We Want Action: RED (2010)

With all the election nonsense clogging up the airwaves last night, the missus and I decided to have ourselves a little dinner and a movie date and saw RED and The Destinta, an awesome independent theater near our place that does discount tickets on Tuesdays. We decided on this flick because the missus liked the cast and we both figured this would be better to watch on the big screen than a drama or comedy. And, boy, did we both have a lot of fun with the flick.

The idea is that Bruce Willis, a retired CIA agent has been marked for death. Since he’s been flirting with customer service rep Mary-Louise Parker has been targeted to, so he grabs her and goes on a cross-country chase trying to figure out why Karl Urban’s after him, enlisting the help of fellow older killers Morgan Freeman, John Malkovich, Helen Mirren and Brian Cox. With the exception of a few stiff line delivers, I think this might be Willis’ best movie in a while (Cop Out was okay, Surrogates was interesting, but didn’t really take up much rent space in my brain) because the action is solid (though I wish they hadn’t shown that scene of him getting out of the spinning car in the previews because it takes away a little bit of the awesomeness having seen it a billion times in the commercials). I was worried that Freeman and Mirren might have just signed up for this flick for a paycheck, but it seemed like they had a good time, or at least took it remotely seriously. I liked Parker more in this one movie than almost all of Weeds. Urban really proved himself to me in this flick. He was great in Star Trek, but he was basically interpreting someone else’s performance in that movie and really got to show what he can do in this one from both an acting and action perspective. And, damn, Malkovich as the paranoid-but-right dudes was just so damn perfect.

For whatever it’s worth, I didn’t read the comic the movie is loosely based on written by Warren Ellis and drawn by Cully Hamner. It came out while I was in college and working solely off of my established pull list. I don’t think I’d read any Ellis books at that point and it doesn’t sound like I’ve missed a whole lot. RED sounds very violent and pretty basic, kind of like Ellis’ later team-up with Hamner for Top Cow Down, which I read and dug, but don’t even think I’ll need to revisit. The movie, on the other hand, I think I’ll watch a few more times, especially if it comes on on a Saturday afternoon or I come across it on Instant. It’s fun and funny and has a nice, but not too gooey, romantic plot that doesn’t diminish any of the characters.

I had three random thoughts while watching this movie. First off, I think they filmed the rocket launcher scene in this movie (which was awesome all around, by the way) in the same place they filmed the finale of The Losers, which is kind of funny because they’re both movies based on obscure comic properties owned by DC. I don’t know what they call those giant, rectangular metal shipping boxes, but that’s what tipped me off. Second, related to the first, actually, is that the trailer was randomly spoilery. So, SPOILER WARNING if you care. One major and one minor plot point can be figured out just by watching the trailer. The major one is that Freeman isn’t really dead after the attack in the nursing home, which you know because you see him with Mirren in the preview. The minor one is that the red headed woman is actually following them. Malkovich hassles the lady, but you’re supposed to just think he’s paranoid. Of course, if you’ve seen the commercial for the movie, you know she’s the one that fires the rocket at him. And finally, I wonder if Kevin Smith had problems with Willis on the set of Cop Out. On the most recent Smodcast (#143), Smith mentioned that the main different between filming Cop Out and Red State is that on the former there was someone who clearly didn’t want to be there and on the latter everyone was excited to make the movie. You’d think it would be between the two leads–Tracy Morgan and Bruce Willis–if it caused a certain amount of problems or headaches, but Smith defended Morgan on Twitter the other day, so I’m wondering if he was referring to Willis. For what it’s worth, Smith has also praised Adam Brody and Kevin Pollack in various podcasts, which seems to leave Willis. Knowing Smith, I wouldn’t be surprised if he eventually came out and told that tale. I’d definitely be curious to hear it and also figure out if I was right.

Just Finished Weeds Season 5

I could have sworn I’d gone on a rant about Weeds on UM before, but as far as I can tell, I haven’t, so here’s a brief summation of why I didn’t like the show going into the fifth season. First and foremost it seems like the writers on the show dig themselves into a hole on a regular basis and then take the most unlikely, yet easiest way out (from a writing stand point at least). I also have a problem with Nancy Botwin as a character because she has had a ridiculous number of opportunities to get herself and more importantly her family out of the shit storm she’s created for herself and them, and yet, she never does, always getting sucked back into the danger and whatnot.

But, the missus likes the show and we needed to watching something today (the TV’s still broken, but I figured out how to hook the Xbox up through the DVD player so we can watch Netflix Instant) and I decided to bite the bullet and just watch it with her. And you know what? It wasn’t bad. Maybe it’s because we watched the entire 13 episode season in one day, which didn’t give me enough time to really focus on the problems, but I liked how the story flowed and how the season finale didn’t end with every single problem getting wiped away, ready for Nancy to get a whole new crop of her own. Maybe it’s because several people called Nancy on all her bullshit on a more regular basis, from Andy to her oldest son Silas (who didn’t do it to her face, but it’s good to know everyone else thinks she’s a screw up).

I won’t go through the whole season, but I will mention a few parts that I dug. First off, Celia’s daughter trying to ransom her and NO ONE wanting to pay for her was a pretty hilarious joke running throughout the season opener. They did the gag from enough different angles that it didn’t get stale, which something like that easily could have in a half hour show. I also liked seeing Doug and Dean getting chummy again, but I’m not sure if it’s a good sign for the show that they’re going back to such old plot lines. Speaking of which, Celia’s attempt at becoming her own drug kingpin was laughable, both in execution and presentation. Again, I wish they would have done something else with her this season after she got back in the country. Also, damn, Alanais Morissette, came out of nowhere and delivered a performance that not only made me like her character and want to hang out with her, but forget how bored I was even as a teenager by her musical image. And finally, I loved all of the live-in bodyguards this season, but Ignacio was spectacularly entertaining. Overall, the season went at a pretty breakneck pace which felt rushed (Silas and Doug’s shortlived legal pot store) and perfectly paced (jumping six months to get closer to the baby’s birth).

So, if I was left to my own devices, I would have stopped watching the show a while back. The missus’ interest might have dragged me through some really crappy storytelling, but I really enjoyed this season, laughing more than I remember ever before. I didn’t even want to drop kick Shane the whole season like I usually do, so that’s a helluvan improvement.