the Hellboy and B.P.R.D. comics that came out. I’m super behind, but I did get my hands on some B.P.R.D. trades this year for a little catching up (Hell On Earth: New World and Gods And Monsters). That’s still the best damn comic series around and has been for a while. hulk red hulkI don’t mind playing catch-up on some books. I’ve been super happy re-reading things like World War Hulk and catching up on Hulk, Incredible Hulk and Red Hulk this year. Super fun, popcorn books mixed with well thought out ongoing superhero tales filled with monsters? Yeah, I’m all over that. izombie vol 2 uVAmpireI read the first iZombie trade in 2011, but was delighted to get my hands on the second and third volumes in 2012. I wrote about the second one here and have a post in mind talking about the third. Anyway, this series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen. So, so, so good. american vampire volume 1I’m pretty surprised there are two Vertigo books on here. It seemed like for a while I was reading nothing from them. Now iZombie and American Vampire are two of my faves. Then again Chris Roberson and Scott Snyder are two of the best newcomer writers around, so that’s no surprise. In this case, Snyder takes two things that have become old and boring — vampires and American history — and makes them both super interesting and intense. Can’t wait to see where the rest of this series goes.batman knightfall volume 1Batman: Knightfall Volume 1 was pure, nostalgic joy. All of the Batman comics that got me into Batman in one place in one fat volume? Yes, yes and yes. I have the second and third volumes waiting to be read. Maybe next month after knocking off a smattering of random trades I want to check out. lost_dogs_cover_sm_lgI don’t remember exactly why I didn’t write about Jeff Lemire’s Lost Dogs. It’s one of the few books I’ve bought through Comixology for my Kindle Fire. The long and short of it is that this story about a simpleton trying to save his family. It’s raw and rough and hits you in the gut. I don’t know if I liked the experience of reading this story, but it was certainly powerful. I can’t remember if it made me cry or not, but it came close.

I’m certain I missed a few books that I didn’t write about, but this is a pretty solid list by all accounts. I should probably branch out into more diverse trades and graphic novels — and I plan to — but what can I say? I love me some superheroes. I also happen to love all kinds of other comics, so let’s continue to make and talk about awesome comics.

New 52 Batman Trade Post: Catwoman The Game & Detective Comics Faces Of Death

Catwoman Volume 1: The Game (DC)
Written by Judd Winick, drawn by Guillem March
Collects Catwoman #1-6

Catwoman’s one of those characters I’ve had an on again, off again relationship with as a comic book reader. When I got into Batman books, it was during Knightfall and then Knightsend, which she played a part in. Not long after that, someone offered me a subscription to a comi, I went with Catwoman because it seemed fun and Jim Balent’s art looks pretty neat (and not just for the T&A factor, though I’m sure that didn’t go unnoticed at the time). I’d pick up issues here and there, but never really got into either the Ed Brubaker or Will Pfeifer stuff. I did love the character in the animated series and The Dark Knight Rises.

I’m not nearly as tapped in as I used to be, but I think there was some controversy about this book when it launched because Guillem March draws Catwoman very sexy and because she has sex with Batman at the end of the first issue and into the second. As I said when I read the first issue a few months back, that doesn’t bother me. I talked to a few friends and the point one of them made was that it might be a bad choice having one of the marquee characters in your universe raw dogging it with a criminal the first month of production. I get that, but, again, it didn’t bother me.

I’ve taken a new kind of approach to comics lately. I don’t so much care about one big cohesive universe or continuity anymore. The way I look at Big Two comics now is that a writer comes in, has access to all the past stories that have been written about said character (basically, the building blocks) and they construct their story with whichever blocks they choose while adding their own. I liked the ones Winick decided to play with. This Catwoman is a thief who steals out of greed, but still has a good heart, a code of ethics and a few friends she’s very attached to.

In the process of doing her thing, Selina Kyle finds herself with one less friend and in the presence of a man who wronged her greatly in the past. Seeing how she reacts to these situations gives us a chance to see how she really is and it’s not always as pretty as March’s art might make it seem. I got a very film noire/detective vibe from this story. Catwoman’s not a good character, but she does some good things and you wind up on her side even if you don’t think you’d do the same things in her situation (or be in that situation in the first place).

I’ve been a fan of Winick’s on books like The Outsiders, Green Lantern and Green Arrow, so I wasn’t surprised I’d like this book. I think there’s one more volume before he bounces right? I’ll give that one a read if I can get my hands on it.

Batman – Detective Comics Volume 1: Daces Of Death (DC)
Written & drawn by Tony Daniel with Szymon Kudranksi
Collects Detective Comics #1-7

I was less interested in Tony Daniel’s take on Batman in Detective Comics. This doesn’t have anything to do with my thoughts on Daniel — I like him quite a bit — the problem is that I think I’ve reached my fill of basic Batman stories. I have no idea where I read this, but I remember someone writing that they think some comic readers have a certain amount of a particular character’s story they can read and then they’re all filled up, the idea being that most writers can only do so much with a particular character (either because of their own level of ability or what the editor wants to see). While I can still read Catwoman stories, I’m just not sure how interesting I find another story where Batman has to track down a group of unknown criminals and deal with them in time to save an innocent (in this case Jim Gordon).

Don’t get me wrong, though, Daniel did some really cool things in this book. I actually like how he came up with a small army of new villains, either as part of Dollmaker’s crew or Penguin’s new pals. I also thought making Penguin’s club, The Iceberg Lounge into the floating Iceberg Casino is a great idea. I also appreciate the kind of old school Batman nature of the story which not only involves the aforementioned bad guys in outlandish costumes, but also a scene where Batman’s strung up like a puppet and has to fight four dudes dressed as Joker in the same states. That’s just a fun, weird idea that works when you’re dealing with guys in bat suits and, well, someone as bugnutty as Joker.

The Joker stuff is actually part of the only real, concrete thing about the book I didn’t like: it’s super dark. The Dollmaker’s people are all literally sewn together from other people, Joker’s face gets chopped off (and later shows up in Suicide Squad, which made that story make a lot more sense to me) and a handful of other nasty things happen. Don’t get me wrong, I don’t think these elements are inappropriate by any means, but to return to my above metaphor, they’re not the kind of blocks I’m as interested in reading as I might have once been. I’ve also read plenty of Batbooks along those lines in my years of fandom, so I might just be plain full up.

We Want Action: Batman Under The Red Hood (2010)

At this point, I’m solidly in love with Warner Bros.’ animated DC movies. Check out my post about Superman/Batman: Apocalypse, which I just reviewed recently. When I first heard that the Red Hood story which brought formerly dead Robin Jason Todd back from the dead after being pummeled to death by the Joker. His return was explained by the fact that Superboy Prime was punching walls leading up to Infinite Crisis which sent shock waves throughout reality that changed it in various ways. I actually dug the story which was written by Judd Winick, a favorite of mine, though it was one of the worst kept secrets in comics when the issues were coming out. Who was under the red hood? Who else? Of course it would be Jason Todd. To call the story controversial would be an understatement, but even worse has been Todd’s treatment since he returned. Bruce Jones wrote some of the worst comics of all time with the One Year Later Nightwing issues which starred Todd taking on Dick Grayson’s identity to fight crime. He then got sucked into the pointless nonsense that was Countdown which eventually turned him into Red Robin, which referred to Dick Grayson’s Kingdom Come identity. Now his early days are being retold thanks to Winick in a mini that I’ve enjoyed from the few issues I’ve read. It would actually seem that Winick incorporated elements from that mini in this movie, which he also wrote the scripts for.

I watched the movie with the missus and we can’t remember if she read the issues or not, but she remembered at least parts of the story from flashbacks and whatnot. My main worry was that this story might be a little too inside comic ball to work for the uninitiated, but she enjoyed the movie as much as I did. The inclusion of our shared favorite actor Neil Patrick Harris as the voice of Nightwing helped a lot and was an interesting take on the character: that of brash hero that reminded me of how much I actually miss seeing Nightwing in the DCU. Dick as Batman makes a lot of sense, but I always liked the lighter version of Batman that he created for himself as Nightwing.

Anyway, the story follows along pretty closely to that of the comic with just a few changes to streamline things and take out all the Infinite Crisis references. There isn’t a box full of colored Kryptonite and Nightwing doesn’t come into the fight hurt, though he does leave it that way. And, most importantly, Jason wasn’t resurrected by other-dimensional wall-punching but thanks to Ra’s al Ghul who hired the Joker to distract Batman but never expected or wanted Robin to be murdered. In an attempt to make it up to Batman, Ra’s switched Jason’s body with a double and put the actual corpse into the Lazarus Pit which turned the boy quite mad. Soon enough he showed up in Gotham making a play for Black Mask’s territory and having all kinds of run ins with various hoods.

Action-wise, there’s equal amounts of good and bad. When it comes to the bad, the moments aren’t super important, but did rub me the wrong way a little. There’s a scene where Batman’s chasing the Red Hood. Bats is driving the Batwing while Todd’s in a car speeding along. The scene is well choreographed, but my problem lies in the fact that they used CGI vehicles instead of traditional animation like the rest of the movie. That always bugs me. The other sticky situation was when Batman and Nightwing were chasing Red Hood on foot over various rooftops. Anything through the air looks awesome (I actually really like how acrobatic Nightwing comes off), but when the characters are actually running they look kind of ridiculous. I think it’s their arm movements, but those scenes took me right out of the moment.

Aside from those quibbles, though, the movie’s damn good. The fight where Batman and Nightwing square off against the Amazo robot was tons of fun. The animation choreographers did a great job of showing how in-sync these two fighters are. There’s also a scene where Batman and Red Hood fight a quartet of armored foes with various abilities that was a lot of explosive fun. But the real fulcrum of the story rests on the relationship between Jason and Bruce. Jason blames Bruce not so much for his death, but for letting the Joker run around after he killed Jason. Jensen Ackles, an actor I’ve only seen in My Bloody Valentine 3D, does a surprisingly good job with the speech that actually hit me in the gut a little. I was kind of surprised they didn’t shy away from this and now have even more respect for these movies. They’ve got home runs in both original interpretations of characters like Green Lantern and Wonder Woman and straight-up adaptation of stories like the various Superman/Batman arcs and now Red Hood. I’m extremely looking forward to whatever comes out next.